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[en] DIRECT TRANSLATION VS. INDIRECT TRANSLATION: THE CASE OF RUSSIAN LITERARY WORKS IN PORTUGUESE / [pt] TRADUÇÕES INDIRETAS VS. TRADUÇÕES DIRETAS: O CASO DE OBRAS RUSSAS EM PORTUGUÊSCLERIO VILHENA DOS REIS 03 August 2010 (has links)
[pt] A tradução de clássicos feita diretamente a partir do seu idioma original
tornou-se um grande chamariz para os leitores. Assim, obras literárias já
conhecidas há muito tempo do público brasileiro através de traduções indiretas,
principalmente do inglês e do francês, estão sendo reapresentadas agora sob a
forma de traduções diretas. Diante do impacto da literatura russa no Ocidente a
partir do final do século 19, esta dissertação tem como objeto de estudo as
traduções diretas e indiretas para o português de dois grandes autores russos,
Tolstói e Dostoiévski, tomando como base a teoria dos polissistemas (Even-
Zohar, 1990) e os Estudos Descritivos da Tradução (Toury, 1995; Lefevere,
1992). A partir de comentários elaborados por teóricos e estudiosos da literatura,
críticos e tradutores, procura-se determinar a imagem desses autores e de suas
respectivas obras - e também da própria literatura russa como um todo - construída por essas traduções, bem como verificar em que medida a imagem
resultante das traduções diretas recentemente publicadas difere daquela produzida
pelas transposições indiretas. / [en] Direct translations of classic works from the original language have
become a major factor used by the publishing industry to attract the reading
public. Thus, literary works that had originally reached the Brazilian reading
public via indirect translations, primarily from an English or French source text,
are now being rendered into Portuguese directly from Russian originals.
Considering the impact that Russian literature had in the Western world when it
started to circulate in translation in the late 19th century, this thesis focuses on
direct and indirect translations into Portuguese of the work of two great Russian
authors, Leo Tolstoy and Fyodor Dostoievsky. The study is informed by
polysystem theory (Even-Zohar 1990) and Descriptive Translation Studies
(Toury, 1995; Lefevere, 1992) and aims, through the analysis of comments
produced by literary theoreticians, scholars, critics, and translators, both to
determine the image of these authors and their respective works - and of Russian
Literature as a whole - that was constructed by these translations and to verify to
what extent the image resulting from recent direct translations from the original
Russian texts differs from that which was produced by indirect renderings.
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Transferências culturais via tradução nas revistas O Archivo (1846) e Revista Americana (1847-1848)Silva, Camyle de Araújo 04 March 2016 (has links)
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Previous issue date: 2016-03-04 / This work aims to investigate the circumstances surrounding the practice and publication of literary translations in the periodical press of the Northeast of Brazil in the mid-nineteenth century, based on the magazines O Archivo (Maranhão, 1846) and Revista Americana (Bahia, 1847-1848). In both magazines, we identified 47 translations of literature. To present this panorama, we treat the corpus based on the theoretical and methodological concept, Cultural Transfer, by Michel Espagne (2012), and the economic and ideological view handled by Pierre Bourdieu through the work of Joseph Jurt (2007). Focusing on the support where these translations were propagated – the magazine – the works of Socorro de Fatima Pacífico Barbosa (2007), Katia Aily Franco de Camargo (2014), and Tania Regina de Luca (2008; 2014) about the periodical press guided us. Initially we present a quantitative corpus analysis based on the work of Lüsebrink and Reichardt (1994), aiming to approach the translation scenery in periodical press of the nineteenth century. Then, we present a descriptive analysis of each literary translations found, having as a starting point the schematic picture adapted from Lambert (2011). Therefore, we investigated the cultural mediation instances through contextual analysis of the translations identified in the two magazines, in association with their respective contexts and source texts, in order to present a mosaic of the foreign cultural memory present in the Northeast of Brazil in the nineteenth century. The work is divided into four chapters: in Chapter 1, we present an introductory look at literature and translation in the context of periodical press in the Northeast of Brazil in the nineteenth century; in Chapter 2 is a brief historical background of the periodical press in the nineteenth century, concerning O Archivo and Revista Americana; in Chapter 3, we present an overview of the translations of literature found in both magazines, exposing a quantitative map of what was translated regarding literature; finally, in Chapter 4, we present a descriptive analysis of the translations of literature found, characterizing the translation practices and strategies, demonstrating the importance of translating for the formation of the cultural and social context and for the formation of the national literature canon. / O presente trabalho tem como objetivo geral a investigação das circunstâncias que envolvem a prática e a publicação de traduções de literatura na imprensa periódica do antigo Norte brasileiro de meados do século XIX, tendo como referência as revistas O Archivo (Maranhão, 1846) e Revista Americana (Bahia, 1847-1848). Nas duas revistas, identificamos 47 traduções de literatura ao todo. Para apresentar tal panorama, tratamos do corpus com base no conceito teórico-metodológico de Transferências Culturais de Michel Espagne (2012), e no viés econômico-ideológico tratado por Pierre Bourdieu através do trabalho de Joseph Jurt (2007). Sem perder de vista o suporte em que foram veiculadas essas traduções – revista –, nos pautaremos principalmente nos trabalhos de Socorro de Fátima Pacífico Barbosa (2007), Katia Aily Franco de Camargo (2014), e Tânia Regina de Luca (2008; 2014) acerca da imprensa periódica. Dessa maneira, apresentamos inicialmente uma análise quantitativa do corpus com base no trabalho de Lüsebrink e Reichardt (1994), visando nos aproximar do cenário de tradução e imprensa periódica do século XIX, cenário este que nos aprofundamos ao expor a análise descritiva de cada uma das traduções, cujo ponto inicial será o quadro esquemático adaptado de Lambert (2011). Sendo assim, procuramos investigar as instâncias de mediação cultural através da análise contextual das traduções identificadas nas revistas supracitadas, em relação aos seus respectivos contextos e textos de partida, visando identificar o caminho percorrido entre os espaços de partida e chegada para apresentar um mosaico da memória cultural estrangeira presente no antigo Norte brasileiro do século XIX. Isso posto, o presente trabalho encontra-se dividido em quatro capítulos: no Capítulo 1, apresentamos um olhar introdutório sobre literatura e tradução no contexto de periódicos do antigo Norte brasileiro no século XIX; no Capítulo 2, apresentamos um breve cenário histórico da imprensa periódica no século XIX, situando as revistas maranhense e baiana; no Capítulo 3, apresentamos um panorama geral das traduções de literatura encontradas em ambas, expondo um mapeamento quantitativo do que era traduzido nas duas revistas no tocante à literatura; por fim, no Capítulo 4, apresentamos uma análise descritiva das traduções de literatura encontradas, caracterizando práticas e estratégias tradutórias e demonstrando a importância de traduzir para a formação do contexto cultural e social e para a formação do próprio cânone de literatura nacional.
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Do exotismo à denúncia social: sobre a recepção de Quarto de Despejo, de Carolina Maria de Jesus, na Alemanha / From exotism to social denounce: on the reception of Quarto de despejo by Carolina Maria de Jesus in GermanyRaquel Alves dos Santos Nascimento 29 February 2016 (has links)
Esse trabalho visa examinar o potencial e o impacto da recepção, na Alemanha, do livro Quarto de Despejo, de Carolina Maria de Jesus (Sacramento, 14 de março de 1914 São Paulo, 13 de fevereiro de 1977), valendo-se para tanto de resenhas de jornais alemães publicadas sobre a obra e a autora para reunir elementos que nos possibilitem entender como e por meio de quais recursos e agentes, a tradução de Quarto de despejo alcançou sete edições naquele país. A moldura teórica para a esta pesquisa fundamenta-se nos Estudos Descritivos da Tradução - (TOURY 1995), (LÉFEVÈRE, 1992) e a teoria dos polissistemas de Even-Zohar (1979); bem como o conceito de paratexto de Genette (1987) - que marcam na década de 1970 uma mudança na maneira de estudar e entender a tradução de literatura, depositando seu foco no produto do traduzir, em seu público alvo e recepção. Também pilar dessa pesquisa é o trabalho com o corpus que tem por base a Linguística de Corpus que viabilizou a identificação de palavras-chave nos textos estudados. Estas nos permitiram mapear eixos temáticos, a partir dos quais apontamos aqui algumas condicionantes da recepção da obra, tanto em uma perspectiva sincrônica ao examinar cada texto em particular, quanto diacrônica ao estudar a evolução de conceitos no tempo. Estas condicionantes evidenciaram, a partir da repercussão de Quarto de Despejo e de Carolina de Jesus, um deslocamento do interesse na recepção da literatura brasileira traduzida na Alemanha do exotismo para a denúncia social. / This paper aims at examining the potential and impact of the book reception Quarto de despejo (Child of the Dark) by Carolina Maria de Jesus (1914 1977) in Germany, by making use of German newspaper reviews published on the work and life of the author, in search of elements to understand how and by which resources and agents, the translation of Quarto de despejo hired seven editions in that country. The theoretical framework for this research is based on the Descriptive Translation Studies - (TOURY 1995), (LÉFEVÈRE, 1992), Even-Zohar\'s (1979) polisystems theory, Genette\'s (1987) paratext concept - and working with the corpus that is based on the Corpus Linguistics. The latter enabled the identification of key words in the studied texts, which allowed us to map out possible themes, from which we point out some conditions of the works reception, both on a synchronic perspective to examine each text in particular, and on a diachronic one to study the evolution of concepts in time. These conditions showed, based on the repercussion of Quarto de Despejo and its author Carolina Maria de Jesus, a transition on the brazilian literature reception interest in Germany from exotism to social denounce.
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Translating Feminism in 'Systems': The Representation of Women's Sexual and Reproductive Health and Rights in the Chinese Translation of Our Bodies, OurselvesLi, Boya 03 July 2018 (has links)
This thesis examines the trans-border circulation and production of feminist knowledge through translation. More specifically, my research focuses the translation of the U.S. women’s health book, Our Bodies, Ourselves, by a Chinese feminist NGO in 1998. My dissertation studies the social, cultural and political aspects of feminist translation, and examines the relation between translation and feminist praxis. Through the lens of gender and (feminist) health politics in 1990s China, I examine how the 1998 Chinese translation conveys the book’s message about how women should relate to their bodies.
Set in the context of Chinese society opening up during the late 1970s, my research outlines the emergence of gender awareness in China with the influx of translated feminist texts, especially in the realm of women’s health research. Medical discourses were then assigned a privileged position in the studies of women’s sexual and reproductive health. However, with increased communications between Chinese and foreign feminists, Chinese women scholars developed new ideas around women’s sexual and reproductive health. The Chinese translation of OBOS addresses the lack of gender awareness in local discussions about women’s health.
With a multi-method study, I emphasize the social and linguistic dimensions of translating a feminist health project into post-reform China. This study is based on both interview and comparative textual analysis data. Using feminist translation theories, I examine how the Chinese translators handled the book’s presentation of women’s sexuality and reproductive health. This thesis also highlights the constraints on translating feminism from the local context. This raises questions about the power of (feminist) translation, and emphasizes the need to examine the social-political context of translation practices.
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A comparative analysis of stylistic devices in Shakespeare’s plays, Julius Caesar and Macbeth and their xitsonga translationsBaloyi, Mafemani Joseph 06 1900 (has links)
The study adopts a theory of Descriptive Translation Studies to undertake a comparative analysis of stylistic devices in Shakespeare’s two plays, Julius Caesar and Macbeth and their Xitsonga translations. It contextualises its research aim and objectives after outlining a sequential account of theory development in the discipline of translation; and arrives at the desired and suitable tools for data collection and analysis.Through textual observation and notes of reading, the current study argues that researchers and scholars in the discipline converge when it comes to a dire need for translation strategies, but diverge in their classification and particular application for convenience in translating and translation. This study maintains that the translation strategies should be grouped into explicitation, normalisation and simplification, where each is assigned specific translation procedures. The study demonstrates that explicitation and normalisation translation strategies are best suited in dealing with translation constraints at a microtextual level.
The sampled excerpts from both plays were examined on the preference for the analytical framework based on subjective sameness within a Skopos theory. The current study acknowledges that there is no single way of translating a play from one culture to the other. It also acknowledges that there appears to be no way the translator can refrain from the influence of the source text, as an inherent cultural feature that makes it unique. With no sure way of managing stylistic devices as translation constraints, translation as a problem-solving process requires creativity, a demonstration of mastery of language and style of the author of the source text, as well as a power drive characterised by the aspects of interlingual psychological balance of power and knowledge power. These aspects will help the translator to manage whatever translation brief(s) better, and arrive at a product that is accessible, accurate and acceptable to the target readership. They will also ensure that the translator maintains a balance between the two languages in contact, in order to guard against domination of one language over the other.
The current study concludes that the Skopos theory has a larger influence in dealing with anticipating the context of the target readership as a factor that can introduce high risk when assessing the communicability conditions for the translated message. Contrariwise, when dealing with stylistic devices and employ literal translation as a translation procedure to simplification, the translator only aims at simplifying the language and making it accessible for the sake of ‘accessibility’ as it remains a product with communicative inadequacies. The study also concludes by maintaining that translation is not only transcoding, but the activity that calls for the translator’s creativity in order to identify and analyse the constraints encountered and decide on the corresponding translation strategies. / African Languages / D. Litt. et Phil. (African Languages)
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Translating national identities in the (political) diplomatic discourse between China and the West from 1792 to 1867Zheng, Xinnian 06 1900 (has links)
By combing DTS with a three-dimensional model adapted from DHA, we aim to study the discursive construction of national identities in (political) diplomatic discourse between China and the West, from a translation perspective. Specifically, we examine the translation of national affiliations and forms of address between 1792 and 1867, when China was experiencing a national identity crisis. We describe and explain what and how the Chinese and Western national identities were constructed by translation, using mainly qualitative analysis, supported at times by quantitative analysis. We also investigate the extent to which translators have aligned themselves with the governments they served, and the norm they followed before and during the identity crisis.
Traditionally, discourse-historical approach (DHA) has typically been applied to study the discursive construction of national identity in political discourse. However, DHA has not yet taken into account the phenomenon of translation, though translation is an important tool for constructing and promoting national identities. Meanwhile, translation studies (TS) on national identity have traditionally not adopted DHA, though DHA has been typically applied to study the construction of national identity in political discourse. Moreover, TS on national identity often focuses on linguistic and political tensions within a bilingual or multilingual nation or institution. However, national discourse in intercultural clashes between two distinct countries also remains to be explored.
Our corpus is collected from historical discourse in diplomatic missions and discourse of diplomatic officials, which consists of 29 letters and proclamations with a total word count of 25,794. The results of this study show that the affiliations of translators shaped their translation strategies in constructing national identity. Translators who claimed allegiance to the Qing court tended to follow the norm of tributary discourse to construct a discourse where the Chinese national identity appeared superior and Sinocentric, while the Western national identity appeared inferior and subordinate. However, norms are not fixed but open to change. During the Chinese national identity crisis, the gradual change in translation regularities and the abolition of certain discursive practices via an official statement from the authorities reflected a weakening of the norm of tributary discourse. This evolution of the norm could reflect, at least in part, China’s changing attitude toward the West and the transformation of Chinese national identity.
Our study contributes to PDA, political discourse translation, and translation history. Firstly, it extends the traditionally monolingual application of DHA to the bilingual context of DTS, proving that the discipline of (D)TS and DHA benefit from interdisciplinary cooperation, thus pointing to a promising direction in PDA and political discourse translation. Secondly, our study enriches TS on identity and ideology by studying different forms of power struggles in political discourse, thus enlarging the variety of political discourse and advancing a more extensive PDA. Thirdly, our study provides refreshing insights into textual markers, namely, national affiliations, nominal and pronominal forms of address, for studying identity issues in translated political discourse. Last but not least, our study contributes to the studies in the translation history of 19th-century China. / En combinant les études descriptives de la traduction (DTS) avec un modèle tridimensionnel adapté de l’approche historique-discursive (DHA), nous visons à étudier la construction discursive des identités nationales dans le discours diplomatique (politique) entre la Chine et l’Occident, du point de vue de la traduction. Plus précisément, nous examinons la traduction des affiliations nationales et des formes d’adresse dans le discours diplomatique (politique) entre 1792 et 1867, alors que la Chine traversait une crise d’identité nationale. Nous décrivons et expliquons comment les identités nationales chinoises et occidentales ont été construites par la traduction, en utilisant principalement une analyse qualitative, parfois soutenue par une analyse quantitative. Nous étudions également dans quelle mesure les traducteurs se sont alignés sur les gouvernements qu’ils servaient et la norme qu’ils suivaient avant et pendant la crise d’identité.
Traditionnellement, l’DHA a été appliquée pour étudier la construction discursive de l’identité nationale dans le discours politique. Cependant, l’DHA n’a pas encore pris en compte le phénomène de la traduction, bien que la traduction soit un outil important pour la construction et la promotion des identités nationales. Par ailleurs, les études de traduction (TS) sur l’identité nationale n’ont généralement pas adopté l’DHA, bien que l’DHA ait été typiquement appliquée pour étudier la construction de l’identité nationale dans le discours politique. En outre, les TS sur l’identité nationale se concentrent souvent sur les tensions linguistiques et politiques au sein d’une nation ou d’une institution bilingue ou multilingue. Cependant, le discours national dans les conflits interculturels entre deux pays distincts reste également à explorer.
Notre corpus est recueilli à partir du discours historique dans les missions diplomatiques et le discours des fonctionnaires diplomatique, qui se compose de 29 lettres et proclamations, avec un nombre total de mots de 25794. Les résultats de cette étude montrent que les affiliations des traducteurs ont influencé leurs stratégies de traduction dans la construction de l’identité nationale. Les traducteurs qui se réclamaient allégeance à la cour Qing avaient tendance à suivre la norme du discours tributaire pour construire un discours où l’identité nationale chinoise apparaissait supérieure et sinocentrique, tandis que l’identité nationale occidentale apparaissait inférieure et subordonnée. Toutefois, la norme n’était pas figée mais susceptible d’évoluer. Pandent la crise de l’identité nationale chinoise, le changement progressif des régularités de traduction et l’abolition de certaines pratiques discursives par une déclaration officielle des autorités reflétaient un affaiblissement de la norme du discours tributaire. Cette évolution de la norme pourrait refléter, au moins en partie, le changement de l’attitude de la Chine envers l’Occident et la transformation de l’identité nationale chinoise.
Notre étude contribue à l’analyse discours politique (PDA), à la traduction du discours politique et à l’histoire de la traduction. Premièrement, elle étend l’application traditionnellement monolingue de l’DHA au contexte bilingue des DTS, prouvant que la discipline des (D)TS et de l’DHA bénéficient de la coopération interdisciplinaire, indiquant ainsi une direction prometteuse pour l’PDA et la traduction du discours politique. Deuxièmement, notre étude enrichit les TS sur l’identité et l’idéologie en étudiant différentes formes de luttes de pouvoir dans le discours politique, élargissant ainsi la variété du discours politique et faisant progresser le PDA plus étendue. Troisièmement, notre étude apporte un éclairage nouveau sur les marqueurs textuels, à savoir les affiliations nationales, les formes nominales et pronominales de l’adresse, pour étudier les problèmes d’identité dans le discours politique traduit. Enfin, notre étude contribue aux études sur l’histoire de la traduction en Chine au 19ème siècle.
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The role of Bible translation in the development of written Zulu: a corpus-based studyMasubelele, Mthikazi Roselina 25 August 2009 (has links)
While translation can be studied with a view to throwing light on a number of aspects in life, in this thesis translation has been researched with a view to outlining the development of written Zulu from its earliest stages, using twelve texts of the Book of Matthew. The Book of Matthew has been chosen in this undertaking because it was the first book of the Bible to be translated into Zulu and was thought to be the most apposite instrument with which the development of written Zulu could be measured. The polysystem theory and the descriptive approach to translation studies are the theoretical models that inform the arguments presented in this study. Polysystem theory sees translated literature as a system operating in the larger social, literary and historical systems of the target culture, while with the descriptive approach translations are regarded as facts of the target culture. Against this premise the focus of this study is mainly on the twelve translations of the Book of Matthew and no comparisons between source and target texts are undertaken here. Corpus-based research provided tools such as WordSmith Tools 3.0 for linguistic analysis. Biblical texts were obtained, scanned and presented in electronic format ready to be analysed. From the findings drawn, written Zulu developed all the way through Bible translation, with some translations revealing slight developments and others showing enormous ones. As the findings of this study reveal, Zulu developed gradually, as evidenced by the change to conjunctive writing which occurred over a considerable period, along with the appropriate representation of Zulu speech sounds and grammar conventions. It could also be established at what point during the development of the language, processes such as consonantalisation and palatalisation were introduced into the written language. It is also clear that words of Greek and Hebrew origin were brought into the Zulu language through Bible translation. Furthermore, this study demonstrates that it is feasible to use corpus-based research for analysis in the indigenous languages of South Africa. / Linguistics / D. Litt. et Phil. (Linguistics)
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VOCI E IMMAGINI DI GIANNI RODARI IN TRADUZIONE INGLESE / IMAGES AND VOICES OF GIANNI RODARI IN ENGLISH TRANSLATIONALBORGHETTI, CLAUDIA 17 March 2016 (has links)
La ricerca studia le riscritture delle opere di Gianni Rodari (1920-1980) in traduzione inglese attraverso la mediazione degli editori, critici letterari ma soprattutto dei traduttori tra il 1960 e il 2011. Nell’ambito degli studi sul contesto di produzione delle opere tradotte (Bassnett & Lefevere, 1998; Chesterman et al., 2000), la prima parte della ricerca presenta le caratteristiche traduttive della letteratura per l’infanzia attraverso un’analisi retrospettiva (Toury, 2012) utile a contestualizzare le opere di Rodari in inglese per il pubblico Anglo-Americano. La seconda parte illustra la mediazione linguistica dei traduttori in quattro di queste opere in inglese a partire dagli S-Universals (Chesterman, 2004). L’analisi delle traduzioni di Patrick Creagh (1965, 1971), Jack Zipes e Antony Shugaar (2008, 2011 rispettivamente), condotta attraverso le nove categorie traduttive proposte da J. L. Malone nel 1988, ha mostrato diversi gradi di addomesticamento ed estraniamento traduttivo (Venuti, 1995) a seconda dell’età del pubblico ricevente. Specificamente, le traduzioni addomesticanti si sono rivelate creative al punto da avvicinarsi all’intento narrativo di Rodari nei testi originali. La traduzione estraniante di Shugaar del 2011 ha mantenuto i riferimenti alla cultura italiana del testo rodariano, mostrando un cambiamento di pubblico ricevente dal testo fonte (pubblico giovane) al testo di arrivo (adulti). / The research investigates the extent to which Gianni Rodari’s (1920-1980) works changed in their English translations through the mediating presence of publishers, reviewers, and especially translators between the 1960s and 2011. With reference to the cultural context of production of translated works (Bassnett & Lefevere, 1998; Chesterman et al., 2000), translational patterns of children’s literature were firstly studied from a retrospective point of view (Toury, 2012) to contextualise Rodari’s books in English in the UK and the US. Secondly, the intervention of translators in four of these books was analysed within the mediation framework provided by S-Universals in translation (Chesterman, 2004). The discrete analysis of the translations by Patrick Creagh (1965, 1971), Jack Zipes and Antony Shugaar (2008, 2011 respectively), based on the nine translational trajections identified by J. L. Malone (1988), showed that the translators adopted different foreignising and domesticating strategies (Venuti, 1995) according to the intended public. More specifically, domesticating strategies presented a high degree of creativity in line with Rodari’s original narrative purpose, whereas Shugaar’s foreignising translation (2011) retained references to the Italian culture as in Rodari’s source text, marking a shift of audience from children to adults, from the Italian to the English target text.
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Exploring the use of parallel corpora in the complilation of specialised bilingual dictionaries of technical terms: a case study of English and isiXhosaShoba, Feziwe Martha 07 1900 (has links)
Text in English / Abstracts in English, isiXhosa and Afrikaans / The Constitution of the Republic of South Africa, Act 108 of 1996, mandates the state to take practical and positive measures to elevate the status and the use of indigenous languages. The implementation of this pronouncement resulted in a growing demand for specialised translations in fields like technology, science, commerce, law and finance. The lack of terminology and resources such as specialised bilingual dictionaries in indigenous languages, particularly isiXhosa remains a growing concern that hinders the translation and the intellectualisation of isiXhosa. A growing number of African scholars affirm the importance of specialised dictionaries in the African languages as tools for language and terminology development so that African languages can be used in the areas of science and technology.
In the light of the background above, this study explored how parallel corpora can be interrogated using a bilingual concordancer, ParaConc to extract bilingual terminology that can be used to create specialised bilingual dictionaries. A corpus-based approach was selected due to its speed, efficiency and accuracy in extracting bilingual terms in their immediate contexts. In enhancing the research outcomes, Descriptive Translations Studies (DTS) and Corpus-based translation studies (CTS) were used in a complementary manner. Because the study is interdisciplinary, the function theories of lexicography that emphasise the function and needs of users were also applied.
The analysis and extraction of bilingual terminology for dictionary making was successful through the use of the following ParaConc features, namely frequencies, hot word lists, hot words, search facility and concordances (Key Word in Context), among others. The findings revealed that English-isiXhosa Parallel Corpus is a repository of translation equivalents and other information categories that can make specialised dictionaries more user-friendly and multifunctional. The frequency lists were revealed as an effective method of selecting headwords for inclusion in a dictionary. The results also unraveled the complex functions of bilingual concordances where information on collocations and multiword units, sense distinction and usage examples could be easily identifiable proving that this approach is more efficient than the traditional method. The study contributes to the knowledge on corpus-based lexicography, standardisation of finance terminology resource development and making of user-friendly dictionaries that are tailor-made for different needs of users. / Umgaqo-siseko weli loMzantsi Afrika ukhululele uRhulumente ukuba athabathe amanyathelo abonakalayo ekuphuhliseni nasekuphuculeni iilwimi zesiNtu. Esi sindululo sibangele ukwanda kokuguqulelwa kwamaxwebhu angezobuchwepheshe, inzululwazi, umthetho, ezemali noqoqosho angesiNgesi eguqulelwa kwiilwimi ebezifudula zingasiwe-so ezinjengesiXhosa. Ukunqongophala kwesigama kunye nezichazi-magama kube yingxaki enkulu ekuguquleleni ngakumbi izichazi-magama ezilwimi-mbini eziqulethe isigama esikhethekileyo. Iingcali ezininzi ziyangqinelana ukuba olu hlobo lwezi zichazi-magama luyimfuneko kuba ludlala iindima enkulu ekuphuhlisweni kweelwimi zesiNtu, ekuyileni isigama, nasekusetyenzisweni kwazo kumabakala obunzululwazi nobuchwepheshe.
Olu phando ke luvavanya ukusetyenziswa kwekhophasi equlethe amaxwebhu esiNgesi neenguqulelo zawo zesiXhosa njengovimba wokudimbaza isigama sezemali esinokunceda ekuqulunqweni kwesichazi-magama esilwimi-mbini. Isizathu esibangele ukukhetha le ndlela yophando esebenzisa ikhompyutha kukuba iyakhawuleza, ulwazi oluthathwe kwikhophasi luchanekile, yaye isigama kwikhophasi singqamana ngqo nomxholo wamaxwebhu nto leyo eyenza kube lula ukufumana iintsingiselo nemizekelo ephilayo. Ukutyebisa olu phando indlela yekhophasi iye yaxhaswa zezinye iindlela zophando ezityunjiweyo: ufundo lwenguguqulelo oluchazayo (DTS) kunye neendlela zokuguqulela ezijoliswe kumsebenzi nakuhlobo lwabasebenzisi zinguqulelo ezo. Kanti ke ziqwalaselwe neenkqubo zophando lobhalo-zichazi-magama eziinjongo zokuqulunqa izichazi-magama ezesebenzisekayo neziluncedo kuninzi lwabasebenzisi zichazi-magama ngakumbi kwisizwe esisebenzisa iilwimi ezininzi.
Ukuhlalutya nokudimbaza isigama kwikhophasi kolu phando kusetyenziswe isixhobo sekhompyutha esilungiselelwe ikhophasi enelwiimi ezimbini nangaphezulu ebizwa ngokuba yiParaConc.
Iziphumo zolu phando zibonise mhlophe ukuba ikhophasi eneenguqulelo nguvimba weendidi ngendidi zamagama nolwazi olunokuphucula izichazi-magama zeli xesha. Kaloku abaguquleli basebenzise amaqhinga ngamaqhinga ukunika iinguqulelo bekhokelwa yimigomo nemithetho yoguqulelo enxuse abasebenzisi bamaxwebhu aguqulelweyo. Ubuchule beParaConc bokukwazi ukuhlela amagama ngokwendlela afumaneka ngayo kunye neenkcukacha zamanani budandalazise indlela eyiyo
yokukhetha imichazwa enokungena kwisichazi-magama. Iziphumo zikwabonakalise iintlaninge yolwazi olufumaneka kwiKWIC, lwazi olo olungelula ukulufumana xa usebenzisa undlela-ndala wokwakha isichazi-magama.
Esi sifundo esihlanganyele uGuqulelo olusekelwe kwiKhophasi noQulunqo-zichazi-magama zobuchwepheshe luya kuba negalelo elingathethekiyo kwindlela yokwakha izichazi-magama kwilwiimi zeSintu ngokubanzi nancakasana kwisiXhosa, nto leyo eya kothula umthwalo kubaqulunqi-zichazi-magama. Ukwakha nokuqulunqa izichazi-magama ezilwimi-mbini zezemali kuya kwandisa imithombo yesigama esinqongopheleyo kananjalo sivelise izichazi-magama eziluncedo kwisininzi sabantu. / Die Grondwet van die Republiek van Suid-Afrika, Wet 108 van 1996, gee aan die staat die mandaat om praktiese en positiewe maatreëls te tref om die status en gebruik van inheemse tale te verhoog. Die implementering van hierdie uitspraak het gelei tot ’n toenemende vraag na gespesialiseerde vertalings in domeine soos tegnologie, wetenskap, handel, regte en finansies. Die gebrek aan terminologie en hulpbronne soos gespesialiseerde woordeboeke in inheemse tale, veral Xhosa, wek toenemende kommer wat die vertaling en die intellektualisering van Xhosa belemmer. ’n Toenemende aantal vakkundiges in Afrika beklemtoon die belangrikheid van gespesialiseerde woordeboeke in die Afrikatale as instrumente vir taal- en terminologie-ontwikkeling sodat Afrikatale gebruik kan word in die areas van wetenskap en tegnologie.
In die lig van die voorafgaande agtergrond het hierdie studie ondersoek ingestel na hoe parallelle korpora deursoek kan word deur ’n tweetalige konkordanser (ParaConc) te gebruik om tweetalige terminologie te ontgin wat gebruik kan word in die onwikkeling van tweetalige gespesialiseerde woordeboeke. ’n Korpusgebaseerde benadering is gekies vir die spoed, doeltreffendheid en akkuraatheid waarmee dit tweetalige terme uit hulle onmiddellike kontekste kan onttrek. Beskrywende Vertaalstudies (DTS) en Korpusgebaseerde Vertaalstudies (CTS) is op ’n aanvullende wyse gebruik om die navorsingsuitkomste te verbeter. Aangesien die studie interdissiplinêr is, is die funksieteorieë van leksikografie wat die funksie en behoeftes van gebruikers beklemtoon, ook toegepas.
Die analise en ontginning van tweetalige terminologie om woordeboeke te ontwikkel was suksesvol deur, onder andere, gebruik te maak van die volgende ParaConc-eienskappe, naamlik, frekwensies, hotword-lyste, hot words, die soekfunksie en konkordansies (Sleutelwoord-in-Konteks). Die bevindings toon dat ’n Engels-Xhosa Parallelle Korpus ’n bron van vertaalekwivalente en ander inligtingskategorieë is wat gespesialiseerde woordeboeke meer gebruikersvriendelik en multifunksioneel kan maak. Die frekwensielyste is geïdentifiseer as ’n doeltreffende metode om hoofwoorde te selekteer wat opgeneem kan word in ’n woordeboek. Die bevindings het ook die komplekse funksies van tweetalige konkordansers ontknoop waar inligting oor kollokasies en veelvuldigewoord-eenhede, betekenisonderskeiding en gebruiksvoorbeelde maklik identifiseer kon word wat aandui dat hierdie metode
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doeltreffender is as die tradisionele metode. Die studie dra by tot die kennisveld van korpusgebaseerde leksikografie, standaardisering van finansiële terminologie, hulpbronontwikkeling en die ontwikkeling van gebruikersvriendelike woordeboeke wat doelgemaak is vir verskillende behoeftes van gebruikers. / Linguistics and Modern Languages / D. Litt. et Phil. (Linguistics (Translation Studies))
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[en] STORIES OF BYGONE TIMES WITH MORALS: A DIACHRONIC AND SYNCHRONIC ANALYSIS OF REWRITINGS OF THE WORK OF CHARLES PERRAULT IN BRAZIL / [pt] HISTÓRIAS DO TEMPO ANTIGO COM MORALIDADES: UMA ANÁLISE DIACRÔNICA E SINCRÔNICA DAS REESCRITAS DA OBRA DE CHARLES PERRAULT NO BRASILANNA OLGA PRUDENTE DE OLIVEIRA 14 August 2018 (has links)
[pt] Esta tese apresenta uma análise de reescritas brasileiras dos contos de Charles Perrault, sob uma perspectiva diacrônica e sincrônica, com o objetivo de compreender as diferentes formas como os contos do autor francês do século XVII têm sido reescritos no sistema literário brasileiro. Publicada na França, em 1697, a obra Histórias ou Contos do tempo antigo com moralidades ou Contos de Mamãe Gansa, alçada posteriormente à categoria de clássico da literatura infantojuvenil, contém oito contos em prosa, seguidos de moralidades em verso ao final de cada narrativa: A Bela Adormecida no bosque, O Chapeuzinho Vermelho, Barba Azul, O Mestre Gato ou o Gato de Botas, As Fadas, A Gata Borralheira ou A Sapatilha de Vidro, Riquete do Topete e O Pequeno Polegar (títulos dos contos de acordo com a tradução de Mário Laranjeira). Nesses contos, ao mesmo tempo em que recupera histórias populares da oralidade, Perrault insere sua marca autoral, a moralidade em verso, comentário final do autor sobre a história contada em prosa. Considerando que as moralidades possuem uma dupla função - autoral e literária - esta pesquisa se volta para o estudo da transmissão dos contos no Brasil com foco nesse duplo aspecto: a questão da autoria e a questão da literariedade. Tendo como principal pilar teórico os Estudos Descritivos da Tradução e adotando a metodologia de Lambert e Van Gorp, o corpus objeto de análise é composto por reescritas (e seus paratextos) publicadas em livro, desde o momento inicial em que os contos surgem no sistema literário brasileiro, ao final do século XIX, até a contemporaneidade, com a mais recente reescrita publicada em 2016. São também examinados alguns metatextos, tais como cartas e entrevistas, que auxiliam na compreensão das propostas dos reescritores e editores das obras. A partir das noções de André Lefevere acerca de reescrita e patronagem, considera-se que reescritas exercem papel central para o estabelecimento e a manutenção de cânones literários e projetam imagens novas ou distintas de obras e autores, de acordo com concepções ideológicas e poetológicas dos responsáveis pelas publicações (reescritores, prefaciadores, editores). Portanto, esta tese propõe a adoção de uma linha de pesquisa para os estudos literários que atente para a centralidade do fator reescrita, quando são analisadas obras estrangeiras inseridas em sistemas literários alvo. Como será visto no caso de Perrault no Brasil, as reescritas mais recentes, com diferenças relevantes em termos literários em relação às reescritas mais antigas, projetam novas imagens da obra e do autor, possibilitando novas leituras por parte do público leitor contemporâneo. / [en] In this doctoral dissertation, Brazilian rewritings of Charles Perrault s tales are analysed from a diachronic and synchronic perspective with the aim of comprehending the different forms in which this seventeenth-century French writer s stories have been rewritten in the Brazilian literary system. Published in France in 1697, Stories or Tales of Bygone Times, with Morals or Tales of Mother Goose, which was later acknowledged as a classic of children s literature, contains eight tales in prose followed by morals in verse at the end of each narrative: The Sleeping Beauty in the Wood, Little Red Riding-Hood, Bluebeard, The Master Cat or Puss in Boots, The Fairies, Cinderella or The Little Glass Slipper, Ricky of the Tuft and Little Thumb (full translations of the titles from the French source text). In these tales, while drawing on popular stories from the oral tradition, Perrault inserts his trademark morals in verse, offering a final comment on the story told in prose. Considering that the morals have a twofold function - both authorial and literary - the transmission of the tales in Brazil is studied with a focus on this dual aspect: authorship and literariness. Taking Descriptive Translation Studies as the main theoretical perspective and adopting Lambert and Van Gorp s methodology, the corpus under analysis is composed of rewritings (and their paratexts) published in books, ranging from when the tales first appeared in the Brazilian literary system in the late nineteenth century to the current day, the most recent of which having been published in 2016. Some metatexts are also examined, such as letters and interviews, which are helpful for understanding the rewriters and editors objectives. Based on Andre Lefevere s theoretical work on rewriting and patronage, it is suggested that rewritings exert a central role in establishing and maintaining literary canons and project new or distinct images of works and authors, according to the poetological and ideological conceptions of the actors responsible for the publications (rewriters, preface writers, editors). Therefore, a proposal is made for the adoption of an approach for research in literary studies that takes account of the centrality of the rewriting factor, in analyses of foreign works in target literary systems. As seen in the case of Perrault in Brazil, the most recent rewritings, which differ significantly in literary terms from the older rewritings, project new images of the work and the writer, making new readings possible for a contemporary readership.
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