What basic similarities are found in all the fugitives? First of all, they are fugitives in the sense that they are wanderers. While not necessarily running to or from some specific thing, the fugitives nonetheless are men who travel; they are men who only face their conflicts directly when they attempt to stop traveling either by changing themselves so that they will fit in (Val in Orpheus Descending and Chance), by changing their environment so that it will accept them (Val in Battle of Angels and Shannon), or by searching for something that is permanently lost (Kilroy).

This dissertation examines the poetry of Dorothee Sölle, particularly her seven books of collected poems - Meditationen & Gebrauchstexte, Revolutionäre geduld, Fliegen lernen, Spiel doch von brot und rosen, Verrückt nach licht, Zivil und ungehörsam, Loben ohne lügen. At least two poems from each book are chosen for analysis based on the theological concept they express. It thus attempts to cover most of the concepts Sölle elaborates upon in her works. The second part of the thesis then focuses on the use of biblical passages in Dorothee Sölle's poetry, offering to view them in three subject cathegories based on her ways of working with them. Those are 1) 2) Re-telling the Bible, and 3) Contemplating upon the passages themselves. It further examines the synthesis of religious and social topics throughout her works, again suggesting to divide them into 1) Contemporary 2) Historical, and 3) Stuctural, based on the nature of the social topics portrayed in them. The thesis also explores Sölle's depiction of God, concluding that Sölle sees God in her poems not as a governing, dominating entity, but rather as a co-creator, God weeping and compassionate with the world. Sölle sees this image of God's empathy and involvement with man as an incentive for the man to become the same, to act similarly.

This report is an analysis from a gender perspective of more than three hundred minutes in sports broadcasting on SVT and TV4. The study explains how air time is divided between male and female athletes as well as which sports, male or female, get the most air time. The sports are also categorized according to attitudes about the sports being masculine, feminine or neutral. In this way the study also shows the categories of sports that are given the most airtime. Our view before the study was that from a media perspective, the Swedish sports world was very male dominated. The results show that male athletes get more exposure than female athletes on both channels, this despite the fact that the membership of the Swedish sports clubs is fairly evenly divided between men and women.

(in English) The work deals with the latest development in a period of Roman coinage, which stands off the general interest. The purpose of this work is to define and describe the motives used on Roman coins in the early period defined at the beginning of the government of Valentinian I in 364 and coinage reform of Anastasius I in 498; to classify the individual image groups and explain their importance in terms of state propaganda. The work also notes the relationship between the coin images and legends; use of mint marks as a part of the image content, and describes the relationships among the coin images and contemporary sociopolitical phenomena and events. An important part of the work will be integration of the field of late Roman coins into historical context. The aim will be to determine how the late Roman coins in character were based on previous coinage and then on the contrary how they influenced Byzantine coins.

本論文研究主要關注於，黃宗羲如何在肯定理性的待發展性下，就理性的自我發展，建立一套道德哲學。 首先第一章緒論，先敘述研究之背景目的、文獻評述，擬定之研究方法及進行步驟、預期研究成果。對於黃宗羲，首在去除形上學預設對人的限制。就人在活動中的自主性、發展性，建立一套個人道德養成與推動現實理想化，密不可分的道德體系。筆者將於第二到第六章在此體系下，分別就不同脈絡的個個問題探討其哲學之建構。 第二章：黃宗羲在作品中屢稱己意在承繼劉蕺山，但單憑於此，尚難斷定黃宗羲的哲學思想是承繼劉蕺山。尤其是黃宗羲對人物思想評論，間有與劉蕺山不同之處，而當今學界，更是在黃宗羲與劉蕺山思想定位上，存在著歧異。此歧異牽涉資料援引問題，本章目的乃就當今學術界研究歧異先做一回應。首重原典的掌握，並進行對各家看法加以檢視考據。根據原典呈現，將兩者定位，並就黃宗羲對劉蕺山承繼與發展，來看黃宗羲哲學所關注的焦點。 第三章：針對於黃宗羲理論歧見最多的氣學定位，個人認為應分成兩面向來看。一是黃宗羲對天道之堅持，二是其重氣的理氣觀。而關於此兩面向，有待就黃宗羲理氣、心性與道德關係角度作說明。 第四章：論述黃宗羲哲學是心學也是氣學，就氣流行方式，認為人滯於私為惡，故必須從（1）現實無法使人成善？（2）人何以有一不依經驗的道德性？（3）此道德性如何引導人在現實成善？此三個問題做討論。本章並就理氣與心性論、工夫論之間關係，解釋人道德呈現差異與人文化成。 第五章：本章延續第四章問題論「性」的呈現，由道德意志貫徹於氣化實踐，使「性」以成其全，並論主體擴充之工夫內容。 第六章：黃宗羲認為個人的道德養成，與儒家道德世界在現實中完成乃是密不可分，因此儒家思想在社會建立社會規範，在肯定理性的待發展性下，就理性的自我發展，完成以儒家思想建立公共的規範。 最後，本論文將總結討論黃宗羲建構之哲學思想，能否真正取代陽明心學，以及其哲學的可能發展。 / This thesis mainly focuses on how Huang Zongxi （黃宗羲）established a set of moral philosophy on the basis of affirmative rational development. The first chapter of the introduction, describes the background purpose of research, literature review, the proposed research methods and measures and the expected results. Huang Zongxi, aims for removing metaphysical restrictions on human . Based on the autonomy and development of human in activities, he establishes a set of moral system in which not only personal morality can be fostered but also promotes the idealization of reality. Under this system,from the second to the sixth chapters, I will discuss the construction of his philosophy on the various contexts respectively . The second chapter discusses thatalthough Huang Zongxi repeatedly claimed that he is willing to inheritLiu Jishan (劉蕺山）in his works, it is insufficient to conclude that Huang Zongxi's philosophical thinking is indeed so.In particular, Huang Zongxi's comments on the character thought were different from that of Liu Jieshan. In today's academic world, there is disagreement betweenthe philosophical points of Huang Zongxi and Liu Jishan. The primary purpose of this chapter is to respond to the current academic disagreement which resulted from data-citing problem. Focusing on the original texts, examined the views of various critics. The two would be positioned based on the original texts. Viewing the focus of Huang Zongxi's philosophy which was based on his inheritance and development of Liu Jieshan. The third chapterconcentrates on the controversial issue about the theory of qi (氣) in Huang Zongxi’ philosophy,which should be regarded as two aspects. One is Huang Zongxi 's adherence to the tiandao (天道), the other is his emphasizing of the value of qi (氣). I would illustrated the two aspects by the discussions of the relationships of Huang Zongxi's li-qi (理氣）andxin-xing (心性）inmoral system. The fourth chapter discusses that Huang Zongxi’s philosophy is not only xin xue (心學), but also qi xue (氣學). By the way qi move, human who stagnant self-interest, become evil. Therefore it must be debated on three questions as below ：(1) Can the reality not make thepeople good? (2) Why do people have a morality that does not depend on experience? (3) How does this morality lead people to be good at reality? This chapter also explains the difference between human morality and human culture by the relationship between the theory of qi, the theory of the xin and thetheory of cultivation . In the chapter five, I continue to discuss the presentation of "xing" . Since the morality is carried out by qi’s realization, to complete xing ,and discusses the content of cultivation by the expansion of the subject. In the sixth chapter, according to Huang Zong-xi’s view , the Confucian moral world in reality, which is closely linked with the individual's moral cultivation. Therefore,Confucianism will to establish a social norms in society. Under affirmative rational development, the public norms established by Confucianism willbe completed by self-realization. Finally, I will summarize that whether Huang Zongxi's philosophy can truly replace Yangmingism (陽明心學）and the possibledevelopment of Huang’s philosophy.

This diploma thesis deals with the issue of sacral space of Brno-Líšeň, where there is a request to build a church as a part the Salesian Center. Part of the problematics was the construction of the Parish house and the Community house as a part of the church mentioned above. The plot is situated at the site of the southern slope between Horáková and Molákova Street and in close proximity of the Salesi center. The project is conceived as a progressively graduating spiral rising from the mass of the community house to the sculpture of the cross at the tower of the church. Visually both building are separated from the north side but are partially connected thanks to the underground floor from the south side. The building of the community center shall be a three-story building. The design of the church itself is based on the centralization of space and due to progressive gradation to the center of the building, where all the events associated with the Christian year take place. The complex serves both as a place where the widespread society can fulfill their spiritual needs as well as a sanctuary of the Salesian community, where they can fulfill their mission.

This thesis deals with portraiture of roman emperors on their statues and coins during the 3rd and 4th century. It begins with accession of military emperors and ends by Constantinian dynasty. The thesis tries to describe the changes in roman imperial portrait and determine its clearer roadmap. Main influences for roman imperial portraits are found together with milestones within the roadmap. It primarily focuses on individual attributes in the portrait and attempts to define ability to identify emperors themselves. Also, it tries to describe the extent to which these attributes influence the ability to identify the emperor on the statue or on the coin. Moreover, the thesis aims to connect imperial propaganda and portrait of the emperor. Finally, the thesis contains brief historical overview of this era. KEYWORDS: Roman Empire, Roman coins, Roman sculpture, portrait, the Military Emperors, crisis, Gallic Roman Empire, principate, dominate, tetrarchy, Gallienus, Aurelianus, Probus, Diocletianus, Constantinus, Julianus Apostata

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