The title of this thesis 'South African History Painting : Reinterpretation By Women Artists' indicated that the focus was to be on South African history painting. As the research progressed, however, it became apparent that the initial title did not encompass a broad enough spectrum. Therefore a more suitable title for this dissertation is 'A Visual Reinterpretation Of Aspects Of South African History By Women Artists: Penelope Siopis and Philippa Skotnes'. It is the intention of this dissertation to examine the way in which two contemporary South African women artists namely, Penelope Siopis (1953-) and Philippa Skotnes (1957) visually challenge in their paintings and prints respectively the conventional depictions of recorded South African history. Poststructuralism, deconstruction, new historicism and Postmodernism are among the theoretical currents upon which this research is based. It is from a Postmodern standpoint that selected works by Siopis and Skotnes will be analysed. The intention of this analysis is to examine their attempts to access the Postcolonial condition in South Africa through their visual presentations. The work of Siopis and Skotnes reflectects an interest in Postcoloniality. Furthernore, their visual imagery addresses questions of culture and power in South African visual representation. Works such as those created by Siopis and Skotnes can be seen as uncovering some of the contradictions within the process of decolonization. Nederveen, Pieterse and Parekh (1995 ) describe decolonization in the following way: 'Decolonization is a process of emancipation through mirroring, a mix of defiance and mimesis. Like colonialism itself, it is deeply preoccupied with boundaries - boundaries of territory and identity, borders of nation and state. (Nederveen, Pieterse and Parekh 1995: 11)' The focus in this dissertation is on the works of Siopis and Skotnes and their use of specific deconstructive methods to undermine prejudicial historical imagery and question established perceptions within South African history. In other words, the visual presentation of these two artists explores the boundaries or margins of established history. Both Siopis and Skotnes confront in visual terms the prejudicial representations of women and/or ethnic groups who have been subjugated by what they perceive as white, middle class, patriarchal history. The primary concern of the research is the visual imagery produced by these two artists and the effect of deconstruction on their respective art works. In the first chapter selected works from Siopis's 'History Painting' (1980s) series are to be analysed. In the second chapter the focus is on Skotnes's etchings in 'Sound From The Thinking Strings' (1993) exhibition. The investigation then moves to a project entitled 'Miscast' (1996). Skotnes was the curator of the 'Miscast' exhibition. It does not contain original art works by Skotnes. It is however an extension of the ideas which her prints embody and is therefore relevant to this dissertation. / Thesis (M.A.)-University of Natal, Pietermaritzburg, 1996.

Text in Afrikaans / This study investigates postcolonial aspects of the prose oeuvre of André P. Brink, with specific reference to his historiographical texts `n Oomblik in die wind, Houd-den-Bek, Die eerste lewe van Adamastor, Inteendeel, Sandkastele and Donkermaan. The texts can be described as links in a textual history of South Africa: a history corresponding to the official version, revisioning it in an imaginative way. The texts also criticize political (mal)practices, and the pre-colonial, colonial and postcolonial social contexts of the country are critically scrutinized. The texts offer suggestions for a new political dispensation. Since the seventies the Brink oeuvre has developed a multi-dimensional postcolonial approach. Aspects of post-colonialism, post-structuralism, magical realism and feminism as articulated in the texts, are analyzed and interpreted. Brink's investigation of problems concerning historiography, and the relation between history and fiction, comprised an important aspect of the research leading to this report. / Afrikaans and Theory of Literature / D.Litt. et Phil

The archaeological research was conducted at Botshabelo, a nineteenth century Berlin Mission Society station located outside Middelburg, Mpumalanga. It focuses primarily on the collection of residential houses and homesteads in the area known as the Motse, meaning “village” in Sotho. This is where the mission station’s African residents lived. This research seeks to use archaeology, specifically the study of the associated material culture, in order to refine the chronology of changes to settlement in this area, and to explore the ways in which the inhabitants interacted with other sectors of the mission station community and the then wider Transvaal society. Although the mission station and its settlement dates from 1865, the material culture excavated and analysed in this project is primarily from the twentieth century. It is through the careful analysis of these houses and their architecture, together with the associated material culture that the social and cultural values of the people who built and used them can be explored. To date there has been a copious amount of research done on these mission stations in southern Africa, flowing mainly from the disciplines of history and anthropology (Comaroff and Comaroff 1991; Delius 1981; Japha et al 1993; Kirkaldy 2005; Vernal 2009). In contrast, however, there has been relatively little archaeological research carried out on the various mission stations within southern Africa (but see Ashley 2010; Boshoff 2004; Clift 2001; Jeppson 2005; Reid et al 1997). This research project is based in archaeology, and in particular in the discipline of historical archaeology, which can provide the methodologies and approaches that can be used to make sense of the history of the Botshabelo Mission Station and the Motse. This research therefore intends to contribute to the currently under researched field of mission archaeology within South Africa. / Anthropology and Archaeology / M.A. (Archaeology)

Summaries and keywords in Afrikaans and English / Hierdie histories-argeologiese studie bied ‘n basiese beskrywing van die materiële kultuur van ‘n afgeleë Suider-Afrikaanse plaas wat tussen die 1880’s en die 1930’s bewoon is. Die studie berus op ‘n gedetailleerde ontleding van die opgegraafde vondste wat herwin is van ashope wat met drie wooneenhede op die plaas Welkomskraal, geleë in die distrik Venterstad in die Noordoos-Kaap, verbind word. Die artefakte is aan die hand van die naslaanversameling in die Bloemfonteinse Nasionale Museum en handelsadvertensies geïdentifiseer. Die materiële kultuur dek die volle spektrum van die alledaagse lewe van die plaasbewoners en word aangevul deur genealogiese data, wat aantoon dat die grondeienaars die nasate was van die eerste trekboere wat hulle in die gebied gevestig het. Die bewoningsperiode van Welkomskraal val saam met die tweede industriële revolusie, wat gekenmerk is deur die massaproduksie van goedere en ‘n toenemend globale handelsnetwerk. Die versameling lewer bewys dat boere in die verre binneland toegang tot ‘n wye reeks ingevoerde produkte gehad het, hoewel hulle nie noodwendig welvarend was nie. / This historical archaeological study provides a baseline description of the material culture of a remote southern African farm occupied between the 1880s and the 1930s. The study is based on a detailed analysis of the excavated finds recovered from middens associated with three homesteads, located on the farm Welkomskraal, in the Venterstad district of the north-eastern Cape. Artefacts were identified using the reference collection of the National Museum in Bloemfontein and commercial adverts. The material culture covers the full spectrum of the daily lives of the farm’s occupants and is complemented by genealogical data, which indicate that the landowners were the descendants of the first trekboers who settled in the area. The occupation of Welkomskraal coincided with the second industrial revolution, which was characterised by mass production of goods and an increasingly global trade network. The assemblage attests that farmers in the deep interior had access to a wide range of imported goods although they were not necessarily prosperous. / Anthropology and Archaeology / M.A. (Argeologie)

The objective of this thesis is to assess the impact and influence of South Africa's Constitutional Court in the first two years of our democracy. To achieve this objective, some of the definitive and controversial cases already decided by the Court have been selected and analysed in an attempt to glean some jurisprudential perspectives of the Court. It focuses on the work of the Court over the past two years. It deals with the evolution of South Africa into a democracy, and analyzes the South African legal system prior to the beginning of the process of transformation. It briefly surveys the evolution of our constitutional system, dating back from the pre-1910 colonial period and provides a broad outline of the legal system in the post-April 1994 period of transformation. It analyzes the Court from the point of view of, inter alia, its composition, jurisdiction and powers. The Court is also contrasted with courts in other jurisdictions which exercise full judicial review. The Court's emerging jurisprudence is examined. A review is made, inter alia, of the Court's understanding of, and approach to, the questions of the values underpinning the post-apartheid society and its constitutional system, and constitutional interpretation. The right against self-incrimination and South African company law and the two relevant Constitutional Court cases are discussed. The collection of evidence by the State and the constitutionality of provisions relating to search and seizure and the taking of fingerprints are looked into. The Court's approach to statutory presumptions and criminal prosecutions; some aspects of our appeals procedures; an accused's right to be assisted by a lawyer at state expense; the question of a fair trial and access to information; capital punishment; corporal punishment; committal to prison for debt; and the certification of constitutions is analyzed. Two of the cases in which the provinces clashed with the national government on the distribution of posers between provinces and the national government are discussed. The conclusion is that the Court has, overall, hitherto acquitted itself well in the handling of particularly the controversial quasi-political questions that arose in the cases it has decided. / Constitutional, International and Indigenous Law / L.L. D. (Law)

This thesis is a study of British colonial policy in southern Afiica in the 1 gill centwy. More specifically it looks at how British imperial policy, in the period 1875 to 1881, played itself out in two British colonies in southern Africa, Wlder the direction of a British imperial agent, William Owen Lanyon. It sets Lanyon in the context of the frontiers and attempts to link the histories of the people who lived there, the Africans, Boers and British settlers on the one han~ and the histories of colonial policy on the other. In doing so it also unravels the relationship between Lanyon and his superiors in London and those in southern Africa. In 1875 Owen Lanyon arrived in Griqualand West, where his brief was to help promote a confederation policy in southern Africa. Because of the discovery of diamonds some years earlier, Lanyon's administration had to take account of the rising mining industry and the aggressive new capitalist economy. He also had to deal with Griqua and Tlhaping resistance to colonialism. Lanyon was transferred to the Transvaal in 1879, where he was confronted by another community that was dissatisfied with British rule: the Transvaal Boers. Indeed, in Pretoria he was faced with an extremely difficult situation, which he handled very poorly. Boer resistance to imperial rule eventually came to a head when war broke out and Lanyon and his officials were among those besieged in Pretoria. In February 1881 imperial troops suffered defeat at the hands of Boer commandos at Majuba and Lanyon was recalled to Britain. In both colonies Lanyon was caught up in the struggle between the imperial power and the local people and, seen in a larger context, in the conflict for white control over the land and labour of Africans and that between the old pre-mineral South Africa and the new capitalist order. He made a crucial contribution to developments in the sub-continent and it is remarkable that his role in southern Africa has thus far been neglected. / History / D.Litt. et Phil. (History)

Artefacts acquire/embody migratory meanings according to contexts of raw material manipulation, use, discard and discourse. First-Millennium Agriculturist ceramics and concomitant private and public significances/use values are placed within aspects of a deep past Stone Age history of space and artefact usage in the Eastern Cape, South Africa. Some thought paradigms and cultural contexts are examined as having directly influenced discourse, what artefacts were foregrounded, and in which manner writers of southern African prehistory considered them. Thereafter ceramic artefacts and associated technologies are focussed upon as being intimate to personal/ community lifeways and worldviews. Domestic and ceremonial utilityware, figurines and masks, as well as clay usage in homebuilding and metalworking, and urges to apply a mark to malleable clay, or deliberately alter and/or bury ceramic artefacts; are explored as manifestations of medium and usage well suited to regularly reconfigured meanings . / Art History, Visual Arts & Musicology / M.A. (Art History)

Text in English with abstracts in English, Afrikaans and isiXhosa / The collections-based research reported upon in this dissertation focuses on three sites in the Eastern Cape: Huntley Street in Grahamstown, Farmerfield, a nearby Wesleyan mission station, and Fort Double Drift, a British fortification on the Great Fish River. The collection, which is housed in the Albany Museum, derives from Patrice Jeppson’s excavations, completed in the 1980s. Analyses of the excavated glass and metal, augmented by a close reading of tender and shopkeepers’ advertisements in The Graham’s Town Journal, chronicle how merchants, settlers, soldiers, missionaries and local African communities were involved in, and affected by, trade between 1820 and 1860. The study explores aspects of the mercantile economy, consumerism and military provisioning relating to a wide range of imported glass and metal merchandise. The burgeoning trade linked various enterprises, groups and individuals through monetary and social transactions, reflecting the steady incorporation of the Eastern Cape into the British colonial trading network. / Die versamelingsgebaseerde navorsing waaroor in hierdie verhandeling verslag gedoen word, fokus op drie terreine in die Oos-Kaap: Huntley-straat in Grahamstad, Farmerfield, ’n nabygeleë Wesleyaanse sendingstasie, en Fort Dubbeldrif ’n Britse vesting aan die Groot-Visrivier. Die versameling, wat in die Albany-museum gehuisves word, is afkomstig van Patrice Jeppson se opgrawings, wat in die 1980's voltooi is. Ontledings van die opgegraafde glas en metaal, aangevul deur ’n grondige studie van tender- en winkelieradvertensies in The Graham’s Town Journal, boekstaaf hoe handelaars, setlaars, soldate, sendelinge en plaaslike Afrika-gemeenskappe by handel tussen 1820 en 1860 betrokke was, en daardeur beïnvloed is. Die studie verken aspekte van die handelsekonomie, verbruikerisme en militêre bevoorrading met betrekking tot ’n wye verskeidenheid ingevoerde glas- en metaalhandelsware. Die bloeiende handel het verskeie ondernemings, groepe en individue deur monetêre en sosiale transaksies met mekaar verbind, wat die geleidelike opname van die Oos-Kaap in die Britse koloniale handelsnetwerk weerspieël. / Uphando lwezinto eziqokelelweyo ekunikwe ingxelo ngalo kule disetheyishini, lugxile kwiindawo ezintathu eziseMpuma Koloni ezizezi: eHuntley Street eRhini, eFarmerfield, esisitishi seMishini yamaWesile, naseFort Double Drift, eyinqaba yamaBhilitane ekwiGreat Fish River. Le ngqokelela, egcinwe eAlbany Museum, isuka kwizinto ezazigrunjwe nguPatrice Jeppson, grunjo olo olwagqitywa phaya koo1980. Uphononongo lweeglasi neentsimbi ezagronjwayo, oluxhaswa nakukufundwa kweentengiso ezakhutshwayo zeethenda nezoonovenkile kwi-The Graham’s Town Journal, lunika iinkcukacha zeendlela abarhwebi, abemi ababesuka kwamanye amazwe aphesheya kweelwandle, abefundisi ababesuka kwamanye amazwe, amajoni noluntu olumnyama lwaloo mimandla ababebandakanyeka ngayo nebabechatshazelwa ngayo lurhwebo olwaqhubeka phakathi ko-1820 no-1860. Olu phando luvelela imiba yoqoqosho lorhwebo, ukhuselo lwabathengi, nobonelelo lwezinto zomkhosi lwezinto eziliqela zeeglasi nezentsimbi. Olu rhwebo olwaluhlumile lwahlanganisa amashishini ahlukileyo, amaqela kunye nabantu nje abazimeleyo ngokuthi barhwebelane ngeemali nangezinto zentlalo, yaye oku kubonisa ukungeniswa kweMpuma Koloni kuthungelwano lorhwebo lobukoloniya lwamaBhilitane. / Anthropology and Archaeology / M.A. (Archaeology)

Artefacts acquire/embody migratory meanings according to contexts of raw material manipulation, use, discard and discourse. First-Millennium Agriculturist ceramics and concomitant private and public significances/use values are placed within aspects of a deep past Stone Age history of space and artefact usage in the Eastern Cape, South Africa. Some thought paradigms and cultural contexts are examined as having directly influenced discourse, what artefacts were foregrounded, and in which manner writers of southern African prehistory considered them. Thereafter ceramic artefacts and associated technologies are focussed upon as being intimate to personal/ community lifeways and worldviews. Domestic and ceremonial utilityware, figurines and masks, as well as clay usage in homebuilding and metalworking, and urges to apply a mark to malleable clay, or deliberately alter and/or bury ceramic artefacts; are explored as manifestations of medium and usage well suited to regularly reconfigured meanings . / Art History, Visual Arts and Musicology / M.A. (Art History)

This thesis is a study of British colonial policy in southern Afiica in the 1 gill centwy. More specifically it looks at how British imperial policy, in the period 1875 to 1881, played itself out in two British colonies in southern Africa, Wlder the direction of a British imperial agent, William Owen Lanyon. It sets Lanyon in the context of the frontiers and attempts to link the histories of the people who lived there, the Africans, Boers and British settlers on the one han~ and the histories of colonial policy on the other. In doing so it also unravels the relationship between Lanyon and his superiors in London and those in southern Africa. In 1875 Owen Lanyon arrived in Griqualand West, where his brief was to help promote a confederation policy in southern Africa. Because of the discovery of diamonds some years earlier, Lanyon's administration had to take account of the rising mining industry and the aggressive new capitalist economy. He also had to deal with Griqua and Tlhaping resistance to colonialism. Lanyon was transferred to the Transvaal in 1879, where he was confronted by another community that was dissatisfied with British rule: the Transvaal Boers. Indeed, in Pretoria he was faced with an extremely difficult situation, which he handled very poorly. Boer resistance to imperial rule eventually came to a head when war broke out and Lanyon and his officials were among those besieged in Pretoria. In February 1881 imperial troops suffered defeat at the hands of Boer commandos at Majuba and Lanyon was recalled to Britain. In both colonies Lanyon was caught up in the struggle between the imperial power and the local people and, seen in a larger context, in the conflict for white control over the land and labour of Africans and that between the old pre-mineral South Africa and the new capitalist order. He made a crucial contribution to developments in the sub-continent and it is remarkable that his role in southern Africa has thus far been neglected. / History / D.Litt. et Phil. (History)