Industrial heritage sites are special areas in a city. In recent years, China has paid more attention to the protection and renewal of industrial heritage. Because these areas have proved to be problematic, landscape architectures should work to solve these problems for future areas. This thesis asks the question: could there be a conscious way to deal with this issue? Using the five major models and Linda Groat’s four perspectives on contextual design as the theoretical approach, this thesis conducts a comparative study on the center of Norrköping and Xu Jiahui Park in Shanghai. In order to investigate if Linda Groat’s categories could be useful to landscape architectures, this thesis analyzes the two cases and discusses to what extent they fit in with Groat’s theory. The investigation produces some results to guide landscape architects; so when facing an industrial heritage, the landscape design might be dealt with in a more conscious way. / 0735-982552

Marketing material used in promotion of industrial heritage sites for tourism creates representations of said cultural heritage. In order to increase the touristic value of the historical industrial sites marketers can create or make a place attractive through careful selection of images and texts. It is believed that simplifying the image can make it comprehensible and thus more attractive to potential visitors. However, simplifying images of heritage can result in creation of stereotypical representations. This research aimed to analyse what representations of the industrial heritage of Bergslagen, in the middle of Sweden, could be found in marketing material of tourism destinations today. Post-feminist theory was applied as a tool for analysis of the content as a contextual and critical perspective in order to interpret what meanings these representations found were conveying. By understanding the data in relation to androcentric discourse and the context of Bergslagen as a patriarchal system representations of continued polarization of gender was found. By conducting a content analysis of three destinations, Långban, Engelsbergs bruk and Axmar Bruk, four dominating themes of their representations in visual and textual promotional material were found. The narratives in the re-imagination and reproduction of the sites and their industrial heritage were also discovered during the analysis. The findings thus indicated that the marketing perpetuated stereotypes of the inherent gender roles that have existed in the past but were accentuated even through the modern mediums. As tourism is a tool for rejuvenation of industrial heritage sites it is important to note that, the need for increasing the attractiveness by consciously or unconsciously deciding which narratives should be told, marketers act as facilitators of generic ideas and impositions. When trying to simplify something as complex as a heritage, meaning can become lost in translation. The representations can become distorted, which they have in Bergslagen, according to the findings of this research. Representations can thus inform us of what is being marginalized. The understanding and interpretations of the representations can therefore become a resource in the marketing the real and genuine heritage.

Submitted by Karla Garcia Biernath (karlabiernath@hotmail.com) on 2018-07-17T12:25:35Z No. of bitstreams: 1 BIERNATH_k_g_diss.final.pdf: 12757244 bytes, checksum: 692c39303bce0f6b2b07c9caf54ea4a9 (MD5) / Approved for entry into archive by Maria Marlene Zaniboni null (zaniboni@bauru.unesp.br) on 2018-07-17T14:05:28Z (GMT) No. of bitstreams: 1 biernath_kg_me_bauru.pdf: 12757244 bytes, checksum: 692c39303bce0f6b2b07c9caf54ea4a9 (MD5) / Made available in DSpace on 2018-07-17T14:05:28Z (GMT). No. of bitstreams: 1 biernath_kg_me_bauru.pdf: 12757244 bytes, checksum: 692c39303bce0f6b2b07c9caf54ea4a9 (MD5) Previous issue date: 2018-02-28 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / A presente pesquisa apresenta uma análise da construção da paisagem tendo como base o complexo ferroviário construído pela Estrada de Ferro Noroeste do Brasil (EFNOB) nas cidades de Bauru (SP) e de Campo Grande (MS), no início do século XX. Sabemos que esta Companhia Ferroviária teve como principal característica o caráter exploratório e integrador do território brasileiro, trazendo uma importância econômica, política e urbanística no que se refere à articulação dos meios de locomoção para as cidades nas quais instalou seu conjunto de edifícios. O objetivo geral deste trabalho é analisar a transformação da paisagem por meio da implantação da ferrovia e sua infraestrutura operacional na tecedura urbana, no arco temporal compreendido pela primeira metade do século XX, em ambos os casos apresentados, levando em conta as especificidades de cada território, uma vez que a EFNOB parte de Bauru (SP), seu quilômetro inicial, em 1906 e chega em Campo Grande (MS) em 1914. A metodologia de trabalho compreende mapeamentos, pesquisas documentais, levantamentos bibliográficos e entrevistas. Será utilizado como procedimento metodológico as cinco portas da paisagem de Jean-Marc Besse, indicando possíveis chaves para a leitura e compreensão das paisagens estudadas. Esta leitura servirá de embasamento para a análise da urbanização e construção da paisagem local e para futuras propostas de diretrizes de preservação destes bens. / The present research presents an analysis of the construction of the landscape based on the railway complex built by the Estrada de Ferro Noroeste of Brazil (EFNOB) in the city of Bauru (SP) and Campo Grande (MS) at the beginning of the 20th century. We know that this Railway Company had as its main characteristic the exploratory and integrative nature of the Brazilian territory, bringing economic, political, urban and inclusive importance as regards the articulation of the means of locomotion, to the cities which installed its set of buildings. The general objective of this work is to analyze the transformation of the urban landscape through the implantation of the railroad and its operational infrastructure in the urban weaving, in the temporal arc comprised in the first half of the 20th century in each case, taking into account the specificities of each territory, since EFNOB departs from Bauru (SP), its initial kilometer, in 1906 and arrives in Campo Grande (MS) in 1914. The methodology of work comprises the inventory of sets of railway buildings, Mappings, documentary surveys, bibliographical surveys and interviews. The 5 doors of the landscape of Jean-Marc Besse will be used as methodological procedure, indicating possible keys for reading and understanding the landscapes studied. This reading will serve as a basis for understanding the urbanization and construction of the local landscape and for future proposals of guidelines for the preservation of these assets. / 1690487

Esta pesquisa teve como foco o estudo de caso da Companhia Nitro Química Brasileira instalada no bairro de São Miguel Paulista em São Paulo pelo Grupo Votorantim e Klabin Irmãos e Cia; dos espaços e arquitetura que gerou e de sua política de benefícios sociais com foco no papel das vilas operárias e equipamentos implantados pela fábrica para uso de seus trabalhadores. Buscou analisar a configuração espacial da fábrica e de seu núcleo residencial, estudando a arquitetura das instalações fabris, vilas operárias e equipamentos de suporte aos trabalhadores, considerando o programa dessas edificações, o tipo de habitações oferecidas, as formas de obtenção desse benefício e os funcionários contemplados; registrando a construção e transformação desses espaços e o papel da indústria e de suas vilas junto aos trabalhadores e na ocupação e configuração urbana do bairro onde foi implantado. / This essay focused on the study case of the Companhia Nitro Química Brasileira settled in São Miguel Paulista district in São Paulo by Votorantim Group and Klabin Irmãos e Cia; on the spaces and architecture that generated and on its social policy benefits, with the focus on the labourer villages and equipments established by the factory for the use of its employees. It intended to analyze the factory spatial configuration and its residential center, studying the architecture of the industrial installation, labourer villages and support equipments of workers, considerating the program of these constructions, the kind of the habitation offered, the ways of acquirement of this benefit and the contemplated employees; registering the construction and the transformation of theses spaces and the role of the industry and its villages to the workers and on the occupation and the urban configuration of the district where it was implanted.

La thèse se centre sur une terre de Picardie, le Vimeu et porte un regard sur le paysage. Elle interroge le patrimoine vernaculaire et industriel et pour l’architecture, la prégnance de la maison. Ces recherches s’appuient sur plus de 20 ans d’intérêt pour cette région avec un corpus photographique et des archives personnelles. Ce corpus vient de toute une série de collections, un catalogue constitué de plusieurs classeurs.Cette thèse est une interrogation sur la valeur de l’ordinaire. Elle met en oeuvre la forêt obscure des signes dans une approche globale. La problématique esthétique se soulève par l’apprendre à voir, le regard sur toute chose, le sentir et le paraître. Elle ne concerne donc pas spécifiquement le paysage exceptionnel mais se préoccupe du peu, de l’infime et de ses habitants. L’ordinaire forme la majorité du territoire, contrée inconnue. Il n’y a pas plus habituel que ce paysage. Il est vulnérable et n’attire pas l'attention des grandes instances, car il ne porte que sur des enjeux sans profits. Je cherche à déterminer si la notion d'ordinaire accède au statut de catégorie esthétique.Le catalogue, véritable dispositif documentaire, rentre dans une démarche d’accumulation et d’archives proche de l’ethnologie muséale. Ici apparait toute la dimension artistique du travail. Il interpelle la mémoire, dans cette vision sensible des visages et des images multiples du paysage global où l’instrument s’affirme autant poétique que rationalisme logique. L'approche privilégie la raison poétique, esthétique, de l’ordinaire. / The PhD centers on a place in Picardy, the Vimeu and considers the landscape. The PhD examines the vernacular and industrial heritage, and the pregnancy of houses, as far as architecture is concerned. This research is the fruit of a twenty-year interest for this region and relies on some photographic corpus, some personal archives, and a whole series of collections about the local vernacular.This PhD is a questioning about the value of the ordinary. It puts into practice the obscure maze of signs within a global approach. The aesthetic problematic is conjured up by learning how to look, by looking at everything, by perception and appearance. Thus, it does not specifically concern the amazing landscape, but concentrates on the little, the tiny, and its inhabitants. The ordinary constitutes the major part of this unchartered territory. Nothing is more common than this landscape. It is vulnerable and does not draw the attention of the highest authorities, because it only has non-profitmaking stakes. I want to determine whether this notion of the ordinary acquires the status of an aesthetic category.The catalogue which is a real documentary device is part of an accumulative and archiving process that comes close to museum ethnology. The entire artistic dimension of the work appears there. It appeals to memory through the perceptible vision of the various sides and multiple images of the surrounding landscape, where the instrument asserts itself as poetic, as well as pertaining to logical rationalism. This approach lays great store upon the poetic, aesthetic reason of the ordinary.

Estuda a emergência, características - implantação e arquitetura - e transformações do espaço organizado pela agroindústria do açúcar e do álcool para seus trabalhadores, através de levantamentos de campo em três regiões tradicionais de produção no Brasil: zona da mata de Pernambuco, norte fluminense e interior de São Paulo. Estuda e compara outros assentamentos constituídos em regiões produtoras de açúcar em Cuba e Estados Unidos. Realiza estudos comparativos em diferentes núcleos fabris com o intuito de verificar padrões e características específicas nos assentamentos açucareiros. Busca desvendar a ação do poder privado, no caso as usinas de açúcar, na construção do território. Paralelamente, analisa as origens dessa ação, a difusão da prática e o processo de desmonte e abandono que vem ocorrendo. Aborda, ainda, como conseqüência destas transformações, questões vinculadas ao patrimônio industrial. / This dissertation investigates the origins, development, and spatial organization - plan, architecture and collective spaces - of several sugar mills located in three traditional sugar regions in Brazil: Pernambuco, Rio de Janeiro, and Sao Paulo. The study also investigates other sugar settlements located in Cuba and United States. The comparative study in different sugar mills, attempts to discover common models and, on the other hand, distinguishing characteristics specific to each mill. The dissertation interrogates the influence of the sugar industry\'s action on the construction and planning of the territories in which the mills are located. To that end, the study analyzes the origins and development of those actions. Finally, the dissertation considers the more recent history of sugar mills reduction and elimination of residential provision and discusses questions specific to these aspects of industrial heritage.

Esta dissertação trata da formação do núcleo fabril constituído pela Companhia Melhoramentos de São Paulo na cidade de Caieiras (SP). Constituíram-se como objetos de pesquisa as edificações erigidas durante o período de crescimento do núcleo, o cotidiano dos trabalhadores e a formação populacional, o processo de desmonte do núcleo e as iniciativas voltadas para preservação dos edifícios remanescentes. Analisa a arquitetura dos edifícios domésticos e coletivos, tais como as moradias operárias e de chefias, as igrejas, os clubes, o cinema, os armazéns, as escolas, a estação ferroviária e os edifícios ligados ao trabalho e à produção industrial. Nesta análise foi observada a predominância da arquitetura eclética revestida de elementos da linguagem clássica. O objetivo principal desta dissertação é a análise da formação espacial do núcleo fabril e a reflexão acerca de medidas favoráveis à preservação dos edifícios remanescentes no contexto atual onde o patrimônio da Companhia Melhoramentos está inserido no processo de fragmentação e valorização imobiliária. Observa a necessidade do aprofundamento das questões relacionadas à prática e à implantação de políticas de preservação do patrimônio, em Caieiras, ressaltando as fragilidades da atual legislação municipal que versa sobre a necessidade de proteger o patrimônio cultural da cidade. A elaboração da pesquisa foi baseada em pesquisa bibliográfica sobre o tema abordado, na sistematização do material obtido através da pesquisa em arquivos históricos, nos levantamentos métricos, iconográficos e nas entrevistas feitas com antigos moradores e trabalhadores do núcleo fabril de Caieiras. / This dissertation deals with the formation of core manufacturing improvements made by the Company in Caieiras (SP). Established themselves as research subjects the buildings erected during the growth period of the nucleus, the daily training of workers and population, the process of dismantling the core and initiatives aimed at preserving the remaining buildings. Analyzes the architecture of buildings and collective household such as housing for workers and managers, churches, clubs, cinema, stores, schools, railway station buildings and workrelated and industrial production. In this analysis we observed the predominance of the eclectic architecture of coated elements of classical language. The main objective of this dissertation is to examine the spatial formation of the core manufacturing and thinking about measures for the conservation of buildings remaining in the current context where the assets of the company rather is embedded in the process of fragmentation and real estate appreciation. Notes the need for further discussion on issues related to the practice and implementation of policies for heritage preservation in Caieiras, highlighting the weaknesses of the current municipal legislation which deals with the need to protect the cultural heritage of the city. The completion of this study was based on literature about the topic, the systematization of the material obtained through research in historical archives, in metric surveys, and the iconographic interviews with former residents and workers in the industrial core of Caieiras.

O espaço habitacional sofreu profundas alterações com a industrialização brasileira na segunda metade do século XIX e início do século XX. Preocupações com questões sanitárias, aliadas à adoção de novas tecnologias e à disseminação de novos conceitos como conforto e funcionalidade, levaram à transformação de antigos padrões urbanísticos e arquitetônicos então vigentes. Como consequência, novos modelos de habitação e de tipologias urbanas se desenvolveram. Nesse contexto, foram construídos conjuntos de moradias para trabalhadores de empreendimentos ferroviários que atuaram como um dos principais agentes de popularização de novos modelos habitacionais no estado de São Paulo. É neste panorama de desenvolvimento de novos modos de se pensar a cidade e a habitação que se situa o presente estudo de vilas ferroviárias. Este trabalho elege como recorte específico a implantação de vilas ferroviárias na Campinas industrial do final do século XIX à primeira metade do século XX, identificando o momento em que empresas e particulares investiram nesse tipo de equipamento. Como objetos de estudo serão analisadas a Vila da Venda Grande (1883), as Vilas Manoel Dias e Manoel Freire (1908-1930), a Vila da Ponte Preta (1919) e a Vila Rizza (primeiro quartel do século XX), considerando sua história e conformação espacial, além de inserção no tecido urbano. Espera-se contribuir para a história da habitação, do trabalho ferroviário e da cidade de Campinas. / Social habitations has faced profound changes with industrialization during the second half of the nineteenth and early twentieth century. The dissemination of new concepts such as comfort and functionality, as well as standards of morality, coupled with the adoption of new technologies and concerns about health issues, led to the transformation of old patterns urban and architectural. Consequently, new types and models of habitations were developed and built for workers of industrial clusters and rail housing. In this overview of the development of new ways of thinking about the city and housing which lies this proposed study workers\' villages. This dissertation chooses as speci¬c clipping deploying workers in Campinas industrial towns of the late nineteenth century until the ¬rst half of the twentieth century, identifying the time when companies and individuals have invested in this type of equipment. The object of study consists in analyze the workers\' house Manoel Dias, Manuel Freire, Venda Grande and Ponte Preta, considering the history and spatial conformation in terms of urban integration at the time of construction. This research intends to contribute for the social habitation knowledge of the history in Brazil, through the action\'s analysis in Campinas.

The continuing industrialisation of global society, specifically in developing countries, has resulted in the ongoing extraction of the earth's resources to feed the ever increasing demand for economic growth. What will happen when resources become scarce and unobtainable? What will happen when population growth becomes unmanageable? What will happen when the quality of life becomes displaced by the quantity thereof? The effects of such exploitation are already evident, and the longer solutions toward growing global populations and diminishing natural resources are postponed, the bleaker the future for modern human civilisation becomes. Many tipping points are being approached; some have already been passed. Now is the time to innovate and to find alternatives, as ways to redefine the relationships between people and resources. This dissertation is an investigation of a post-industrial artefact, an obsolete clay brick quarry and brickworks amidst the suburbs on the southern edge of Pretoria. It has undergone constant changes over the last century and quite noticeably during the last decade, as it lies latent in its obsolescence. The effects of time can be observed in the natural processes of decay, entropy and change, as well as in human development and growth. The history imprinted onto the site tells us about the dynamic patterns and relationships between man and his natural environment, seen in this now Post-Industrial Latent Artefact (P.I.L.A.), and hints toward a path for its future. The principles of Regenerative Design are employed to assist in finding and utilising potential within the P.I.L.A. A new life for the site is found by accessing its inherent potential, while the importance of Industrial Heritage is acknowledged. The programme, as latent potential, is generated through the uncovering of the site's patent potentials, in response to global resource concerns and urban resilience. The architectural design is generated through the conceptual basis of exchanges between knowledge, heritage, the social, the bio-physical, the programmatic, and the tectonic. A social spine is intersected and paralleled by areas of new production, in contrast with areas of historical production, which are all supported by an enhanced ecology and tied together into a new synthetic landscape. / Dissertation MArch(Prof)--University of Pretoria, 2014. / Architecture / MArch(Prof) / Unrestricted

Créée en 1992 sur 45000m2 d’une ancienne manufacture des tabacs dans un quartier populaire près de la gare Saint-Charles à Marseille, la Friche la Belle de Mai est un lieu de création, de production, et de diffusion artistique interdisciplinaire. Parmi les principales structures de la Friche figurent des compagnies de théâtre, une station de radio, un restaurant, des galeries, ainsi que de nombreuses associations d'art visuel et de musique. Dans ce travail, nous nous posons la question suivante : quel est le rapport entre la nature indéterminée des espaces industriels de la Friche la Belle de Mai et le développement du site, appréhendé à travers trois associations d’art visuel ? En commençant par retracer l’histoire de l’industrie des tabacs à Marseille et en France, nous détaillons la transformation du site au travers de ces trois associations présentes à la Friche depuis une quinzaine d'années. Nous montrons comment la flexibilité des espaces et la souplesse des politiques organisationnelles du site permettent à ces associations de s’y établir et d’y engendrer un dynamisme créatif spécifique. Nous exposons ensuite la façon dont la Friche se « normalise » en se pérennisant, et les conséquences de cette évolution pour les arts visuels. Enfin, nous évoquons le développement récent du site - dont celui lié à Marseille-Provence 2013 : Capitale Européenne de la Culture, et nous comparons la Friche à un autre site industriel reconverti, le Tramway à Glasgow. En nous appuyant sur cette analyse, nous évoquons des perspectives qui pourraient permettre d’atteindre un équilibre entre un contexte plus normatif et la flexibilité offerte par les espaces indéterminés. / Created in 1992 on 45,000 m2 of a former tobacco factory in a working-class district near the Saint-Charles Train Station in Marseille, la Friche la Belle de Mai is a place of interdisciplinary artistic creation, production, and diffusion. The site’s main structures include theatre companies, a radio station, a restaurant, a contemporary art gallery, as well as numerous visual arts associations. In this work, we ask the following question: What is the relationship between the indeterminate spaces of la Friche la Belle de Mai and the development of the site, perceived through three visual arts associations? Starting by retracing the history of the tobacco industry in France and Marseille, we examine the transformation of the site through three associations present at la Friche for over fifteen years. We show how the flexibility of the spaces and the adaptability of the organizational policies of the site allow these associations to establish themselves and create a site-specific dynamic. We then describe the way in which la Friche is “normalized” as it becomes permanent, and the consequences of that evolution for the visual arts. Finally, we evoke the site’s recent development including that linked to Marseille-Provence 2013: European Capital of Culture, and we compare it to another converted industrial site – Tramway in Glasgow. Based on this analysis, we evoke perspectives that would allow achieving a balance between a more normative context and the flexibility offered by indeterminate spaces.