Avhandlingen undersöker minnespraktiker kring andra världskriget i S:t Petersburg med omnejd, en stad som under namnet Leningrad 1941–44 var belägrad av tyskarna i över två år. På fronterna runt den omringade staden rasade under drygt två år hårda strider. Skogarna och myrarna där är fortfarande fulla av spår av kriget och marken gömmer kvarlevor av de soldater som fick sätta livet till under striderna. Avhandlingens empiriska fokus är den rörelse som arbetar för att dessa soldater till slut ska få en begravning och kunna identifieras. I avhandlingen speglas olika aspekter av verksamheten: vikten av ett namn, begravningarna, gemensamhetsskapandet, platsen och krigets spår i landskapet. Sökandet sätts också in i en större samhällelig kontext. Minnet av kriget är en viktig källa till stolthet i Ryssland, och segerdagen 9 maj har hög officiell status och stor folklig uppslutning. Det stora lidandet och uppoffringen bidrar till att göra kriget heligt, både då och nu. Det finns en föreställning om att de nu levande har skyldigheter mot det förflutna – en plikt att minnas. Sökarbetet är en komplex kamp mellan identifikation med och kritik av bärande nationella myter. Avhandlingen utforskar spänningsfältet minne och glömska och undersöker hur minnet av andra världskriget får bestående och ritualiserad mening, samt hur meningsskapandet förändras över tid och i olika sammanhang. / In this dissertation commemorative practices in St Petersburg and Leningrad oblast relating to the Second World War are investigated. The city of Leningrad was besieged by the Germans for more than two years 1941–44 and on the fronts around the city raged fierce battles. The woods and bogs here are still full of traces from the war, and the ground hides the remains of fallen soldiers. The empirical focus of the dissertation is the Russian voluntary movement working to find, bury, and if possible identify these soldiers. Different aspects of the activity are investigated: the importance of a name, the funerals, community building, the place, and the traces of war in the landscape. The search for fallen soldiers is related to a wider societal context. The war is an important source of national pride in Russia, and Victory Day May 9th is a holiday with high official status as well as popular enthusiasm. The suffering and sacrifice from the war contributes to making it sacred, both then and now. There is a widespread idea that the now living have obligations to the past – a duty to remember. The search activity is a complex struggle between identification with and critique of national myths. The dissertation explores the tension between memory and forgetting, and investigates how the memory of the Second World War is imbued with lasting and ritualised meaning, and how meaning is changed over time and in different contexts.

Scandinavian prehistory has hitherto received little attention in the field of history didactics. In Swedish schools, it is taught in the lower grades in accordance with traditional periodization: the Stone Age, Bronze Age, Iron Age and the Viking Age. The aim of the present thesis is to provide an overview of Scandinavian prehistory as presented by 20th- and early 21st-century history textbooks and to trace its development and revisions. These revisions are situated in relation to contemporary society and concurrent developments in archaeological research. This study attempts to demonstrate the extent to which history textbooks and archaeological research correspond. In a long-term perspective, the textbooks form a developmental chain in which the gradual revision of historical culture is made manifest. As presented in the textbooks, prehistoric history expresses a historical culture valid in the context of a particular era. The concept of cultural memory, a memory that extends so far back in history that it can only be mediated by someone with expert knowledge (e.g. teachers, journalists or scholars), is applied in order to observe changes in its description. Cultural memory reveals how some stories constantly recur, while others are neglected or forgotten. The textbooks have been compared to standard archaeological works and their development and revisions have been examined from dual perspectives - "story" as cultural memory and gender. The present thesis reveals that most of the stories have been remembered and repeated for more than a century, though interpretations sometimes change along with changes in society and progress in research. A gender perspective elucidates the chores and activities ascribed to prehistoric men and women, respectively, and the changes they have undergone. Although archaeological findings have been influenced by gender research, this study indicates that society itself has had the greatest impact on the treatment of gender in the textbooks. Perceptions of "male" and "female" have changed and women have been become visible after previously being as good as ignored. Both history textbooks and archaeological research are clearly affected by general trends in society and the textbooks under investigation have evolved from focusing on nationalistic aspects and the predominance of men to assigning equal value to people of all cultures and to the sexes.

This thesis deals with the short story “Wanderer, kommst du nach Spa ...” (1950) by the German author Heinrich Böll (1917-1985). The well-established interpretation of this famous short story is that it deals with the dismal fact that the Nazis ended the development of Western culture, which cumulatively had been on its way since Greek antiquity. In this paper another reading is proposed, namely that the short story sheds light on the influence of the Romantic era in Germany and that a certain interpretation and use of Romanticism provided some of the seeds to the obscure ideas of the Nazi era. Research on Böll´s early writings is presented. The notion of cultural memory is introduced. The intertextual connections between Bölls text and other texts are being uncovered. Most fruitful proves the connection between “Wanderer” and the poem “Der Spaziergang” (1795) by Friedrich Schiller (1759-1805) to be. “Wanderer” can be read as a satirical version of Schillers poem. Reasons for Böll to choose Schiller’s elegy as a target are discussed at length. A parable in the story, ”wie ein Gesicht eines Schlafenden” / like a face of a sleeping person, unfolds an undertext to the short story, a Catholic text. Jesus, the Holy Communion, prayers and the eternal cross are present. Wanderer can be read as a requiem over the young soldier. Further, the inability of the wounded soldier to connect to his surroundings is interpreted as a parallell to Germany at the end of the war; the Nazis had stolen the Heimat from the people and it was no longer possible to interpret the world as something you belonged to. While Heinrich Böll on the surface of the text tries to recapture the German language from its nazi-poisend condition, the protagonist within the text regains his identity by means of his own handwriting - a part of his language.