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Viajar es una actividad inherente al comportamiento humano. Desde la prehistoria, diferentes pueblos han explorado el mundo y, sin embargo, incluso hoy en día, resulta complicado encontrar relatos protagonizados por mujeres viajeras. Consideradas tradicionalmente como casos extraños y excepcionales, sus relatos también han sido calificados como fuentes poco fiables. Esta tesis se propone corregir estas ideas erróneas mediante el estudio de las principales características asociadas a los viajes de las mujeres, desde las narraciones sobre los periplos de las diosas mediterráneas hasta los problemas a los que se enfrentan las trotamundos actuales. Nos centraremos en los viajes de las europeas del siglo XVIII, ya que fue este el momento en el que se instauró la figura del viajero varón y las evidencias sugieren que puede ser la época en la que las mujeres, inspiradas igualmente por los ideales de la Ilustración, también comenzaron a viajar. Para ello hemos seleccionado a una de las muchas damas que emprendieron un viaje educativo por el continente sin la guía de un tutor: Elizabeth Vassall-Fox, más conocida como Lady Holland. Lady Holland realizó varios viajes a lo largo de su vida. En 1791 se embarcó en el clásico Grand Tour y, una década más tarde, visitó a España. Sus diarios, publicados parcialmente en 1910, son una descripción inestimable de la sociedad española durante los últimos años del reinado de Carlos IV. Debido a la importancia de sus escritos, nos centraremos en su primer viaje a España con la intención de explorar no sólo sus pensamientos y sentimientos, sino también las razones que la llevaron a emprender este desplazamiento. Nos interesa, además, descubrir las consecuencias que viajar tuvo tanto en su vida diaria como en la historia de las mujeres. / Financiada por la convocatoria de formación predoctoral del programa propio del Vicerrectorado de Investigación, Desarrollo e Innovación de la Universidad de Alicante (Convocatoria 2016).

Populations of striped cucumber beetles (<i>Acalymma vittatum</i> Fabr.), spotted cucumber beetles (<i>Diabrotica undecimpunctata howardi</i> Barber), western cucumber beetles (<i>Acalymma trivittatum</i> Mann.), Pennsylvania leatherwings (<i>Chauliognathus pennsylvanicus</i> DeGeer), Diptera (Order: Diptera), lady beetles (Order: Coleoptera, Family: Coccinellidae), hymenoptera (Order: Hymenoptera), and spiders (Order: Araneae) in a cucumber field and a bordering field of uncultivated vegetation were assessed using yellow sticky traps to determine: 1) the relative abundances of target insects across the uncultivated vegetation and the crop field, 2) relationships between target insects and plant species. In both years populations striped and spotted cucumber beetles and Pennsylvania leatherwings (only in 1995) increased significantly and Diptera decreased significantly in the direction of the crop. The strength of these relationships increased over the season to a peak in August in 1995 and July in 1996 and then decreased in September in both years. There were significant correlations between Diptera and sweet-vernal grass in 1995. In 1996, cucumber beetles were correlated with wild violet (<i>Viola</i> spp.) and white clover (<i>Trifolium repens</i>); Diptera with wild violets; and the lady beetle <i>Coleomegilla maculata</i> with goldenrod (<i>Solidago</i> spp.), English plantain (<i>Plantago lanceolata</i>), and marjoram (<i>Origanum</i> spp.) in 1996. This study demonstrated the potential value of increasing the diversity of a cucumber field to control insect pests (and thus reduce pesticide useage) as well as suggested specific plants that influenced insect populations. / Master of Science

Throughout her career, the artist and singer Lady Gaga has portrayed a great number of personas in her performances. This thesis uses Gaga’s performances of ”Paparazzi”, ”The Edge of Glory”, and ”Million Reasons” to evaluate how her musical personas have been expressed between 2009 and 2018. Philip Auslander’s theories on musical personas are applied as a tool to examine and analyze Lady Gaga’s use of personas in nine performances. The results of the analysis suggest that, in addition to genre conventions, performance contexts also impacted the adaptations of Gaga’s musical personas. Furthermore, Gaga’s Born This Way Ball tour showcased how a musician can adopt a temporary character tailored for a specific tour plot, suggesting the idea of a “tour persona” as a distinct entity separate from musical personas and song characters. The conclusion drawn from the case study suggests that the term ”persona adjustment” may be more suitable than ”persona development” or ”evolvement” when analyzing changes in musical personas over time. Finally, Gaga's changing personas in this case study challenge Auslander's idea that a performer's persona development relies on longevity and audience negotiation, as Gaga's artistic image is sustained through unpredictable fashion choices and diverse mannerisms.

Boston University. University Professors Program Senior theses. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2999-01-01

The thesis deals with the figure of Lady Wisdom in the Old Testament in the wisdom books of Job, Proverbs, Wisdom and Sirach. The opening part specifies the selected biblical texts of the Old Testament, the concept of wisdom in antiquity from Egyptian and Mesopotamian sources, and their possible inspiration for authors of wise scriptures. Next the thesis briefly introduces the chosen biblical texts and analyses the concept of wisdom in the each of them. To illustrate the nature and conduct of Wisdom the next part describes the importace of building a house for the ancient people. As an opposite to Lady Wisdom there is Lady Foolishness. Final part describes various forms of personified Wisdom in particular biblical books explaining her transformation within the course of Old Testament history.

The censorship of Lady Macbeth of the Mtsensk District is a familiar story to musicologists, but reception of the opera is not frequently mentioned. Examining the reception of a work can bring a work's relative importance into focus. In this thesis, German literary and reception theorist Hans Robert Jauss's model of the horizon of expectations is applied to reviews of American productions of Lady Macbeth. Curiosity about communism following the Great Depression in 1930s, America and American music critics' knowledge that Soviet composers worked for the Soviet regime led to the belief that Lady Macbeth was officially approved export from the Soviet Union. When the article condemning the opera as a Western formalism appeared in the Soviet magazine, Pravda, Americans needed to adjust their understanding of Lady Macbeth as a socialist expression. Following the work's revival in San Francisco in 1981, the influence of Solomon Volkov's Testimony is prevalent in many reviews. Many reviewers use Volkov's narrative of Shostakovich as covert dissident of the Soviet Union to assert that the censorship of the opera was about the content of the plot and not the music. Following the Soviet rejection of the work, American critics tried to claim Shostakovich for the West based on the values of individual freedom and feminism set forth in Lady Macbeth.

[pt] O presente trabalho tem como objetivo estudar a cultura de fãs no Rio de Janeiro, suas formas de comunicação e de interação com a cidade. Este estudo também se concentra em entender de que maneira os fãs percebem seus ídolos, uma vez que estes se apresentam perante a sociedade e a mídia, muitas vezes, como seres superiores e/ou indefectíveis. O ato de ser fã é um fenômeno já bastante investigado por alguns teóricos e, por outro lado, carrega significados, por vezes, pejorativos, quando tratado pelo senso comum e por alguns contextos midiáticos. Utilizando a abordagem dos estudos subculturais em uma etnografia foi possível constatar que o impacto das divas do pop estudadas, Lady Gaga e Beyoncé, em suas respectivas fandoms, Little Monsters e Beyhive, dá-se em âmbitos não só de entretenimento, mas, acima de tudo, subjetivos. A cultura de fãs atua como criadora de grupos sociais altamente organizados no mundo digital e no mundo real, capazes de promoverem bem-estar e debates políticos e ideológicos de forma a estimular a reflexão sobre as minorias às quais pertencem e a luta contra os mais diversos tipos de discriminação sofridos pelos participantes das fandoms. / [en] This work aims to study the culture of fans in Rio de Janeiro, its forms of communication and interaction with the city. This study also focuses on understanding how fans perceive their idols, once they present themselves to society and the media, often as superior or indefectible beings. The act of being a fan is already investigated by researchers and on the other hand carries some meanings that sometimes are pejoratives while handled by the common sense and also by some mediatic contexts. By using the subculture studies approach in an etnography it was possible to verify that the impact of the studied pop divas, Lady Gaga and Beyoncé, on their respective fandoms, Little Monsters and Beyhive, takes place not only in the entertainment area, but also in a very subjective way. The fan cultures acts as the creator of highly organized social groups both in the digital and in the real world, promoting not only their well-being, but also political and ideological debates, in order to stimulate reflection on the minorities to which they belong to, and the fight against the most diverse types of discrimination suffered by participants of the fandoms.

Thesis (DLitt)--University of Stellenbosch, 2002 / AFRIKAANSE OPSOMMING: Die ondersoek in hierdie studie sentreer random die diskoers in Antjie Krog se sewende digbundel, Lady Anne (1989). Die ondersoekprableem is die vraag na die wyse waarop die diskoers van hierdie teks georden en' geproduseer word. Foucault se teorie oor diskoersanalise word as kritiese werktuig gebruik by die beantwoording van hierdie vraag. Foucault (1981) omskryf diskoers onder meer as die sosiale gebruik van taal gesitueer binne bepaalde kontekste en verbonde aan spesifieke instansies. Volgens Foucault vertoon diskoers 'n innerlike orde of formasie wat argeologies opgediep kan word; dit het 'n regulerende funksie wat nie net betekenis afbaken nie, maar betekenis praduseer in die positiewe sin van die woord (Foucault, 1981). Wanneer hierdie regulerende funksie genealogies ontleed word, blyk dit dat diskoers mag uitoefen deur die meganismes van kennis, waarheid en self (Foucault, 1980), Diskoers artikuleer kennis wat die self die waarheid oor die self toe-eien. Dit roep op sy beurt weer die prableem van vryheid en politieke verset op. Die ondersoek fokus op die volgende vraagstukke random die diskoers in Lady Anne: die diskursiewe patrone in die teks; die beperkinge wat op die diskoers geplaas word (Foucault, 1981); die outeursfunksie soos beskryf deur Foucault (1979); die fiksionalisering van die lady Anne Barnard-geskiedenis aan die hand van die genealogiese benadering (Foucault, 1970; 1972). Daar sal ook ingegaan word op die verestetisering van die politieke diskoers in Suid-Afrika, asook op die kwessie in watter mate daar sprake is van stemgewing aan die Ander. Die sentrale vraagstuk wat ondersoek word, is: wat is die posisie van die wit skeppende vrau in Suid-Afrika en hoe word hierdie posisie ingeskryf in die diskoers van die Afrikaanse letterkunde? In samehang hiermee word gelet op kwessies soos subjektiwiteit, beskrywing van die objek, asook die subjek se posisie met betrekking tot die tradisie waarin sy die teks inskryf. / ENGLISH ABSTRACT: This dissertation centers on the discourse in Antjie Krog's seventh volume of poetry, Lady Anne (1989). The central thesis of the dissertation is to analyse the way in which the discourse of the text under discussion is being ordered and produced. The theoretical approach is based on Foucault's discourse analysis. Foucault (1981) defines discourse as, among others, the social usage of language within specific contexts and as part of specific institutions. According to Foucault, discourse has an internal order or formation which one can reveal by way of an archaeological approach; it also has a regulatory function which not only delineates meaning, but produces meaning in the more positive sense of the word (Foucault, 1981). If one analyses this regulatory function by way of a genealogical approach, it appears as if discourse exercises power over mechanisms such as knowledge, truth and self (Foucault, 1980). Discourse articulates knowledge that the self claims as a particular truth. This calls to mind issues such as the problem of freedom and political resistance. This dissertation focuses on the following issues pertaining to the discourse in Lady Anne: the discursive patterns in the text, the limitations placed on the production of discourse (Foucault, 1981), the author function as used by Foucault (1979), the fictionalization of the history of Lady Anne Barnard by means of a genealogical approach (Foucault, 1970; 1972). Another pertinent issue that will be analysed is the aestheticisation of the political discourse in South Africa, as well as the manner in which a voice is given to the so-called Other. The central issue of this investigation is the following: What is the position of white creative women in South Africa and how is this position being inscribed into the discourse of Afrikaans literature? Concomitantly, issues such as subjectivity, the description of the object, as well as the subject's position within the literary tradition will be analysed.