Global ETD Search

1	“…I don’t forget my traditions…” Exploring barriers and facilitators of food security among low income newcomer Latin American families in Edmonton, Alberta Sosa Hernandez, Cristabel I. Unknown Date No description available. Photovoice LatinAmerican Food security Latino
2	Muerte súbita, el poder de narrar obras pictóricas / Sudden death, the power to narrate pictorial works La Torre Perregrini, Esperanza Luján January 2018 (has links) The novel Sudden death /Muerte súbita written by Álvaro Enrigue is analysed in this study, using the theoretical contributions of Werner Wolf and Irina Rajewsky, the typology of intermediality, and the model of modalities and modes of media elaborated by Lars Elleström. The aim of this study lies, first on the blending of different media within the novel, the question of pictorial narrative, and argues that images narratives can generate the diegesis in Álvaro Enrigue's book. Second, to analyze how the mentioned intermedial relations to the paintings can create a meaning in the novel. The novel by Enrigue relates some paintings of the Italian painter Caravaggio such as The calling of St. Matthew, Marta and Magdalena, Judith beheading Holofernes and Basket of fruits that have become important in creating the understandings the History of Mexico and the History of Spain. This intermedial study of the work of Enrigue "Sudden death" has shown that words have the power to represent images as well as give us the possibility of expanding the visuality of the media that are present in a literary text. Enrigue intermediality Mexican History Spanish History Caravaggio Cortés visual intermediality latinamerican narrative Languages and Literature Språk och litteratur
3	The Latín American psychology in the XX century: An analysis of its characteristics / La psicología en América Latina en el siglo XX : un análisis de sus características Alarcón, Reynaldo 25 September 2017 (has links) In arder ro identifY rhe most important characrerisrics rhat describe rhe Latín American Psychology ar rhe end of rhe century, six main issues áre discussed: rhe scientific orienration, the dependency characteristic, the lack of an original arproach, the social meaning, the politic permeabiliry, rhe emphasis on applied research, and the interest in the person as the central object of study. The fact that these observations are based on the more active nations in rhe generation of psychological knowledge could be a limitation in rhe generalization of rhe findings. / Con el propósito de identificar las características más relevantes que tipifican a la psicología latinoamericana hacia fines del siglo XX, se señalan y discuten seis notas dominantes: su orientación científica, el carácter dependiente, la escasa originalidad, la relevancia social y su permeabilidad política, la preferencia por la investigación aplicada y su interés por el hombre como objeto central de sus trabajos. Se señala como limitación para establecer generalizaciones, el que las observaciones se basan solamente en las naciones latinoamericanas más activas en la generación de conocimientos psicológicos. Psychology Latinamerican Dependency Originality Politic Applied Research Psicología Psicología Latinoamérica Dependencia Originalidad Política Investigación Aplicada
4	Diálogos transatlánticos: un “Boom” De Ida Y Vuelta Pedrós-Gascón, Antonio Francisco 30 August 2007 (has links) No description available. Transatlantic Studies Latinamerican Boom Boom Latinoamericano Magical Realism Realismo Magico Baroque Barroco Latinoamericanizacion Del Imaginario Comunidad Interpretativa La Cava
5	Vulnerabilidades de la gestión de riesgo de clientes en la prevención de lavado de activos en el caso de sociedades agentes de bolsa Marroquín-Quelopana, Judith-Ana, Marroquín-Quelopana, Judith-Ana January 2016 (has links) En el marco de la prevención de lavado de activos, un intermediario de valores debe contar con un esquema de gestión que le permita prevenir que la entidad sea utilizada para fines de lavados de activos y para ellos es vital entender la operatividad del negocio, identificar el perfil de clientes que acceden al mercado a través de la entidades, los riesgos asociados a los productos que se ofrecen, así como los riesgos derivados de los canales de distribución y las zonas geográficas en las que realiza operaciones la entidad. / Trabajo de investigación Lavado de dinero Bolsa de valores Gestión de riesgos Money laundering Stock change Risk management Financial action task of Latinamerican Derecho / Derecho comercial y societario
6	[en] POPULATING THE DESERTS THAT SURROUND THE OASES OF SATISFACTION: A MICROPOLITICAL READING OF AFFECT IN HAPPY FAMILIES BY CARLOS FUENTES / [pt] POVOANDO OS DESERTOS QUE RODEIAM OS OÁSIS DE SATISFAÇÃO: UMA LEITURA MICROPOLÍTICA DOS AFETOS EM TODAS AS FAMÍLIAS FELIZES DE CARLOS FUENTES ANA CRISTINA TOLEDO SOARES 02 May 2022 (has links) [pt] Esta dissertação de mestrado analisa a obra Todas as famílias felizes (2009), do escritor mexicano Carlos Fuentes (1928-2012), dentro da perspectiva micropolítica dos afetos circulantes. O livro é composto por dezesseis histórias, que narram acontecimentos em diferentes famílias, intercaladas por igual número de coros, todos independentes entre si. Não encontramos personagens repetidos, nem um desfecho onde finalmente tudo se articule e ganhe uma conclusão. Também não existem capítulos, nem partes. As histórias familiares são narradas de forma tradicional - com início, meio e fim - enquanto os coros são textos mais curtos e narrados livremente. O maior deles toma seis páginas e o mais curto, apenas uma linha. A partir de um ponto de vista literário, esta dissertação buscará refletir sobre as relações em jogo no ambiente íntimo e familiar como também no espaço comunitário dos coros. A gramática dos afetos, bem como sua materialização na distribuição dos corpos no espaço social, se tornou oportuna para a reflexão sobre as zonas de contato entre os diferentes corpos: individuais e coletivos. Em particular, aponto a relevância da violência, do medo e do rancor nos processos afetivos presentes na obra, assim como proponho a leitura dos coros como elemento trágico e, ao mesmo tempo, estranho e distante. Sendo Fuentes um escritor marcado pelo boom literário das décadas de 1960 e 1970, reviso as principais características e argumentações críticas acerca do período. Por se tratar de uma obra da fase final e menos prestigiada, observo como a aposta dos autores do boom na recriação de uma comunidade parece não mais possível para Carlos Fuentes. / [en] This research analyzes Happy Families (2009) by the Mexican writer Carlos Fuentes (1928-2012), prioritizing the micropolitical perspective of circulating affections. The book consists of sixteen stories, which narrate events in different families, interspersed with an equal number of choirs, all independent of each other. We find no repeating characters, nor an outcome where everything finally articulates and gains a conclusion. There are no chapters or parts either. Family stories are narrated in a traditional way - beginning, middle and end - while choirs are shorter texts and narrated freely. The largest of them takes six pages and the shortest, just one line. From a literary point of view, this dissertation will seek to reflect on the relationships at stake in the intimate and family environment as well as in the community space of choirs, prioritizing the micropolitical perspective of circulating affections. The grammar of affections, as well as their materialization in the distribution of bodies in the social space, became opportune for reflection on the zones of contact among different bodies: individual and collective. Furthermore, it examines the relevance of violence, fear and resentment in the affective processes found in the book, as well as the role of the choirs as a tragic and, at the same time, as a strange and distant element. Knowing that Fuentes is a writer marked by the literary boom of the 1960s and 1970s, it reviews the main characteristics and critical arguments about the period. Because it is a work of his final and less prestigious phase, I observe how the bet of the authors of the boom in the recreation of a community seems no longer possible for Carlos Fuentes. [pt] AFETOS [pt] BOOM LATINO-AMERICANO [pt] CRITICA LITERARIA LATINO-AMERICANA [pt] TODAS AS FAMILIAS FELIZES [pt] CARLOS FUENTES [en] AFFECTIONS [en] LATINAMERICAN BOOM [en] LATIN-AMERICAN LITERATURE [en] HAPPY FAMILIES [en] CARLOS FUENTES
7	La imagen literaria de París. Desde Mercier, Baudelaire y el surrealismo hasta Rayuela de Julio Cortázar Hoyos, Camilo 23 March 2010 (has links) El propósito de nuestra investigación es analizar la imagen del París surrealista para luego ver su posterior recepción y variación por parte de Julio Cortázar en Rayuela. Los criterios analíticos de nuestra investigación constan en la importancia de la promenade y la visión en la construcción de la imagen de la ciudad a manera de espacio interior. Para comprender los orígenes e inserción en la tradición por parte de los surrealistas, fue necesario establecer los orígenes de las poéticas urbanas de la ciudad de París a finales del siglo XVIII, comprender el auge de París como tema literario a mediados del siglo XIX, analizar la importancia de la tradición noctámbula y la incidencia de Baudelaire en el París moderno para situar a los surrealistas en su manera de comprender la ciudad como un espacio psíquico e interior. Por último, comprenderemos los distintos elementos surrealistas de la construcción de París en Rayuela de Cortázar gracias a los textos escritos durante su período de interés surrealista (1947-1949) y su posterior variación en Rayuela. / The purpose of our investigation is to analyze the image of Paris forged in four Surrealist texts published between 1926-1928 in order to understand the Surrealist elements that allowed Julio Cortázar to forge his own image of the city in the novel Rayuela. Our analytical criteria are the importance of the regard and the promenade in the construction of the city as an interior and personal space. To understand the importance of the Surrealist production, it was necessary to visit the origins of Paris as a literary text in the late eitheenth century, the importance of the tradition noctámbule in the XIXth century, the incidences of Baudelaire's work regarding the modern Paris and the change of century that allowed the Surrealist movement to understand the city as an interior and psychic space. Through the establishment of certain criteria and images, we analyzed Paris in Cortázar's novel Rayuela as a Surrealist product, even if Cortázar himself never felt as as a Surrealist writer. automatic writing enciclopedism nightwalkers surrealism inner space regard vision city José Asunción Silva Enrique Gómez Carrillo Philippe Soupault Domingo F. Sarmiento Robert Desnos Louis Aragon Guillaume Apollinaire André Breton Conde de Lautréamont Charles Baudelaire Gérard de Nerval Julio Cortázar Louis Sébastien Mercier Rétif de la Bretonne Walter Benjamin Karlheinz Stierle modernismo latinoamericano novela policíaca noche tableau atravesamiento promenade automatique escritura automática enciclopedismo tradición noctámbula surrealismo París espacio interior mirada visión ciudad promenade night police novel Latinamerican Modernism 82

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