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Entre 1922 e 1936, os poetas russos Marina Tsvetáieva e Boris Pasternak mantiveram intensa correspondência, na qual discutem suas ideias a respeito de arte, poesia, se dedicam poemas, falam sobre a vida cotidiana. Exilada, Tsvetáieva despontava como uma das principais vozes de poetas emigrados, primeiro em Praga e depois em Paris. Já Pasternak continuou nos círculos literários de Moscou. No verão de 1926, os dois poetas também trocaram cartas com Rainer Maria Rilke. Este trabalho propõe uma tradução do russo para o português das cartas entre Tsvetáieva e Pasternak desde o começo, em meados 1922, até 1926, momento da morte de Rilke. Além da tradução, esta tese discute a trajetória de ambos os poetas no sistema literário da época com base nos trabalhos de Catherine Cipiela, Olga Zaslavsky e Lazar Fleishman, entre outros, e procura contextualizar as discussões travadas e situá-las no formato epistolar. Por fim, são abordadas as questões de tradução e da linguagem de ambos, com base, entre outros, no estudo de Aurora Bernardini sobre a tradução da obra lírica de Tsvetáieva. / Between 1922 and 1936, Russian poets Marina Tsvetáieva and Boris Pasternak kept an intense correspondence exchanging ideas about art and poetry, dedicating poems to each other and discussing their everyday lives. Living in exile, first in Prague and then in Paris, Tsvetáieva emerged as one of the main voices among emigré poets, while Pasternak remained in Moscow, as a member of the literary circles of the new capital city. In the summer of 1926, both poets also exchanged letters with Rainer Maria Rilke. This thesis presents a translation from the Russian to Portuguese of the letters exchanged by Tsvetáieva and Pasternak from the beginning of their correspondence, by mid-1922, to the end of 1926, the time of Rilkes death. It discusses the trajectory of both poets in their times literary system based on the works of Catherine Cipiela, Olga Zaslavsky and Lazar Fleishman, among others , and puts in context such discussions, placing them in the frame of the epistolary format. The issues of translation and language of both poets are also addressed, based, amongst others, on the work of Aurora Bernardini about the translation of Tsvetáievas lyric works.

La recherche vise à revoir et analyser la situation du site archéologique de San Pasquale de Bova Marina (RC). Le site, découvert en 1983, a fait l'objet de fouilles archéologiques depuis 1985 qui ont révélé des structures légères de grande importance, parmi lesquelles se trouve un bâtiment classé comme une synagogue juive et daté du IVe siècle de notre ère. À côté de la structure juive ont été mis au jour d'autres bâtiments légers et deux zones de sépulture. Jusqu'à présent, la vie de la synagogue avait été datée du quatrième au sixième siècle de notre ère et les zones funéraires ont été mises en phase avec elle. Grâce à cette recherche, menée sur des documents et à travers une série de fouilles archéologiques, nous avons montré que la durée de vie de la synagogue ne va pas au-delà du milieu du Ve siècle et les deux cimetières ne sont pas reliés à elle. Nous reconstituons aussi plus précisément les différentes phases de la vie du bâtiment juif et leur développement. L'accent est mis sur des reconstructions tridimensionnelles de la mosaïque et de la salle de prière. Nous avons également constaté des différences profondes avec l'autre synagogue découverte en Italie, à Ostie, tandis que nous avons trouvé des points de contact avec les synagogues de la terre d'Israël, en particulier celles de la vallée de Beth Shéan. Le site de S. Pasquale di Bova Marina a donc connu une présence juive à partir du quatrième siècle jusqu’au milieu du cinquième lorsque la zone a continué à être utilisée principalement comme zone d'inhumation, puis l’arrêt de tout type de fréquentation au septième siècle, à l’instar d'autres sites sur la côte ionienne de la Calabre. / The research aims to reconsider and analyze the situation of the archaeological site of San Pasquale of Bova Marina (RC). The site, discovered in 1983, was the subject of archaeological investigations since 1985 and brought to light structures of great importance, among which is a building identified as a Jewish synagogue and dated to the fourth century of our era. Along with the Jewish structure, were brought to light other buildings and two burial areas. Until now, the life of the synagogue had been dated from the fourth to the sixth century of our era and burial areas were put in phase with it. Through this research, carried out on documents and through a series of archaeological excavations, we have shown that the life of the synagogue does not go beyond the middle of the fifth century and the two cemeteries are not connected to it. We also reconstruct more accurately the various phases of Jewish building life and their development. Fundamental point were the three-dimensional reconstructions of the mosaic floor of the classroom and of the hall of the prayer. We also found profound differences with the other synagogue discovered in Italy, at Ostia, while we found important points of contact with the synagogues of the Land of Israel, in particular those of the valley of Beth She'an. The site of S. Pasquale of Bova marina, then, saw a Jewish attendance from the fourth century to the middle of the fifth when the area continued to be used primarily as a burial area and then stop any type of attendance in the seventh century, as other sites places on the Ionian coast of Calabria.

Most coastal aquifers undergo seawater intrusion. Mitigating this risk depends on a sound knowledge of flow mechanisms, well located and constructed wells, an effective management, suitable policies and the desire to conserve the aquifer. To this end, a comprehensive geological model is essential. The single most important question that the geological model should address is the degree and nature of the connection of the aquifer to the sea. Differences in the connection explain why apparently similar coastal aquifers display very different salinitzation behavior. Some aquifers salinize with moderate pumping (eg. Tordera and Llobregat deltas) whereas others sustain large extractions with lower vulnerability to seawater intrusion (eg. Ter delta). However, the characterization of such a connection is not easy given the lack of onshore-offshore geological mapping potential pathways for seawater contamination. This thesis is focused on sequence stratigraphy, which is necessary to understand the onshore-offshore aquifer connection, thus modifying the classical hydrogeological conceptual models. The methodology of sequence stratigraphy offers a perspective of delta architecture based on geological controls and processes. Sequence stratigraphic concepts are used in Western Mediterranean deltas in addition to local factors, such as subsidence, uplift and the rate of sediment supply to account for differences in Pleistocene stratigraphic patterns and aquifer preservation. These local factors exert an influence over the shape, slope and thickness of aquifers. Together with the width of the continental shelf, the presence of submarine canyons, faults and thin prodelta layers conditions vulnerability to seawater intrusion. The Quaternary Mediterranean shelf is characterized by high-frequency depositional sequences mainly composed of large-scale regressive wedges with poor or poorly preserved transgressive to highstand intervals. Although the Llobregat delta is an anomaly, it serves as a paradigm of deltaic architecture because of its well preserved transgressive and highstand intervals. The well preserved coarse transgressive deposits are important from hydrogeological point of view. They act as aquifers with high lateral continuity from onshore to offshore providing paths for seawater intrusion.The excellent preservation in the Llobregat delta may be a consequence of Quaternary growth faults, which caused high accommodation space, limiting the action of wave and storm events. The identification of different seismic units and deformation features along the coast makes it possible to distinguish two main morpho-structural sectors. These sectors can be influenced by tectonic movements, which may be intensified by sediment supply changes.Detailed sedimentological, age and paleontological (foraminifera and ostracods) data display a cyclic vertical pattern of facies, including a high degree of reworked sediments. Available ages together with high sediment preservation due to constant subsidence and sediment supply during sea level rises allow us to establish a chronostratigraphic framework. The most significant and widespread erosion were interpreted as occurring during gradual sea-level falls with a frequency of 100 Kyr. glacial-interglacial cycles. However, most of the regressive deposits display complex internal architectures, which suggest the imprint of higher-frequency cycles. The stacking pattern of the modern Holocene delta is controlled by changes in the relative sea-level and in the sediment supply. Paleofloods frequencies controlled by climatic changes and intensified by anthropic activity caused an important progradational pulses in the Llobregat delta and the channel switching with the rapid abandonment of the delta lobes.

Thesis (M.A.)--Indiana University, 2007. / Title from screen (viewed on May 23, 2007) Department of English, Indiana University-Purdue University Indianapolis (IUPUI) Includes vita. Includes bibliographical references (leaves 82-83)

Cette étude se situe dans le cadre des recherches sur le patrimoine balnéaire de la Côte d'Azur dans la deuxième partie du XXème siècle. Elle porte sur l'histoire de trois créations ex nihilo: Port-Grimaud, Marina-Baie-des-Anges, Port-la- Galère initiées par trois constructeurs de rivage. Les terrains, encore disponibles parce qu'hostiles, avaient en commun, d'allier à la beauté naturelle des sites des conditions de vie inhospitalières. La société de consommation des années soixante, tournée vers les activités nautiques fut responsable d'une nouvelle forme d'urbanisme proche de celle des marinas américaines. Urbanisme et architecture étant indissociables dans le balnéaire, la typologie fonctionnelle des stations balnéaires anciennes fut remplacée par des constructions plus ou moins standardisées qui secrètent une faculté d'identification: maisons de pêcheurs, alignées sur des péninsules, conçues par François Spoerry à Port-Grimaud, pyramides serpentiformes à terrasses décalées en. amphithéâtre autour du port imaginées par André Minangoy, grappes accrochées au rocher à Port-la-Galère. Une profusion décorative sur les façades rehaussée par l'emploi de matériaux variés, sont responsables du style du site balnéaire. Les nouvelles créations balnéaires sont le reflet d'une architecture méditerranéenne avec la prédominance de terrasses, prolongeant le dehors au-dedans, avec les emprunts de motifs architecturaux aux pays du Sud et à la sémantique du nautisme. Ces constructions, les pieds dans l'eau, permirent à la société des années soixante, de satisfaire leur désir de rivage et devinrent les marqueurs d'un urbanisme révolu. / This investigation situates itself in the frarnework of the studies on the seaside resort heritage of the Côte d'Azur in the second part of the 20th century. It concerns the history of three creations ex nihilo: Port-Grimaud, Marina-Baie-des- Anges, Port-la-Galère,initiated by three seashore builders. The grounds, still available because of their hostile character, had in common to combine natural beauty of the sites with inhospitable conditions of life. The consumer society of the sixties, turned towards watersports activities, was at the origin of a new way of urban development close to that of American marinas. Urban development and architecture being indissociable concerning seaside resorts, the functional typology of former seaside resorts was replacecl by more or less standardised constructions secreting a facility of identification: fishermen's housings, aligned on peninsulas, conceived by François Spoerry at Port-Grimaud, meandering pyramids bearing staggered terraces organised as an amphitheatre around the harbour and imagined by André Minangoy, grapes clung to the roc at Port-la-Galère. The style of the seaside resort isdue to the abundance of façade decoration, set off by the use of various materials. The new seaside resorts retlect Mediterranean architecture, with the prevalence of tenaces extending the outside inside, with architectural motives from the South and t'rom watersports semantics, These waterside constructions allowed the society of the sixties to satisfy their desire of seashore access and beeame the market of a bygone urban development.

nÃo hà / Investiga as representaÃÃes de afetos femininos nos contos de fadas de Marina Colasanti, considerando o diÃlogo com a narrativa feÃrica tradicional e situando-a no contexto da narrativa contemporÃnea, sobretudo da literatura brasileira destinada ao pÃblico infantil. O corpus da pesquisa compreende os livros de contos de fadas Uma ideia toda azul (1979), Doze reis e a moÃa no labirinto do vento (1982), Entre a espada e a rosa (1992) e Longe como o meu querer (1997). Aborda o perfil das personagens femininas e sua funÃÃo na conflituosa relaÃÃo de afetos com a oponente figura masculina, geralmente o pai, e as provaÃÃes enfrentadas para atingirem a maturidade, concretizada atravÃs da individuaÃÃo, do casamento ou da emancipaÃÃo em relaÃÃo a forÃas opressoras do domÃnio masculino. Identifica na narrativa feÃrica da autora a construÃÃo da identidade feminina e a postura de altivez incorporada pelas protagonistas, jovens em idade de casar, frente à descoberta do amor e da intimidade. / It investigates the representations of feminine affection in fairy tales of Colasanti Marina, considering the dialogue with the traditional narrative and pointing out it in the context of the narrative contemporary, over all of the Brazilian literature destined to the infantile public. The corpus of the research understands books of fairy tales an Uma ideia toda azul (1979), Doze reis e a moÃa no labirinto do vento (1982), Entre a espada e a rosa (1992) and Longe como o meu querer (1997). It approaches the profile of the feminine personages and its function in the delicate relation of affection with the opponent masculine figure, generally the father, and the faced tests to reach the maturity, materialize through the individuation, of the marriage or the emancipation in relation the forces oppressors of the masculine domain. It identifies in the narrative of the author the construction of the feminine identity and the determination incorporated for the protagonists, young in age to marry, front to the discovery of the love and the privacy.

Submitted by JÚLIO HEBER SILVA (julioheber@yahoo.com.br) on 2017-03-29T19:56:38Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Lais Carolina Machado e Silva - 2017.pdf: 5820388 bytes, checksum: 2d84ad7f24a7c7fc0c5a79ea20fa2353 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-03-31T10:27:46Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Lais Carolina Machado e Silva - 2017.pdf: 5820388 bytes, checksum: 2d84ad7f24a7c7fc0c5a79ea20fa2353 (MD5) / Made available in DSpace on 2017-03-31T10:27:46Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Lais Carolina Machado e Silva - 2017.pdf: 5820388 bytes, checksum: 2d84ad7f24a7c7fc0c5a79ea20fa2353 (MD5) Previous issue date: 2017-03-21 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The study object of this dissertation is the political discourse of Marina Silva. Political discourse, full of social and ideological values, has become research object of investigation in academia, in various areas: linguistics, anthropology, history, communication, etc. However, after research found that political discourse has never been studied from the perspective of Analysis of Ecological Speech. Thus, the theme of this dissertation arose: the study of political Marina Silva speech from the perspective of Analysis of Ecological Speech henceforth ADE. Marina Silva stood out in 2014 in her campaign because talk about the promotion of a "new policy" as opposed to "Old Policy" for her criticism, which aroused the interest in understanding which direction policy in the speeches of the former candidate. Also in this campaign Marina was considered inconsistent for some changes made in their proposals, which raised more concern in understanding the developments that led to change some issues, for example, LGBT causes. Thus, we have as main objective to analyze the Marina interview in order to understand what is the make political and as can to be seen from de perspective of ADE. We define specific objectives: to describe the effects of sense produced in the speech of Marina Silva; checking for agreement and disagreement between the statements of the candidate in interviews and in his government plan, in relation to the themes education, economy, environment and issues relating to the law of minorities, as well as understanding the interactions that led to possible changes between these speech and, finally, analyze the proposals of Marina, seeking to understand how they aim to build new political stances. We selected as analysis corpus an interview with Marina Silva during the presidential campaign of 2014. As a theoretical framework, we used the analisys ecological of discourses. Thus, we present, at first, the Ecolinguistics with their bases, as well as the categories of analysis and some of his views. Even as theoretical support, we present a discussion of different perspectives to think about politics. Therefore, we bring to discussion the Deep Ecology, the Ecopolitics and ecoética. We use the methodology of ADE (ecometodologia), which is the focus, the crop given field interactions, but without neglecting the whole (GARNER, 2004), is characterized mainly for being a multimethodological discipline (COUTO; ALBUQUERQUE, 2015). It was observed that from the perspective of the Analisys ecological of discourses political make Marina is positive for society to working with the diversity that permeates both the field of politics and the community as a whole, which allows the demands of society are better embraced and providing for protection of the environment. / O objeto de estudo desta dissertação é o discurso político de Marina silva. O discurso político, carregado de valores sociais e ideológicos, se tornou objeto de investigação de pesquisas na academia, nas mais variadas áreas: linguística, antropologia, história, comunicação, etc. No entanto, após investigação verificamos que o discurso político nunca foi estudado da perspectiva da Análise do Discurso Ecológica. Assim, surgiu o tema desta dissertação: o estudo do discurso político de Marina Silva sob a perspectiva da Análise do Discurso Ecológica, doravante, ADE. Marina Silva se destacou na campanha de 2014 por, na maioria das entrevistas, falar sobre a promoção de uma “Nova Política”, em oposição à “Velha Política” por ela criticada, o que nos despertou o interesse em compreender qual o sentido de política nos discursos da ex-candidata. Também nesta campanha Marina foi considerada como incoerente por algumas alterações que fez em suas propostas, o que despertou mais uma inquietação em compreender os desdobramentos que a levaram a alterar algumas questões como, por exemplo, as causas LGBT. Desse modo, temos como objetivo geral analisar a entrevista de Marina no sentido de entender qual o fazer político da ex-candidata, com base na perspectiva da ADE. Definimos como objetivos específicos: descrever os efeitos de sentido produzidos no discurso de Marina Silva;verificando se há concordâncias e discordâncias entre os enunciados da candidata nas entrevistas e em seu plano de governo, em relação aos temas educação, economia, meio ambiente e questões ligadas ao Direito das minorias, bem como compreender as interações que levaram às possíveis mudanças entre esses discursos e, por fim, analisar, as propostas de Marina, buscando entender como se propõem a construir novas posturas políticas. Para tanto, selecionamos como corpus de análise uma entrevista realizada com Marina silva durante a campanha presidencial de 2014. Como aporte teórico, utilizamos a Análise do Discurso Ecológica, a qual surgiu no seio da Ecolinguística. Desse modo, apresentamos, em um primeiro momento, a Ecolinguística com suas bases, bem como as categorias de análise e algumas de suas concepções, para contextualizarmos e prepararmos o terreno para a apresentação da Análise do Discurso Ecológica. Ainda como suporte teórico, apresentamos uma discussão acerca de diferentes perspectivas para se pensar a política, já que, da forma como se constitui nos dias atuais, ela é extremamente voltada para valores capitalista. Para tanto, trazemos à discussão a Ecologia Profunda, a Ecopolítica e a ecoética. Fazemos uso da metodologia da ADE (ecometodologia), que é a focalização, ou seja, o recorte de dado campo de interações, mas sem desprezar o todo (GARNER, 2004), caracterizando-se, principalmente, por ser uma disciplina multimetodológica (COUTO; ALBUQUERQUE, 2015). Foi possível observar que da perspectiva da Análise do Discurso Ecológica o fazer político de Marina é positivo para a sociedade no sentido de que trabalha com a diversidade que permeia tanto o campo da política quanto a comunidade como um todo, o que permite que as demandas da sociedade sejam melhor abarcadas e que prevê a defesa do meio ambiente.

Orientadores: Anna Paula Silva Gouveia, Maria de Fátima Morethy Couto / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-26T23:47:50Z (GMT). No. of bitstreams: 1 Rebesco_VanessaLuciadeAssis_M.pdf: 5573291 bytes, checksum: c26cfc06d52978f2e8d3651a8e10693f (MD5) Previous issue date: 2015 / Resumo: A presente pesquisa tem como objetivo analisar as obras de Marina Caram (1925- 2008) e Odilla Mestriner (1928-2009) produzidas nos anos 60 e 70 e que pertencem aos acervos da Pinacoteca do Estado de São Paulo e do Museu de Arte Moderna de São Paulo. Pretende ainda examinar os processos de musealização dessas obras e estabelecer interlocuções entre o trabalho dessas artistas e o de seus contemporâneos. Além disso, interessa-nos investigar as condições de produção de Mestriner e Caram na década de 60 e 70, considerando suas especificidades plásticas, técnicas e poéticas. Para isso, adotaremos uma postura que não concorda com a existência de uma suposta "identidade feminina", pelo contrário, a noção de feminilidade será tomada como uma fala produzida histórica e socialmente / Abstract: This research aims to analyze the works of Marina Caram (1925- 2008) and Odilla Mestriner (1928-2009) that were produced in the 60's and 70's and belong to the collections of the Pinacoteca do Estado de São Paulo and the Museu de Arte Moderna de São Paulo. It also aims to examine the musealization processes of these works and establish dialogues between the work of these artists and their contemporaries. In addition, we are interested in investigating the Mestriner and Caram production conditions in the 60's and 70's considering their plastic, technical and poetic specificities. For this, we will adopt a posture that does not agree with the existence of a supposed "female identity", on the contrary, the notion of femininity will be taken as a speech produced historically and socially / Mestrado / Artes Visuais / Mestra em Artes Visuais

Dodô, Marlucia Nogueira do Nascimento. De fadas e princesas: afetos femininos em Marina Colasanti. 2010. 135f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2010. / Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-07-06T15:21:13Z No. of bitstreams: 1 2010_DIS_MNNASCIMENTO.pdf: 341158 bytes, checksum: 75d3fab98589dc84396af45738b67043 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-24T11:20:33Z (GMT) No. of bitstreams: 1 2010_DIS_MNNASCIMENTO.pdf: 341158 bytes, checksum: 75d3fab98589dc84396af45738b67043 (MD5) / Made available in DSpace on 2012-07-24T11:20:33Z (GMT). No. of bitstreams: 1 2010_DIS_MNNASCIMENTO.pdf: 341158 bytes, checksum: 75d3fab98589dc84396af45738b67043 (MD5) Previous issue date: 2010 / It investigates the representations of feminine affection in fairy tales of Colasanti Marina, considering the dialogue with the traditional narrative and pointing out it in the context of the narrative contemporary, over all of the Brazilian literature destined to the infantile public. The corpus of the research understands books of fairy tales an Uma ideia toda azul (1979), Doze reis e a moça no labirinto do vento (1982), Entre a espada e a rosa (1992) and Longe como o meu querer (1997). It approaches the profile of the feminine personages and its function in the delicate relation of affection with the opponent masculine figure, generally the father, and the faced tests to reach the maturity, materialize through the individuation, of the marriage or the emancipation in relation the forces oppressors of the masculine domain. It identifies in the narrative of the author the construction of the feminine identity and the determination incorporated for the protagonists, young in age to marry, front to the discovery of the love and the privacy / Investiga as representações de afetos femininos nos contos de fadas de Marina Colasanti, considerando o diálogo com a narrativa feérica tradicional e situando-a no contexto da narrativa contemporânea, sobretudo da literatura brasileira destinada ao público infantil. O corpus da pesquisa compreende os livros de contos de fadas Uma ideia toda azul (1979), Doze reis e a moça no labirinto do vento (1982), Entre a espada e a rosa (1992) e Longe como o meu querer (1997). Aborda o perfil das personagens femininas e sua função na conflituosa relação de afetos com a oponente figura masculina, geralmente o pai, e as provações enfrentadas para atingirem a maturidade, concretizada através da individuação, do casamento ou da emancipação em relação a forças opressoras do domínio masculino. Identifica na narrativa feérica da autora a construção da identidade feminina e a postura de altivez incorporada pelas protagonistas, jovens em idade de casar, frente à descoberta do amor e da intimidade.