Orientador: Zeljko Loparic / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-07T06:38:24Z (GMT). No. of bitstreams: 1 Santos_EderSoares_D.pdf: 715602 bytes, checksum: 42e9f6b0d61cb2fd4ef311c2f2cc0a72 (MD5) Previous issue date: 2006 / Resumo: Objetiva-se investigar, nesta tese, uma possibilidade de articulação entre a teoria do amadurecimento pessoal de Winnicott e a teoria da acontecência (Geschichtlichkeit) de Heidegger. Utiliza-se a noção de paradigma de Kuhn para, no quadro do desenvolvimento histórico da psicanálise, distinguir a psicanálise de Winnicott da psicanálise tradicional (Freud e Klein). Destaca-se que, em relação à tradicional, a winnicottiana promove uma mudança paradigmática em todos os elementos que compõem a matriz disciplinar da teoria psicanalítica. O estabelecimento desta distinção permitiu tomar um dos componentes dessa matriz para tema de estudo, a saber, o componente ontológico. Essa escolha pretende mostrar, por um lado, que a ontologia presente na teoria de Winnicott aproxima-se de um modo de pensar a natureza humana, que é muito próximo às concepções pós-metafísicas de Heidegger, podendo a teoria da acontecência desse filosofo iluminar a compreensão dos elementos ontológicos que compõem a teoria winnicottiana. Por outro lado, esse movimento de aproximação aponta para um distanciamento, que permite notar que a psicanálise de Winnicott apresenta várias questões instigantes e suplementares a uma fenomenologia existencial. A investigação sobre as possíveis aproximações e distanciamentos entre essas duas teorias fez com que se questionasse a localização da psicanálise de Winnicott em relação a um pensamento pós-metafísico e deu margem à discussão sobre as possibilidades de se erigir uma ciência do homem / Abstract: The aim of the present work is to investigate the possibility of establishing a bond between Winnicott's theory of personal maturation and Heidegger's theory of Geschichtlichkeit (historicity). We used Kuhn's notion ofparadigm to distinguish Winnicott's psychoanalysis from traditional psychoanalysis (Freud and KIein) within the framework of historical development of psychoanalysis. What stands out is that in comparison to traditional psychoanalysis, Winnicott's psychoanalysis promotes a paradigm shift in alI elements that compose the disciplinary matrix of psychoanalytical theory. The establishment of that distinction allowed us to singIe out one ofthe components ofthat matrix for our study, i.e., the ontological component. By this choice, we intend to show, on one hand, that the ontology found in Winnicott's theory approaches a way of thinking human nature which is very dose to Heidegger's post-metaphysical conceptions so that his theory appropriation could illurninate the comprehension of the ontological elements that compose Winnicott's theory. On the other hand, that movement of approximation points towards a distancing, which shows that Winnicott's psychoanalysis contains several instigating and additional issues in relation to existential phenomenology. The investigation ofthe possible nearness and farness between those two theories leads us to question Winnicott's psychoanalysis in relation to a post-metaphysical thinking and gave way to the discussion on the possibilities of creating a science of mano / Doutorado / Doutor em Filosofia

Orientador: Zeljko Loparic / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-09T08:15:39Z (GMT). No. of bitstreams: 1 Ferreira_AlexandredeOliveira_D.pdf: 1187565 bytes, checksum: e3b80b936ca7fb5018f17cc8d4c84fa0 (MD5) Previous issue date: 2007 / Resumo: O objetivo deste trabalho é fazer um estudo da Kehre, a inflexão que se inicia no pensamento de Heidegger a partir dos anos trinta, relacionando-a ao problema da técnica. A assim denominada ¿virada¿ é definida como a mudança da pergunta pelo ¿sentido de ser¿ à pergunta pela ¿verdade do ser¿, esta última pensada como uma ¿topologia do ser¿. Essa trajetória filosófica de Heidegger será abordada buscando conciliar duas linhas de interpretação, quais sejam: aquela que pensa a Kehre como decorrente de contradições internas ao projeto da ontologia fundamental; e aquela que a concebe como resultado de novos desafios, os quais teriam surgido em meio ao caminho do pensar: fundamentalmente, a técnica e o envolvimento com o Nacional-socialismo. A tese a ser defendida é de que, devido a dificuldades internas à analítica existencial, o projeto de uma ontologia fundamental mostra-se, já no final do anos 20, insuficiente para a tarefa de desconstruir a metafísica da presentidade (Anwesenheit). Entretanto, é apenas através do problema da técnica que essas dificuldades se intensificam e tornam-se mais claras, conduzindo a problemas que não poderiam ser vislumbrados no âmbito da ontologia fundamental. Com relação às dificuldades internas à ontologia fundamental, serão destacados três aspectos, quais sejam: 1) a impossibilidade de se levar a cabo o projeto de uma ciência do ser; 2) a dificuldade em superar a assim denominada ¿filosofia da subjetividade¿ e 3) a insuficiência da analítica existencial para a destruição da história da ontologia e para que o Dasein se aproprie de sua época. No que diz respeito à técnica será dada ênfase ao diálogo que Heidegger estabelece com Ernst Jünger; ver-se-á também que a confrontação com a técnica é responsável pelo engajamento e pela decepção com o movimento Nacional-socialista, pelas reflexões acerca da arte e da linguagem (as quais se iniciam na segunda metade dos anos trinta) bem como pela elaboração de conceitos fundamentais do pensamento tardio do filósofo, como: Ereignis; ¿topologia do ser¿ e quadrindade (Geviert). Por fim, dever-se-á provar que a Kehre é processo gradual, porém radical, na medida em que diz respeito à própria origem da verdade. Ela marca o abandono gradativo da temporalidade (Zeitlichkeit) como horizonte transcendental para o entendimento do ser, mostrando a necessidade de buscar a origem da verdade nos envios epocais do próprio ser / Abstract: This work¿s objective is to study the Kehre, the inflection initiated in Heidegger's thought during the 30s due to his relationship with the question of technique. The so called ¿turn¿ is defined as a conversion of the question of the ¿meaning of being¿ to the question of the ¿truth of being¿, thought of as a ¿topology of being¿. Heidegger¿s trajectory will be considered by conciliating two lines of interpretation: one which treats the Kehre as a consequence of inner contradictions in the project of fundamental ontology; and another one which comprehends it as the result of new challenges that occurred to his way of thinking: fundamentally, technique and the involvement with National-Socialism. The thesis argues that, in consequence of the inner difficulties of the existential analytic the project of a fundamental ontology proved, already at the end of 20s, to be insufficient to deconstruct the metaphysics of presence. However, these difficulties became intensified and clearer only by means of the problem of technique, which lead to problems which could not be perceived in the field of fundamental ontology. In relation to the inner difficulties of fundamental ontology three aspects will be emphasized: 1) the impossibility to conclude the project of the science of being; 2) the difficulty to surmount the so-called ¿philosophy of subjectivity¿; 3) the insufficiency of existential analytic to destroy the history of ontology and to cause the Dasein to appropriate its own time. Concerning technique, the dialog with Ernst Jünger will be emphasized as well as the fact that Heidegger¿s confrontation with technique is responsible for his engagement and for his disappointment with the National-Socialist movement; for his reflections concerning art and language (which start in the second half of the 30s); and also for the elaboration of some fundamental concepts of his late thought, like: Ereignis; ¿topology of being¿ and Geviert. Finally, it should be proved that the Kehre is a gradual process, although radical, since it relates to the origin of truth. It represents a gradual abandonment of temporality as a transcendent horizon for the understanding of being, showing the necessity to search for an origin of truth in the epochal sendings of being itself / Doutorado / Filosofia / Doutor em Filosofia

Made available in DSpace on 2014-07-29T15:06:25Z (GMT). No. of bitstreams: 1 ELIANA BORGES.pdf: 616051 bytes, checksum: 182db974c5f16ec819ed5c2101c39748 (MD5) Previous issue date: 2010-06-28 / This work discusses the concept of existence, presented in major work of Martin Heidegger, Being and time. This concept will be characterized as the singular way of being of the man, named in the context of Being and time, Dasein. Thus, we address the issue in four stages. At first, we present a brief exposition of Heidegger s ontological project, necessary for a correct understanding of all this work. At this time, should be highlighted why Dasein figure as the privileged being and, thus, thematized throughout the book. In the second phase, the theme being developed is the existence as a new way of understanding the entity that exists always in relation with being. Since, in Being and time, Heidegger abandons the older categories that only apply to entities other than ourselves, and forge the existential expression to refer to the characteristics of Dasein. In the third step we will address the opening of existence as the place where the manifestation of being is given, as will e shown that the decay is the instance that characterizes the improper existence, but through the anguish it can choose to be at their own since it do not run away to be faced with their true condition. Finally, at the last moment of our thesis, the aim is to explain how the phenomenon of death and conscience allow the fundamental openness of Dasein to its own existence. / O presente trabalho aborda o conceito de existência, apresentado na obra capital de Martin Heidegger, Ser e tempo. Este conceito será caracterizado como o modo de ser singular do homem, chamado, no contexto de Ser e tempo, Dasein. Desse modo, abordamos o tema em quatro momentos. No primeiro momento, apresentamos uma breve exposição do projeto ontológico heideggeriano, necessária para uma correta compreensão do todo deste trabalho. Neste primeiro momento, deverá ser destacado o porquê de o Dasein figurar como o ente privilegiado e, portanto, tematizado ao longo da obra. No segundo momento, o tema a ser desenvolvido é a existência como um novo modo de compreender o ente que existe sempre em relação com o ser. Uma vez que, em Ser e tempo, Heidegger abandona as velhas categorias aplicáveis apenas aos entes que não somos nós mesmos, e forja a expressão existencial para se referir as características próprias do Dasein. No terceiro momento abordaremos a abertura da existência como lugar onde se dá a manifestação do ser, assim como será mostrado que a decadência é a instância que caracteriza a existência imprópria, contudo através da angústia ele pode escolher existir de modo próprio desde que não fuja ao se ver diante de sua verdadeira condição. Por fim, no último momento de nossa dissertação, a meta é explicitar como os fenômenos da morte e da consciência possibilitam a abertura fundamental do Dasein para a existência própria.

Made available in DSpace on 2017-07-10T18:26:14Z (GMT). No. of bitstreams: 1 Marcos A de Souza Brito.pdf: 1070216 bytes, checksum: 3b5b6935ae7fa2ad4fba2dfc9bff1167 (MD5) Previous issue date: 2015-08-07 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The present research investigates two themes (parts of a single issue) connected to two distinct phases in Heidegger's thinking . In relation to the first phase (the so-called "first Heidegger"), the search is returned strongly to the shades affective (Stimmungen) according to that were addressed in Being and time, especially in §. 29, And fundamental concepts of metaphysics: world, finitude, solitude. Such affective tones were presented as ontological structures responsible for making sure that the being-there is always in a state of "willing to ... ". The provision, "be willing to ... " since any affective tone, form, along with understanding and discourse, the existential that portray how the being-there is in the world. The second phase (the so-called "second Heidegger") the theme ruled was the poetry, designed understood how language originated. The poetry was differentiated from poem by it should not be confused with mere literary style. The poetry while language originating in (Dichtung) brings the loved for the first time in the open air to nominate him, while poem (Poiesie) is identified with the art of making poems. Affective Tone and poetry were discussed from a point of view ontological. The transition to the second phase was worked from what became known as the "turning point" (Kehre). To deal with the change we have made it clear that there is no contradiction between the phases, there is seen that Heidegger, without denying the turning point, for more than once stated that his philosophy dealing with a single issue. The turning point became evident in the 1930s and marked a repositioning of the question raised in Being and time. The project of fundamental ontology, this in Being and time, was carried out from three sub-projects: existential analytical, destruction of the history of metaphysics and hermeneutics of facticity . The existential analytical, from which were analyzed the shades, fell on the being-there and has reached its limit by the impossibility of justifying historical ontologies, hence there was talk of "failure" in Being and time . Put the themes in evidence, was the work of an analogy, possible by taking into account the ontological characteristics regarding the affective tones and the poetry. / A presente pesquisa investiga dois temas (partes de uma única questão) ligados a duas fases distintas no pensamento heideggeriano. Em relação à primeira fase (o assim chamado primeiro Heidegger ), a pesquisa se voltou enfaticamente para as tonalidades afetivas (Stimmungen) de acordo com que foram abordadas em Ser e tempo, principalmente no §. 29, e Conceitos fundamentais da metafísica: mundo, finitude, solidão. Tais tonalidades afetivas foram apresentadas como estruturas ontológicas responsáveis por fazer com que o Dasein esteja sempre em estado de disposto a... . A disposição, o estar disposto para... desde alguma tonalidade afetiva, forma, juntamente com compreensão e discurso, os existenciais que retratam como o ser-aí é no mundo. Quanto à segunda fase (o dito segundo Heidegger ) o tema pautado foi a poesia, concebida como linguagem originária. A poesia foi diferenciada de poema por que ela não deve ser confundida com mero estilo literário. A poesia enquanto linguagem originária (Dichtung) traz o ente pela primeira vez ao aberto nomeando-o, como poema (Poiesie) se identifica com a arte de fazer poemas. Tonalidade afetiva e poesia foram discutidas de um ponto de vista ontológico. A transição para a segunda fase foi trabalhada tendo em vista aquilo que ficou conhecido como viragem (Kehre). Ao lidar com a viragem deixamos claro a inexistência de contradição entre as fases, haja visto que Heidegger, sem negar a viragem, por mais de uma vez declarou que sua filosofia se ocupa com uma única questão. A viragem se tornou evidente na década de 1930 e marcou um reposicionamento da questão posta em Ser e tempo. O projeto da ontologia fundamental, presente em Ser e tempo, foi conduzido a partir de três subprojetos: analítica existencial, destruição da historia da metafísica e hermenêutica da facticidade. A analítica existencial, desde a qual foram analisadas as tonalidades, recaiu sobre o ser-aí e alcançou seu limite pela impossibilidade de fundamentar ontologias históricas, daí falou-se em fracasso de Ser e tempo. Postos os temas em evidência, procedeu-se o trabalho de uma analogia, possível pela consideração das características ontológicas concernentes as tonalidades afetivas e a poesia.

The dissertation consists of two parts: (1) the essay and (2) the composition. The essay elucidates the composer's creative process of the orchestral works, The Heidegger Collection. The Heidegger Collection has five movements. The titles of each movement are derived from the key philosophical concepts from Heidegger's most significant writing, Being and Time: (1) State-of-Mind, (2) Idle-Talk, (3) Moment-of-Vision, (4) Dread, and (5) Being-towards-the-End. The essay discusses the meanings of the five concepts, and explains how I express my reaction to Heidegger's thinking through music composition. The essay also discusses the essential musical language of The Heidegger Collection, such as interval cycles, polyrhythmic patterns, algorithmic elements, portamento effects, chaos theory, and oriental influence.

This project is a response to the author's passion for sport and his curiosity about the architectural process that is necessary to understand and facilitate the inter-relation of body, mind and soul. The potential influence of physical exercise; its correlation with the metaphysical aspects of the individual and how its influence spills over into the larger context of society is investigated. This dissertation attempts to form an architectural response that is indigenous to the local population, the climate and the existing urban condition and ranges from a thorough understanding of the community to the effective contribution that architecture can offer, based on the concept of ‘Sport for Development’ programmes in South Africa. The primary objective of the architectural response is to amplify the potential of sport as a means to peace building and self-actualization within a society that suffers from the effects of crime and violence. Although popular culture believes in the positive potential of sport, Ramon Spaaij identifies factors and conditions that must be met if the positive value of sport is to be enjoyed. The dissertation incorporates these factors and conditions into a multipurpose 'Sport for Development' community complex. This complex aims to augment the existing sport for development programmes in South Africa and serve as a prototype for future sport for development centres that ultimately includes everyone in the process of reconciliation. / Dissertation (MArch(Prof))--University of Pretoria, 2012. / Architecture / unrestricted

En plus de l'aspect épistèmologique-critique qui ressort de la Critique de la raison pure de Kant, ce mémoire vise essentiellement à mettre en lumière son aspect "ontologique" par la présentation générale de l'interprétation onto-phénoménologique de Martin HEIDEGGER. Nous constaterons que cette interprétation se caractérise par une profondeur et une originalité qui cependant en constituent aussi le défaut principal : malgré son intention avouée de présenter ce que Kant voulait réellement dire, Heidegger dépasse manifestement les vues de Kant en direction de sa propre philosophie, c'est-à-dire celle présentée dans l'ouvrage Être et Temps.

Notre question est la suivante : à partir du programme philosophique inauguré et élaboré par Derrida autour de la question du signe dans De la grammatoloqie (1967), est-il possible de déceler et de juger de la cohérence de sa démarche et par là de comprendre son «interprétation» innovatrice de la pensée de Heidegger dont l'un des aboutissements théoriques se trouve, selon nous, dans son livre intitulé Heidegger et la question (1987)? Le programme philosophique inaugural de De la grammatologie démontre que le concept derridien d'écriture excède le phonocentrisme de la tradition métaphysique occidentale et qu'il est le fondement sans cesse différé de l'expérience de la vérité. Tout cela se reproduit-il dans les lectures derridiennes de Heidegger ?

Thesis (MPhil (Philosophy))--University of Stellenbosch, 2006. / This study constitutes a conceptual analysis and critique of the notion of the subject, and the concomitant notion of responsibility, as it has developed through the philosophical history of the modern subject. The aim of this study is to present the reader with a critical notion of responsibility. This study seeks to divorce such a position from the traditional, normative view of the subject, as typified by the Cartesian position. Following Derrida, a deconstructive reading of the subject’s conceptual development since Descartes is presented. What emerges from this reading is that, despite various re-conceptualisations of the subject by philosophers as influential and diverse as Nietzsche, Heidegger and Levinas, their respective positions continue to affirm the subject as human. The position presented in this study challenges this notion of the subject as human, with the goal of opening-up and displacing the ethical frontier between human and non-human. It is argued that displacing this ethical frontier introduces complex responsibilities. These complex responsibilities resist the violence inherent to normative positions that typically exclude the non-human – particularly the animal – from the sphere of responsibility.

Thesis (MPhil)--University of Stellenbosch, 2003. / ENGLISH ABSTRACT: In this thesis, 'shadow' is investigated as an object of thought and (analogically connected to this) of perception. This dialectical process is structured through means of a series of experiments and Plato's allegory of the cave, which is interpreted as a process directed towards selfconciousness. This process is further explained through thinkers such as, Blumenberg, Heidegger, Levinas en Voegelin. The purpose of this study is to break with the self-evident way in which 'shadow' is 'normally' treated and to bring back about a sense of astonishment for it. / AFRIKAANSE OPSOMMING: In hierdie tesis word die 'skaduwee' as waarnemingsobjek en (analogies verwant daaraan) as denkobjek ondersoek. Hierdie dialektiese proses word gestruktureerd met behulp van 'n aantal eksperimente en Plato se grotgelykenis, wat geinterpreteer word as programmaties van die proses van selfbewuswording. Hierdie proses word verder toegelig aan die hand van denkers soos Blumenberg, Heidegger, Levinas en Voegelin. Die doel van die ondersoek is om die vanselfsprekendheid waarmee daar met die fenomeen van die skaduwee omgegaan word te deurbreek en weer verwondering daarvoor op te roep. / NEDERLANDSTALIGE SAMENVATTING: In deze thesis wordt de 'schaduw' als waarnemingsobject en (analogisch verwant daaraan) als denkobject onderzocht. Dit dialectische proces wordt gestructureerd met behulp van een aantal experimenten en Plato's grotvergelijking, die geïnterpreteerd worden als een proces gericht op zeltbewustwording. Dit proces wordt verder toegelicht aan de hand van denkers zoals, Blumenberg, Heidegger, Levinas en Voegelin. Het doel van het onderzoek is om de vanzelfsprekendheid waarmee met het fenomeen van de 'schaduw' omgegaan wordt, te doorbreken en er opnieuw verwondering voor op te roepen.