Thesis (D. Min.)--Southwestern Baptist Theological Seminary, 2000. / Includes bibliographical references (leaves 195-205).

Stuttgart, Univ., Diss., 2006.

The author's Magisterarbeit--Universität Freiburg i. Br., 1984. / Includes selections of Muḥammad ibn Aḥmad Sarrāj's Uns al-sārī wa-al-sārib min aqṭār al-Maghārib ilá muntahá al-āmāl wa-al-maʼārib wa-sayyid al-aʻājim wa-al-Aʻārib in German translation. Includes indexes. Bibliography: p. 127-133.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-01-26T21:24:19Z No. of bitstreams: 1 JosianeGomesDaSilva_DISSERT.pdf: 4513179 bytes, checksum: 5b820fb919631a435939ab39bbb336f1 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-02-01T23:55:59Z (GMT) No. of bitstreams: 1 JosianeGomesDaSilva_DISSERT.pdf: 4513179 bytes, checksum: 5b820fb919631a435939ab39bbb336f1 (MD5) / Made available in DSpace on 2016-02-01T23:55:59Z (GMT). No. of bitstreams: 1 JosianeGomesDaSilva_DISSERT.pdf: 4513179 bytes, checksum: 5b820fb919631a435939ab39bbb336f1 (MD5) Previous issue date: 2013-09-05 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / Programa Nacional de Coopera??o Acad?mica - PROCAD / O presente trabalho tem como tema a an?lise dos espa?os das representa??es cotidianas eg?pcias, observados e identificados no papiro Er?tico de Turim e em outras fontes iconogr?ficas encontradas no sitio arqueol?gico da antiga vila eg?pcia de Deir el-Medina. Para o entendimento deste tema ser? utilizado um m?todo de an?lise comparativa das v?rias fontes imag?ticas com as cenas do Papiro Er?tico de Turim. Essas pesquisas, al?m de ser um estudo sobre os espa?os cotidianos, cultuais, sexuais e de s?tiras. Tem a inten??o de proporcionar uma maior visibilidade e destaque ao papiro enquanto fonte. / Ce travail a port? sur l'analyse des espaces de repr?sentations ?gyptiennes au quotidien, observ?e et identifi?e dans le Papyrus de Turin ?rotiques et d'autres sources iconographiques trouv? dans le site arch?ologique de l'antique cit? ?gyptienne de Deir elMedina. Pour comprendre cette rubique, vous allez utilizer une m?thode d?analyse comparative des diff?rentes sources d?images avec des sc?nes de papyrus de Turin ?rotique. Ces enqu?tes, en plus d?etr une ?tude sur les espaces cotidienes, culturalles, de la sexualit? et de la satire. L?intention de fournir une plus grande visibilit? et d?importance ? papyrus comme source.

MSc (Applied Mathematics)) / Department of Mathematics and Applied Mathematics

The project includes a concept for the renewal of the urban situation of Place Lalla Yeddouna in Fez, Morocco, along side with the design of an Artisan's House. Suitable local materials and techniques has been used to create adequate, interesting and sensible rooms. The building by the square will allow the local artisans to work, exhibit, study and teach.

No description available.

No description available.

The use of jewelry is just one of many avenues for individual self-expression, but even in the most individualistic society it is also a reflection of certain cultural norms, values, and expectations. This thesis is an analysis of Nabataean jewelry in burial contexts from the three main regions of the ancient kingdom - Medina Selah, the Negev, and Petra – with the aim of reaching a better understanding of Nabataean culture through their jewelry. The types of jewelry, materials used in their construction, and many other variables are compared and reveal unique regional variations within an overall Hellenistic style.

La ṣaḥīfa de Médine, a suscité l’attention des érudits occidentaux depuis la deuxième moitié du dix-neuvième siècle,à un tel point que P.L. Rose la considère comme « une struc- ture squelettique » qui contrôle les rapports de la Sīra. Elle a été préservée grâce à deux historiographes du 3ème/9ème siècle : Ibn Hishām et Abū ‘Ubayd ; la recherche contemporaine la place, dans l’ensemble, dans les cinq premières années de l’hégire. Elle illustre clairement, à travers ses variantes présentes et dans le texte lui- même et dans sa chaîne de transmission, les aléas, forcément dommageable,du passage d’une culture de l’oralité à l’écrit. L’accès à l’écrit n’était pas si simple que nous avons toujours cru. Le tournant capital était,lorsque le Barmakide, Ja‘far Ibn Yaḥya (m. 187/803), introduit, vers la fin du 8e/ début du 9e siècle, l’usage du papier dans les bureaux officiels. Cette réforme est due au coût moins élevé de cette matière,et notamment à l’impossibilité de gratter ou laver le papier, à l’inverse du papyrus et du parchemin. Cette Ṣaḥīfa a été fondamentalement produite durant la période prophétique,mais elle a été sans doute modifiée postérieurement,en rajoutant des paragraphes, omettant d’autres, en rajoutant des paragraphes, omettant d’autres, et en particulier en réorgani-sant ces derniers d’une façon qui ne se conforme pas toujours à son classement initial. Ce Texte nous fournit également les connotations originales des grands termes islamiques, comme mu’min et kāfir. / The Ṣaḥīfa of Medina, has drawn the attention of the Western scholars since the second half of the nineteenth century, to such an extent that P. L. Rose considers it as a “skeletal structure’’, which controls the veracity of Sīra-reports. It has been preserved thanks to two historiographers of the 3rd/9thcentury : Ibn Hishām and Abū ‘Ubayd ; the contemporary research situates it, on the whole, in the first five years of Hijra.It clearly illustrates, through its variants present in the text itself as well as in the chain of transmission, the vagaries, necessarily harmful, moving from an oral transmission, culture to a written one. The access to the writing was not so simple that we have always believed. The crucial turning point was when the Barmakid Ja‛far Ibn Yaḥya, (d. 187/803), introduced, by the end of the 8th/ beginning of the9th century, the usage of the paper in the government offices. This reform was due to the ower cost of this material and in parti- cular to the impossibility of scratching or washing paper, unlike papyrus and parchment.This Ṣaḥīfa wasfundamentally produced during the Prophet’s life time, however it was doubtless modified later, adding paragraphs,deleting others, and particularly organizing them in a way thatdoes not always comply with its initial ranking. This Text provides too original connota- tions of great Islamic words,like mu’min and kāfir.