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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 4 of 4 (0.039 seconds)Spelling suggestions: "subject:"michael garner"" "subject:"michael earner""
| 1 |
The public influence of the private collector: a hand in historyKritzinger, Nicola 13 January 2014 (has links)
Thesis (M.A.)--University of the Witwatersrand, Faculty of Humanities, History of Arts, 2013 / This
report
examines
the
collecting
practices
of
the
private
collector
of
South
African
art,
situated
in
South
Africa,
and
considers
the
way
in
which
the
act
of
collecting
influences
both
the
contemporary
market
and
the
construction
of
the
art
historical
canon.
The
report
questions
the
contribution
made
to
the
South
African
art
world
by
collecting
practices
and
considers
what
is
involved
in
the
collecting
of
fine
art.
I
discuss
the
collector
in
relation
to
Sylvester
Ogbechie’s
(2010)
notion
of
cultural
brokerage;
I
examine
notions
of
both
public
and
private
through
the
writings
of
Michael
Warner
(2002);
and
I
consider
what
makes
into
one
a
collector,
with
reference
to
Thomas
G.
Tanselle’s
(1998)
text
A
Rationale
of
Collecting,
while
engaging
several
other
sources.
The
report
continues
with
a
comparison
between
international
collectors,
with
a
focus
on
the
ways
in
which
they
contribute
to
what
becomes
and
remains
relevant,
as
well
as
discussing
some
local
collectors.
I
conclude
with
an
examination
of
the
way
in
which
auction
houses
have
played
a
seminal
role
in
the
establishment
of
the
canon
in
South
Africa,
and
the
role
of
the
collector
in
relation
to
this
system.
In
summary,
this
paper
examines
the
ways
in
which
the
private
collector
of
South
African
art
has
a
great
influence
on
what
is
perceived
as
relevant
to
the
canon,
to
culture
and
to
art
history.
|
| 2 |
HeteronormativitätKleiner, Bettina 27 April 2017 (has links) (PDF)
Mit dem Begriff Heteronormativität wird die Naturalisierung und Privilegierung von Heterosexualität und Zweigeschlechtlichkeit in Frage gestellt. Kritisiert werden nicht nur die auf Alltagswissen bezogene Annahme, es gäbe zwei gegensätzliche Geschlechter und diese seien sexuell aufeinander bezogen, sondern auch die mit Zweigeschlechtlichkeit und Heterosexualität einhergehenden Privilegierungen und Marginalisierungen. Der Begriff tauchte erstmalig 1991 in Michael Warners Aufsatz "Introduction: Fear of a Queer Planet" auf. Zentrale Bezugspunkte der Analysen von Heteronormativität stellen Foucaults Untersuchungen zum Zusammenhang von Sexualität und Macht sowie Butlers Theorie der Subjektkonstitution im Rahmen der heterosexuellen Matrix oder der heterosexuellen Hegemonie dar.
|
| 3 |
Dissensus and Poetry: The Poet as Activist in Experimental English-Canadian PoetryLeduc, Natalie 28 January 2019 (has links)
Many of us believe that poetry, specifically activist and experimental poetry, is capable of intervening in our society, as though the right words will call people to action, give the voiceless a voice, and reorder the systems that perpetuate oppression, even if there are few examples of such instances. Nevertheless, my project looks at these very moments, when poetry alters the fabric of our real, to explore the ways these poetical interventions are, in effect, instances of what I have come to call “dissensual” poetry. Using Jacques Rancière’s concept of dissensus and the distribution of the sensible, my project investigates the ways in which dissensual poetry ruptures the distribution of the sensible—“our definite configurations of what is given as our real, as the object of our perceptions and the field of our interventions”—to look at the ways poetry actually does politics (Dissensus 156). I look at three different types of dissensual poetry: concrete poetry, sound poetry, and instapoetry. I argue that these poetic practices prompt a reordering of our society, of what is countable and unaccountable, and of how bodies, capacities, and systems operate. They allow for those whom Rancière calls the anonymous, and whom we might call the oppressed or marginalized, to become known. I argue that bpNichol’s, Judith Copithorne’s, and Steve McCaffery’s concrete poems; the Four Horsemen’s, Penn Kemp’s, and Christian Bök’s sound poems; and rupi kaur’s instapoems are examples of dissensual poetry.
|
| 4 |
HeteronormativitätKleiner, Bettina 27 April 2017 (has links)
Mit dem Begriff Heteronormativität wird die Naturalisierung und Privilegierung von Heterosexualität und Zweigeschlechtlichkeit in Frage gestellt. Kritisiert werden nicht nur die auf Alltagswissen bezogene Annahme, es gäbe zwei gegensätzliche Geschlechter und diese seien sexuell aufeinander bezogen, sondern auch die mit Zweigeschlechtlichkeit und Heterosexualität einhergehenden Privilegierungen und Marginalisierungen. Der Begriff tauchte erstmalig 1991 in Michael Warners Aufsatz 'Introduction: Fear of a Queer Planet' auf. Zentrale Bezugspunkte der Analysen von Heteronormativität stellen Foucaults Untersuchungen zum Zusammenhang von Sexualität und Macht sowie Butlers Theorie der Subjektkonstitution im Rahmen der heterosexuellen Matrix oder der heterosexuellen Hegemonie dar.
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