Abstract not available. / Thesis (Ph.D)-University of KwaZulu-Natal, Durban, 2006.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

This study aims to examine critiques of social injustices expressed through the medium of literature by Native peoples of Canada and Japanese Canadians. My objectives are to explore literary representations of their struggles and examine how these representations and the struggles intersect. My study uses the following: “Coyote and the Enemy Aliens” by Thomas King, My Name is Seepeetza by Shirley Sterling, Obasan by Joy Kogawa, The Kappa Child by Hiromi Goto, Burning Vision by Marie Clements, and “The Uranium Leaking from Port Radium and Rayrock Mines is Killing Us” by Richard Van Camp. The findings reveal Canada’s nation state still rooted in a White settler constructed society, and a legacy of imperialism in the form of globalization that destroys Native peoples’ lands. My thesis concludes with the im/possibilities of reconciliation, also considering my own role as a person of colour, a temporary settler from Japan.

Bangladeshi Bengali migration to Canada is a response to globalization processes, and a strategy to face the post-independent social, political and economic insecurities in the homeland. Canadian immigration policy and the Multicultural Act that were adjusted to meet labour demands in local job markets encouraged the building of a new and growing Bangladeshi Bengali immigrant community in Canada. The general objective of this research is to explore how Bangladeshi immigrants’ national, ethnic, cultural, religious, gender, and class identities that were shaped within historical and political contexts in Bangladesh are negotiated in new immigrant and multicultural contexts in Toronto. By looking at various identity negotiation processes, this research aims to critically examine globalization theories in social science, and multicultural policies in Canada. More specifically, the objective is to determine whether transnational migration to Canada as a global process creates homogeneity, disjuncture, hybridity, or inequality in Bangladeshi immigrants’ lives in Toronto, and how Bangladeshi Bengalis as an ethnic and cultural group relocate their identity within Canadian multiculturalism. In order to address these objectives and issues, one year of in-depth anthropological research was conducted among the Bangladeshi immigrants in Toronto between 2007 and 2008. The core research location was the Danforth and Victoria Park area, but in order to address class diversity, respondents from Dufferin and Bloor Streets, Regent Park, and Mississauga areas were incorporated. Applying snowball and purposive sampling techniques, and identifying key informants, 75 Bangladeshi immigrant families were selected from three religious groups – Muslim, Hindu, and Christian. In-depth personal interviews, case studies and focus group discussions were conducted among these Bangladeshi immigrants. This research underscores that, on one hand, Bangladeshi Bengali immigrants negotiate and re-define their “proper” ethnic, cultural, nationalist, and religious identities by imagining, memorizing, simulating, and celebrating local traditions. On the other hand, immigrants define “authentic” identity by creating “separations” and “differences” based on colonial and nationalist histories. Religious differences, the ideology of “majority and minority”, and social classes play major roles in shaping identity. This study finds that multicultural diasporic immigrant space is neither a disjointed, nor an in-between space, nor a place where ethnic cultures are only “consumed”, but it is a battleground to resist and challenge religious and gender inequalities in a globalized location. Bangladeshi Bengali identity is both fixed and contextually variable; identity is shaped in response to political contexts of both global and local.

This paper examines the relationship between multiculturalism and feminism and opposes the view that multiculturalism is "bad" for women. I make a feminist case for multiculturalism and argue for a relationship between the two which is positive- rather than zero-sum. The grounds for this case are those of women's agency in context. My concern is first and foremost with women as agents, situated in particular contexts, acting within multiple roles and thus enabled and constrained in multiple ways. I illustrate this concern by focusing on the agency of Muslim women in France and the "Affaire du Foulard". Consequently, my discussion takes place at two, interconnected levels: (1) The "general" debate over the relationship between multiculturalism and feminism, which is my primary focus; (2) The "particular" level of the "Affaire" and the "foulard" itself in the French context. At both levels, my central concern is women's agency. Feminism, I argue, must understand women as agents acting within multiple roles and thus constrained in multiple ways, as both vulnerable within cultural groups and members of these groups. Feminism and multiculturalism are, therefore, allies rather than opponents.

This dissertation contributes to existing scholarship on contemporary multiculturalism. It does so by exploring how multicultural agendas are operationalised in Northern Ireland – a society divided along sectarian lines. As the political violence of the conflict has receded, Northern Ireland has witnessed unprecedented levels of in-migration. This dissertation seeks to understand how, as Northern Irish society is increasingly being conceived of as culturally diverse, emerging multicultural agendas interact with embedded sectarianism. The empirical research focuses on the political institutions and policies pertaining to Northern Ireland as a whole, and the specific activities and social practices of various ethnically-identified minorities, voluntary organisations and anti-racist movements in selected areas of Belfast. The research involved interviews with civil servants, policy makers, ethnically-identified minorities, voluntary groups and anti-racist activists. This dissertation argues that a government concern for managing cultural diversity can be understood as part of a process of ‘normalising’ Northern Ireland after the conflict. However, a persistent sectarianism complicates, and often impedes, the advancement of multicultural, and particularly anti-racist, agendas. This argument is developed through an exploration of policy and institutional structures, anti-racist campaigns and responses to racialised violence, as well as initiatives that seek to recognise and celebrate cultural diversity. This dissertation shows that the relationship between sectarianism and multiculturalism in post-Agreement Northern Ireland is not unidirectional. Instead, the two processes are deeply imbricated with each other: multicultural initiatives are shaped by sectarianism, and sectarianism persists in emergent multicultural imaginaries. This said, the dissertation suggests that multiculturalism is also capable of disrupting sectarian constructions of space and identity in Northern Ireland. Based on these findings, this dissertation argues that cultural diversity provides an opportunity to denaturalise the social structures and narratives which reproduce sectarianism. It is argued that this process could play an important role in advancing the construction of a socially cohesive and multicultural Northern Ireland.

This dissertation demonstrates how poetry about Appalachia expanded American considerations of democracy, ethnicity, and cultural values. I argue that poetry is profoundly communal in its construction and investigate how the value of poetry changes based upon its transfer through varying networks of production, circulation, and reception. Informed by theories of cultural capital and rhetoric, the chapters trace three books of poetry from their composition and publication to their reception and influence, noting how central political and social institutions and individuals shaped that process. The dissertation establishes how the poets crafted their writing to sway specific interpretive communities attitudes on pluralism. In Hounds on the Mountain (Viking, 1937), James Still sang about the erosion of the quiet earth for the liberal, middleclass readers of The Atlantic. In U. S. 1 (CoviciFriede, 1938), Muriel Rukeyser wrote about the deaths of migrant and African-American miners, the Spanish Civil War, and the threat of fascism for popular-front readers of The New Republic, Poetry, and the New Masses. In Clods of Southern Earth (Boni and Gaer, 1946), Don West catalyzed resistance in an interracial readership of southern (and mountain) sharecroppers and factory workers. In each case, the complex interrelations between history, authors, and readers show their mutually transformative effects on pluralism. Within American pluralism from1900 to 1948, my work reveals the vital relations between established ethnicitiesAfrican-American, Jewish, Anglo, American Indian, and Southernand Appalachia. My account follows the concrete connections of pluralism from Plessy vs. Fergusons judicial theory of racial purity, through a cultural pluralism based on national origins during WWI, to the Harlem Renaissance, and ends with an examination of regional pluralism in the 1930s. Appalachia was then often understood as preserving remnants of a premodern America, and the authors about whom I write used it to authenticate the values of community, which they felt to be endangered by the threats of modern dissociation, industrial exploitation, and fascist culture. Through close readings of poems in the three books, I establish Appalachias role in the discourse of modern American pluralismthe poetics of region and race.

This thesis questions the connection between Indigenous and immigrant Prairie literature, taking six contemporary texts as a case study. Aboriginal texts include Maria Campbell’s Halfbreed, Beatrice Mosionier’s In Search of April Raintree and Marilyn Dumont’s A Really Good Brown Girl. Immigrant narratives discussed are Hiromi Goto’s Chorus of Mushrooms, Esi Edugyan’s The Second Life of Samuel Tyne, and Madeline Coopsammy’s Prairie Journey. Read alongside one another, these texts demonstrate that Indigenous and immigrant populations do express similar concerns through literature, generally having to do with Canadian multiculturalism. Specifically, this project will discuss bodily and linguistic differences from a white, English-speaking ‘norm,’ home making on the prairies, and story-telling as an alternative indicator of home. This thesis asserts the importance of studying cross-racial literary engagements as they nuance existing discussions of race and space on the prairies and in Canada.

Canadian multiculturalism policy is often said to have come about in 1971 because of factors such as the Royal Commission on Bilingualism and Biculturalism, the multicultural movement of the 1960s, or the more liberal political and social climate of the postwar period. While all of these played roles in the emergence of “multiculturalism within a bilingual framework,” this dissertation takes the approach that the federal civil service was the most important factor behind the adoption of a federal multiculturalism policy in Canada. The author makes the case that the Canadian state had adopted multiculturalism policy and programs as early as the 1950s. A small branch of Government, known as the Canadian Citizenship Branch sought to integrate members of ethnic minority communities into the mainstream of Canadian life, but also sought to reassure native-born Canadians that these “New Canadians” had vital contributions to make to Canadian culture. This dissertation shows how this state discourse intersected with the more familiar elements associated with the rise of multiculturalism, such as the multicultural movement, and ultimately coalesced in 1971 with the announcement by Prime Minister Pierre Elliott Trudeau of a “new” state multiculturalism policy. / Graduate / 0334 / blanding@uvic.ca