Made available in DSpace on 2016-04-27T18:47:36Z (GMT). No. of bitstreams: 1 Cristiane Cinat.pdf: 670062 bytes, checksum: 5ad6800b17210934794f2a1cbd88e9d0 (MD5) Previous issue date: 2010-02-03 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Through a history of singular life, this dissertation explores some of the dimensions that, present in a singular citizen, in the truth, is refer the life of whole mens. Aging, social participation, public politics and social movements are the boarded subjects, although not run out. The peculiarity of the life s history of collected inhabits in the fact of the person in such a way to articulate its in itself , as the other (collective). As it could be seen, in the person are observed, clearly, motivations and disposals that exceed the individual scope; that involve the collective. For our person, it only has life will have to be committed politician and social; if it will be moved by causes ample, challenging and directed the questions related to the basic human rights and the quality of life. Now aged, she continues in the fight for the right to have a rights (cf. Arendt); fight to take on since the youngest years of her life. Her life is moved to the constant elaboration of projects, fact that confers, to the person, great vitality. At last, Olga to set a good exemple, in high and good sound , that the old age does not mean retirement of the life; however. This because dreams, fights, conquests and searchs for the better quality of life does t have age. What Olga to be witness is exactly this / Através de uma história de vida singular, essa dissertação explora algumas das dimensões que, presentes em um sujeito singular, referem-se, na verdade, à vida de todos os homens. Envelhecimento, participação social, politicas públicas e movimentos sociais são os temas abordados, apesar de não esgotados. A peculiaridade da história de vida coletada reside no fato de a personagem articular tanto o seu em si , como o outro (coletivo). Como poderá ser visto, na personagem observam-se, claramente, motivações e disposições que transcendem o âmbito individual; que envolvem a coletividade. Para nossa personagem, só há vida se houver comprometimento político e social; se for movida por causas mais amplas, desafiadoras e voltadas a questões relacionadas aos direitos humanos fundamentais e à qualidade de vida. Agora idosa, continua na luta pelo direito a ter direitos (cf. Arendt); luta abraçada desde os mais tenros anos de vida. Sua vida é movida à constante elaboração de projetos, fato que confere, à personagem, grande vitalidade. Enfim, Olga exemplifica,em alto e bom som, que a velhice não significa aposentadoria da vida; pelo contrario. Isso porque sonhos, lutas, conquistas e busca por qualidade de vida não têm idade. O que Olga testemunha é exatamente isso

Abstact South Bohemian Theatre in České Budějovice is an important kulture institution since the end of the First World War. Against many different peripeties is this theatre with four companies only one profesional scene in the South Bohemian Region. From 2004 till now were here thanks to theatre director Jiří Šesták substantially developed opera, operetta, ballet, drama and theatre for children and teen - agers. Since 2006, when Martin Glaser has become an art chief of the Drama Company, works this company on clear dramaturgy and style of performances. Martin Glaser with dramaturge Olga Šubrtová were focused on contemporary drama, on cooperation with eminent czech theatre directors or creators and specially for this company were created several dramas. Thanks to management and direction by Martin Glaser became the Drama Company of South Bohemian Theatre contemporary, respected and definable.

No description available.

Ce travail aborde la question des lieux d'art non pas, comme c'est souvent le cas, pour leurs répercussions sur leur voisinage, mais pour leur apport à la création plastique elle-même. Dans sa première partie sont précisés les termes de la recherche : le mot "stratégie" à la fois dans le contexte artistique et dans d'autres contextes ; les "quartiers d'art" selon leur usage: création, exhibition et habitation ; les "gens de l'art", considérés comme le groupe qui crée, conceptuellement, l'œuvre d'art. La deuxième partie présente, en plus d'une synthèse historique, six territoires de l'art contemporain : le Fbg Saint-Denis (Paris), qui constitue la colonne vertébrale de ce travail, la Macarena (Bogota), San Telmo (Buenos Aires), Belleville (Paris), le Red Hook (New York) et la ville de Berlin. La troisième partie analyse le travail individuel de sept personnalité de l'art ayant habité le Fbg Saint-Denis depuis l'année 2000 : Nathalie Heinich, Nicolas Bourriaud, Jean-Philippe Antoine, Thomas Hirschhorn, Esther Shalev-Gerz, Pierre Huyghe et Olga Kisseleva. La dernière partie relie cette recherche avec l'œuvre de son auteur. La conclusion met en évidence une série d'hypothèses qui se dégagent de cette étude : les lieux d'art comme instrument d'identification des différents groupes œuvrant dans l'art ; la notion de débat comme forme de stratégie, avec un niveau interne (qui participe et à quel titre) et un niveau global (le rôle de l'art dans la société) ; les artistes considérés non pas comme une catégorie socio-professionnelle, mais comme "produits" de chaque groupe social ; l'art comme une forme de participation à un territoire commun plus que comme un espace en soi. / This work concerns the question of art territories, but not, as is often the case, for their repercussions on their neighbourhood, but for their contribution to the plastic creation itself. In the first part, the terms of the research are defined: the word "strategy" in the artistic context as well as in other contexts; the "art districts". according to their use: creation, exhibition and residence; the "people of art", considered as the group that creates, conceptually the artwork. The second part presents, in addition to a historical synthesis, six territories of contemporary art: Faubourg Saint-Denis (Paris). which is the backbone of this work, Macarena (Bogota), San Telmo (Buenos Aires), Belleville (Paris), the Red Hook (New York) and the city of Berlin. The third part analyses the individual work of seven contemporary art personalities who lived in Faubourg Saint­Denis since 2000: Nathalie Heinich, Nicolas Bourriaud, Jean-Philippe Antoine, Thomas Hirschhorn, Esther Shalev-Gerz, Pierre Huyghe and Olga Kisseleva. The last part links this research with the work of its author. The conclusion highlights a series of hypotheses emerging from this study: places of art as an instrument of identification of the different groups working in art; the notion of "debate" as a form of strategy, with an internal level (who participates and in what capacity) and a global level (the role of art in society); artists considered not as a socio-professional category, but as "products" of every social group; art as a form of participation in a common territory more than as a self-space.

No description available.

The objectives of the submitted diploma work are to give an overview of the therapeutics{\crq} psychotherapy styles and their feelings about the psychotherapy in general. The work also shows the circumstances which directed them to be the therapeutics. In connection with that the work analyzes also the evolution and, above all, the present situation in the psychotherapy in the Czech Republic. Finally the work summarizes therapeutics{\crq} opinion about the integration in the psychotherapy according to the style they practicing. Theoretical part of the diploma work introduces twelve psychotherapy styles which are commonly use in the Czech Republic. All styles are presented by short historical development and the practical application in our country. Information for the practical part of the diploma work were obtained by interviewing the therapeutics, the interviews were recorded, consequently rewrote and authorized by the therapeutics. The main contribution of the diploma work is the comparison of the therapeutics{\crq} opinions, partly consistent but some time also very different, what is appeared in the interviews. The interviews it self were spitted to the four groups, according to the topics: Knowledge and experiences of the therapist, Common active factors and the efficiency in the psychotherapy, Integration in the psychotherapy and Critique of the psychotherapy.