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Made available in DSpace on 2016-04-27T14:31:06Z (GMT). No. of bitstreams: 1 Veronica da Silva Cunha Cavati.pdf: 3600935 bytes, checksum: 1da2d3f4b521a4b59fdbaf1bb7a47677 (MD5) Previous issue date: 2013-05-14 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This thesis investigated the contribution of theater games as educational practice in the National Programme for Integration of Professional Education with the Basic Education in Terms of Education for Youths and Adults (Proeja) at the Federal Institute of Education, Science and Technology of Espírito Santo (also called Espírito Santo Federal Institute - Ifes). The theoretical emplacements of the research were based on works of Paulo Freire and Augusto Boal. In that sense, the books Pedagogy of the oppressed (1968, Brazil), by Freire, and Theater of the oppressed and other poetic policies (1975, Brazil), by Boal, were special. As methodological procedure, we opted for a qualitative approach directed by the participant research, which prioritizes the subject in his relationship with the object and the different viewpoints of the participant women and participant men. The research was conducted with 25 students (educandas and educandos) from the Proeja. The activities were developed in the art room of the Ifes, through exercises and image games that are from the Theater of the Oppressed. The results showed that the theater games are an important way for participation and dialogue. It is a means of developing speech, of seizures exchange of life experienced by all the community. Between educandas and educandos it was observed the development of body expression, installation and expansion of dialogical relationship, perception of self and other and was clear the concern together to seek solutions to the problems experienced. The research adds knowledge to the field of study about the curriculum, in a critical perspective, presenting the possibility of building new teaching practices at the interface with practices of arts education / Esta tese investigou a contribuição de jogos teatrais como prática educativa no Programa Nacional de Integração da Educação Profissional com a Educação Básica na Modalidade de Educação de Jovens e Adultos (PROEJA) no Instituto Federal de Educação, Ciência e Tecnologia do Espírito Santo (também denominado Instituto Federal do Espírito Santo - Ifes). Os embasamentos teóricos da pesquisa fundamentaram-se em obras de Paulo Freire e Augusto Boal, sobretudo, Pedagogia do oprimido (1968) de Freire e Teatro do oprimido e outras poéticas políticas (1975) de Boal. Como procedimento metodológico, optou-se pela abordagem qualitativa direcionada pela pesquisa participante,que prioriza o sujeito em sua relação com o objeto e os diferentes pontos de vista dos participantes. A pesquisa foi realizada com 25 educandas e educandos do PROEJA. As atividades foram desenvolvidas na sala de artes do Ifes, por meio de exercícios e jogos de imagem que fazem parte do Teatro do Oprimido. Os resultados mostraram que os jogos teatrais são um caminho importante para a participação e o diálogo. Trata-se de um meio de desenvolvimento de expressão, de troca de apreensões da vida, vivenciado por todas e todos da comunidade. Entre os educandos e educandas constatou-se o desenvolvimento da expressão corporal, a instalação e ampliação da relação dialógica, a percepção de si e do outro e ficou nítida a preocupação de coletivamente buscarem soluções para os problemas vivenciados. Essa pesquisa acrescenta conhecimentos à área de estudos sobre o currículo, em uma perspectiva crítica, apresentando a possibilidade de construir novas práticas docentes, na interface com práticas da educação artística

Thesis (Ph. D.)--Miami University, Dept. of Educational Leadership, 2008. / Title from second page of PDF document. Includes bibliographical references (p. 114-124).

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A presente dissertação tem por base estabelecer reflexões acerca do trabalho desenvolvido nas práticas de teatro na sala de aula com alunos do Programa EJA - Educação de Jovens e Adultos da Escola Municipal Arthur Ostermann, no Município de São Leopoldo, na região do Vale dos Sinos, Estado do Rio Grande do Sul. Procuro estabelecer conexões dessas práticas com a Pedagogia do Oprimido de Paulo Freire e o conceito de Tempos Líquidos, de Zygmunt Bauman. As atividades foram realizadas através de jogos espontâneos e protagonizados, visando o desenvolvimento dos potenciais criativos dos alunos, e a reflexão sobre os potenciais destrutivos da sociedade. As práticas são divididas em duas ramificações: o Teatro Jornal, de Augusto Boal e o exercício de escrita dramática a partir da contextualização das tragédias gregas. Uma tem ligação com a outra, tendo em vista que a partir das improvisações teatrais surgiram necessidades de discutir os fatos vigentes. Estes fatos, a maioria publicados em jornais, foram considerados pelos alunos como tragédias, o que despertou em alguns a pesquisa a partir dos textos trágicos do teatro grego, que consistiu na leitura em específico das peças Édipo Rei e Antígona, de Sófocles, desencadeando assim uma contextualização de determinadas obras. / This thesis is based on established ideas about the work practices of theater in the classroom with students of adult education program - Youth and Adult Education of the School of Arthur Ostermann, in São Leopoldo, in the Vale of Sinos, Rio Grande do Sul. Looking for connections of these practices with the Pedagogy of the Oppressed by Paulo Freire and the concept of Liquid Times of Zygmunt Bauman. The activities were conducted through games and spontaneous protagonists, to develop the creative potential of students, and reflection on the destructive potential of society. The practices are divided into two branches: the Newspaper theater of Augusto Boal and the pursuit of dramatic writing from the background of Greek tragedies. One is linked to another in order that emerged from the improvisational theater needs to discuss current events. These facts, most published in newspapers, were considered by students as tragedy, which sparked some research from the texts tragic of Greek drama, which consisted of reading in specific parts of Édipo Rei and Antigona by Sófocles. Thus triggering a contextualization of certain works.

A presente dissertação tem por base estabelecer reflexões acerca do trabalho desenvolvido nas práticas de teatro na sala de aula com alunos do Programa EJA - Educação de Jovens e Adultos da Escola Municipal Arthur Ostermann, no Município de São Leopoldo, na região do Vale dos Sinos, Estado do Rio Grande do Sul. Procuro estabelecer conexões dessas práticas com a Pedagogia do Oprimido de Paulo Freire e o conceito de Tempos Líquidos, de Zygmunt Bauman. As atividades foram realizadas através de jogos espontâneos e protagonizados, visando o desenvolvimento dos potenciais criativos dos alunos, e a reflexão sobre os potenciais destrutivos da sociedade. As práticas são divididas em duas ramificações: o Teatro Jornal, de Augusto Boal e o exercício de escrita dramática a partir da contextualização das tragédias gregas. Uma tem ligação com a outra, tendo em vista que a partir das improvisações teatrais surgiram necessidades de discutir os fatos vigentes. Estes fatos, a maioria publicados em jornais, foram considerados pelos alunos como tragédias, o que despertou em alguns a pesquisa a partir dos textos trágicos do teatro grego, que consistiu na leitura em específico das peças Édipo Rei e Antígona, de Sófocles, desencadeando assim uma contextualização de determinadas obras. / This thesis is based on established ideas about the work practices of theater in the classroom with students of adult education program - Youth and Adult Education of the School of Arthur Ostermann, in São Leopoldo, in the Vale of Sinos, Rio Grande do Sul. Looking for connections of these practices with the Pedagogy of the Oppressed by Paulo Freire and the concept of Liquid Times of Zygmunt Bauman. The activities were conducted through games and spontaneous protagonists, to develop the creative potential of students, and reflection on the destructive potential of society. The practices are divided into two branches: the Newspaper theater of Augusto Boal and the pursuit of dramatic writing from the background of Greek tragedies. One is linked to another in order that emerged from the improvisational theater needs to discuss current events. These facts, most published in newspapers, were considered by students as tragedy, which sparked some research from the texts tragic of Greek drama, which consisted of reading in specific parts of Édipo Rei and Antigona by Sófocles. Thus triggering a contextualization of certain works.

A presente dissertação tem por base estabelecer reflexões acerca do trabalho desenvolvido nas práticas de teatro na sala de aula com alunos do Programa EJA - Educação de Jovens e Adultos da Escola Municipal Arthur Ostermann, no Município de São Leopoldo, na região do Vale dos Sinos, Estado do Rio Grande do Sul. Procuro estabelecer conexões dessas práticas com a Pedagogia do Oprimido de Paulo Freire e o conceito de Tempos Líquidos, de Zygmunt Bauman. As atividades foram realizadas através de jogos espontâneos e protagonizados, visando o desenvolvimento dos potenciais criativos dos alunos, e a reflexão sobre os potenciais destrutivos da sociedade. As práticas são divididas em duas ramificações: o Teatro Jornal, de Augusto Boal e o exercício de escrita dramática a partir da contextualização das tragédias gregas. Uma tem ligação com a outra, tendo em vista que a partir das improvisações teatrais surgiram necessidades de discutir os fatos vigentes. Estes fatos, a maioria publicados em jornais, foram considerados pelos alunos como tragédias, o que despertou em alguns a pesquisa a partir dos textos trágicos do teatro grego, que consistiu na leitura em específico das peças Édipo Rei e Antígona, de Sófocles, desencadeando assim uma contextualização de determinadas obras. / This thesis is based on established ideas about the work practices of theater in the classroom with students of adult education program - Youth and Adult Education of the School of Arthur Ostermann, in São Leopoldo, in the Vale of Sinos, Rio Grande do Sul. Looking for connections of these practices with the Pedagogy of the Oppressed by Paulo Freire and the concept of Liquid Times of Zygmunt Bauman. The activities were conducted through games and spontaneous protagonists, to develop the creative potential of students, and reflection on the destructive potential of society. The practices are divided into two branches: the Newspaper theater of Augusto Boal and the pursuit of dramatic writing from the background of Greek tragedies. One is linked to another in order that emerged from the improvisational theater needs to discuss current events. These facts, most published in newspapers, were considered by students as tragedy, which sparked some research from the texts tragic of Greek drama, which consisted of reading in specific parts of Édipo Rei and Antigona by Sófocles. Thus triggering a contextualization of certain works.

Det finns en stor ojämlikhet mellan olika grupper i samhällets i Sverige idag, vilket är ettsocialt problem. Denna studie har fokuserat på en idrottsförening i Västsverige som aktivtarbetar med social inkludering i sin verksamhet för att minska denna ojämlikhet. Syftet medstudien var att ur ett ledarperspektiv belysa vilka faktorer som är avgörande för att kunnaskapa inkludering av nyanlända barn och ungdomar i en idrottsförenings verksamheter iVästsverige. För att tolka resultatet har en teoretisk referensram bestående av socialinkludering, social rättvisa, empowerment och frigörande pedagogik använts i studien.Studien har en tolkande kvalitativ innehållsanalys ansats då det empiriska materialet hargrundats på intervjuer. Den empiri som använts i studien var redan insamlad av forskare frånHögskolan Väst, Göteborgs universitet och Högskolan i Halmstad och fanns tillgänglig somelektroniskt inspelningsmaterial. Materialet bestod av en djupintervju medverksamhetsledaren för idrottsföreningens olika projekt samt två gruppintervjuer med tvåkvinnliga respektive två manliga ledare. Tolkningarna av resultatet ledde till tolv kategoriersom därefter delades in i tre teman. Det första temat inkluderande värdegrund består avkategorierna goda relationer, förtrogenhet med det svenska språket, kunskap om normer,gemenskap, respekt och disciplinering och jämlikhet. Det andra temat, ledarkompetens ochbehovsanpassning består av kategorierna “rätt” personal, engagemang och ansvar,gränsdragningar samt behovsanpassade aktiviteter. Det tredje temat, goda yttre villkor, bestårav kategorierna goda ekonomiska förutsättningar samt fler och bättre resurser. För attförbättra inkluderingsarbetet krävs att de olika faktorerna främjas. Det bör också läggas merfokus på att involvera föräldrarna mer i föreningen, i syfte att skapa en bättre balans mellanledarnas arbetsliv och fritid. De tre teman som tolkades fram från resultatet krävs för attuppnå en social inkludering. För framtida forskning kan det vara intressant att studera andraperspektiv av inkluderingsarbetet, t.ex. ungdomarnas, deras föräldrar och samhällets olikaverksamheter som kommuner, skolor och polis. / There is inequality between different groups in society in Sweden nowadays, which is a socialproblem. This study has been focusing on a sport association in the western part of Sweden,which is actively working with social inclusion with the aim to minimize this inequality. Thepurpose of this study was to illuminate which factors, from a leadership perspective, arecrucial for the creation of inclusion in their work with youth immigrants in a sport associationin western part of Sweden. The theories of social inclusion, social justice, empowerment andpedagogy of the oppressed has been used in order to interpret the results. The study has aninterpretative qualitative content analysis approach since the material was based oninterviews. The empirics used in the study was already collected by researchers fromUniversity West, the University of Gothenburg, and Halmstad University and was available asan electronic recorded material. The material consisted of an in-depth interview with the mainleader of the sport association and two group interviews with two females as well as two maleleaders. The interpretations of the result led to twelve categories that was divided into threethemes. The first theme, inclusive values, consists of the categories good relationships,familiarity with the Swedish language, knowledge of norms, community, respect anddiscipline and equality. The second theme, leadership skills and needs adjustment, consist ofthe categories "right" staff, commitment and responsibility, boundaries and needs-adaptedactivities. The third theme, good external conditions, consists of the categories goodeconomic conditions and more and better resources. To improve the social inclusion withinthe organization is it necessary to support and develop these factors. There should also bemore focus on involving parents in the association, to create a better balance between theleaders work life and their private life. The three themes interpreted from the result arerequired to achieve social inclusion.When it comes to future research it might be interesting to study other perspective of thesocial inclusion as well as. For example, the perspective of the youths, their parents anddifferent organizations of the society, such as local authorities, schools and police.

This dissertation positions Community Theatre as an agency for development and education based on the educational principles of Freire and Boal’s Theatre for Development. The dissertation argues that Appreciative Inquiry can enrich the practice of Community Theatre by approaching HIV and AIDS education through an asset-based, participatory, inclusive, learner-centred approach. The dissertation further hypothesises that the infusion of the 4-D process of Appreciative Inquiry into Community Theatre processes aimed at HIV and AIDS education will enhance young people’s agency as active participants and agents of change in their communities beyond the didactic notions inherent in ABC education approaches to HIV prevention. This approach can encourage meaningful participation and critical consciousness amongst young people in the HIV prevention response. / Dissertation (MA (Drama))--University of Pretoria, 2010. / Drama / unrestricted

Made available in DSpace on 2014-12-17T14:20:03Z (GMT). No. of bitstreams: 1 JoseGSAL_DISSERT.pdf: 1464310 bytes, checksum: 8b0b3f8f56a89994aae4ad6c90665c18 (MD5) Previous issue date: 2011-06-17 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The main objective of the present research is to reflect on the affinities between post-colonial theories - analytical perspectives directed toward the discussion of colonialism and its effects on the contemporary social fabric - and Brazilian educator, Paulo Freire‟s (1921-1997) Pedagogy of the Oppressed, written at the end of the 1960‟s. The study aims to make the argument that the present reflections on the featured work is an example of a post-colonial theoretical framework, delineating a critical modus operandi of colonialism, particularly in its cultural and epistemic dimensions, delineating a problematization of the processes of cognitive domination set, above all, by the European colonization of the Latin American continent, with the formation of the modern-world-system (WALLERSTEIN, 2007), dated from the 16TH Century forward. From this stand point, and especially supported by the contributions of Boaventura de Sousa Santos on the sociology of absence, the present work accentuates Pedagogy of the Oppressed as a set of reflections that bring the possibility of a pedagogy of absence (SANTOS, 1996), having in mind that, this book deals with, the presuppositions of an educational action, which considers the plurality of knowledge and social practices by way of the establishment of a pedagogical practice of collective construction, emancipator and dialogic that arises from the encounter to the indolent reason (SANTOS, 2009) in which the silencing of the voices of the oppressed, construct their conditions of invisibility, promoting also the absence of the social questions inherent to the processes of teaching and learning. It is with this perspective, however, that post colonialism is considered a theoretical site for the affirmation and the reinvention of the Pedagogy of the Oppressed, an obligatory reference in the construction of a prudent knowledge for a decent life (SANTOS, 2006) / A disserta??o em pauta possui como objetivo principal a reflex?o acerca das afinidades entre as teorias p?s-coloniais - perspectivas anal?ticas voltadas para a discuss?o em torno do colonialismo e de seus efeitos na tecitura social contempor?nea - e a Pedagogia do Oprimido - livro escrito pelo educador brasileiro Paulo Freire (1921-1997) durante os anos finais da d?cada de 1960. Argumentamos que as reflex?es presentes na obra em destaque, a exemplo do arcabou?o te?rico p?s-colonial, delineiam uma cr?tica ao modus operandi do colonialismo, particularmente em sua dimens?o cultural e epist?mica, delineando uma problematiza??o sobre os processos de domina??o cognitiva instaurados, sobretudo, a partir da coloniza??o europeia no continente latino-americano, quando da forma??o do sistema-mundo-moderno (WALLERSTEIN, 2007), datada do S?culo XVI em diante. Partindo-se deste princ?pio, e amparado especialmente nas contribui??es de Boaventura de Sousa Santos sobre a sociologia das aus?ncias, o presente estudo acentua a Pedagogia do Oprimido como um conjunto de reflex?es que trazem a possibilidade de uma pedagogia das aus?ncias (SANTOS, 1996), tendo em vista que, neste livro, evidenciam-se os pressupostos de uma a??o educacional que considera a pluralidade de saberes e de pr?ticas sociais por meio do estabelecimento de uma pr?tica pedag?gica de constru??o coletiva, emancipat?ria e dialogal que vai de encontro ? raz?o indolente (SANTOS, 2009). Esta raz?o, ao silenciar as vozes dos oprimidos, constr?i suas condi??es de invisibilidade, promovendo tamb?m a aus?ncia de quest?es sociais inerentes aos processos de ensino e de aprendizagem. ? no interior desta perspectiva, portanto, que se considera o p?s-colonialismo como um lugar te?rico para a afirma??o e a reinven??o da Pedagogia do Oprimido, referencial imprescind?vel ? constru??o de um conhecimento prudente para uma vida decente (SANTOS, 2006)