Recent trends in social networking site (SNS) use amongst teachers have led to some alarming circumstances. Practicing and pre-service teachers have been fired or otherwise punished (e.g. suspension, licensure revocation, etc.) for a variety of offenses related to their SNS use, ranging from sinister to morally ambiguous offenses, and have been encouraged or required by school administrators, professors, and others in positions of power to use SNS in particular ways. Past research on the topic of SNS in education and SNS professionalism has focused on issues of implementation (e.g. how to use SNS to support learning) or utility (e.g. how to use SNS to successfully achieve career goals). Missing from this discussion, however, is an understanding of how teachers (and those preparing to become teachers) naturally come to participate in SNS, why they participate in the ways that they do, and how this use is related to their identity. This study seeks to fill a gap in the literature by understanding pre-service teachers’ uses of SNS in terms of previous experiences, cultural expectations, social benefits, connections to identity construction and maintenance, and how these uses and beliefs regarding SNS begin to change in response to professionalization processes. Grounded theory is employed to generate an explanatory construct, which I refer to as the Acceptable Identity Fragment (AIF). The AIF is then used to understand and illustrate issues surrounding SNS use in education. Major findings suggest that 1) pre-service teachers’ identities in SNS represent a fragment of their authentic identities, 2) pre-service teachers use various SNS differently in conjunction with each SNS’s embedded values and assumptions about identity, 3) SNS use raises various problematic issues surrounding identity and how pre-service teachers are perceived and judged as individuals (e.g. digital persistence, lateral surveillance, etc.), and 4) professionalization processes alter and restrict pre-service teachers’ ability and comfort to express themselves in SNS. These findings lead to discussion, implications, and recommendations on a variety of topics including the following: institutional uses of SNS in education, relationships between fragmented and authentic identities, SNS literacy development, and cultural issues of SNS use. / text

This master's thesis deals with luxury brand marketing communication within social networks. The subject reacts to the dynamic growth regarding the importance of social networks that bring many changes and opportunities to marketing communication conductive to the customer. Its purpose is to use theoretical knowledge about luxury brand marketing within social networks such as Facebook, Instagram, Pinterest, Twitter, and Youtube; presented in its first part, for the analysis and evaluation of the current activities on social media of the luxury Czech glass company LASVIT. Based on the findings from the analysis, the final part of this thesis presents my recommendations and concrete proposals concerning the expansion of current marketing communication activities of LASVIT within it's domain of social platforms.

The study examines the differences between women’s and men’s perception of visual aesthetics on Pinterest. Therefore, we have chosen to examine the visual aesthetics through the lens of simplicity, diversity, colour and craftmanship. The purpose of the study is to contribute to a deeper understanding of the perception of visual aspects between men and women on the social media platform Pinterest. As society grows and develops on a variety of levels, we humans must increasingly adapt to a higher pace of life. A higher pace of life can mean that we as humans are forced to have a greater focus on where we spend our time and what we choose to focus our attention on. This indicates that people in today's society and in their everyday lives must decide which social media they choose to pay attention to. We ask ourselves the question: How do people do when they must distribute time and attention over social media? What factors drive these decisions? Are men and women attracted to different factors? After studying the results, we were able to conclude that female participants valued Pinterest as less aesthetically pleasing than the male participants did. Finally, we would like to point out that even though the majority of users are women on Pinterest, our study shows that men value the visual aesthetics higher than women.

Investigación sobre la Industria Textil Confeccionista de Bebés y Niños en la Argentina y la implicación que puede tener el uso de las redes sociales para la comercialización e internacionalización de las empresas pertenecientes.

Submitted by Fabricia Fialho Reginato (fabriciar) on 2015-07-07T23:48:21Z No. of bitstreams: 1 BarbaraGrebin.pdf: 11075317 bytes, checksum: aa9ac1bdc918f36be1c51d80e2ac071a (MD5) / Made available in DSpace on 2015-07-07T23:48:21Z (GMT). No. of bitstreams: 1 BarbaraGrebin.pdf: 11075317 bytes, checksum: aa9ac1bdc918f36be1c51d80e2ac071a (MD5) Previous issue date: 2014-03-28 / Nenhuma / Esta pesquisa tem por objetivo, a partir de um olhar comunicacional e tecnocultural, compreender de que forma o site Pinterest, tendo como base o exame das suas principais lógicas operativas, atualiza o conceito de interfaces culturais cunhado por Manovich (2001). Para o desenvolvimento deste problema de pesquisa, inicialmente, realiza-se uma explicação das abordagens e dos procedimentos metodológicos, inspirados em um agir arqueológico, seguida de um apanhado sobre o conceito de interface por meio de algumas concepções em torno do termo, até se chegar ao conceito-chave desta dissertação, interface cultural. Com isto, avança-se sobre a instrumentalização da pesquisa, por meio da escavação de imagens e da identificação de molduras (KILPP, 2010), sucedido de análise de material empírico coletado e agrupado em três constelações nomeadas como HCI, plasticidade e atravessamentos entre produtos culturais on-line. A pesquisa é finalizada com dois principais movimentos, o primeiro respondendo à pergunta inicial de pesquisa, em que se percebe um deslocamento do conceito inicial de interface cultural devido a conjunturas advindas da web 2.0, e o segundo trazendo, por meio de um quadro, uma proposta de estrutura de análise de artefatos culturais on-line. / The study aims, from a communicative and technocultural approach, to understand how the website Pinterest, based on the examination of its main operating logics, updates the concept of cultural interface coined by Manovich (2001). To develop this research problem, initially, it is carried out an explanation of the methodological approaches and procedures, inspired by an archaeological behave, followed by an overview of the interface concept through some conceptions around the term, until reaching the key concept of this dissertation, cultural interface. With this, it advances on the instrumentalization of the research, digging through images and identifying frames (Kilpp, 2010), followed by analysis of empirical material collected and grouped into three constellations named as HCI, plasticity and crossings between online cultural devices. The research concludes with two main movements, the first answering to the initial research question, it is realized a shift from the initial concept of cultural interface due to contexts arising from web 2.0, and the second bringing through a frame, a proposal of an analysis structure of online cultural devices.

This thesis deals with the use of the social Networks for Competitive Intelligence theme in Provident Financial. The main objective of this thesis is to propose the set of recommendations for the effective use of social networking of the company. The recommendations are based on the analysis made for use of social networking by the competitors. The first part of the thesis deals with the issue of the social networking and competitive intelligence. The theoretical part of the thesis explains the social Networks concept and presents the selected Czech and World social Networks and explains the CI concept. The practical part of the thesis presents Provident Financial, the current condition of social networking and company CI. The main competitors are analyzed by the social networking activities. This analysis of the competitors is summarized into one report containing the benchmark ratings. The results of the benchmarking serve as a basis for the set of recommendations for the effective use of social networking of Provident Financial.

No description available.

Pinterest is one of the fastest growing social networking sites and is attracting the interest of retailers as an effective way to interact with consumers. The purpose of this study was to examine: 1) determinants and impacts of Pinterest consumer experiences. Specifically, this study examined the impacts of retailer reputation, trust, perceived ease of use, and perceived usefulness on Pinterest consumer experiences on retailer SNS. 2) To identify the impacts of Pinterest consumer experiences on consumer satisfaction, behavioral intention, and online retailer relationship. The instrument used existing scales drawn from the literature. A consumer panel (n = 300) of Pinterest users that connect to apparel retailers was used to collect data through an online consumer panel. Reputation is positively related to trust and to perceived ease of use. Perceived ease of use and usefulness significantly affected retailer Pinterest consumer experiences. The impact of Pinterest consumer experiences on satisfaction and behavior intention was positive and significant. Satisfaction and behavior intention also are significantly related to online retailer relationship. Results and business implications are discussed, as well are limitations and future research.

As non-institutional digital image collections expand into social media, independent non-professional image curators are emerging, actively constructing alternative naming conventions to suit their needs in a social collecting environment. This project considers how independent user-curators are developing particular sense-making behaviors as they actively contribute names to large, unstructured social image collections. In order to capture and explore this evolving language adaptation, Pinterest names are analyzed using a matrix composed of Panofsky’s three strata of subject matter, Rosch’s levels of categorical abstraction, Shatford Layne’s image attributes and Wittgenstein’s language game constructions. Analyzing Pinterest image names illuminates previously unnoticed behaviors by independent user-curators as they create shared collections. Exploring the various language choices which user-curators select as they apply this new curating vocabulary helps identify underlying user needs not apparent in traditionally curated collections restricted to traditional naming conventions.