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Modernity & MigrationBudathoki, Aakash January 2009 (has links)
<p><strong>Summery</strong></p><p>The main objective of this essay is to analyze the challenges caused by today’s modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, “what does it really mean when a person becomes a migrant and what does it mean to be the host country?” Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are subjected to change and we undergo several changes or modifications to fit in to this changing system. This makes intigration process more difficult and complex. I feel that the process of accepting and adopting begins from the very first moment in the new society. The one who comes in also brings in new cultural perspectives, new ideologies and beliefs. This establishes the background of plurality which has both positive and negative consequences. </p><p>I believe that every factor from bigger social institutions to minute incidents associated with an individual are of equal importance in understanding society as a whole. So I approach my research question here by considering both micro and macro theorists. I have also referred to migrations history of Sweden which provides general idea of types and mode of migration in the past few decades. </p>
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Migration & ModernityBudathoki, Aakash January 2008 (has links)
<p>The main objective of this essay is to analyze the challenges caused by today's modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, "what does it really mean when a person becomes a migrant and what does it mean to be the host country?" Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are subjected to change and we undergo several changes or modifications to fit in to this changing system. This makes integration process more tedious and complex. I feel that the process of accepting and adopting begins from the very first moment in the new society. The one who comes in also brings in new cultural perspectives, new ideologies and beliefs. This establishes the background of plurality which has both positive and negative consequences.</p><p>I believe that every factor from bigger social institutions to minute incidents associated with an individual are of equal importance in understanding society as a whole. So I approach my research question here by considering both micro and macro theorists. I have also referred to migrations history of Sweden which provides general idea of types and mode of migration in the past few decades.</p>
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Modernity & MigrationBudathoki, Aakash January 2009 (has links)
Summery The main objective of this essay is to analyze the challenges caused by today’s modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, “what does it really mean when a person becomes a migrant and what does it mean to be the host country?” Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are subjected to change and we undergo several changes or modifications to fit in to this changing system. This makes intigration process more difficult and complex. I feel that the process of accepting and adopting begins from the very first moment in the new society. The one who comes in also brings in new cultural perspectives, new ideologies and beliefs. This establishes the background of plurality which has both positive and negative consequences. I believe that every factor from bigger social institutions to minute incidents associated with an individual are of equal importance in understanding society as a whole. So I approach my research question here by considering both micro and macro theorists. I have also referred to migrations history of Sweden which provides general idea of types and mode of migration in the past few decades.
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Migration & ModernityBudathoki, Aakash January 2008 (has links)
The main objective of this essay is to analyze the challenges caused by today's modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, "what does it really mean when a person becomes a migrant and what does it mean to be the host country?" Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are subjected to change and we undergo several changes or modifications to fit in to this changing system. This makes integration process more tedious and complex. I feel that the process of accepting and adopting begins from the very first moment in the new society. The one who comes in also brings in new cultural perspectives, new ideologies and beliefs. This establishes the background of plurality which has both positive and negative consequences. I believe that every factor from bigger social institutions to minute incidents associated with an individual are of equal importance in understanding society as a whole. So I approach my research question here by considering both micro and macro theorists. I have also referred to migrations history of Sweden which provides general idea of types and mode of migration in the past few decades.
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Herdefiniering van identiteit as 'n proses van wording tydens die adolessent se verlies van 'n geliefdeVan der Merwe, Susanna Johanna 04 1900 (has links)
Text in Afrikaans / This study is aimed at the development of strategies for therapists to be used with adolescents and late adolescents (15 to 20 years of age) who have lost a loved one. This will be done by focussing on the redefining of identity as a way of becoming. The starting point of the study is to be found in the problem formulation that the process of becoming of adolescents who have suffered the loss of a loved one, may be blocked because they do not have the necessary skills to overcome the loss. The second problem is that therapists do not have the necessary skills to empower these adolescents so that the redefining of identity can be achieved. / Social work / D. Diac. (Spelterapie)
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Att se varandra i handling : En jämförande studie av kommunikativa arenor och yrkesblivande för nyblivna fänrikar och lärare / To See Each Other in Action : A Comparative Study of Communicative Conditions and the Process of Becoming for Commissioned Officers and School TeachersFransson, Göran January 2006 (has links)
The aim of this thesis is to describe and analyse the process of professionalisation of newly commissioned second lieutenants and newly qualified school teachers. The professionalisation of these two occupational categories is examined from a comparative perspective and concentrates on the communicative conditions and institutional arenas that affect the professionalisation process. The theoretical framework of the thesis is comprised of communication theory and concepts of sense making found in institutional theory models. The empirical data was collected during the first year after second lieutenants received their officer’s commissions and teachers received their teaching credentials. Four second lieutenants and four teachers were interviewed three times during their first year of professional service. Some observations are also included in the thesis. The dissertation’s main conclusions are connected, in part, to issues of transparency in communicative conditions and, in part, to incentives connected to supervision, support and control. On the one hand, the commissioned officers’ and one of the teacher’s process of sensemaking appeared visible and collective in character, where the rules of conduct and meaning emerge clearly without ambiguity. On the other hand, the majority of the certified teachers’ process of sense making appeared private, concealed, inaccessible and diverse in character. It was observed that incentives for supervision, support and control are strong among commissioned officers because they are directly dependent on each other’s work. The same incentives are weaker among certified teachers because they are not as dependent on each other’s work. One conclusion to draw from this difference is that the professionalisation of commissioned officers is collective-oriented while the professionalisation of certified teachers is less so.
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Herdefiniering van identiteit as 'n proses van wording tydens die adolessent se verlies van 'n geliefdeVan der Merwe, Susanna Johanna 04 1900 (has links)
Text in Afrikaans / This study is aimed at the development of strategies for therapists to be used with adolescents and late adolescents (15 to 20 years of age) who have lost a loved one. This will be done by focussing on the redefining of identity as a way of becoming. The starting point of the study is to be found in the problem formulation that the process of becoming of adolescents who have suffered the loss of a loved one, may be blocked because they do not have the necessary skills to overcome the loss. The second problem is that therapists do not have the necessary skills to empower these adolescents so that the redefining of identity can be achieved. / Social work / D. Diac. (Spelterapie)
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Accompagner les processus créatifs de Monica Klingler, Barbara Manzetti et Marian del Valle (janvier 2009 - décembre 2012). / To accompany the creative processes of Monica Klingler, Barbara Manzetti and Marian del Valle (January 2009 – December 2012).Del Valle, Marian 27 November 2013 (has links)
Ce projet de recherche en danse est né du désir et du besoin de questionner ma propre pratique artistique en danse contemporaine, en la mettant en perspective et en conversation avec celle de deux autres artistes chorégraphes, Monica Klingler et Barbara Manzetti. L’étude de ces (nos) pratiques, que j’ai qualifiées de «mineures» (au sens deleuzien) a été réalisée en les approchant par le «milieu», dans leur devenir, en les «accompagnant» pendant une période délimitée, celle de la durée de la thèse. Les questions qui dynamisent la recherche concernent les notions de présent et de vivant, contenues dans le terme «processus» : comment rendre compte de processus créatifs au moment même de leur surgissement? Comment se positionner pour pouvoir les décrire, les analyser? Une autre question explorée à travers différentes pratiques d’écriture, dont la thèse, est celle du rôle de l’écriture dans un projet de danse. Quelles pratiques d’écriture mettre en place pour accompagner la danse, pour la penser et pour la partager à travers le langage? L’analyse des démarches artistiques des trois artistes étudiées a été réalisée à l’aide de concepts issus de théories féministes. Elle s’appuie sur la notion de «hors de soi», du choix d’exacerber la vulnérabilité (Judith Butler) ; sur le positionnement des artistes comme des sujets non unitaires, des «sujets nomades» et en devenir (Rosi Braidotti) ; sur la mise en mouvement de formes fluides, changeantes et non réductibles à une œuvre, à l’«un» (Luce Irigaray).La recherche, considérée comme un «processus de danse», a donné forme à différents projets artistiques, Materia Viva, Figuras, Avec le masque, ainsi qu’à l’écriture de la thèse. / The desire and need to question my own artistic work in contemporary dance has led to this project in dance research. To do so, my own practice had to be put into perspective and into conversation with the practices of two other artists, Monica Klingler and Barbara Manzetti. These (our) practices, which I qualify as « minor» (according to Deleuze), were studied in midst, in their process of becoming, and were «accompanied» during the limited lapse of time of this research project. The main questions arise from the notions of the present and liveliness which are contained in the word « process ». How could a creative process be described at the very moment of its emergence? What stance must one take in order to analyse these creative processes?Another main question deals with writing practices. Which is the part of writing in a dance project? Which writing practices should we set up to accompany the dance, to reflect upon it and to share it through language? I have analyzed the artistic approach of the three artists using some concepts taken from feminist theories : « out of oneself», exacerbating the vulnerability (Judith Butler) ; the positioning of artists as non-unitary subjects, « nomadic subjects », and subjects in the process of becoming (Rosi Braidotti) ; and how the artist sets fluid and changing forms in motion, which cannot be reduced to «one» single work (Luce Irigaray).The research project, considered as a « dance process », has given birth to different artistic projects, such as Materia Viva, Figuras, Avec le masque, along with the writing of the thesis.
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