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Scientific Facts in the Space of Public Reason: Moderate Idealization, Public Justification, and Vaccine Policy Under Conditions of Widespread Misinformation and ConspiracismPalmer, Amitabha 22 December 2020 (has links)
No description available.
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482 |
Issue Individuation in Public Reason LiberalismManning, Colin, Ph.D. 20 May 2021 (has links)
No description available.
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483 |
The place of reason in 'Abduh's theology : its impact on his theological system and viewsNasution, Harun. January 1969 (has links)
No description available.
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484 |
Reason and finality in Ibn Zakarīyāʾ al-Rāzī's philosophical worksShaker, Asaad January 1991 (has links)
No description available.
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485 |
ʻAbd al-Ḥalīm Maḥmūd's critique of reason in acquiring the knowledge of GodRufāʻī, ʻAbd al-Wāḥid Afọlabi Aḥmad January 1983 (has links)
No description available.
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486 |
Four scholars on the authoritativeness of Sunnī juridical QiyāsHaram, Nissreen January 1988 (has links)
No description available.
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487 |
Proper basicality for belief in God : Alvin Plantinga and the evidentialist objection to theismDyck, Timothy Lee January 1995 (has links)
No description available.
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488 |
Can mini-publics make legitimate constitutions? : A public reason study of the Irish Convention on the ConstitutionPersson, Patrik January 2023 (has links)
This thesis examines the abilities of constitutional mini-publics to make legitimate constitutions. Legitimacy in this thesis is defined as following the ideal of public reason. It is a quantitative study of the third weekend of the Irish Convention on the Constitution (a constitutional mini-public). They deliberated on and recommended amending the Constitution to allow same-sex marriage. Previous research into the legitimacy of constitutional mini-publics has been limited to studying their form, for example, participant selection or decision-making process. This thesis analyses the content of the deliberation. A series of theme analyses were performed to discover the reasons used. The reasons were categorised as public or nonpublic. The Convention on the Constitution justified all their decisions with public reasons. Showing constitutional mini-publics can make legitimate constitutions based on the ideal of public reason under the right circumstances.
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489 |
Pierced Through the Ear: Poetic Villainy in <em>Othello</em>Somers, Kathleen Emerald 27 November 2010 (has links) (PDF)
The paper examines Othello as metapoetry. Throughout the play, key points of comparison between Iago and Shakespeare's methodologies for employing allegory, symbolism, and mimetic plot and character construction shed light upon Shakespeare's self-reflexive use of poetry as an art of imitation. More specifically, the contrast between Shakespeare and Iago's poetry delineates between dynamic and reductive uses of allegory, emphasizes an Aristotelian model of mimesis that makes reason integral to plot and character formation, and underscores an ethical function to poetry generally. In consequence of the division between Iago and Shakespeare as unethical and ethical poets respectively, critical contention concerning the play's representation of race and gender receive commentary. While Iago authors reductive narratives that lead to stereotypes, Shakespeare's narrative critiques and condemns the works of his villain to argue against common opinion and customs which deny justice by replacing individuality with generalizations about groups of people. Moreover, as he demonstrates Iago's conscious, manipulative creation of such reductive narratives for his own purposes, Shakespeare draws attention to the construction of narratives both within and without poetry, and, in so doing, he defends poetry against the Puritan condemnations from his day by showing that these condemnations cannot be restricted to poetry alone. Ultimately, reading the play as metapoetry offers a perspective on Iago's characterization which blurs the typical classifications made by modern critics, challenges the notion of a reason/ imagination dichotomy wherein reason stands outside of or even in opposition to poetic imagination, and exposes the shortcoming of the critical view that Iago represents reason and the play Shakespeare's own concerns about its limitations.
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[pt] BALA PERDIDA, FALAS PERDIDAS: O DISCURSO DO JORNALISMO IMPRESSO SOBRE A MORTE DE GABRIELA PRADO / [en] STRAY BULLET, STRAYED SPEECHES: THE DEATH OF GABRIELA PRADO ON THE DISCOURSES PRODUCED BY JOURNALISMANA LETICIA PIRES LEAL CAMARA 22 November 2005 (has links)
[pt] Bala perdida, falas perdidas: o discurso do jornalismo
impresso sobre a
morte de Gabriela Prado analisa a constituição de um
imaginário urbano da bala
perdida, na cidade do Rio de Janeiro. O estudo se
desenvolve a partir da leitura
das matérias jornalísticas sobre a morte, por bala
perdida, de uma adolescente de
classe média, em 2003. O objetivo é mostrar como a
casualidade que preside este
tipo de crime torna problemático o discurso que se
constrói sobre o fato. Discutese
o esforço da imprensa para contornar a gratuidade da
morte, reconstruindo a
biografia da vítima de modo a estabelecer um elo causal
que possa, se não
justificar, pelo menos explicar o assassinato. Ameaçados
pela possibilidade de
uma morte semelhante, jornalistas e leitores tentam
enquadrar narrativamente a
bala perdida que, no entanto, desafia qualquer fechamento
que lhe confira um
sentido. / [en] Stray bullet, strayed speeches: the death of Gabriela
Prado on the
discourses produced by journalism intends to analyze the
idea of the stray
bullet on the urban/social imaginary in the city of Rio de
Janeiro. This paper
begins reading the published press reports about the
death - by stray bullet - of
a female middle-class teenager in 2003. The aim of this
work is to point out how
the idea of chance or unexpected destiny makes the
discourse about the facts
so problematic. This work discuss the way how the
Brazilian press tries to get
around this gratuitous sort of death, rebuilding the
victim´s biography in order to
try to find a causal link that explains the murder.
Threatened with the possibility
of dying in the same way, journalists and audience seem to
delimit the stray
bullet in some types of narratives - although, it is a
challenge to find any
meaning for that.
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