SOUZA, Carlos Alberto de. A linguagem regional-popular nos romances de Rachel de Queiroz. 2013. 256f. – Tese (Doutorado) – Universidade Federal do Ceará, Departamento de Letras Vernáculas, Programa de Pós-graduação em Linguística, Fortaleza (CE), 2013. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-06-09T12:42:50Z No. of bitstreams: 1 2013_tese_casouza.pdf: 1147671 bytes, checksum: 7abe861e08f0bebf39848e81e857d9e7 (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2014-06-09T14:39:42Z (GMT) No. of bitstreams: 1 2013_tese_casouza.pdf: 1147671 bytes, checksum: 7abe861e08f0bebf39848e81e857d9e7 (MD5) / Made available in DSpace on 2014-06-09T14:39:43Z (GMT). No. of bitstreams: 1 2013_tese_casouza.pdf: 1147671 bytes, checksum: 7abe861e08f0bebf39848e81e857d9e7 (MD5) Previous issue date: 2013 / This study uses the seven novels, by the author Rachel de Queiroz (1910-2003): O Quinze (1930), João Miguel (1932), Caminhos de Pedra (1937), as Três Marias (1939), O Galo de Ouro (1950), Dôra, Doralina (1975), and Memorial de Maria Moura (1992) with the objective of identifying and describing the regional lexicon from the Brazilian Northeast, especially, from Ceará, the state where she was born. Such objective was justified by the author's own words who said, in several occasions, that her characters, although they are fictional, they are representative of the Northeast culture, and that they also refer to characteristics of the people from her social life. The investigation of Rachel de Queiroz's work, in a linguistic perspective, is quite relevant due to the fact that this author presents in her writing a set of works composed greatly of ordinary language from the Northeast. This language is presented through countless regionalisms, which encompass words and expressions and proverbs. All this richness in ways of speaking may be found, mainly, in her novels, since it was exactly, through this literary genre, that Rachel de Queiroz expressed the dramatic situation of men in the dry and poor lands of the Northeast. In the composition of a literary work, the lexicon assumes an important role in the sense of that it provides us with a monitoring process of advance and transformation of language integrated in the culture of a people. For that, this research will be conducted in the prospect of theoretical principles of Lexicology and Lexicography, based on Aragão (2006), Krieger et al (2006), Biderman (2001), Isquerdo (1998), and Barbosa (1991), in order to produce a glossary with lexical regional unities presented in Rachel de Queiroz's novels. We believe that this perspective of research is relevant to Linguistic studies, since it treats of a social and ethnolinguistic research, which investigates the linguistic variation in its social context, more particularly, concerning the linguistic process and the Northeastern regional culture, inserted in the glossary, as a way of giving contribution to some gaps in the area of Lexicology and Lexicography, specially, the regional one, and to Rachel de Queiroz's literary criticism. / Este trabalho utiliza os sete romances da escritora Rachel de Queiroz (1910-2003), O Quinze (1930), João Miguel (1932), Caminhos de Pedra (1937), as Três Marias (1939), O Galo de Ouro (1950), Dôra, Doralina (1975) e Memorial de Maria Moura (1992), e tem por objetivo identificar e descrever o léxico regional característico do Nordeste brasileiro, de modo especial, o do Ceará, terra natal da escritora. Tal objetivo é justificado a partir de diversas declarações da escritora, para quem seus personagens, embora fictícios, são representativos da cultura nordestina e também remetem a características de pessoas da sua convivência social. Estudar a obra de Rachel de Queiroz, numa perspectiva linguística, é bastante significativo, pelo fato de a escritora cearense apresentar, em sua escritura, um conjunto de obras construídas, sobremaneira, com a linguagem popular do Nordeste. Essa linguagem nos é apresentada através de inúmeros regionalismos, que vão desde vocábulos e expressões a provérbios. Toda essa riqueza dos modos de falar pode ser encontrada, principalmente, nos romances, pois foi exatamente nesse gênero literário que Rachel de Queiroz expressou o drama do homem das terras secas e pobres do Nordeste. Na composição de uma obra literária, o estudo do léxico assume um papel de suma importância no sentido de nos proporcionar um acompanhamento do processo de avanço e de transformação da língua integrada na cultura de um povo. Por isso, este estudo será desenvolvido à luz dos princípios teóricos da Lexicologia e da Lexicografia, que serão utilizados conforme Aragão (2006), Krieger et al (2006), Biderman (2001), Isquerdo (1998) e Barbosa (1991), para a elaboração de um glossário dos itens lexicais que constituem o regionalismo presente na obra romanesca de Rachel de Queiroz. Acreditamos que uma pesquisa, nestes moldes, está revestida de importância para os estudos linguísticos, por tratar-se de uma pesquisa sócio e etnolinguística, a qual investiga a variação da linguagem em seu contexto social, mais precisamente, no que diz respeito ao processo linguístico e à cultura regional nordestina, anotados no glossário a que nos propomos realizar, como forma de cooperar com algumas lacunas da Lexicologia e Lexicografia, mormente, a regional, para a fortuna crítica da obra de Rachel de Queiroz.

O presente trabalho tem por objetivo analisar como a cultura do imigrante alemão é constituída em duas obras da literatura alemã atual que abordam a emigração do Hunsrück para o Rio Grande do Sul. Para isso, realizou-se, inicialmente, uma breve revisão dos contextos históricos alemão e brasileiro na primeira metade do século XIX. Em seguida, foi apresentado o processo de migração, a partir de cinco locais que representam esse movimento, desde a saída de sua terra até a chegada ao novo lugar. Além disso, sob o olhar pós-colonial presente na teoria literária atual, procurou-se destacar os conceitos de hibridização e de Terceiro Espaço relacionados ao contato de culturas e ao surgimento, a partir de então, de uma cultura híbrida. Posteriormente, após a apresentação das obras Menschen im Aufbruch (1998) e Das Mädchen am Rio Paraíso (2010), selecionadas como corpus da pesquisa, foram identificados os elementos principais que caracterizam os cinco locais do romance de migração e os elementos que estão relacionados ao contato entre as culturas brasileira e alemã e, principalmente, que indicam como é construída a cultura do imigrante alemão na Colônia de São Leopoldo. Por fim, a partir dos dados encontrados, foi realizada uma análise relacionando os elementos de ambas as obras que se aproximavam ou que divergiam. Desse modo, a partir dessa análise, verificou-se que, em ambas as obras, podem ser encontrados os cinco locais que constituem o movimento de migração, havendo, inclusive, aspectos semelhantes entre os romances. Com base na teoria pós-colonial, também se identificou, como ocorreu nas obras literárias o contato entre as culturas brasileira e alemã e, a partir das relações entre elas, como foi construída a cultura híbrida do colono alemão nos romances. / This thesis aims at analyzing how the German immigrant culture is made based on two books of current German Literature which approach Hunsrück emigration to Rio Grande do Sul. In order to make it possible, a brief revision of both German and Brazilian historical context was made related to the first half of the nineteenth century. Afterwards, the process of immigration was introduced from five places which represent this movement, from the moment of leaving the land to the arrival at the new place. Besides, based on a post-colonial perspective present in current literary theory, the research focused on highlighting the concepts of hybridization and Third Space related to culture contact and to the ensuing beginning of a hybrid culture. Then, after the presentation of the books Menschen im Aufbruch (1998) and Das Mädchen am Rio Paraíso (2010), selected as research corpus, the main elements which characterize the five places of the Romance of Migration and the elements which are connected to the German and Brazilian culture were identified. As a result, they indicate how the culture of the German immigrant is built at São Leopoldo Colony. Finally, based on the data found, an analysis of convergent and divergent elements in both novels was made. Therefore, from this analysis, it was observed that the five places which constitute the migration movement were found in both books. There are even similar aspects in the novels. The post-colonial theory helped highlight the contact between Brazilian and German cultures as presented in the literary books and, from these connections, how the hybrid culture of the German settler is built in the novels.

O presente trabalho tem por objetivo analisar como a cultura do imigrante alemão é constituída em duas obras da literatura alemã atual que abordam a emigração do Hunsrück para o Rio Grande do Sul. Para isso, realizou-se, inicialmente, uma breve revisão dos contextos históricos alemão e brasileiro na primeira metade do século XIX. Em seguida, foi apresentado o processo de migração, a partir de cinco locais que representam esse movimento, desde a saída de sua terra até a chegada ao novo lugar. Além disso, sob o olhar pós-colonial presente na teoria literária atual, procurou-se destacar os conceitos de hibridização e de Terceiro Espaço relacionados ao contato de culturas e ao surgimento, a partir de então, de uma cultura híbrida. Posteriormente, após a apresentação das obras Menschen im Aufbruch (1998) e Das Mädchen am Rio Paraíso (2010), selecionadas como corpus da pesquisa, foram identificados os elementos principais que caracterizam os cinco locais do romance de migração e os elementos que estão relacionados ao contato entre as culturas brasileira e alemã e, principalmente, que indicam como é construída a cultura do imigrante alemão na Colônia de São Leopoldo. Por fim, a partir dos dados encontrados, foi realizada uma análise relacionando os elementos de ambas as obras que se aproximavam ou que divergiam. Desse modo, a partir dessa análise, verificou-se que, em ambas as obras, podem ser encontrados os cinco locais que constituem o movimento de migração, havendo, inclusive, aspectos semelhantes entre os romances. Com base na teoria pós-colonial, também se identificou, como ocorreu nas obras literárias o contato entre as culturas brasileira e alemã e, a partir das relações entre elas, como foi construída a cultura híbrida do colono alemão nos romances. / This thesis aims at analyzing how the German immigrant culture is made based on two books of current German Literature which approach Hunsrück emigration to Rio Grande do Sul. In order to make it possible, a brief revision of both German and Brazilian historical context was made related to the first half of the nineteenth century. Afterwards, the process of immigration was introduced from five places which represent this movement, from the moment of leaving the land to the arrival at the new place. Besides, based on a post-colonial perspective present in current literary theory, the research focused on highlighting the concepts of hybridization and Third Space related to culture contact and to the ensuing beginning of a hybrid culture. Then, after the presentation of the books Menschen im Aufbruch (1998) and Das Mädchen am Rio Paraíso (2010), selected as research corpus, the main elements which characterize the five places of the Romance of Migration and the elements which are connected to the German and Brazilian culture were identified. As a result, they indicate how the culture of the German immigrant is built at São Leopoldo Colony. Finally, based on the data found, an analysis of convergent and divergent elements in both novels was made. Therefore, from this analysis, it was observed that the five places which constitute the migration movement were found in both books. There are even similar aspects in the novels. The post-colonial theory helped highlight the contact between Brazilian and German cultures as presented in the literary books and, from these connections, how the hybrid culture of the German settler is built in the novels.

O presente trabalho tem por objetivo analisar como a cultura do imigrante alemão é constituída em duas obras da literatura alemã atual que abordam a emigração do Hunsrück para o Rio Grande do Sul. Para isso, realizou-se, inicialmente, uma breve revisão dos contextos históricos alemão e brasileiro na primeira metade do século XIX. Em seguida, foi apresentado o processo de migração, a partir de cinco locais que representam esse movimento, desde a saída de sua terra até a chegada ao novo lugar. Além disso, sob o olhar pós-colonial presente na teoria literária atual, procurou-se destacar os conceitos de hibridização e de Terceiro Espaço relacionados ao contato de culturas e ao surgimento, a partir de então, de uma cultura híbrida. Posteriormente, após a apresentação das obras Menschen im Aufbruch (1998) e Das Mädchen am Rio Paraíso (2010), selecionadas como corpus da pesquisa, foram identificados os elementos principais que caracterizam os cinco locais do romance de migração e os elementos que estão relacionados ao contato entre as culturas brasileira e alemã e, principalmente, que indicam como é construída a cultura do imigrante alemão na Colônia de São Leopoldo. Por fim, a partir dos dados encontrados, foi realizada uma análise relacionando os elementos de ambas as obras que se aproximavam ou que divergiam. Desse modo, a partir dessa análise, verificou-se que, em ambas as obras, podem ser encontrados os cinco locais que constituem o movimento de migração, havendo, inclusive, aspectos semelhantes entre os romances. Com base na teoria pós-colonial, também se identificou, como ocorreu nas obras literárias o contato entre as culturas brasileira e alemã e, a partir das relações entre elas, como foi construída a cultura híbrida do colono alemão nos romances. / This thesis aims at analyzing how the German immigrant culture is made based on two books of current German Literature which approach Hunsrück emigration to Rio Grande do Sul. In order to make it possible, a brief revision of both German and Brazilian historical context was made related to the first half of the nineteenth century. Afterwards, the process of immigration was introduced from five places which represent this movement, from the moment of leaving the land to the arrival at the new place. Besides, based on a post-colonial perspective present in current literary theory, the research focused on highlighting the concepts of hybridization and Third Space related to culture contact and to the ensuing beginning of a hybrid culture. Then, after the presentation of the books Menschen im Aufbruch (1998) and Das Mädchen am Rio Paraíso (2010), selected as research corpus, the main elements which characterize the five places of the Romance of Migration and the elements which are connected to the German and Brazilian culture were identified. As a result, they indicate how the culture of the German immigrant is built at São Leopoldo Colony. Finally, based on the data found, an analysis of convergent and divergent elements in both novels was made. Therefore, from this analysis, it was observed that the five places which constitute the migration movement were found in both books. There are even similar aspects in the novels. The post-colonial theory helped highlight the contact between Brazilian and German cultures as presented in the literary books and, from these connections, how the hybrid culture of the German settler is built in the novels.

Keywords: regional literature, legends, autobiographical prose literature, fiction, short stories, novellas, literary creation, aesthetics of nature Abstract: The subject of this thesis is a life and writing of the Gustav Leutelt, one of the lesser known German writing authors of Bohemia from the turn of the 20th century. Special attention is paid on describing the Jizera Mountains that play a pivotal role in his creation. The first chapter formulates the subject matter and establishes the goals of the thesis. The second chapter takes a brief look at the Leutelt's life and his writing. The third chapter covers introduction of specific works from three main areas of his art, which were fictional prose, legends and natural works. The final chapter summarizes the results and insights of the thesis.

This thesis provides a study of book publishing as it contributes to the production of a regional literature, using Western Australian publishing and literature as illustrative examples of this dynamic. 'Regional literature' is defined in this thesis as writing possessing cultural value that is specific to a region, although the writing may also have national and international value. An awareness of geographically and culturally diverse regions within the framework of the nation is shown to be derived from representations of these regions and their associated regional characteristics in the movies, television and books. In Australia, literature has been the primary site for expressions of regional difference. Therefore, this thesis analyses the impact of regionalism on the processes of book production and publication in Western Australia’s three major publishing houses— a trade publishing house (Fremantle Press), an Indigenous publishing house (Magabala Books), and an academic publishing house (University of Western Australia Press). Book history, print culture studies and publishing studies, along with literary studies and cultural studies, roughly approximate a disciplinary map of the types of research that constitute this thesis. By examining regional literature in the context of its 'field of cultural production', this thesis maintains that regionalism and regional literature can avail themselves of a fresh perspective that shows them to be anything but marginal or exclusive. Regionalism has been a topic of peripheral interest, at least as far as scholarly research and academia are concerned, because those who are most likely to be affected by and thus interested in the topic, are also those who are most disempowered as a result of its attendant dynamics. However, as this thesis clearly demonstrates, access (or a lack thereof) to the field of cultural production (which in the case of print culture includes writers, literary agents, editors, publishers, government arts organisations, the media, schools, book clubs, and book retailers, just to name a few) plays a significant role in establishing and shaping an identity for marginalised 3 constituencies. The implications for this research are far-ranging, since both Western Australia and Australia can be understood as peripheries dominated in their different spheres (the 'national' and the 'international', respectively) by literary cultures residing elsewhere. Furthermore, there are parallels between this dynamic and the dynamic responsible for producing postcolonial literatures. The three publishing houses detailed in this thesis are disadvantaged by many of the factors associated with their distance from the traditional centres of book publishing, while at the same time producing a regional literature that serves as a platform from which the state broadcasts its distinctive contributions to the cultural landscape and to a wider understanding of concepts such as space, place and belonging. These publishing houses changed the way in which Australians and others have come to know and think about 'Australia', re-routing public consciousness and the national imagination.

Made available in DSpace on 2016-02-26T14:50:26Z (GMT). No. of bitstreams: 1 RobinsonSantosPinheiro.pdf: 1338472 bytes, checksum: fce6910515f319e304693bc86996ac98 (MD5) Previous issue date: 2010-03-29 / Since this dissertation aims at contributing to the enrichment of the geographical language, it presents references that help to think about the construction/invention/creation of the territorial identity of Mato Grosso do Sul by means of a dialogue with the regionalist literary language. To achieve such a proposal, we have chosen as a literary work the book of reminiscences A poeira da jornada: memórias, by Demosthenes Martins (1980), to be the basis of our analyses. The goal of this work is to understand the "reality" based on the way in which the individuals that live the processes of territorialization, deterritorialization and reterritorialization mean/re-mean their spatial experiences. During the memorialistic analysis, we used as our methodological reference the philosophical hermeneutics, the reception aesthetic and phenomenology. With this work, we demonstrated that the Sul-matogrossense territorial identity is derived from the articulation of social groups that struggle to achieve power hegemony (political, economic, etc.) over the articulations of the other groups. Therefore, it can be noticed that the territorial identity acquires two basic characteristics: partiality and transience. The territorial identity faces the continuous discussion of the different social articulations that through the most varied strategies, rival themselves during the process of sociabilization, resulting in having some groups succeeding and becoming powerful, hence seeking the invention of symbolic elements that represent their identity and that may be used as a territorial identity reference for the rest of the society that occupies a given territory. As a result, they eventually end up hiding different social groups, which do not identify with these privileged groups as being the self/typical of the now known Mato Grosso do Sul, because owing to the socio-territorial diversity, the hidden ones produce different meanings when they interact with spatiality / A presente dissertação, visando contribuir com o enriquecimento da linguagem geográfica, apresenta referenciais que auxiliam a pensar a construção/invenção/criação da identidade territorial sul-mato-grossense através do diálogo com a linguagem literária regionalista. Para a concretização de tal proposta, escolhemos como obra literária o livro de reminiscências Apoeira da jornada: memórias, de Demosthenes Martins (1980) para ser a base das nossas análises. O objetivo de tal trabalho consiste em compreender a realidade a partir das formas com que os indivíduos que vivenciam os processos de territorialização, desterritorialização e reterritorialização significam/ressignificam suas experiências espaciais. Durante a análise da obra memorialística, utilizamos como referência metodológica a hermenêutica filosófica, a estética da recepção e a fenomenologia. Com o presente trabalho, demonstramos que a identidade territorial sul-mato-grossense é fruto da articulação de grupos sociais que se debatem para conseguir a hegemonia do poder (político, econômico etc.) perante as demais articulações de outros grupos. Nesse sentido, perceber-se-á que a identidade territorial adquire duas características básicas: a da parcialidade e a da efemeridade. A identidade territorial faz frente ao contínuo embate das diferentes articulações sociais que, através das mais diversas estratégias, se rivalizam durante o processo de sociabilização, tendo, como resultado, o suceder de grupos que vão assumindo o poder , e buscando, assim, a invenção de elementos simbólicos que os representem identitariamente e que possam ser utilizados como referência identitária territorial para o restante da sociedade que ocupa determinado território. Como resultado, acabam por ocultar diferentes grupos sociais, sendo que estes grupos ocultados não se identificam com que esta camada de privilegiados qualificam enquanto o próprio/típico do hoje Mato Grosso do sul, pois, em decorrência da diversidade sócio-territorial, os sombreados produzem significados outros no seu interagir com a espacialidade

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Contemporary Canadian prairie women poets write about the mother figure to counter maternal suppression and the homogenization of maternal representations in literature. Critics, like Marianne Hirsch and Andrea O’Reilly, insist that mothers tell their own stories, yet many mothers are unable to. Daughter and mother stories, Jo Malin argues, overlap. The mother “becomes a subject, or rather an ‘intersubject’” in the text (2). Literary depictions of daughter-mother or mother-child intersubjectivities, however, are not confined to auto/biographical or fictional narratives. As a genre and potential site for representing maternal subjectivities, poetry continues to reside on the margins of motherhood studies and literary criticism. In the following chapters, I examine the writing strategies of selected poets and their representations of mothers specific to three transformative occasions: mourning mother-loss, becoming a mother, and reclaiming a maternal lineage. Several daughter-poets adapt the elegy to remember their deceased mothers and to maintain a connection with them. In accord with Tanis MacDonald and Priscila Uppal, these poets resist closure and interrogate the past. Moreover, they counter maternal absence and preserve her subjectivity in their texts. Similarly, a number of mother-poets begin constructing their mother-child (self-other) relationship prior to childbirth. Drawing on Lisa Guenther’s notions of “birth as a gift of the feminine other” and welcoming the stranger (49), as well as Emily Jeremiah’s link between “‘maternal’ mutuality” and writing and reading practices (“Trouble” 13), I investigate poetic strategies for negotiating and engaging with the “other,” the unborn/newborn and the reader. Other poets explore and interweave bits of stories, memories, dreams and inklings into their own motherlines, an identification with their matrilineage. Poetic discourse(s) reveal the limits of language, but also attest to the benefits of extra-linguistic qualities that poetry provides. The poets I study here make room for the interplay of language and what lies beyond language, engaging the reader and augmenting perceptions of the maternal subject. They offer new ways of signifying maternal subjectivities and relationships, and therefore contribute to the ongoing research into the ever-changing relations among maternal and cultural ideologies, mothering and feminisms, and regional women’s literatures. / May 2016