Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-08-26T15:15:08Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTAÇÃO- ANA CAROLINA FERREIRA DE SOUZA.pdf: 3141572 bytes, checksum: df6bde248395ce5f7aba51b140370426 (MD5) / Made available in DSpace on 2016-08-26T15:15:08Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTAÇÃO- ANA CAROLINA FERREIRA DE SOUZA.pdf: 3141572 bytes, checksum: df6bde248395ce5f7aba51b140370426 (MD5) Previous issue date: 2016-02-25 / CNPq / A recepção das mensagens midiáticas intriga pesquisadores desde os anos 20, quando as primeiras investigações foram esboçadas. Parte desse interesse recai nos estudos sobre a rememoração do conteúdo noticioso, que vem ganhando contornos variados e incorporando o conceito de esquema para a compreensão, principalmente, de quão acurada é a lembrança de determinado conteúdo. Muitos esforços foram feitos, mas ainda há uma lacuna referente as etapas do processo de rememoração integral, que compreende o que o sujeito é capaz de reconstruir em dado momento, valorizando as sucessivas transformações sofridas pelo conteúdo noticioso quando rememorado entre pares sociais. O presente estudo investiga microgeneticamente a rememoração de moradores da Região Metropolitana do Recife a respeito de uma matéria jornalística noticiosa local e para desenvolver a análise, parte de um caminho pouco explorado nesse campo de estudo, resgatando a proposta de memória reconstrutiva, que compreende a rememoração como um esforço para dar significado ao momento presente através da volta da pessoa que rememora aos seus próprios esquemas. Também filia-se à Psicologia Cultural Semiótica, campo de investigação interessado nos processos de construção de significados a partir da mediação semiótica. Participaram deste estudo 8 pessoas organizadas em duplas, que rememoraram de forma escrita e dialogada duas vezes o mesmo texto jornalístico. Como principais resultados, o estudo identificou a personalização das rememorações através das interligações de elementos oriundos da cultura pessoal e coletiva, compondo cenários de convencionalização e identificou que a rememoração da notícia envolvia dois níveis diferentes de mediadores, os quais foram chamados de Mediadores Primários e Mediadores Secundários, sugerindo uma organização hierárquica de mediadores socioculturais da memória. / The reception of media messages has intrigued researchers since the 20s, when the first investigations were outlined. Part of this interest lies in the study of the recall of the news content, which is gaining different contours and incorporating the concept of schemata for understanding, especially, how accurate the memory of a certain content is. Many efforts have been made, but there is still a gap regarding the stages of full recall process, which understands what the subject is able to reconstruct at any given time, valuing the successive transformations undergone by the news content when recollected among social peers. This microgenetic study investigated what the residents of the metropolitan area of Recife recalled of a news story and develops the analysis from a relatively unexplored path in this field of study, rescuing the proposal of reconstructive memory comprising the recall as an effort to give meaning to this moment through turning round upon one’s own schemata. We also join the Semiotic Cultural Psychology research field interested in the meaning construction processes arising from the semiotic mediation. The study included 8 people arranged in pairs, which remembered twice, through writing and dialogues, the same journalistic text. As main results, the study identified not only the personalization of recollections through the interconnections of elements that come from personal and collective culture, composing conventionalization scenarios but also found out that recalling the news involved two different levels of mediators, which we call Primary Mediators and Secondary Mediators, which suggests the existence of a hierarchical organization of sociocultural mediators of memory.

This study aims to investigate possible distinctions between professional and non-professional written travel texts all treating the same destination: the Norwegian ski resort Trysil. The study will investigate to what extent the different texts correlate with the genre of travel texts, as the travel texts are treated as personal narratives, and how they conform to a given structure for narratives and with guidelines for professional writers. Furthermore, the investigation aims to explore to what extent there are similarities and differences between the texts regarding the given structure. The texts will first be analysed and organized separately by macrorules and a news schema that are constructed specifically for these sorts of texts, in order to reveal their discourse structure, and then compared to each other. As the discourse structure of the different texts is revealed, it is seen that there are certain differences between the two different text types. Finally, seen that the text types differ in their structure, this study will show that despite the fact that journalists write stories, and that non-professional written stories are narratives, they do not share the same structure, and are constructed in different ways.

No description available.

Previous constructivist research was integrated with a field study to investigate the hypothesis that the subjective perceptions of the current social, security and economic situation of the high and low-income groups in South Africa differ to the extent that they could be said to be living in totally different worlds of phenomenological experience. The data demonstrated clear differences when coded in terms of worldviews along an Optimism-Pessimism Continuum. A number of additional processing phenomena and social dynamics able to influence these perceptions were also identified from an interpretative analysis of the data. The results were explained in terms of the cueing and activation of specific schemata constructed from income-related prior experiences associated with each group and led to the conclusion that income and living conditions could well be factors contributing to the ongoing confrontations between government and impoverished communities. A number of recommendations to improve inter-group relations were included. / Psychology / M.A. (Psychology)

Este trabalho aborda analiticamente o Trio em fá sustenido menor (1916) do compositor brasileiro Alberto Nepomuceno, com objetivo de constituir um estudo de caso que permita um melhor posicionamento da obra do compositor no período de transição entre o romantismo e o modernismo brasileiros. Ele levanta dados do contexto ideológico-musical no qual se insere a obra, em especial das noções francesas de progresso e suas consequências musicais no início do século XX. A pesquisa apresenta também os fundamentos teóricos de uma proposta analítica que visa incorporar à análise estrutural os desdobramentos do significado musical. Ela procura unir, por meio do conceito de multivalência, os estudos das tópicas, dos esquemas, da narratividade e da intertextualidade. O trabalho apresenta quatro análises multivalentes, uma para cada movimento da obra. Os resultados apontam para uma obra que se constitui em uma rede de símbolos musicais introversivos e extroversivos, que faz um equilíbrio entre a tradição formal e expressiva e o uso de novos materiais sonoros. / This work analyzes the Piano Trio in F sharp minor by the Brazilian composer Alberto Nepomuceno, aiming to constitute a case study that allows a better positioning of the composer\'s work in the period of transition between Brazilian romanticism and modernism. It raises data from the ideological-musical context in which the work is inserted, especially the French notions of progress and its musical consequences in the early twentieth century. The research also presents the theoretical foundations of an analytical proposal that aims to incorporate into the structural analysis the unfolding of musical meaning. It seeks to unite, through the concept of multivalence, the studies of topics, schemata, narrativity and intertextuality. The work presents four multivalent analysis, one for each movement of the work. The results point to a work that constitutes a network of introversive and extroversive musical symbols, which makes a balance between formal and expressive tradition and the use of new sound materials.

Este trabalho aborda analiticamente o Trio em fá sustenido menor (1916) do compositor brasileiro Alberto Nepomuceno, com objetivo de constituir um estudo de caso que permita um melhor posicionamento da obra do compositor no período de transição entre o romantismo e o modernismo brasileiros. Ele levanta dados do contexto ideológico-musical no qual se insere a obra, em especial das noções francesas de progresso e suas consequências musicais no início do século XX. A pesquisa apresenta também os fundamentos teóricos de uma proposta analítica que visa incorporar à análise estrutural os desdobramentos do significado musical. Ela procura unir, por meio do conceito de multivalência, os estudos das tópicas, dos esquemas, da narratividade e da intertextualidade. O trabalho apresenta quatro análises multivalentes, uma para cada movimento da obra. Os resultados apontam para uma obra que se constitui em uma rede de símbolos musicais introversivos e extroversivos, que faz um equilíbrio entre a tradição formal e expressiva e o uso de novos materiais sonoros. / This work analyzes the Piano Trio in F sharp minor by the Brazilian composer Alberto Nepomuceno, aiming to constitute a case study that allows a better positioning of the composer\'s work in the period of transition between Brazilian romanticism and modernism. It raises data from the ideological-musical context in which the work is inserted, especially the French notions of progress and its musical consequences in the early twentieth century. The research also presents the theoretical foundations of an analytical proposal that aims to incorporate into the structural analysis the unfolding of musical meaning. It seeks to unite, through the concept of multivalence, the studies of topics, schemata, narrativity and intertextuality. The work presents four multivalent analysis, one for each movement of the work. The results point to a work that constitutes a network of introversive and extroversive musical symbols, which makes a balance between formal and expressive tradition and the use of new sound materials.

A significant risk area for project sponsors is managing unplanned change. Theorists of organisational behaviour have attempted to understand the circumstances of how activity change occurs on projects and have identified the significant impact that time has on activity. This current research takes the study of cognition into the real world setting of project management at a level of analysis that is viable across diverse projects and industries to study project manager regulation of unplanned change. The project managers' cognitive representation of meaningful aspects of a project (their 'cognitive schemata'), which guides activity change during the project, was investigated and the effect of feedback evaluated in order to address the central research question of what triggers change on group projects. In the present research, leading edge projects from six major Australian industries (telecommunications, banking and insurance, information technology, railway signalling, inorganic chemistry and construction) were monitored at three key points through their lifecycle to understand how feedback impacts on project activity through the project manager’s cognition leading to change. Six key categories of feedback were identified, which potentially represented the foci of project-related schemata, within a project management mental model. These were validated as important indicators for project management performance by a panel of Australia's leading experts in project management. Sixteen project managers participated in the field study, with their verbal reports being collected through structured interviews (incorporating a 'laddered' interview technique), which were developed and piloted across diverse projects for this purpose. Interview data were coded for analysis in terms of sensitivity to each of the six feedback foci and one control category, for five types of feedback and five types of change. Reliability of the content coding was checked through independent coding and found to be high. The research investigation was conducted within a schematic information processing conceptual framework developed for application within the domain of project management. Strong evidence was found that linked key schemata to the hypothesized effects of feedback. Overall, the effects were found to be general across all industries, individuals and projects. A contrasting effect was observed for one type of feedback where schemata were poorly developed in inexpert project managers, which raised the issue of measurable differences in behaviour arising from project management competency. The findings of strong relationships between the variables led to the proposed model of project manager cognition, which reveals an underlying structure in the schemata between key areas of sensitivity to feedback and unplanned change. The model is proposed as underpinning observed behaviour in this and prior research and suggests a relationship between competency and change regulation.

Der Elektrik/Elektronik- und der IT-Anteil steigt derzeit in den aktuellen Premium -Fahrzeugen stetig an. Durch den Verbau von immer mehr (hochvernetzten) Steuergeräten im Fahrzeug wird versucht, dem Wunsch der Kunden nach mehr Funktionalität, Sicherheit, etc. gerecht zu werden. Aufgrund der Komplexität und der großen Entwicklungssprünge sind jedoch die neuen Steuergeräte meistens nicht mehr kompatibel mit den Vorgänger-Steuergeräten. Hier ist ein großes Einsparpotenzial vorhanden und dies ist auch der Ansatzpunkt des Forschungsthemas ”CompA“ (Compatibility Analysis of Electronic Control Units), das in diesem Dokument beschrieben wird. Im Rahmen dieses Forschungsthemas wird eine Methode definiert, mit der zwei Steuergeräte auf Rückwärtskompatibilität untersucht werden können. Der Ansatz baut auf drei Schwerpunkten auf: • Definition eines Spezifikationsansatzes zur hinreichenden Beschreibung von Steuergeräten auf Basis eines XML-Schemas. Es werden hierbei sowohl die statischen als auch die dynamischen Eigenschaften abgebildet. Dieser neuartige Spezifikationsansatz bildet die Basis für den nächsten Schwerpunkt. • Definition einer Methode zur Analyse von Rückwärtskompatibilität von Steuergeräten auf Basis eines XML-Schemas. Die Rückwärtskompatibilität zweier Steuergeräte bzw. Systeme wird auf Basis der zugehörigen XML-Dokumente analysiert. Kern der Vergleichsmethode ist hierbei ein effizientes Mapping der XML-Dokumente und ein Experten-Regelwerk. • Definition einer Methode zur Kompatibilitätsanalyse von Message Sequence Charts (MSC). MSCs werden eingesetzt, um dynamisches Verhalten an der Schnittstelle von Steuergeräten zu beschreiben. In diesem Dokument wird ein Ansatz definiert, mit dem MSCs zueinander auf Rückwärtskompatibilität geprüft werden können. Der Vergleich erfolgt auf Basis deterministischer Automaten. Des Weiteren wird im vorliegenden Dokument ein Konzept für eine graphische Benutzeroberfläche (GUI) vorgestellt, die zur Spezifikation von Steuergeräten geeignet ist und sich adaptiv unterschiedlichen Schemata anpasst. Alle vorgestellten Konzepte wurden in einem Software-Tool implementiert und die Gültigkeit an mehreren Beispielen validiert.

Previous constructivist research was integrated with a field study to investigate the hypothesis that the subjective perceptions of the current social, security and economic situation of the high and low-income groups in South Africa differ to the extent that they could be said to be living in totally different worlds of phenomenological experience. The data demonstrated clear differences when coded in terms of worldviews along an Optimism-Pessimism Continuum. A number of additional processing phenomena and social dynamics able to influence these perceptions were also identified from an interpretative analysis of the data. The results were explained in terms of the cueing and activation of specific schemata constructed from income-related prior experiences associated with each group and led to the conclusion that income and living conditions could well be factors contributing to the ongoing confrontations between government and impoverished communities. A number of recommendations to improve inter-group relations were included. / Psychology / M.A. (Psychology)

Singularité et bien d’expérience, le film est source de grands plaisirs et de nombreuses déceptions qui participent à la construction de la carrière cinématographique des spectateurs. Alors que l’industrie cinématographique cherche à satisfaire le goût du public, les recherches sociologiques et économiques sur le cinéma se sont peu intéressées à la construction de la satisfaction et insatisfaction dans le temps.Cette thèse se propose de montrer que le degré de satisfaction est le résultat d'un processus qui commence avant la projection et s'achève bien après celle-ci. C’est un parcours personnel et social qui conduit le spectateur à rencontrer trois oeuvres : le film attendu, le film interprété et le film-souvenir. Elle constitue une approche de la manière dont ces trois représentations mettent en jeu les schémas personnels du spectateur et les influences externes auxquelles il est soumis. Elle s’appuie sur une analyse théorique pluridisciplinaire ainsi que sur des cas pratiques construits à partir de données :- qualitatives (tirées de 22 séries de quatre entretiens rapportant l’opinion de spectateurs sur le film Solaris - de Steven Soderbergh – avant et après la projection),- quantitatives (à partir d’une base de données portant sur 577 films répartis sur 11 genres différents) / A movie is at once a work of experience and a singularity. It can be a source of pleasure or disappointment and such emotions are part and parcel of the spectator’s cinematographic journey. While the movie industry seeks to please the public, sociological and economic research have focused very little on the development of spectator satisfaction over time.This thesis aims at demonstrating that the degree of satisfaction is the result of a process that starts before the screening and ends well after it. This personal and social process leads the spectator to meet three representations: the expected movie, the interpreted movie and the souvenir-movie. We will thus carry out a theoretical multi-disciplinary analysis of the way in which these representations of film reflect on the spectator’s inner schemata and external influences, as well as a practical case study based on the following types of data:- qualitative (from 22 series of four interviews about the spectators’ opinions of Steven Soderbergh’s movie Solaris, before and after the screening),- quantitative (from a data base of 577 movies of 11 different genres)