Made available in DSpace on 2015-03-05T18:25:03Z (GMT). No. of bitstreams: 0 Previous issue date: 28 / Nenhuma / A pesquisa que toma forma nas páginas desta dissertação de mestrado problematiza o personagem nos filmes de documentário, tomando como objeto empírico o curta-metragem Kilmayr, de Marcio Schenatto. A dissertação, inserida na linha de pesquisa de Mídias e Processos Audiovisuais do Programa de Pós-graduação em Comunicação da UNISINOS e vinculada ao diretório de pesquisa CNPq Audiovisualidades, tem como objetivo geral verificar e compreender os modos de atualização do personagem no curta-metragem Kilmayr. Para tanto, os processos metodológicos adotados são relacionados às concepções de cartografia e rizoma, buscando sustentação em elaborações filosóficas contemporâneas, a fim de conceber o objeto de pesquisa a partir de conceitos da ordem das multiplicidades / This thesis is a research about character in documentary, considering it’s performance in the short-film Kilmayr. This work belongs to Audiovisual research line of Post Graduation in Communication by UNISINOS, this project has as the main objective verifying and comprehending the forms of actualization of the character in the short-film Kilmayr. The methodological processes of this research are taken in contemporary philosophy related to rizoma and cartographic theories operating the concept of multiplicity

This thesis will discuss the making of my short film The Water Clock at the University of New Orleans from its inception to its final short film form. Part One discusses the balancing of content and style and explores the relation between time and water as inspirations for story. Part Two details the preproduction process and major crew members’ collaborations and contributions before filming. Part Three describes daily successes, struggles, and direction while in production. Part Four describes every phase of the post-production process as the film is completed. Lastly, I will analyze my personal growth as a filmmaker.

This project is a creative production that combines image, sound, and narrative. It uses these elements to employ a twist as a device for a paradigm and genre shift in a short film text. My short film introduces a plot that is seemingly linear. Yet, the twist presents a piece of information that reveals the actual non-linear nature of the story, which in turn necessitates the re-interpretation of the plot. The aim of this project is to explore how a twist in a narrative-based short film can alter the cues and perceptions the audience receive from the plot. The project is predominantly practice-based (80%).

This thesis is focused on the worthwhile lessons learned while creating a short animated film. The conventional way of teaching related to practice is to have students work on projects and learn from their own experience. This thesis strives to save the reader some of the pain, time, and effort required of this learning style, by presenting the hard learned lessons from this project. An overview of the project is provided, along with a reconstructed time-line. Also, each member of the team recounted their own dilemmas and successes on the project, and proposed potential solutions to problems encountered along the way. The findings are presented in the spirit of a post-mortem analysis, which acts to collect the knowledge obtained by those involved with a project in order to increase productivity for the next time a similar task is attempted. The postmortem approach was found to be effective in identifying, illuminating, and articulating the lessons learned concerning general, practical, team-related and problem solving issues encountered while working on a short animated film.

This report will summarize the process of developing, producing and finishing the short film Ex-Votos. Shot on HD video in Real de Catorce, Mexico during the fall of 2012, the film was produced as my Graduate Thesis Film in the Department of Radio-TV-Film at the University of Texas at Austin in partial fulfillment of my Master of Fine Arts in Film Production degree. / text

This thesis report traces in detail all the phases of the short film Bye-Bye Blackbird, from its concept idea to its final completion. This report, along with the finished film, fulfills the Thesis requirements for the Master of Fine Arts degree in the Department of Radio-TV-Film at the University of Texas at Austin. / text

This report summarizes the process of writing, developing, directing and completing the short film In This Place. This film was produced as my graduate thesis film in the Department of Radio-Television-Film at the University of Texas at Austin in partial fulfillment of my Master of Fine Arts in Film Production degree. / text

Studijų metu gerai susipažinęs su dizaino sąvoka pastebėjau, kad ji apima įvairią kūrybą, gerokai daugiau nei iki tol įsivaizdavau. Anglakalbių šalių žodžio design supratimas dar gerokai platesnis. Ten grafikos dizaineris užsiima platesniu darbų spektru, kurį taip pat įvardija kaip design ar tai būtų logotipo kūrimas, ar interaktyvus skaitmeninis objektas. Bebaigdamas savo studijas pastebiu, kad didžioji dalis darbų buvo susietų su pramoniniu, interjero dizainu ir vienokia ar kitokia spauda. Dėl šios priežasties nusprendžiau savarankiškai gilinti dizaino įgūdžius, techninius gebėjimus platesniame kompiuterinių programų rate. Todėl bakalauro darbe, kurį įvardinau judančia grafika (angl. Motion graphics), pasitelkiau šiandien plačiai skaitmenine kūryba užsiimančių menininkų naudojamas programas. Motion graphics (judanti grafika) - tai grafika, kuriai pritaikoma video arba/ir animavimo technologija, sukurianti judesio iliuziją ar besikeičiančią objekto išvaizdą. Judanti grafika dažniausiai derinama su garsu naudojant įvairiuose multimedijos projektuose. Judanti grafika dažniausiai rodoma pasinaudojant elektroninės medijos technologijomis. Terminas naudojamas atskiriant nejudančią grafiką nuo grafikos keičiančios išvaizdą laike. Žinoma, mano dailės ir dizaino specialybė orientuota į mokytojo darbą, todėl filmuko kūrimas naudojant flash technologiją, video ir audio montavimo programas buvo puikus pasirinkimas tobulinant savo kaip dizaino specialisto gebėjimus. Taip pat plečiant... [toliau žr. visą tekstą] / For my bachelor degree work I created motion graphics short films which are suited to be shown at schools for children, as well the creation of them are written down in this work and can be used for school as a methodical instructions how these kind of films can be made. My work inspired by Ivan Krylov - a classic well known in the world Russian fables writer. This way my motion graphics films have a deep educational value. To create them I mainly used Adobe Photoshop, Adobe Flash, Sony Vegas and Audacity computer software. My work is great methodical instructions for young art and design teachers who want to teach their students how to use computer software basics for creative tasks. To create my motion graphics films I used computer software which is highly used by today's professional digital artists.

This project is a creative production that combines image, sound, and narrative. It uses these elements to employ a twist as a device for a paradigm and genre shift in a short film text. My short film introduces a plot that is seemingly linear. Yet, the twist presents a piece of information that reveals the actual non-linear nature of the story, which in turn necessitates the re-interpretation of the plot. The aim of this project is to explore how a twist in a narrative-based short film can alter the cues and perceptions the audience receive from the plot. The project is predominantly practice-based (80%).

This paper will investigate both modern and potential future methods of data collection and analysis. The research was conducted through qualitative research practices such as an autoethnographic recounting of a personal privacy scare on a mobile device, personal interviews regarding the individual’s own online data, and observed reactions to relevant instances regarding for instance surveillance apps. This research was done while considering a wide breadth of texts and articles relevant to the question of what things like dataveillance look like today, how they affect our lives and how they may take form in the future. This research finally culminates in the form of a short film in which these topics are framed in a speculative and somewhat more dystopian near future scenario