Abstract Drawing on the serious leisure perspective, social world theory, and social network analysis this thesis utilizes an exploratory methodology to develop a structural view of a social world network of 49 social actors comprised of the grassroots associations and the allied organisations expressly concerned with amateur artists in a regional Australian city. Semistructured interviews were conducted with spokespeople in leadership and management roles with the associations and organisations. The purpose of the interviews was to develop an understanding of the key attributes of the grassroots associations and the function of the allied commercial, cultural, and educational organisations, and to discover the patterns of links between these two types of social actors. In addition, the interviews explored the types of social world participation among the associational memberships; and the role, rewards, and costs experienced by the spokespeople who were fulfilling coordinating duties in the grassroots associations. The research found that associations of amateur artists were active in the local community coordinating their memberships, activities, and assets to provide calendars of events for the participants in a regional social world of the creative arts and that, the allied organisations provided complementary goods and services. Further, it emerged that links of varying intensity connecting the associations and organisations coalesced into a network. This comprised a cluster of social actors connected by their concern with actors, dancers, and musicians; a cluster of social actors connected by their concern with craft practitioners, community cultural development workers, visual artists, and writers; and of social actors with bilateral links connecting the two clusters. Also mixed serious leisure emerged as a significant mode of participation among the sample of grassroots association spokespeople who were interviewed and this was important to the sustainability of their associations over time. There are three major outcomes from the research. First, structural concepts from social network analysis in combination with social world theory developed into definition of a community level serious leisure network; second, this definition proved empirically viable in the research context, and third, a model to depict the phenomenon of a community level serious leisure network has emerged from the exploratory process. The findings have both theoretical and empirical implications. Theoretically, they assist research into the structure of community level leisure provision. The findings also encourage investigation of mixed serious leisure. Empirically, the application of network knowledge to improve community leisure resources can improve the outcomes for the social actors involved and the community in which they are embedded.

<p>The purpose of this qualitative study has been; how social bonds are interlaced between thesocial worlds contained within the analytical division of “outside Internet” and “withinInternet”. What happens with the social bond as the individual oscillate between this analyticbisection? This purpose raises important questions of the use of Internet in everyday life.</p><p>A new stance is taken toward studying the Internets integration into everyday life. The focusis adjusted to the importance of emotions. Emotions of pride and shame will be treated as thesignals of social bonds state and will indicate the resistance or openness of this integration.Goffmans theory on face-work will be used as a complement. A cognitive approach on socialbonds will assist the emotional approach. This is interwoven with a perspective forunderstanding Internet as a medium in form rather than only to focus on the “content”.</p><p>The conclusion consists of a required consistency between the quality of the social bond onthe Internet and outside the Internet. The fear of inconsistency had to do with a threat of lossof face, not to come in conflict with established norms from outside the Internet.Development of close and intimate social bonds on the Internet that didn’t have a counterpartor was in inconsistency with the social bond outside Internet, lead to shame that threatenedthe social bond. The integration of Internet in everyday life is therefore not accomplished.Still, a new generation with instant access to the Internet is to be primary socialized undernew conditions.</p>

<p>The purpose of this qualitative study has been; how social bonds are interlaced between the social worlds contained within the analytical division of “outside Internet” and “within Internet”. What happens with the social bond as the individual oscillate between this analytic bisection? This purpose raises important questions of the use of Internet in everyday life.</p><p>A new stance is taken toward studying the Internets integration into everyday life. The focus is adjusted to the importance of emotions. Emotions of pride and shame will be treated as the signals of social bonds state and will indicate the resistance or openness of this integration. Goffmans theory on face-work will be used as a complement. A cognitive approach on social bonds will assist the emotional approach. This is interwoven with a perspective for understanding Internet as a medium in form rather than only to focus on the “content”.</p><p>The conclusion consists of a required consistency between the quality of the social bond on the Internet and outside the Internet. The fear of inconsistency had to do with a threat of loss of face, not to come in conflict with established norms from outside the Internet. Development of close and intimate social bonds on the Internet that didn’t have a counterpart or was in inconsistency with the social bond outside Internet, lead to shame that threatened the social bond. The integration of Internet in everyday life is therefore not accomplished. Still, a new generation with instant access to the Internet is to be primary socialized under new conditions.</p>

The purpose of this qualitative study has been; how social bonds are interlaced between the social worlds contained within the analytical division of “outside Internet” and “within Internet”. What happens with the social bond as the individual oscillate between this analytic bisection? This purpose raises important questions of the use of Internet in everyday life. A new stance is taken toward studying the Internets integration into everyday life. The focus is adjusted to the importance of emotions. Emotions of pride and shame will be treated as the signals of social bonds state and will indicate the resistance or openness of this integration. Goffmans theory on face-work will be used as a complement. A cognitive approach on social bonds will assist the emotional approach. This is interwoven with a perspective for understanding Internet as a medium in form rather than only to focus on the “content”. The conclusion consists of a required consistency between the quality of the social bond on the Internet and outside the Internet. The fear of inconsistency had to do with a threat of loss of face, not to come in conflict with established norms from outside the Internet. Development of close and intimate social bonds on the Internet that didn’t have a counterpart or was in inconsistency with the social bond outside Internet, lead to shame that threatened the social bond. The integration of Internet in everyday life is therefore not accomplished. Still, a new generation with instant access to the Internet is to be primary socialized under new conditions.

The purpose of this qualitative study has been; how social bonds are interlaced between thesocial worlds contained within the analytical division of “outside Internet” and “withinInternet”. What happens with the social bond as the individual oscillate between this analyticbisection? This purpose raises important questions of the use of Internet in everyday life. A new stance is taken toward studying the Internets integration into everyday life. The focusis adjusted to the importance of emotions. Emotions of pride and shame will be treated as thesignals of social bonds state and will indicate the resistance or openness of this integration.Goffmans theory on face-work will be used as a complement. A cognitive approach on socialbonds will assist the emotional approach. This is interwoven with a perspective forunderstanding Internet as a medium in form rather than only to focus on the “content”. The conclusion consists of a required consistency between the quality of the social bond onthe Internet and outside the Internet. The fear of inconsistency had to do with a threat of lossof face, not to come in conflict with established norms from outside the Internet.Development of close and intimate social bonds on the Internet that didn’t have a counterpartor was in inconsistency with the social bond outside Internet, lead to shame that threatenedthe social bond. The integration of Internet in everyday life is therefore not accomplished.Still, a new generation with instant access to the Internet is to be primary socialized undernew conditions.

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Au Nouvel Empire (1539-1075 av. J.-C.), les scribes – « ceux qui écrivent » en égyptien – prennent le devant de la scène dans les sources littéraires. Ils construisent et promeuvent une image d’eux-mêmes, qui révèle l’existence d’une communauté et d’un « monde social » (A. Strauss), fondés non pas sur la classe mais sur l’appartenance à une profession. Parmi les textes consacrés au métier de scribe, les florilèges appelés « miscellanées » ou « Enseignement par lettres » constituent une sorte de vademecum de la production écrite de l’époque, qui accompagne le scribe dans sa carrière et jusque dans sa tombe. Ils fonctionnent comme des véritables machines à produire d’autres textes, quand les deux autres types d’enseignements de l’époque, « l’Enseignement pour délier l’esprit » (les onomastica) et les « Enseignements par exemples » (les sagesses) portent respectivement sur le savoir théorique et le savoir pratique. Les scribes braconnent dans les modes d’expression du sommet de la société pour développer leur code de valeurs, qui repose sur l’éducation, les compétences au travail et leur rôle de transmetteurs (et non pas de créateurs). Des structures sociales fondées sur les relations professionnelles plutôt que familiales sont mises en avant. L’émergence d’une telle conscience communautaire se fait dans les termes des mutations idéologiques en cours. Une place plus grande est accordée à l’individu dans la société en mettant de côté les autorités traditionnelles au profit d’une divinité personnelle toute puissante. Les scribes peuvent ainsi faire de l’écriture une pratique de piété placée sous l’égide de Thot – les écrits leur survivront après la mort et assureront leur postérité. Chaque manuscrit devient un possible monument funéraire à travers le colophon. Les scribes réinvestissent en outre les tombes traditionnelles qu’ils visitent, en y laissant, sous la forme de graffiti, des textes commémoratifs à leur bénéfice mais aussi des offrandes littéraires.Cette promotion du mot écrit par rapport au discours trouve un écho dans les biographies monumentales des très hauts dignitaires et témoigne d’une diffusion des idéaux lettrés à l’époque. / In the New Kingdom (c. 1539-1075 BC) scribes – ‘those who write in Egyptian’ – took a prominent role in literary texts. There they constructed and promoted a self-image, framing themselves as the members of a specific ‘social world’ defined by their profession rather than belonging to a social class.This period corresponds to the flourishing of sources dedicated to the scribal trade, especially the Late Egyptian Miscellanies aka ‘Teaching by letters’. These collections of small texts were scribal tools and a vademecum of the textual production of the time. Kept by the scribe throughout his career and accompanying him to his tomb, they were a device for producing other texts, while the two other types of teaching, ‘Teaching to clear the mind’ (onomastica) and ‘Teaching from examples’ (wisdom texts) dealt respectively with theoretical and practical knowledge.Scribes borrowed phraseology from the top-elite to develop their own code of values, which was based on education, craftsmanship and personal skills. Social structures dependent on professional relationships rather than family were promoted. The development of such a community feeling reflected changes of ideology in progress at the time. A new position was granted to the individual in society through the shift of allegiance from traditional authorities to a personal, almighty god. Thus scribes could turn writing into a pious practice under the aegis of Thot – texts and copies would survive them and grant them posterity. Each manuscript became a potential funerary monument through colophons and signatures. Furthermore, scribes used the decorum of traditional tombs where they left prayers and commemorations as graffiti to their own benefit along with literary offerings. This promotion of the written word over the spoken one is echoed in monumental biographies of the top-elite and bears witness to the diffusion of learned values during this period.

Cette thèse retrace la formation de deux mondes professionnels de la danse hip hop française, du soutien à sa reconnaissance artistique par des institutions et des politiques publiques au milieu des années 1980 à sa dualisation au sein de deux réseaux de production distincts observés au début des années 2000. Cette étude s’appuie sur l’analyse des carrières de plusieurs représentants des deux premières générations de danseurs hip hop français. Elle repose sur le recueil de documents d’archives, d’interviews de professionnels de la danse hip hop, sur l’analyse d’un corpus d’évènements diffusés en région parisienne de 2007 à 2012, sur des séances d’observations menées au cours de ces représentations et sur l’examen des chaînes de coopérations contribuant à leur réalisation. Ces données mettent en évidence les processus conduisant à la formation de deux modèles de professionnalisation et de reconnaissance du genre, défendant des conceptions différentes de la discipline : l’une fondée sur une danse hip hop de création bénéficiant d’une reconnaissance artistique institutionnelle, l’autre se référant à une danse hip hop de compétition se développant en marge des mondes de l’art et de toute reconnaissance officielle. Ces deux mondes se caractérisent dans leur capacité à incarner des voies d’insertion professionnelle pour les artistes et pour l’ensemble des individus dédiant leur activité à la production du genre. / This thesis explores the development of two professional worlds of French hip hop dance, from its initial public support and artistic recognition in the 1980s to its split into two distinct production networks in the 2000s. This study focuses on the analysis of the careers of the first two generations French hip hop dancers in order to understand how these two dance types were established. It is also based on a collection of archives and interviews of various hip hop professionals. Finally, this thesis also analyzes the development of various hip hop events in the Parisian region between 2007 and 2012, the collaboration required to produce them and several observations during these performances. The information thus acquired shows the processes leading to the formation of two models of professional French hip hop dance genres, and their recognition by distinct networks. These two types of French hip hop dance differ mainly in the aspect of the genre that they primarily based on: the first is a creative type of hip hop dance, recognized by the artistic community; the second is a competitive type of hip hop dance, developing behind the scenes of the art world, without any official recognition. These two worlds of French hip hop dance can therefore coexist, and provide professional opportunities for various artists and others who are active in the dance community.

Why do organizations adopt information systems? Is it just because of financial reasons, of concerns for efficiency? Or is it due to external pressures, such as competitor pressure, that an organization adopts an information system? And, how does the adoption take place? Is it a linear process, or is the process one of  conflicts? Does a specific person govern this process, or do we have multiple parties involved? What happens if these conflicts occur among those involved? How does the organization move on and achieve a successful information system adoption? By investigating two organizations, one international academic journal and one South American manufacturing company, this thesis aims to investigate the whys and hows of information system adoption, and aims to contribute to the discourse on information system adoptions in small organizations – an often underrepresented segment in information system adoption literature. By adopting different theoretical lenses throughout the five research papers included, this body of work suggests that even when seemingly simple, information system adoptions can become rather complex. The cases reveal that the role of information systems and issues related to information system adoptions are often not well thought-out in the early days of the organization. The actors’ understandings of adoption and consequences mature and the information systems become more intertwined. Common use of stakeholder theory introduces general stakeholders and their interaction with the focal organization. The cases reveal that the adoption process involves multiple actors, even within what would initially appear as a stakeholder, and that those actors can be in conflict with each other. These conflicts often lead to negotiations, and the cases reveal that these negotiations are opportunities of learning; the actors engage with the information system and with each other, gaining new knowledge about the issues at hand. The dissertation argues that there are various social worlds in information system adoptions, and various factors – ranging from organizational structure to social norms – that often affect why and how the organization undergoes an adoption process. The multiple power relations and divergent interests of stakeholders in these adoption processes, and how information systems affect other parts of the organization, reinforce the need for a well thought-out, flexible and reflexive approach to information system adoptions.

The aim of the essay is to investigate how the historical societal context is presented in curricula and textbooks. The studied material consists of the curricula Lpf 94 and Gy 11, and four textbooks on literature intended for teaching the subject of Swedish in upper secondary school. The literary eras that are studied are the Enlightenment and the Romantic period. The study of the textbooks proceeds from the analytical schema of the historian Niklas Ammert. Theories of literary and social conceptual worlds are applied to analyse the textbooks and a curriculum-theory perspective is used to analyse the steering documents.     The analysis shows that there is a greater focus on the relationship between literature and societal development in Gy 11 and that there are stricter learning requirements. One difference between the textbooks is the approach they have chosen to get at the historical societal context. Den levande litteraturen and Texter och tankar från antiken till 1900 do this chiefly through a type of presentation that uses explanations and sometimes simple statements of fact. Svenska impulser 2 establishes connections with the present day in a reflective way. Människans texter – litteraturen gives the biggest allround picture based on different societal contexts. This textbook is also the one that most clearly corresponds to the current subject plans for teaching Swedish.