This thesis studies identity among a group of Roman Catholic converts and accused heretics in Mexico City, called Crypto-Jews. The areas of identity that were examined in depth were, religious identity, gender identity, and racial identity. The records that exist for Crypto-Jews in Mexico City are limited but can be found among the records of the Holy Office of the Inquisition. In order to study the documents of the Office of the Inquisition in Mexico City, I had to travel to the University of California, Berkeley’s Bancroft Library. I was supported in this endeavor by the History Department at Utah State University during the Spring semester of 2017. While there, I found primary sources written by the Holy Office of the Inquisition that contained the Inquisition trial records of many accused Crypto-Jews. This thesis uses five Inquisition documents from the trials of Manuel de Lucena, Isabel de Carvajal, Leonor de Carvajal, Margarita Moreira, and Antonia Núñez. Other primary sources include a translated copy of Luis de Carvajal’s memoir. Through the study of these Inquisition documents, I have concluded that Crypto-Jewish identity was an amalgam of many cultural influences including Spanish, colonial, Roman Catholic, Jewish, and early medieval. The combination of these cultural influences was processed by Crypto-Jews to form a unique identity. This identity was specific to the people whose records I was able to study and is a unique contribution to the historical study of Crypto-Jews.

<p>This dissertation challenges depictions of witchcraft as a sensational or disruptive phenomenon, presenting witch beliefs instead as organically woven into everyday community life, religious beliefs, and village culture. It argues that witch beliefs were adaptive, normal, and rational in regions that never suffered convulsive witch persecutions. Furthermore, this dissertation, the first to work systematically through Spanish secular court witch trials, upends scholars’ views about the dominance of the Spanish Inquisition in witchcraft prosecutions. Through a serial study of secular court records, this dissertation reveals that the local court of Navarra poached dozens of witch trials from the Spanish Inquisition, and independently prosecuted over one hundred accused witches over one hundred-and-fifty years. These overlooked local sources document witch beliefs in far greater detail than Inquisition records and allow the first reconstruction of village-level witch beliefs in Spain. Drawing from historical, anthropological, and literary methods, this dissertation employs a transdisciplinary approach to examine the reports from villagers, parish priests, and jurists, produced under the specific local and older accusatorial judicial procedure. Free of the Inquisitorial filter that has dominated previous studies of Spanish witchcraft, these sources reveal the way villagers—not Inquisitors—conceived of, created, feared, and survived in a world with witches and sorceresses.</p><p>Using these local sources, this dissertation illuminates the complex social webs of witchcraft accusations, the pathways of village gossip, and the inner logic of witch beliefs. It reveals the central role of Catholic performativity and the grave consequences of being marked as a mala cristiana, the importance of fama and kin ties, and reveals the rationality of the curious and pervasive presence of the common toad (Bufo bufo) in Navarra’s witch trials. By moving away from the prevalent focus given to the more spectacular witch panics and trials, this work demonstrates the value of local trial records. This dissertation argues that far from irrational or absurd, witchcraft beliefs in early modern Navarra were internally coherent and intellectually informed by an amalgamation of religious, social, and legal forces.</p> / Dissertation

In 1492, the Catholic Monarchs Isabel and Ferdinand conquered Granada, the last Muslim Kingdom in Spain, issued the edict of expulsion of Jews and charged Christopher Columbus to find out a western route to Indies who by coincidence discovered America. These three momentous events led to construction of Spanish national unity and of the Spanish world empire. In this study, what we are looking for is the impact of the first two events, the conquest of Granada and the expulsion of the Jews, on the formation of the Spanish national unity and the Spanish nationhood vis-&agrave / -vis Jews and Muslims in its historical context. In this study, the concept of nation-building would be employed not in economic but in political, religious and cultural terms. This study, by using the historical analysis method, found that centuries-long Muslim and Jewish presence in Spain and the Spaniards&rsquo / fight for exterminating this religious, cultural and political pluralism led to the formation of unitary Catholic state and society in Spain in the period under consideration.

The main objective of this work, was to elaborate on the topic of Isabella I. of Castile. The main focus was an emphasis on historical facts, of which I derived from Czech and foreign literatures and historical compendiums. The first part describes the political and economic situation in the Ibe c y I b ' coronation. Further, I look at her biography with a focus on details that could testify about her character and personality. This section provides the basis and support for the second part of this thesis. Besides the historical books, I explore also studies in the field of psychology. In the second part I deal with the motives which led I b g g z d I' interested in her tendency to her fanatical behavior. The theme of the Spanish inquisition in this work occupies a marginal position. The whole work is written with the need to view Isabel from the most different ways. This is supported by typologies of her personality and her tendency to achieve her goals from her position. In conclusion, I summarize the thesis defense, which I had already set out in the introduction of this thesis. I wanted to defend this theory: "Isabela as the only one in the history of her family, was able to effectively complete the Reconquista. What helped her was - religious fanaticism, coupled with unusually strong internal...

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Cette thèse explore la caractérisation et le rôle du Juif dans l'un des textes antisémites les plus controversés du XVIIe siècle en Espagne : Centinela contra judíos (Sentinelle contre les Juifs), composée par le franciscain Fray Francisco de Torrejoncillo. Il a été largement lu à son époque et a été imprimé treize fois dans la péninsule ibérique, avec neuf éditions en espagnol et quatre en portugais entre 1674 et 1748. Cependant, la recherche sur la Sentinelle à ce jour a été très déficiente, car il n'y a pas d’édition du texte en espagnol, ni études critiques pertinentes du point de vue culturel et littéraire. Seul l'historien François Soyer a produit une analyse détaillée de la Sentinelle, qui contient également une traduction annotée du texte anglais. Cependant, sa décision d'écrire pour un public anglophone est un obstacle non négligeable pour le lecteur hispanophone, tout comme son approche éminemment historique laisse place à d'autres types de perspectives analytiques complémentaires. Grâce à la première transcription annotée de Centinela contra judíos en espagnol, notre travail offre aux lecteurs hispanophones une édition académique accessible, qui distingue pour la première fois clairement les textes des éditions madrilènes de 1674 (Julián de Paredes) et 1676 (Ioseph Fernández de Buendía), qui contiennent des différences notables non signalées auparavant par les critiques. Nous proposons également une analyse littéraire et culturelle de la Sentinelle, utilisant l'appareil de la tératologie afin d'identifier et de reconnaître son Juif comme un monstre plutôt qu'un être humain. Ce passage d'homme à bête a eu de graves conséquences pour les victimes de la campagne de répression religieuse menée par le Saint-Office, mais il a également touché les catholiques qui se sont vus dans le rôle de héros, contraints d'effacer toute trace de la culture hébraïque de son pays natal. Nous considérons la possibilité que l'expérience juive dans la péninsule ibérique soit, à un niveau plus fondamental, une histoire de monstres, et que la caractérisation du Juif dans la Sentinelle soit révélatrice d'une telle histoire. Dans le premier chapitre, nous présentons Torrejoncillo et son livre dans son contexte historique, ainsi que l'influence de l'antisémitisme en Espagne avant la publication de la Sentinelle et la structure de l'ouvrage lui-même. Le chapitre 2 explore les éléments centraux de la tératologie et de la monstruosité, que Torrejoncillo utilisera pour fabriquer son juif monstrueux. Basé sur des textes théoriques de Cohen, Kristeva et Befu, l'altérité, l'abjection, l'hybridité et l'évasion sont quelques-uns des concepts d'ancrage, chacun ayant un rôle unique et récurrent dans la construction des monstres de l'âge classique au 21e siècle. Enfin, au chapitre 3, nous appliquons ce qui a été élaboré sur le monstre et ses fondements culturels et théoriques à la figure juive de la Sentinelle. / This thesis explores the characterization and role of the Jew in one of the most polemical antisemitic texts from seventeenth-century Spain: the Centinela contra judíos, by the Franciscan friar Francisco de Torrejoncillo. This book was widely printed and read in its time, not only in the original Spanish but in Portuguese translation as well, with thirteen individual printings between 1674 and 1748. Nevertheless, scholarship on the Centinela has been severely lacking to date, with no modern academic version in Spanish of the text to speak of, and no literary criticism done on the book at all. Those who wish to read the Centinela itself will find only raw copies of the centuries-old originals, scanned in and uploaded to the National Library of Spain’s website, with none of the annotations, citations, and explanations necessary to understand it. Furthermore, just one researcher, François Soyer, has produced any detailed scholarly analysis of the Centinela at all, which includes a translation of the 1676 version into English with commentary and footnotes. However, the entirely historical focus of his work, combined with his choice to write for an anglophone readership, presents an obstacle for the Spanish-speaking reader, and indeed for bilingual readers more interested in approaching the Centinela from a literary perspective. By means of the first annotated transcription of the Centinela in modern standard Spanish, we now provide a scholarly text accessible to Spanish speakers who either cannot read Soyer’s English translation, or would prefer to read and analyze Fray Francisco’s book in the language that it was originally written in. We also provide literary criticism and analysis of the same, using a teratological approach based on the writings of Kristeva, Cohen, and Befu, that identifies the Jew in the Centinela as a monster instead of a human being. This change from person to beast carried grave consequences for both the victims of religious and ethnic oppression during the Inquisition and those who sought to remove all vestiges of Hebrew culture from the Spanish homeland. We consider the possibility that the Jewish experience in Spain is, at its heart, a history of and about monsters, and that the characterization of the Jew in Fray Francisco’s book is indicative of this history. The first chapter of three in our analysis presents the Centinela in its historical context, touching on Torrejoncillo’s contemporaries, the influence of antisemitism in Spain prior to the book’s publication, and the structure of the work itself. Chapter 2 explores historical and contemporary fundamentals of monster theory, the building blocks with which Torrejoncillo will build his monstrous Jew. Otherness, abjection, hybridity, and escapism are central concepts in this chapter, among several others, each having a unique yet recurring role in the construction of monsters from antiquity to the present time. Finally, in chapter 3, we apply what we now understand about the monster and its theoretical and cultural underpinnings to the Jewish figure in the Centinela.

An examination of Teresa of Avila and John of the Cross, applying modern theories of gender and sexuality to the textual analysis of a selection of primary written works and biographical works, in order to determine the roles that they play, not only in the case of these two saints of the Catholic Church, but also within the mystical tradition as a whole.