ROMÃO, Tito Lívio Cruz. O método de tradução de Friedrich Schleiermacher sob o olhar crítico de Johann Albrecht Karl Schäfer. 2013. 218 f. - Tese (Doutorado) - Universidade Federal de Santa Catarina, Curso de Pós Graduação em Estudos da Tradução, Santa Catarina, 2013. / Submitted by anizia almeida (aniziaalmeida80@gmail.com) on 2016-08-26T14:22:54Z No. of bitstreams: 1 2013_tese_tlcromão.pdf: 10047607 bytes, checksum: 2381992dc061eca12cdca39871f2a9c8 (MD5) / Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2016-09-06T16:13:31Z (GMT) No. of bitstreams: 1 2013_tese_tlcromão.pdf: 10047607 bytes, checksum: 2381992dc061eca12cdca39871f2a9c8 (MD5) / Made available in DSpace on 2016-09-06T16:13:31Z (GMT). No. of bitstreams: 1 2013_tese_tlcromão.pdf: 10047607 bytes, checksum: 2381992dc061eca12cdca39871f2a9c8 (MD5) Previous issue date: 2013 / The area of research of this thesis is translation of texts about translation theory with commentaries, and it is based on my own translation from German into Portuguese of the essay Ueber die Aufgabe des Uebersetzens by Johann Albrecht Karl Schäfer (1800-1862). The major purpose of this research is to discuss some relevant questions for the field of Translation Theory that arise from the comparison of Friedrich Schleiermacher‘s article On the Different Methods of Translation, initially presented as an academic conference in 1813, and Karl Schäfer‘s essay which was written 26 years later. My translation is preceded by a study on Karl Schäfer‘s biography and on the most important aspects of his work, and by an analysis of the central role of translation in the midst of the German speaking literary scene from German Baroque (around 1600) to Early Romanticism in Germany around 1800. Finally, I present the translation of Karl Schäfer‘s essay for the first time in Portuguese and the commentaries on the translation. / Esta tese insere-se na área de tradução comentada de textos sobre teoria da tradução e baseia-se na minha tradução para o português do ensaio Ueber die Aufgabe des Uebersezens, do autor alemão Johann Albrecht Karl Schäfer (1800-1862). O objetivo principal desta pesquisa é debater algumas questões relevantes para a Teoria da Tradução extraídas do ensaio Sobre os diferentes métodos de tradução, apresentado por Friedrich Daniel Ernst Schleiermacher, primeiramente em forma de conferência, no ano de 1813, visando a contrastá-las com os pensamentos de Karl Schäfer contidos em seu ensaio publicado 26 anos mais tarde. A tradução do ensaio de Karl Schäfer é precedida de um estudo sobre a biografia do autor e de uma análise sobre a importância da tradução para os escritores de língua alemã desde o Barroco Alemão (aprox. 1600) até o início do Romantismo Alemão por volta de 1800. Em seguida, apresento o ensaio de Karl Schäfer traduzido pela primeira vez em língua portuguesa, acompanhado dos respectivos comentários sobre a minha tradução.

Thesis (M.A. (African languages)) --University of Limpopo, 2009 / A critical analysis of the Revised National Curriculum Statement Grades R-9 (2002) and the Tshitatamennde tsho Sedzuluswaho tsha Kharikhulamu Gireidi R-9 (2002) has revealed that the role of equivalence in translation cannot be taken for granted. In the study, various types of translation equivalence, such as connotative, textual, dynamic and formal, are examined. The examination reveals that formal equivalence is the type of equivalence in which the source text has a corresponding word in the target language, whereas the dynamic equivalence occasionally translates texts out of context because it does not take into account the context of the text. The study also deals with translation methods such as word–for-word, idiomatic, semantic, and communicative. The role of equivalence in their use is examined. The study also reveals that some methods are not suitable because they distort the meaning, depending on the context of the text. The communicative method has been found to be the most suitable method in translation because it is the kind of method that fulfills the purpose of translation, which is communicative equivalence.This study also highlights the issue of technical translation in aspects such as assessment, learning areas, learning outcomes, and assessment standards. The analysis reveals that the translation of a technical term by another technical term has flaws, some of them are, namely, ambiguity and the distortion of information. The study also reveals that a technical term should be translated by a descriptive term.

Jacques Brault é um escritor canadense natural de Montréal, ainda pouco conhecido no Brasil e que não possui nenhuma obra traduzida na íntegra para o idioma português. Artista muito versátil e de múltiplas facetas, Brault atuou com romancista, poeta, crítico literário além de ter escrito diversas peças teatrais. Muito engajado social e culturalmente ele é reconhecido como o escritor vivo do Quebec com maior prestígio no meio literário. O objetivo desse trabalho é propor traduções de textos do livro Au fond du jardin accompagnements de Jacques Brault. Esse livro é considerado como um microcosmo do trabalho desse autor e oferece uma panorâmica visão de toda sua obra. Cada uma das traduções possui uma abertura, a tradução com suas respectivas notas e por fim um comentário ao texto traduzido. / Jacques Brault is Canadian writer of Montreal, still little known in Brazil and has no work completely translated into Portuguese. A very versatile and multifaceted artist, Brault has worked as a novelist, essayist, poet, literary critic and has written several plays. Very social and culturally engaged he is recognized as the most prestigious living writer of Quebec. The goal of this research is to offer translations of texts present in the book Au fond du jardin accompagnements from Jacques Brault. This book is considered as a microcosm of Brault´s production and offers a panoramic view of all his work. Significant aspects of his work were remarked along the research. The choice of texts to be translated was based upon those aspects. Each of the translations possesses a brief explanatory text, the translation with notes and, at the end, a commentary section of the translated text.

This thesis focuses on comparing two Czech translations of Klaus Mann's novel Mephisto. The first translation was issued in 1937, the second translation in 1962 and later re-issued in 1984, 1986, 2000, 2004 a 2008. After an introduction summarizing the author's life and the novel's troubled fate after World War II, the focus shifts to the selected Czech translation and their background. The attention is paid to their respective translators and first publishing houses. Subsequently, the translations are subjected to a descriptive analysis. Inspired by Katharina Reiß, we include both extra- and intra-linguistic phenomena, also using categories first introduced by Czechoslovak translation scholars Jiří Levý and Anton Popovič. The approaches of both Mephisto translators are not only compared, but also contextualized within the translation methods framework and its development in Czechoslovakia, especially the so-called Otokar Fischer's school. After presenting a selection of translation scholars' views on ageing translations, we debate if the analyzed translations are obsolete or not. Lastly, we take into account possible other (extra-linguistic/pragmatic) reasons for the publishing disproportion between the selected translations. Key words: Klaus Mann, Mephisto, comparing translations, translation...

Jacques Brault é um escritor canadense natural de Montréal, ainda pouco conhecido no Brasil e que não possui nenhuma obra traduzida na íntegra para o idioma português. Artista muito versátil e de múltiplas facetas, Brault atuou com romancista, poeta, crítico literário além de ter escrito diversas peças teatrais. Muito engajado social e culturalmente ele é reconhecido como o escritor vivo do Quebec com maior prestígio no meio literário. O objetivo desse trabalho é propor traduções de textos do livro Au fond du jardin accompagnements de Jacques Brault. Esse livro é considerado como um microcosmo do trabalho desse autor e oferece uma panorâmica visão de toda sua obra. Cada uma das traduções possui uma abertura, a tradução com suas respectivas notas e por fim um comentário ao texto traduzido. / Jacques Brault is Canadian writer of Montreal, still little known in Brazil and has no work completely translated into Portuguese. A very versatile and multifaceted artist, Brault has worked as a novelist, essayist, poet, literary critic and has written several plays. Very social and culturally engaged he is recognized as the most prestigious living writer of Quebec. The goal of this research is to offer translations of texts present in the book Au fond du jardin accompagnements from Jacques Brault. This book is considered as a microcosm of Brault´s production and offers a panoramic view of all his work. Significant aspects of his work were remarked along the research. The choice of texts to be translated was based upon those aspects. Each of the translations possesses a brief explanatory text, the translation with notes and, at the end, a commentary section of the translated text.

This thesis is focused on the linguistic and didactic interpretation of translation. Its objective is to introduce the reader to the issues of language-focused findings, which are reflected in translators' work and besides, to describe the situation of didactic contribution of translation in second language teaching. The work is divided ino two main parts. In the first one, there is translators' work and his competences being presented on the ground of chosen linguistic theories. These are further extended by a practical part of description and analysis of translation methods. The whole thesis is being closed by the second part which mediates the didactic point of view of the given issue. The basic overview facts of actual situation of the use of translation in modern language classes are summarized in here.

This thesis is focused on the linguistic and didactic interpretation of translation. Its objective is to introduce the reader to the issues of language-focused findings, which are reflected in translators' work and besides, to describe the situation of didactic contribution of translation in second language teaching. The work is divided ino two main parts. In the first one, there is translators' work and his competences being presented on the ground of chosen linguistic theories. These are further extended by a practical part of description and analysis of translation methods. The whole thesis is being closed by the second part which mediates the didactic point of view of the given issue. The basic overview facts of actual situation of the use of translation in modern language classes are summarized in here.

The present dissertation investigates literary translation from a cultural perspective by comparing the translation of culture-specific words and concepts in five different translations of the novel Ein weites Feld by Günter Grass. The translations were chosen to represent three ‘small’ (Swedish, Danish, Norwegian) and two ‘large’ (American English, French) languages and cultures, in order to find out whether these categories are characterized by different ‘foreignizing’ or ‘domesticating’ translation methods. The main purpose of the study is to present an empirical and descriptive analysis of the concrete difficulties and possibilities connected with the process of transferring culturespecific words and concepts taken from the geographical, historical, literary and everyday context of the original work. A further aim of the study is to undertake a comparison of theory and practice of translation with regard to culture and culturespecific words. The methodological framework is taken from the historically oriented ‘Transfer’ method of the Göttingen literary translation school, where deviations from original literary texts are not seen as ‘mistakes’ in the traditional linguistic sense but as differences caused by various historical and individual factors. Above all, this study aims to focus on the translations themselves, to investigate what different solutions to cultural translation problems can tell us about the meeting between the ‘Foreign’ and the world of the translators and their prospective readership. The study’s analyses demonstrate that culture-specific words and concepts in this material are translated in a broad variety of ways, which often differ from translation to translation and therefore cannot be classified into predictable categories of translation 'strategies’. A certain pattern could be detected as far as the translation of geographical place-names and similar concepts were concerned, where the Scandinavian translators tend to preserve the original words and concepts to a greater extent than the other translators. As a contrast, the American and French translators have preserved a large number of words connected to the ‘Third Reich’ in the original form, which raises questions about the way strategies of preserving the ‘Foreign’ in translations are connected with the picture of other cultures. However, the most conspicuous result of the investigation could be found within the category of the ‘pragmatic’ decisions (Chesterman), which differ considerably in all translations as far as explanations of culture-specific phenomena within the text itself are concerned. Thus five literary translations make five different variations of the same novel. The heterogeneous translation solutions further show that the theoretical approaches within translation theory are of only limited use for describing existing literary translations in an adequate way.

Актуальность данной работы состоит в том, что качество перевода причастий оказывает огромное влияние на впечатление читателя о тексте в целом и играет важную роль в его адекватном понимании, также состоит в отсутствии общепринятых способов перевода причастий и в наличии проблем, связанных с переводом причастий с русского языка на китайский в романе «Жизнь Арсеньева». Целью работы является исследование проблем в ходе перевода русских причастий на китайский язык, поиск вариантов перевода причастий с русского языка на китайский, а также формирование способов перевода. / The relevance of this work is that the quality of the translation of participles has a huge impact on the reader's impression of the text as a whole and plays an important role in its adequate understanding, also consists in the lack of generally accepted methods of translating participles and in the presence of problems associated with the translation of participles from Russian into Chinese in the novel "The Life of Arsenyev". The aim of this work is to study the problems in the process of translating Russian participles into Chinese, to search for variants of translating participles from Russian into Chinese, as well as to form translation methods.

[ES] El despegue de la traducción audiovisual (TAV) tuvo lugar dentro del mundo académico con la aparición de una edición de la revista Babel dedicada a la traducción del cine en 1960. Desde entonces, esta variedad de traducción se va adquiriendo una innegable pujanza. A partir de los años ochenta, los traductólogos coinciden en dar prioridad al aspecto comunicativo intercultural de la traducción. A principios de los noventa, se puso en marcha una perspectiva culturalista de la traducción denominada cultural turn o giro cultural de traducción. Durante el siglo XXI, la traducción audiovisual (TAV) ha alcanzado su máximo desarrollo experimentando cambios significativos gracias a los grandes avances tecnológicos y la eclosión de nuevas formas de difusión audiovisual. A partir del último tercio de la década de los años noventa, esta área de estudio ha visto un desarrollo vertiginoso en los círculos académicos. Sin embargo, los estudios dedicados a analizar la traducción de textos audiovisuales del árabe al español presentan un campo bastante escaso. Con el presente trabajo de investigación, pretendemos abrir el camino para llenar un vacío en tales estudios. Partimos de un marco metodológico descriptivo basado en el modelo de análisis elaborado por Martí Ferriol (2006) que consta de tres parámetros de análisis: las restricciones, las normas y las técnicas de la traducción audiovisual para facilitar la posterior identificación del método de traducción para la variedad audiovisual. El objetivo principal de esta tesis consiste en verificar si las tipologías de estrategias traductoras existentes, y tradicionalmente basadas en combinaciones de idiomas con el inglés son aplicables para analizar la TAV para el caso concreto de la combinación lingüística árabe - español. Para ello se realizó un análisis exhaustivo del tratamiento de los términos culturales presentes en dos películas egipcias subtituladas en español dirigidas por Youssef Chahine Estación Central (Bāb al-ḥadīd) (1958) y La tierra (Al-ʼrd) (1969). La elección estuvo condicionada por razonas traductológicas y cinematográficas. La profusión de términos culturales presentes, las marcas de oralidad que el traductor ha de solventar en el proceso traductor y la distancia cultural entre las culturas origen y meta suponían un gran desafío para el traductor. Desde el punto de vista cinematográfico, el director Youssef Chahine se desmarcaba del resto con una identidad cinematográfica propia y las películas, objeto de estudio, recibieron el reconocimiento de la crítica nacional e internacional, siendo seleccionadas en la lista de las mejores películas realizadas en la historia cinematográfica árabe. / [CA] L'enlairament de la traducció audiovisual (TAV) va tenir lloc dins del món acadèmic amb l'aparició d'una edició de la revista Babel dedicada a la traducció del cinema en 1960. Des de llavors, aquesta varietat de traducció es va adquirint una innegable puixança. A partir dels anys vuitanta, els traductòlegs coincideixen a donar prioritat a l'aspecte comunicatiu intercultural de la traducció. A principis dels noranta, es va posar en marxa una perspectiva culturalista de la traducció denominada cultural turn o gir cultural de traducció. Durant el segle XXI, la traducció audiovisual (TAV) ha aconseguit el seu màxim desenvolupament experimentant canvis significatius gràcies als grans avanços tecnològics i l'eclosió de noves formes de difusió audiovisual. A partir de l'últim terç de la dècada dels anys noranta, aquesta àrea d'estudi ha vist un desenvolupament vertiginós en els cercles acadèmics. No obstant això, els estudis dedicats a analitzar la traducció de textos audiovisuals de l'àrab a l'espanyol presenten un camp bastant escàs. Amb el present treball de recerca, pretenem obrir el camí per a omplir un buit en tals estudis. Partim d'un marc metodològic descriptiu basat en el model d'anàlisi elaborada per Martí Ferriol (2006) que consta de tres paràmetres d'anàlisis: les restriccions, les normes i les tècniques de la traducció audiovisual per a facilitar la posterior identificació del mètode de traducció per a la varietat audiovisual. L'objectiu principal d'aquesta tesi consisteix a verificar si les tipologies d'estratègies traductores existents, i tradicionalment basades en combinacions d'idiomes amb l'anglès són aplicables per a analitzar la TAV per al cas concret de la combinació lingüística àrab - espanyol. Per a això es va realitzar una anàlisi exhaustiva del tractament dels termes culturals presents en dues pel¿lícules egípcies subtitulades en espanyol dirigides per Youssef Chahine Estació Central (Bāb al-ḥadīd)) (1958) i La terra (Al-ʼrd) (1969). L'elecció va estar condicionada per raons traductològiques i cinematogràfiques. La profusió de termes culturals presents, les marques d'oralitat que el traductor ha de solucionar en el procés traductor i la distància cultural entre les cultures origen i meta suposaven un gran desafiament per al traductor. Des del punt de vista cinematogràfic, el director Youssef Chahine es desmarcava de la resta amb una identitat cinematogràfica pròpia i les pel¿lícules, objecte d'estudi, van rebre el reconeixement de la crítica nacional i internacional, sent seleccionades en la llista de les millors pel¿lícules realitzades en la història cinematogràfica àrab. / [EN] The advent of audiovisual translation (AVT) took place within the academic world with the publication of a special edition of the scholarly journal Babel in 1960 which was devoted to cinematographic translation. Since then, this field of translation has been growing rapidly. Since the 1980s, Translation Studies agreed to give priority to the intercultural communication aspect of translation by going beyond the translation's purview of transferring texts or languages to transferring cultures. A cultural approach to the study of translation or "cultural turn" was launched in the early 1990s. During the 21st century, the AVT has reached its maximum development undergoing significant changes thanks to the great technological advances and the emergence of new forms of audiovisual dissemination. Since the late 1990s, this area of study has experienced a remarkable development in academic circles. However, the studies dedicated to analyze the translation of audiovisual texts from Arabic to Spanish remain a limited field research. The present dissertation is an attempt to open the way to fill a gap in such studies. The methodological descriptive framework adopted in the present dissertation is based on the analysis model developed by Martí Ferriol (2006) which consists of three parameters: restrictions, norms and techniques of AVT to facilitate the subsequent identification of the translation method adopted by the subtitling versions. The main aim of this thesis is to verify whether the existing typologies of translation strategies, and traditionally based on language combinations with English, are applicable to analyze AVT for the specific case of the Arabic - Spanish language combination. In order to accomplish our aim of study, we carried out an exhaustive analysis of the treatment of the cultural terms in two Egyptian films subtitled in Spanish directed by Youssef Chahine Central Station (Bāb al-ḥadīd) (1958) and The land (Al-ʼrd) (1969). We chose our corpus on translation and cinematographic basis. The abundance of cultural terms in the selected corpus, the characteristics of verbal communication and the cultural distance between the origin and target cultures posed a great challenge for the translator. From the cinematographic point of view, the director Youssef Chahine stood out from the rest with his own cinematographic identity and the films, object of study, received the recognition of national and international critics, being selected in the list of the best films made in the Arab cinematographic history. / Abdallah Mohamed Abdelrahman Moussa, N. (2020). Análisis traductológico de los términos culturales en la subtitulación árabe-español [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/159276