Submitted by admin tede (tede@pucgoias.edu.br) on 2017-08-10T14:12:52Z No. of bitstreams: 1 JUSCELINO ALVES DE OLIVEIRA.pdf: 2333545 bytes, checksum: 74ee9e4ede0d0c3dea65408e2a972320 (MD5) / Made available in DSpace on 2017-08-10T14:12:52Z (GMT). No. of bitstreams: 1 JUSCELINO ALVES DE OLIVEIRA.pdf: 2333545 bytes, checksum: 74ee9e4ede0d0c3dea65408e2a972320 (MD5) Previous issue date: 2017-05-05 / This research divide itself into three parts, is focused on analyzes and reflections on Itamar Pires Ribeiro's lyric, especially in poems from two of his books, “Das Palavras” and “A Arte de Pintar Elefantes”, both published in 2000, with the aim of developing studies on the artist's poetic imagery. We had the specific intention of analyzing the relation of the poet and his creation, the very matter of his production. “As Palavras” ("The Words"), “Água” ("Water"), "Pantera", “Canção do Amor Irônico” ("Song of Ironic Love"), “Paixão” ("Passion") and “Vinho” ("Wine") are among the analyzed poems, exemplifying the arduous poetic exercise, its muses, its images. The main methodology used was the bibliographical research, through the approach of concepts and analyzes on the poetic text, involving Gilbert Durand's theories about the imaginary’s anthropological structures. Other theorists such as Susanne K. Langer and Octavio Paz were also approached in our study, which had its first part a panoramic look at the artistic whole of the poetic work of Ribeiro; In the second part, we analyze the selected poems with the theoretical lens of Durand and others; In the third, we try to show some elements visualized by us in the poetic work of the author. There is also an attached interview with the author, where he talks about his artistic work, the relationship between the lived time and his creation, his muses, his creative methods, and other questions. We hope that this work may contribute to the development of new studies on the poetry of Itamar Pires Ribeiro that show the relevance of this poet's work. / Esta pesquisa se divide em três partes e está focada em análises e reflexões sobre a lírica de Itamar Pires Ribeiro, especialmente em poemas de dois de seus livros, Das Palavras e A Arte de Pintar Elefantes, ambas publicadas em 2000, com o objetivo de desenvolver estudos sobre o imaginário poético do artista. Tivemos a intenção específica de analisar a relação do poeta e sua criação, a matéria mesma de sua produção. “As Palavras”, “Água”, “Pantera”, "Canção do Amor Irônico”, “Paixão” e “Vinho" estão entre os poemas analisados, exemplificando o árduo exercício poético, suas musas, suas imagens. A principal metodologia utilizada foi a pesquisa bibliográfica, pela abordagem de conceitos e análises sobre o texto poético, envolvendo principalmente teorias de Gilbert Durand acerca das estruturas antropológicas do imaginário. Outros teóricos como Susanne K. Langer e Octavio Paz também foram abordados em nosso estudo, que teve uma sua primeira parte um olhar panorâmico sobre o todo artístico da obra poética ribeiriana; na segunda parte, analisamos os poemas selecionados com a lente teórica de Durand e outros; na terceira, procuramos mostrar alguns elementos visualizados por nós na obra poética do autor em tela. Há ainda, em anexo, uma entrevista com o autor, onde ele fala sobre seu fazer artístico, a relação entre o tempo vivido e sua criação, suas musas, seus métodos criacionais, além de outras questões. Espera-se que este trabalho possa contribuir para o desenvolvimento de novos estudos sobre a poesia de Itamar Pires Ribeiro que mostrem a relevância da obra desse poeta.

CoordenaÃÃo de AperfeÃoamento de Pessoal de NÃvel Superior / O seguinte documento visa descrever e analisar as relaÃÃes entre auxiliares de perÃcia e mÃdicos-legistas bem como as suas concepÃÃes acerca da morte e do morto â elementos que sÃo rotina em sua profissÃo. A pesquisa foi realizada tendo como locus o NUTAF â NÃcleo de Tanatologia Forense, um setor da Coordenadoria de Medicina Legal da PEFOCE â PerÃcia Forense do Estado do Cearà localizada na Avenida Castelo Branco nÂ901 no Bairro Moura Brasil. Discuto as maneiras de como essa âmorte cotidianaâ apresenta-se no espaÃo estudado, bem como os olhares destes profissionais que apreendem o cadÃver como sendo uma âcoisaâ e as implicaÃÃes desta categoria quando aplicada aos mortos. / The following paper aims to describe and analyze the relationship between expertise and coroners aids as well as his views about death and the dead - elements that are routine in their profession. The survey was conducted as having locus the NUTAF - Center for Forensic Thanatology a Coordination sector of Legal Medicine of PEFOCE - Cearà State Forensics located at Avenida Castelo Branco 901 in the neighborhood Moura Brazil. Discuss ways of how this "daily death" presents the study space as well as the looks of these professionals perceive the body as a "thing" and the implications of this category when applied to the dead.

A presente tese tem como intuito inicial investigar as asserções aparentemente conflituosas que Kant faz sobre as coisas em si mesmas, ora em sentido estritamente negativo, como a representação problemática de algo completamente indeterminado, ora em sentido positivo como fundamento ou causa dos fenômenos. Partindo de interpretações que compreendem esse conflito entre asserções sobre as coisas em si mesmas como tendo sua origem nos dois problemas que a filosofia crítica procura solucionar a possibilidade do conhecimento especulativo e a fundamentação da moral , procura-se reconstruir, num primeiro momento, o vínculo entre a crítica da razão e os diferentes modos de representação das coisas em si mesmas. Argumentamos que a diferenciação da faculdade racional em duas atividades ou espontaneidades, entendimento e razão, que são expostas pela crítica como produtoras de conceitos e legislações distintas, exige duas maneiras de formular, criticamente, o conceito de númeno. A primeira formulação é feita pelo entendimento mediante a abstração das condições sensíveis de aplicação das categorias, dada sua originariedade em relação à sensibilidade. Este conceito tem de permanecer, contudo, em um sentido estritamente negativo e problemático, visto as categorias consistirem apenas em funções de síntese de representações sensíveis e estarem limitadas, por isso, a um uso empírico. A segunda formulação é feita, em contrapartida, pelas idéias da razão, que pressupõem um prolongamento da síntese pensada nas categorias até o incondicionado. Ainda que envolva uma aparência transcendental essas idéias se fazem necessárias, principalmente, em vista do uso prático da razão. Num segundo momento, porém, voltando nossa atenção ao esforço de Kant em articular sistematicamente esses diferentes modos de representação das coisas em si mesmas no interior da filosofia crítica, procuramos mostrar como a elaboração do conceito de autonomia na passagem para o uso prático, possibilita uma maneira de operar com a aparência transcendental presente nas ideias, sem violar a limitação das categorias ao uso empírico. Nesse sentido, explicitamos como a crítica da razão em seu uso prático desvela um novo caminho para a faculdade de julgar, em que lhe é permitido aplicar legitimamente a categoria de causalidade com referência aos númenos. / The initial aim of this thesis is to investigate the apparently conflicting claims that Kant makes about the things in themselves, sometimes in a strictly negative sense, as a problematic representation of something completely undetermined, sometimes in a positive sense as the ground or the cause of the appearances. Starting with interpretations that understand this conflict between the claims about things in themselves as having its origin in two problems that the critical philosophy aims to solve the possibility of speculative knowledge and the moral foundation our first task is to reconstruct the link between the critique of reason and the different ways of representing things in themselves. We argue that the differentiation of the rational faculty in two activities or spontaneities understanding and reason which are presented by the critical view as producers of distinct concepts and laws, requires two ways to critically formulate the concept of noumenon. The first formulation is made by the understanding by abstraction of sensible conditions of application of the categories, given its originality in relation to sensibility. This concept must remain, however, in a strictly negative and problematic sense, since the categories consist only in synthetic functions of sensible representations and thus are limited to the empirical use. The second formulation, on the other hand, is made by the ideas of reason, which require an extension of the synthesis thought in the categories up to the unconditioned. Those ideas are needed especially in view of the practical use of reason, despite the fact they involve a \"transcendental appearance\". Turning our attention to Kant\'s effort to systematically articulate these different modes of representation of things in themselves within the critical philosophy, the second task of the thesis is to show how the concept of autonomy elaborated in the transition to practical use, provides a way to work with the transcendental appearance present in the ideas, without violating the limitation of the categories to empirical use. In this sense, we elucidate how the critique of reason in its practical use reveals a new path for the faculty of judgment, in which it is legitimately allowed to apply the category of causality with reference to noumena.

La critique de la romancière américaine Amy Tan se concentre principalement sur la dimension humaine de ses romans, négligeant la dimension matérielle de l’existence qui occupe une place prépondérante dans ses romans. Sous l’influence d’une conception anthropocentrique qui privilégie l’être humain ou le sujet, la critique s’est concentrée essentiellement sur la relation mère / fille, sur l’importance du langage et de la mémoire et sur les conflits entre les cultures chinoise et américaine. Néanmoins, dans le contexte de ce qu’il est convenu d’appeler le “retour aux choses” et l’accent nouveau mis sur le “non humain”, mouvement qui s’est mis en place dans la critique des années 1990, je porte mon attention sur les choses, plus particulièrement sur les interactions entre humains et non-humains dans ses romans. Sous la double influence des cultures chinoise et américaine, Tan dépasse l’opposition binaire, qui caractérise la tradition occidentale, selon laquelle le sujet est supérieur à l’objet. Les humains et les non-humains ainsi que les entités naturelles et spirituelles sont tous des choses-Qi dans l’univers textuel. En mettant en dialogue la réflexion occidentale contemporaine sur les choses avec les philosophies chinoises, notamment le taoïsme, cette thèse examine les caractéristiques des choses-Qi et leurs interactions de nature à provoquer un retour écologique à l’harmonie entre les humains et les non-humains, entre le microcosme et le macrocosme dans l’ordre textuel. / Comments on Amy Tan's novels mainly focus on what we associate with human culture, ignoring the material dimensions of existence that figure prominently in her novels. Influenced by the anthropocentric idea that the human being/the subject is superior to things/the object, critics mainly focus on the mother-daughter relation, the importance of language and memory and the conflicts of Chinese and American culture. However, in the context of the so-called “return to things,” “back to things,” and “turn to the non-human” which has become visible in the humanities since the 1990s, I concentrate on things, specifically on the interactions between humans and nonhumans in her novels. Under the influence of both American and Chinese culture, Tan breaks with the western tradition of binary opposition in which the subject is superior to the object. Qi-things include natural and man-made things, human beings, and even spiritual things and things in the textual world. Bringing the twenty-first century western revision of things into dialogue with Chinese philosophies, especially Taoism, this dissertation discusses the traits of Qi-things and how they interact with each other to foster an ecological return to harmony within the textual world that reconciles humans and non-humans, microcosm and macrocosm.

The Institute of Medicine's report in 2000, To Err Is Human: Building a Safer Health System, highlighted the seriousness of medical errors in the U.S. health care system. The unintentional retention of foreign objects in surgical patients is one of those errors. At the time of this study, there was no standardized counting policy and process across operating rooms in the United States. The purpose of this project was to develop a best practice educational counting program to help prevent the unintentional retention of foreign objects in surgical patients. The Logic Model was used to guide the design of the educational program and expected learning outcomes. A draft of the educational program was distributed to 10 perioperative stakeholders for an initial formative review. Changes were incorporated into the program and it was distributed to 6 perioperative experts for an additional summative assessment and content validation utilizing the AGREE II Instrument. The overall quality evaluation of the educational program was 85%, indicating that it was of high quality. Four of the respondents recommended the educational program for implementation without any changes and 2 recommended it for implementation with some minor modifications related to rewording of one question in the pretest-posttest. There were no recommended modifications in the content of the educational program. As a result, the project was recommended for adoption as a best practices-based educational program to prevent the unintentional retention of foreign objects in surgical patients. The study promotes positive social change by providing suggestions to improve the provision of safe care to surgical patients and decrease health care costs.

<p>I två analyser av filmerna; <em>Do The Right Thing</em> av Spike Lee (1989) och <em>Hemligheter och lögner</em> av Mike Leigh (1996), har jag undersökt  hur och varför samhällsproblematik  som berör klass- och rasfrågan presenteras på film utifrån hur cultural studies teoretiskt förhåller sig till problematiska relationer mellan kulturella identiteter i USA och Storbritannien. Jag kom fram till att identifikationen av den kulturella identiteten var olika i respektive länder; USA och Storbritannien. I USA var rastillhörigheten utgångspunkten för den kulturella identiteten och i Storbritannien var det klasstillhörigheten utgångspunkten för den kulturella identiteten.</p>

I två analyser av filmerna; Do The Right Thing av Spike Lee (1989) och Hemligheter och lögner av Mike Leigh (1996), har jag undersökt  hur och varför samhällsproblematik  som berör klass- och rasfrågan presenteras på film utifrån hur cultural studies teoretiskt förhåller sig till problematiska relationer mellan kulturella identiteter i USA och Storbritannien. Jag kom fram till att identifikationen av den kulturella identiteten var olika i respektive länder; USA och Storbritannien. I USA var rastillhörigheten utgångspunkten för den kulturella identiteten och i Storbritannien var det klasstillhörigheten utgångspunkten för den kulturella identiteten.

Dans ce mémoire, nous nous proposons de montrer que le concept kantien de chose en soi est à la fois un concept métaphysique et un concept critique. En ce sens, la chose en soi doit être comprise comme un objet transcendantal réel qui existe à titre de cause des phénomènes. Si, contrairement à ce que soutenaient F.H. Jacobi (1787) et G.E. Schulze (1791), cela ne suppose pas de sortir du criticisme, c'est qu'une telle affirmation prend la forme d'une connaissance analogique qui respecte les limites de la connaissance humaine. De fait, la connaissance analogique permet de pointer en direction de quelque chose dont la nature (Beschaffenheit) peut demeurer problématique, tout en permettant d'affirmer son existence (Dasein). Nous serons dès lors conduite à montrer que la Critique de la raison pure fournit bel et bien les outils nécessaires permettant de rendre compte de l’existence des choses en soi à titre de causes des phénomènes. / In the following thesis, we will claim that Kant’s concept of a thing-in-itself is both a metaphysical and a critical concept. Accordingly, the thing-in-itself must be understood as a real transcendental object that grounds phenomena. Thus, we maintain – contrary to F.H. Jacobi’s (1787) and G.E. Schulze’s (1791) harsh objections – that this assertion does not violate the structures of critical philosophy. Indeed, this particular claim is arrived at through analogical cognition, which does not transgress the boundaries of human knowledge: as a matter of fact, analogical cognition allows us to point towards and assert the existence (Dasein) of something the nature (Beschaffenheit) of which may remain problematic. Thus, we believe that Kant’s metaphysical commitment with regard to the existence of the thing-in-itself as ground of phenomena can be fully justified within the Critique of Pure Reason.

abstract: Hollywood's portrayal of African American men was replete with negative stereotypes before Shelton Jackson Lee, commonly known as Spike Lee, emerged as one of the most creative and provocative filmmakers of our time. Lee has used his films to perform a corrective history of images of black men, by referencing African American male icons in his narrative works. This strategy was evident in his third feature film, Do the Right Thing (1989). Baseball great Jackie Robinson, and freedom fighters, Martin Luther King, Jr. and Malcolm X, were the black male icons featured prominently in the film. The Brooklyn-raised filmmaker's film journals, published interviews, and companion books, have provided insight into his thoughts, motivations, and inspirations, as he detailed the impact of the black male historical figures he profiles in Do the Right Thing (1989), on his life and art. Lee deployed his corrective history strategy, during the 1980s, to reintroduce African American heroes to black youth in an effort to correct media portrayals of black men as criminal and delinquent. He challenged the dominant narrative in mainstream Hollywood films, such as Cry Freedom (1987) and Mississippi Burning (1989), in which white heroes overshadowed black male icons. Lee's work parallels recent scholarship on the history of African American males, as called for by Darlene Clarke Hine and Ernestine Jenkins. The prolific director's efforts to radically change stereotypical depictions of black men through film, has not gone without criticisms. He has been accused of propagating essentialist notions of black male identity, through his use of African American male icons in his films. Despite these alleged shortcomings, Lee's reintroduction of iconic figures such as Jackie Robinson, Martin Luther King, Jr. and Malcolm X, in Do the Right Thing (1989), marked the beginning of a wave of commemorative efforts, that included the retiring of Robinson's number forty-two by Major League Baseball, the popularization of the Martin Luther King National Holiday, and the rise of Malcolm X as a icon embraced by Hip Hop during the 1990's. / Dissertation/Thesis / M.A. History 2012

A presente tese tem como intuito inicial investigar as asserções aparentemente conflituosas que Kant faz sobre as coisas em si mesmas, ora em sentido estritamente negativo, como a representação problemática de algo completamente indeterminado, ora em sentido positivo como fundamento ou causa dos fenômenos. Partindo de interpretações que compreendem esse conflito entre asserções sobre as coisas em si mesmas como tendo sua origem nos dois problemas que a filosofia crítica procura solucionar a possibilidade do conhecimento especulativo e a fundamentação da moral , procura-se reconstruir, num primeiro momento, o vínculo entre a crítica da razão e os diferentes modos de representação das coisas em si mesmas. Argumentamos que a diferenciação da faculdade racional em duas atividades ou espontaneidades, entendimento e razão, que são expostas pela crítica como produtoras de conceitos e legislações distintas, exige duas maneiras de formular, criticamente, o conceito de númeno. A primeira formulação é feita pelo entendimento mediante a abstração das condições sensíveis de aplicação das categorias, dada sua originariedade em relação à sensibilidade. Este conceito tem de permanecer, contudo, em um sentido estritamente negativo e problemático, visto as categorias consistirem apenas em funções de síntese de representações sensíveis e estarem limitadas, por isso, a um uso empírico. A segunda formulação é feita, em contrapartida, pelas idéias da razão, que pressupõem um prolongamento da síntese pensada nas categorias até o incondicionado. Ainda que envolva uma aparência transcendental essas idéias se fazem necessárias, principalmente, em vista do uso prático da razão. Num segundo momento, porém, voltando nossa atenção ao esforço de Kant em articular sistematicamente esses diferentes modos de representação das coisas em si mesmas no interior da filosofia crítica, procuramos mostrar como a elaboração do conceito de autonomia na passagem para o uso prático, possibilita uma maneira de operar com a aparência transcendental presente nas ideias, sem violar a limitação das categorias ao uso empírico. Nesse sentido, explicitamos como a crítica da razão em seu uso prático desvela um novo caminho para a faculdade de julgar, em que lhe é permitido aplicar legitimamente a categoria de causalidade com referência aos númenos. / The initial aim of this thesis is to investigate the apparently conflicting claims that Kant makes about the things in themselves, sometimes in a strictly negative sense, as a problematic representation of something completely undetermined, sometimes in a positive sense as the ground or the cause of the appearances. Starting with interpretations that understand this conflict between the claims about things in themselves as having its origin in two problems that the critical philosophy aims to solve the possibility of speculative knowledge and the moral foundation our first task is to reconstruct the link between the critique of reason and the different ways of representing things in themselves. We argue that the differentiation of the rational faculty in two activities or spontaneities understanding and reason which are presented by the critical view as producers of distinct concepts and laws, requires two ways to critically formulate the concept of noumenon. The first formulation is made by the understanding by abstraction of sensible conditions of application of the categories, given its originality in relation to sensibility. This concept must remain, however, in a strictly negative and problematic sense, since the categories consist only in synthetic functions of sensible representations and thus are limited to the empirical use. The second formulation, on the other hand, is made by the ideas of reason, which require an extension of the synthesis thought in the categories up to the unconditioned. Those ideas are needed especially in view of the practical use of reason, despite the fact they involve a \"transcendental appearance\". Turning our attention to Kant\'s effort to systematically articulate these different modes of representation of things in themselves within the critical philosophy, the second task of the thesis is to show how the concept of autonomy elaborated in the transition to practical use, provides a way to work with the transcendental appearance present in the ideas, without violating the limitation of the categories to empirical use. In this sense, we elucidate how the critique of reason in its practical use reveals a new path for the faculty of judgment, in which it is legitimately allowed to apply the category of causality with reference to noumena.