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121	MENESTHEUS VERSUS THE SONS OF THESEAUS: CHANGES IN ATHENIAN TROJAN WAR ICONOGRAPHY FROM THE SIXTH TO FIFTH CENTURIES B.C KOLB, CHRISTINA L. 05 October 2007 (has links) No description available. Athens Trojan War Homer Epic literature Iconography Menestheus Akamas Demophon Theseus Hero
122	Knowing More Than the Hero: An Exploration of Nathan Gabriel's 2011 Production of A View from the Bridge Gabriel, Nathan Edward January 2011 (has links) In 2011 Nathan Gabriel directed Arthur Miller's A View From The Bridge for his graduate thesis production at Temple University in Philadelphia. In this essay, Gabriel posits that keeping the character of Eddie ignorant about his true feelings for Catherine until the final moments of the play is crucial to making the play work. He supports his argument by pointing to the changes Miller made in the script between the one-act and two-act versions. Gabriel demonstrates how the play followed Aristotle's ideal for a classic Greek tragedy and compares this ideal with Miller's conviction that a true tragedy should not only be sad but should also teach its audience how to better live their lives. He also defends his choice to keep the true sexuality of Rodolpho ambiguous and examines the creative journey of his designers. / Theater Theater Performing Arts Literature Arthur Gabriel Miller Nathan Tragedy Tragic Hero
123	Heroics and humanism: A study of intra-genre divergence within modern French fantasy literature Sielaff, Kevin Michael 17 June 2022 (has links) This study explores the manner in which modern French fantasy novels have diverged from the Tolkienian, high-fantasy precedent established in the late 90s and the very early 2000s. From 2010–2020, authors Jean-Philippe Jaworski, Justine Niogret, Pierre Pevel, and Claire Duvivier have re-imagined the fantasy realm by deliberately working in opposition to the tropes of high-fantasy. The following work is split into two segments–the first of which analyzes how this high-fantasy divergence manifests within the evolved role of the hero, as it pertains to Jaworski, Pevel, and Niogret. The latter tackles the inverse, being the de-heroized, humanist approach of Duvivier that further depicts how the genre continues to evolve. Through a varying theoretical framework, this interdisciplinary work establishes that the following novels mutually support one another in an effort to diverge from the historic, high-fantasy precedent: Jaworski's Gagner la guerre (2009), Niogret's Chien du heaume (2010), Pevel's Le Chevalier (2015), Duvivier's Un long voyage (2020). / Master of Arts / The project follows a continued line of inquiry related to modern French fantasy novels, and questions the place of the hero within the fantasy realm from 2010–2020. What is uncovered is a shifting within the genre–one that favors varying forums of heroism, and rejects the restricted nature of the righteously motivated high-fantasy hero. This is a genre study; many of the literary devices discussed are only marginally innovative, in a greater literary sense. However, this research asserts that their uniqueness within the scope of the genre merits inquiry. This project discusses the modern French fantasy scene and its divergence from the influence of J.R.R. Tolkien. French fantasy Jaworski Niogret Pevel Duvivier heroics hero heroine divergence standard Tolkien
124	Byron as Revealed in Childe Harold's Pilgrimage England, Helen Azaline 08 1900 (has links) The purpose of this thesis is to show the extent to which Byron revealed himself as the hero of Childe Harold's Pilgrimage and the extent to which that hero was an original creation. Byron hero Childe Harold Pilgrimage
125	Artefatos e modelos da música na antiguidade ocidental / Musical artifacts and models in Western Antiquity Gusmão, Cynthia Sampaio de 08 July 2015 (has links) Este trabalho investiga o lugar da téchne no mundo antigo por meio dos instrumentos musicais, enquanto artefatos físicos e modelos matemáticos, geométricos e mecânicos. A escassez de informações sobre as técnicas de construção dos instrumentos leva a examinar outras atividades artesanais, especialmente aquelas ligadas à carpintaria e ao trabalho com metais. O exame da natureza do poder encantatório da música e sua relação com os instrumentos será realizado por meio da abordagem de figuras como as musas e os daimónes, e também da organização concebida pelos filósofos no período clássico. Apesar do lugar de inferioridade que importantes pensadores conferiram aos artesãos, evidências mostram que a téchne dos artífices marcou profundamente o pensamento grego. No que diz respeito à música, o papel do luthier foi fundamental na medida em que proporcionou o substrato material para desenvolvimentos na linguagem musical. Além dos artefatos, os modelos matemáticos, geométricos e mecânicos da música também nasceram nas oficinas. Ao serem dominados pelos músicos, tais rtefatos e modelos serão igualmente responsáveis por grandes transformações musicais. / This work investigates the Greek notion of téchne in the ancient world through its musical instruments, in the form of physical artifacts and mathematical, geometrical and mechanical models. Because of the lack of information about ancient lutherie, it examines other forms of craftsmanship, like carpentry and metallurgy. The inquire into the nature of the musical powers of music, and its relation to musical instruments, will be done by the examination of characters like muses and daimónes, and also of the organization models of the classical philosophers. Despite the inferior place that great philosophers give to the technicians, this study sustains that they had deeply influenced the Greek thought. Regarding music, its possible to say that the luthiers role was fundamental because the material foundation conducted developments in the musical language. Besides the artifacts, the mathematical, geometrical and mechanical musical models were born in the workshops. Artifacts and models, mastered by the musicians, will be equally responsible for the musical developments. Aristóteles Aristotle Aristóxeno Aristoxenus Arquitas Artesão Artisan Aulós Aulós Ctesibius Ctesibius Geometria Geometry Hélicon Hélicon e kânon Hero de Alexandria Hero of Alexandria Hydráulis Hydráulis Kânon Kithára Kithára Lira Lire Luthier Luthier Mecânica Mecanics Platão Plato Ptolemy Ptolomeu Sýrinx Sýrinx
126	This war will never be forgotten : A study of intertextual relations between Homer's <em>Iliad</em> and Wolfgang Petersen's <em>Troy</em> Kisieliute, Ieva January 2009 (has links) <p>In 2004 <em>Troy</em> was released in movie theatres worldwide and almost immediately sparked up discussions on film’s relation to the ancient epic of Homer.</p><p> The main purpose of this paper is to see the connection between <em>Troy</em> and Homer’s <em>The Iliad</em> – motion pictures’ only officially credited source of inspiration. By using comparative method and intertextual approach I try to see how a literary piece, for centuries recited and cherished by the highest academic circles is remodelled to fit the taste of a mass public. How <em>The Iliad</em> mutates to be a marketable product.</p><p> I discuss the changes of the plot that were introduced in <em>Troy</em> and try to see those changes as an outcome of mutation process. Apart from the plot, the notion of a hero is also discussed: how the definition of hero changed through time? To illustrate the changes, two main heroes – Achilles and Hector are discussed, yet again using the comparative method.</p><p> By approaching <em>Troy</em> and <em>The Iliad</em> as two separate cultural products (I did not view <em>Troy</em><em> </em>as a documentary on <em>The Iliad</em>) I was able to connect them. I could see that the essence of the literary work and the film appears to be the same. It shows that the ancient Greek values, especially those, related to warfare and heroism, have definitely survived long enough to penetrate the modern thought.</p> Troy The Iliad Wolfgang Petersen Homer Hollywood epic Cinema Intertextuality Ancient Greece War Ancient Warfare Modern Warfare USA Foreign Politics Achilles Hector Agamemnon Ancient Hero Modern Hero Ancient Greek Gods Brad Pitt Mass Culture Literature Litteraturvetenskap
127	This war will never be forgotten : A study of intertextual relations between Homer's Iliad and Wolfgang Petersen's Troy Kisieliute, Ieva January 2009 (has links) In 2004 Troy was released in movie theatres worldwide and almost immediately sparked up discussions on film’s relation to the ancient epic of Homer. The main purpose of this paper is to see the connection between Troy and Homer’s The Iliad – motion pictures’ only officially credited source of inspiration. By using comparative method and intertextual approach I try to see how a literary piece, for centuries recited and cherished by the highest academic circles is remodelled to fit the taste of a mass public. How The Iliad mutates to be a marketable product. I discuss the changes of the plot that were introduced in Troy and try to see those changes as an outcome of mutation process. Apart from the plot, the notion of a hero is also discussed: how the definition of hero changed through time? To illustrate the changes, two main heroes – Achilles and Hector are discussed, yet again using the comparative method. By approaching Troy and The Iliad as two separate cultural products (I did not view Troy as a documentary on The Iliad) I was able to connect them. I could see that the essence of the literary work and the film appears to be the same. It shows that the ancient Greek values, especially those, related to warfare and heroism, have definitely survived long enough to penetrate the modern thought. Troy The Iliad Wolfgang Petersen Homer Hollywood epic Cinema Intertextuality Ancient Greece War Ancient Warfare Modern Warfare USA Foreign Politics Achilles Hector Agamemnon Ancient Hero Modern Hero Ancient Greek Gods Brad Pitt Mass Culture Literature Litteraturvetenskap
128	Artefatos e modelos da música na antiguidade ocidental / Musical artifacts and models in Western Antiquity Cynthia Sampaio de Gusmão 08 July 2015 (has links) Este trabalho investiga o lugar da téchne no mundo antigo por meio dos instrumentos musicais, enquanto artefatos físicos e modelos matemáticos, geométricos e mecânicos. A escassez de informações sobre as técnicas de construção dos instrumentos leva a examinar outras atividades artesanais, especialmente aquelas ligadas à carpintaria e ao trabalho com metais. O exame da natureza do poder encantatório da música e sua relação com os instrumentos será realizado por meio da abordagem de figuras como as musas e os daimónes, e também da organização concebida pelos filósofos no período clássico. Apesar do lugar de inferioridade que importantes pensadores conferiram aos artesãos, evidências mostram que a téchne dos artífices marcou profundamente o pensamento grego. No que diz respeito à música, o papel do luthier foi fundamental na medida em que proporcionou o substrato material para desenvolvimentos na linguagem musical. Além dos artefatos, os modelos matemáticos, geométricos e mecânicos da música também nasceram nas oficinas. Ao serem dominados pelos músicos, tais rtefatos e modelos serão igualmente responsáveis por grandes transformações musicais. / This work investigates the Greek notion of téchne in the ancient world through its musical instruments, in the form of physical artifacts and mathematical, geometrical and mechanical models. Because of the lack of information about ancient lutherie, it examines other forms of craftsmanship, like carpentry and metallurgy. The inquire into the nature of the musical powers of music, and its relation to musical instruments, will be done by the examination of characters like muses and daimónes, and also of the organization models of the classical philosophers. Despite the inferior place that great philosophers give to the technicians, this study sustains that they had deeply influenced the Greek thought. Regarding music, its possible to say that the luthiers role was fundamental because the material foundation conducted developments in the musical language. Besides the artifacts, the mathematical, geometrical and mechanical musical models were born in the workshops. Artifacts and models, mastered by the musicians, will be equally responsible for the musical developments. Aristóteles Aristóxeno Arquitas Artesão Aulós Ctesibius Geometria Hélicon Hero de Alexandria Hydráulis Kânon Kithára Lira Luthier Mecânica Platão Ptolomeu Sýrinx Aristotle Aristoxenus Artisan Aulós Ctesibius Geometry Hélicon e kânon Hero of Alexandria Hydráulis Kithára Lire Luthier Mecanics Plato Ptolemy Sýrinx
129	Můj oblíbený hrdina / My Favourite Hero Hájková, Klára January 2011 (has links) This thesis is considering the definition of a hero in interesting contexts of different historical periods. It monitors preferences and changes. It gives examples of some heroes, idols and celebrities. Analyzes different identification of favorite heroes by children 7-11 years old at the primary school. It identifies from where the children know their favorite hero and which hero is mentioned by most children. The work shows the possibility of the topic "popular hero" at the school practice.
130	A Marginal Hero: The Representations of Diomedes in the Greek World Medeiros, Telmo C. 10 1900 (has links) <p>The epic hero Diomedes is, in my opinion, considered a marginal hero, as he is relegated to a backbench in ancient Greek thought and ideology. I examine why this is the case, considering his role and impact in Homer's <em>Iliad</em>. Greek society valued its epic heroes beyond the words of the poets, yet some heroes received much more attention that others as central characters in tragedy and iconography, consequently regarded as favourites by mass audiences. I believe that examining a marginal hero like Diomedes is important in order to understand why Greek culture generally disregarded some warriors in favour of others, especially in the case of Diomedes, who displays heroic virtues more evidently than several other heroes who have received more attention. Overall Greek attitudes toward him offer an intriguing perspective on the epic heroes and the ways in which the Greeks idealized them. An examination of Greek literary, visual, and religious spheres of influence effectively aid in determining the reasons behind this phenomenon. In summary, this work attempts to understand Greek attitudes towards a hero who has received very little scholarly attention. The concept of the epic hero requires analysis of even the most neglected characters; one cannot understand Odysseus, Achilles, or Hector without examining Diomedes, who has a notable role in the very same tradition as the aforementioned heroes.</p> / Master of Arts (MA) Diomedes epic hero hero cult Homer Greek literature Greek art Greek religion Classical Archaeology and Art History Classical Literature and Philology

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