The thesis explores the role of Architecture in enhancing a sustainable rural livelihood in Botswana. Moshupa village is analyzed and assessed to create an alternative, self-sustainable model for rural development that can add value to the local economy, by fostering self-reliance, capacity building and empowerment. Through the design of an Integrated Community Hub for Moshupa, the thesis attempts to embrace the changing dynamics of a village. It explores strategies that would inject life into the village making it a desirable place for younger generations and women to live, similar to what is currently achievable in towns and cities. Most importantly, the design principles and guidelines of traditional building techniques are explored through studying spatial habitation and organization. Materiality of built form and study of details are examined in search for an architecture that belongs to a place, by responding to the current economic, cultural, technical and environmental challenges in Botswana.

In Lithuanian architecturology, the work is new by its broader and deeper approach to contemporary wooden architecture. The dissertation has analyzed the objects of contemporary wooden architecture, which so far have been discussed only in articles of descriptive character or have not been analyzed or published at all. By revealing the significance of wood in Lithuanian culture, historical development of wooden architecture, the importance of heritage of wooden buildings and ethnic features present in such heritage, the work emphasizes the distinctive place of woodwork in contemporary Lithuanian architecture and culture now influenced by the globalization phenomena. The work deals in more detail with the relationship between traditional and innovative morphologies, and their interlinks in modern architecture. It emphasizes structural and artistic possibilities for the use of wood in contemporary Lithuanian architecture. The work discusses the international experience while revealing important peculiarities of wooden architecture as a phenomenon, which have been lost in Lithuania together with discontinuation of the tradition of wooden architecture during the last occupation of the country. The research contributes to better understanding of the value of wood as a material, which have been forgotten and sometimes still is looked upon rather skeptically, as well as its innovative possibilities in architecture. The work could serve as a theoretical background in improving... [to full text] / Lietuvos architektūrologijoje darbas yra naujas platesniu ir gilesniu požiūriu į šiuolaikinę medinę architektūrą. Disertacijoje išanalizuoti šiuolaikinės medinės architektūros objektai, kurie iki šiol buvo aptarti tik pavieniuose aprašomuosiuose straipsniuose arba išvis niekur nenagrinėti ir nepublikuoti. Tyrime atskleidžiant medžio reikšmę Lietuvos kultūroje, medinės architektūros istorinę raidą, medinių statinių paveldo svarbą, jo etninius bruožus, pabrėžiama išskirtinė kūrybos iš medžio vieta dabartinėje Lietuvos architektūroje ir kultūroje, veikiamoje pasaulio globalizacijos reiškinių. Išsamiau nagrinėjamas tradicinės ir novatyvios morfologijos santykis bei tarpusavio sąsajos šiuolaikinėje architektūroje. Išryškintos medžio panaudos konstruktyvinės ir meninės galimybės nūdienos Lietuvos architektūroje. Darbe remtasi pasaulio patirtimi atskleidžiant svarbius medinės architektūros reiškinio ypatumus, kurie prarasti Lietuvoje nutrūkus medinės architektūros tradicijai per paskutinę okupaciją. Šis tyrimas leidžia geriau suvokti visuomenės primirštos ir neretai skeptiškai vertinamos medžio kaip medžiagos vertę, dabartines galimybes architektūroje. Darbas gali būti teoriniu pagrindu tobulinant architektūros, dizaino mokymo programas bei kai kuriuos formalius reikalavimus medinės architektūros projektavimui ir statybai.

This thesis argues that the environmental undertones of artists Edward Burtynsky’s and Olafur Eliasson’s work have clearly aligned them; however, the focus of my study is not an evaluation of the artists’ abilities to express environmental concerns, but rather an exploration of the effects of their representations on our understanding of the surrounding environment, and of the artists’ contributions toward a definition of Nature that now includes its own demise as a site of aesthetic pleasure. This study focuses on Olafur Eliasson’s New York City Waterfalls and on Edward Burtynsky’s Nickel Tailings photographs. Burtynsky’s Nickel Tailings photographs, among them in particular, his well known Nickel Tailings No. 34, depict a barren grey and black landscape centered primarily around an intensely coloured red and orange river of molten metal. Eliasson’s recent New York City Waterfalls consists of four artist-constructed waterfalls, ranging from 90 to 120 feet tall, located within the waters of Lower Manhattan, Governs Island, and beneath the Brooklyn Bridge. In his monumental New York City Waterfalls, Eliasson has made an intervention into the landscape that effectively works to contaminate the established aesthetic upon which it is based. In his monumental photographs, in contrast, Burtynsky does the opposite; he aestheticizes the contaminated. Here I would add that both artists have carefully called upon the elemental in order to reference the idea of wilderness or a “pure” form of Nature. Reference to the elemental in Nature—to air, water, and fire— has allowed these artists to challenge the viewer’s perception and experience of the nonhuman world. These manufactured landscapes are undeniably owned by humanity, yet is this the type of landscape we are comfortable to claim as our own? / Thesis (Master, Art History) -- Queen's University, 2011-12-03 14:03:08.43

Girls’ withdrawal from school is posing a major challenge to female literacy in Afghanistan. The aim of this research was to examine the influence of Afghan traditions and cultural norms on girls’ school withdrawal by parents or guardians in Khinjan District of Baghlan Province. To achieve this aim the accounts of 12 mothers with daughters pulled out of school were obtained through semi-structured interviews and analyzed via the theoretical lens of Existentialist Feminism and Hofstede’s Cultural Dimensions Model. The findings suggest that in order to address the problem of girls’ withdrawal from school in Khinjan, the informal communication networks that reinforce the tendency of parents/guardians, especially male ones, to withdraw the girls from school should be influenced by communication channels in the district. Grounded on Paulo Freire’s concept of dialogue for liberation, it is recommended that credible members in the community should initiate and engage in a transforming dialogue about education of girls, with Khinjanis.

The purpose of this study is to examine how the children in the Maasai villages in Tanzania are learning the Maasai’s musictraditions and ngoma. What is the importance of the school compared with the family? Tanzania has an old tradition of ngoma of many different cultures. The Maasai’s are a nomadic people and have traditions of their own. To get answers for the purpose of this study, these questions have been formed: How do the children learn the Maasai’s musictraditions? When do the children learn the Maasai’s musictraditions and start to practise them? What role and significance do the school have when it comes to teaching the Maasai’s musictraditions? For this study I have interviewed three informants who have good knowledge about the Maasai’s and their traditions. I have also been visiting some Maasai villages to get to know more about the traditions and see them in real life. I have also visited a primary school and questioned about the music education in the school.  This study will show that for the Maasai’s the family is the most important part to get to know the musictraditions and ngoma. The school has almost no part in educating the pupils in different cultures and traditions. Music education in school is brief and the school that I visited had almost all music education theoretical and none practical.

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Submitted by CIBELE MARTO DE OLIVEIRA null (martocibele@yahoo.com.br) on 2018-01-14T14:34:10Z No. of bitstreams: 1 Versão final.pdf: 10328445 bytes, checksum: 5fad0b6b4311f725994c171d51471a63 (MD5) / Approved for entry into archive by Adriana Aparecida Puerta null (dripuerta@rc.unesp.br) on 2018-01-15T16:40:33Z (GMT) No. of bitstreams: 1 oliveira_cm_dr_rcla.pdf: 10079276 bytes, checksum: 7491da66ac34e3a37f4bc70c3b4d09ab (MD5) / Made available in DSpace on 2018-01-15T16:40:33Z (GMT). No. of bitstreams: 1 oliveira_cm_dr_rcla.pdf: 10079276 bytes, checksum: 7491da66ac34e3a37f4bc70c3b4d09ab (MD5) Previous issue date: 2017-11-29 / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / As constantes mudanças por que tem passado a área rural brasileira nas últimas décadas, incluindo as atividades desenvolvidas, que deixaram de ser exclusivamente de produção de alimentos, ocasionam uma série de estudos que contemplam as dinâmicas ocorridas e suas implicações. A fim de abordar uma parte dessa transformação em uma tese de doutorado, se apresenta o propósito deste trabalho, tendo como questão central a análise de festas realizadas no campo. Como recorte de estudo optou-se por pesquisar dois bairros rurais paulistas: Cascalho, localizado no município de Cordeirópolis - SP e Santana, situado no município de Piracicaba - SP. Por serem os bairros uma unidade de investigação menor, permitem uma análise minuciosa que denota a condição de unidade social e a identidade da comunidade residente. Cascalho e Santana possuem raízes históricas comuns, pois foram formados por meio de comunidades de imigrantes italianos que chegaram ao Brasil no século XIX para trabalharem na lavoura de café. Ainda hoje parte das tradições e costumes herdados de seus antepassados permanecem, incluindo a realização das festas em função da religiosidade e da perpetuação das tradições. O estudo das festas perpassa pela análise de seus aspectos históricos, características sociais, estruturas espaciais, a relação entre campo e cidade, além da compreensão de sua existência e importância atual em meio às transformações do lugar. Os elementos avaliados envolvem um olhar para a identidade, a memória e o sentimento de pertencimento das comunidades envolvidas em uma perspectiva trabalhada sob a óptica da Geografia Cultural tendo como viés metodológico o uso do relato oral e entrevistas. As festas se revelaram como um elemento primordial de união, identidade e, principalmente, como meio de perpetuação e prática da religiosidade católica. / The constant changes the brazilian rural area has been through in the last decades, including developed activities, are no longer solely of food production, causes a series of studies that contemplate the dynamics occurred and their implications. To show part of this transformation in a doctoral thesis, the purpose of this paper being as central point the analysis of parties being made in the countryside. As study cutout it was chosen to research two rural neighborhoods in São Paulo state: Cascalho, located in Cordeirópolis – SP city and Santana, situated in Piracicaba – SP city. Because these neighborhoods are a unit of minor investigation, they allow a careful analysis which denotes a condition of social unit and identity of the resident community. Cascalho and Santana have the same historical roots because they were made by communities of Italian immigrants that arrived in Brazil in the 19th century to work in the coffee crop. Within today, part of the tradition and customs inherited from the ancestors remain, including the execution of religious parties as well the traditions perpetuation. The study of the parties pass through the analysis of their historical aspects, social characteristics, spatial structures, the relationship between countryside and city, yet the understanding of its existence and current importance on space transformations. The elements evaluated involve a look at the identity, memory and the feeling of belonging of communities involved in a perspective to be worked by the optical of Cultural Geography as its methodological way the usage of oral report and interviews. The parties have revealed themselves as a primordial element of union, identity and, mainly, as a means of perpetuating and practicing catholic religiosity. / CNPq: 159096/2015-4

Seventeenth-century division violin music is not considered part of the classical canon, but its background as a European art form may make it seem “too Western” for traditional ethnomusicological study. The purpose of this thesis is twofold: first, I outline the historical context, transmission, and performance practice of division violin playing in England during the sixteenth and seventeenth centuries. Also of interest to me is the way in which we, as musicologists, study oral tradition within the context of a musical culture that no longer exists today. After an exploration of the ideas of Milman Parry and Albert Lord, Walter Ong, Ruth Finnegan, and Slavica Ranković, I discuss the English division violin’s background and transition from a largely oral to a predominantly literate tradition. I demonstrate this change in transmission, composition, and performance practices through examining the second and sixth editions of John Playford’s The Division Violin (1684).

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho tem por objetivo entender a História e a Teologia da Tradição de Matriz Africana estruturada no estado do Rio Grande do Sul e chamada de Batuque. Busca compreender como o Batuque sofreu a sua destituição epistemológica; atribui sentidos e propósitos aos rituais dessa tradição a partir de uma reflexão teológica fundamentada numa epistemologia interdisciplinarizada afrocentrada e pós-colonializada; dá-nos a conhecer a história dessa tradição, desde suas origens africanas até a reestruturação local; auxilia tanto pesquisadores sobre o tema quanto profissionais na área de educação, sobretudo no campo da Teologia, das Ciências da Religião e do Ensino Religioso; assim como municiar os vivenciadores do Batuque, os batuqueiros, que, devido à perseguição histórica, acabaram por ter seus saberes ancestrais destituídos com o epistemicídio engendrado pelo colonialismo do homem branco. Esta dissertação ocupa quatro capítulos. No primeiro tratamos da tradição africana na sua relação com sua história e cultura. No segundo falamos dos africanos traficados para o Brasil durante o sistema escravista, como se deu o processo diaspórico e a estruturação no Rio Grande do Sul. No terceiro esmiuçaremos a perseguição sistemática a essa tradição: o epistemicídio. O quarto capítulo versará sobre a Afroteologia, seus pressupostos metodológicos e tentativa de sistematização. / The goal of this paper is to understand the history and the theology of the Traditions of African Origin structured in the state of Rio Grande do Sul and called Batuque. It seeks to comprehend how Batuque underwent it epistemological destitution; it attributes meanings and purposes to the rituals of this tradition based on a theological reflection founded on an interdisciplinary, Afrocentric and post-colonial epistemology; it grants us knowledge of this tradition from its African origins up to the local restructuring; it helps researchers on the theme as well as professionals in the area of education, especially in the fields of Theology, Sciences of Religion and Religious Education; it also gives tools to those who live out Batuque, the batuqueiros, who, due to historical persecution, had their ancestral knowledge destitute with the epistemicide devised by the colonialism of the white man. This thesis has four chapters. In the first we deal with the African tradition in its relation with its history and culture. In the second we talk of the Africans who were trafficked to Brazil during the slave system, about how the diaspora process took place and the restructuring in Rio Grande do Sul. In the third we detail the systematic persecution of this tradition: the epistemicide. The fourth chapter will discourse about Afrotheology, its methodological presuppositions and attempts at systematization.

This diploma thesis, which is called Tradition and habits as a sustainable product of tourism, deals with the analysis of traditions in Českobudějovicko, focuses more on the tradition of fishing and fish farming. It focuses more on the producers and suggests a sustainable tourism product. The aim of the thesis is to propose a sustainable tourism product in the chosen destination of Českobudějovicko with the expression of economic impacts, based on the analysis of traditions and customs offers. The partial objective is to analyze the supply of fishery and fishery producers in connection with tourism use.