O trabalho aqui apresentado trata sobre a reinvenção de uma identidade germânica por meio da arquitetura ocorrida nas cidades de Blumenau e Joinville, em Santa Catarina. Este processo, ocorrido nas décadas de 1970 e 1980, teve um apelo fortemente comercial, visando vender a imagem destas cidades, entre outras na região, de que as tradições germânicas trazidas por imigrantes a partir do século XIX teriam permanecido inalteradas, no intuito de promover o turismo. Esta política, que se baseava no discurso de resgate das tradições, culminou, entre outras coisas, na criação de uma falsa arquitetura típica: o neo-enxaimel, um estilo arquitetônico inspirado no enxaimel, uma antiga técnica de construção de casas, trazida pelos imigrantes. Tendo se proliferado pelo centro destas cidades e alterado a estética urbana, esta arquitetura foi novamente trazida ao presente dentro de um contexto histórico e social bastante diferente daquele das antigas casas. Além disso, para sua implantação não houve qualquer comprometimento histórico, resultando em uma arquitetura inautêntica e até mesmo Kitsch, devido ao seu caráter comercial. Este fato, no entanto, não pode ser entendido como algo isolado, estando relacionado a questões mais amplas discutidas internacionalmente, como a ampliação do conceito de patrimônio cultural, a ilusão de perda da identidade cultural provocada pela globalização, o crescimento da indústria cultural e da indústria do turismo, entre outros fatores. Desta forma, para melhor analisar a invenção do neo-enxaimel como uma tradição estética em Santa Catarina, será inicialmente apresentada uma discussão envolvendo estas questões. / The work presented here deals with the reinvention of a Germanic identity through architecture occurred in the cities of Blumenau and Joinville, Santa Catarina state. This process, which occurred in the 1970s and 1980s, had a strong commercial appeal in order to sell the image of these cities, among others in the region, that the Germanic traditions brought by immigrants in nineteenth century would have remained unchanged, in order to promote tourism. This politics was based on a speech of rescue of traditions and culminated, among other things, in the creation of a false typical architecture: the neo-enxaimel style, an architectural style inspired by the ancient timber framing, a popular technique of building houses brought by immigrants. Having been widespread through the center of these cities, this architecture has altered the urban aesthetics and was brought again into the present within a historical and social context quite different from that one of the old houses. Moreover, for its implementation there was no historical commitment, resulting in an inauthentic architecture and even kitsch, due to its commercial nature. This fact, however, cannot be understood as something separate, being related to broader issues discussed internationally, such as the expansion of the concept of cultural heritage, the illusion of loss of cultural identity caused by globalization, the growth of cultural industry and tourism industry and other factors. Thus, to better analyze the invention of neo-enxaimel style as an aesthetic tradition in Santa Catarina, it will be initially presented a discussion involving these issues.

Esta dissertação tem por objetivos: (i) apresentar a edição fac-similar e semidiplomática justalinear de um processo-crime produzido no século XIX na cidade de Campinas; (ii) analisar a macroestrutura do documento manuscrito. A leitura e a edição do documento manuscrito foram balizadas nos conhecimentos das áreas de Filologia e Linguística Histórica. A análise da macroestrutura pautou-se no modelo das Tradições Discursivas, com base em Koch & Osterreicher (1990) e Kabatek (2006). A análise também levou em consideração os aspectos linguísticos-discursivos propostos por Simões e Kewitz (2006, 2009) para os corpora do português brasileiro. Ao todo são 37 fólios recto e verso que tratam de um crime de feitiçaria e homicídio ocorrido em 1871, sendo rica fonte de dados históricos, socioeconômicos e, sobretudo, linguísticos. A partir desta pesquisa, obtivemos importantes dados acerca de algumas das tradições discursivas que ajudam a reconstruir o português brasileiro em textos da esfera jurídica. / This dissertation aims at: (i) presenting a facsimile and semidiplomatic edition of a criminal proceeding which took place in the city of Campinas in the 19th century; and (ii) analyzing the macrostructure of the manuscript document. The reading and the editing of the document were based on the assumption of Philology and Historical Linguistics. The analysis of the macrostructure was based on the Discoursive Traditions Model proposed by Koch & Osterreicher (1990) and Kabatek (2006). Furthermore, we considered the linguisticdiscoursive aspects suggested by Simões e Kewitz (2006, 2009). Overall, there are 37 folios recto and verso that concern the crime of witchcraft and homicide occurred in 1871, which represent a rich source of historical, socioeconomic and, primarily, linguistic data. This research privided important information about some of the discoursive traditions that helps reconstruct Brazilian Portuguese registered in texts of legal environment

Recentemente, a Linguística Histórica vem demonstrando que lidar com textos antigos pode fornecer bases seguras para analisar mudança linguística se se leva em conta que certos textos propiciam o uso de certas estruturas, palavras, expressões etc., ao passo que outros textos não. A partir dessa premissa e inserida no projeto temático História do Português Paulista II, a presente dissertação tem como objetivos apresentar a edição fac-similar e semidiplomática das Cartas de Datas de Jundiaí de 1657 e examinar como se configuram suas macroestruturas e a concordância verbal e nominal. O códice é composto de 61 cartas de datas lavradas por um mesmo escrivão e representa um dos documentos mais antigos de Jundiaí, elevada à vila em 1655. A análise das macroestruturas das Cartas de Datas de Jundiaí teve como base o modelo de Tradições Discursivas e os elementos da Diplomática segundo Spina (1994). O estudo da concordância pautou-se em Castilho et al. (2018) que propõem três tipos de concordância: plena, zero e por reanálise. Os resultados evidenciam a importância das Cartas de Datas de Jundiaí para os estudos linguísticos, tanto por se encaixarem no conjunto de textos da esfera jurídico-administrativa, mais formulaicos e elaborados, quanto por apresentar variantes de uma norma não padrão, a exemplo dos casos de concordância zero em partes específicas do texto. / New trends on Historical Linguistics have shown that dealing with old texts provide a good basis for language change if we take into account that some texts provide the emergence of specific structures, words and expressions, while others do not. Based on this assumption, this dissertation aims at presenting the facsimile and semidiplomatic edition of a colonial manuscript produced in Jundiaí (São Paulo State) in 1657, named Cartas de Datas, which is a kind of land patent. The manuscript consists of a collection of sixty-one land patents written by the village officials in order to grant a tract of land to local people requesting it. The discourse tradition of issuing such document represented a formal and legal land contract. The analysis is divided into two parts. Firstly, I compare the macrostructures of each land patent in order to identify similarities and differences among them. The second part is dedicated to the classification and description of sentences as to nominal and verbal agreement based on Castilho et al. (2018). The results reveal that such elaborate text also gives rise to lack of agreement cases, besides agreement according to standard Portuguese.

A ‘Corrida de Revezamento do Fogo Simbólico da Pátria’ – CFS – é uma prática cultural que marca o início das comemorações da ‘Semana da Pátria’ em Porto Alegre no final da década de 1930. A partir de 1938, a CFS foi editada anualmente pela Liga de Defesa Nacional (LDN) com o apoio de dirigentes esportivos porto-alegrenses. Foram esses dirigentes que idealizaram a CFS em Porto Alegre, após assistirem a “Corrida de Revezamento da Chama Olímpica” na cerimônia de abertura dos Jogos Olímpicos de Berlim em 1936. Este estudo busca compreender a participação dos clubes esportivos porto-alegrenses na construção de representações da identidade nacional brasileira através da invenção da ‘Corrida de Revezamento do Fogo Simbólico da Pátria’ no período de 1938 a 1947. Para tanto, utilizaram-se fontes impressas e orais. As fontes impressas primárias se restringem aos documentos e obras da LDN; entre as principais fontes impressas secundárias estão a Revista do Globo e o jornal Correio do Povo. Foram realizadas duas entrevistas que constituem as fontes orais. A Corrida de Revezamento do Fogo Simbólico da Pátria (1938-1947) foi uma tradição inventada em Porto Alegre, institucionalizada pela LDN com o apoio social feito pelos clubes esportivos. A justificativa de sua realização se deu através de ligações históricosagradas e sua fixação através da repetição anual nas cidades. A CFS buscava engendrar ‘valores’, associados à construção da identidade nacional brasileira. Dessa forma produziu no imaginário porto-alegrense a representação de coesão e unidade nacional em razão do formato de percorrer a nação e ter como ponto de culminância sempre a cidade de Porto Alegre. No contexto esportivo, produziu a representação de que os clubes esportivos identificados como ‘estrangeiros’ foram ‘abrasileirados’ devido à participação de dirigentes esportivos e atletas na CFS. / The 'Nation Torch Relay' – NTR – it is a cultural practice that marks the beginning of the celebrations from 'Nation’s Week’ in Porto Alegre city by the 1930's end. From 1938, the NTR has annually been edited by the National Defense League (NDL) with portoalegrenses sports leaders support. There were those leaders who idealized the NTR in Porto Alegre, after they watched the "Olympic Torch Relay" at Berlin Olympic Games opening ceremony in 1936. This study aims to understand the participation of portoalegrenses sports clubs in the construction of representations from the Brazilian national identity through the invention of the 'Nation Torch Relay' in the period from 1938 to 1947. For this purpose, printed and oral sources were used. The printed primary sources are limited to NDL’s documents and works; among the main printed secondary sources are Globo’s Magazine and Correio do Povo newspaper. There were two interviews, which are the oral sources. The ‘Nation Torch Relay’ (1938-1947) was an invented tradition in Porto Alegre city, institutionalized by NDL with social support from the city’s sports clubs. The justification of its achievement was made by historical and sacred’s links and its fixation through annual repetition in the cities. The NTR aimed to pass 'values'; and they were associated to the construction of Brazilian national identity. Thus, it produced in the porto-alegrense imagination, the representation of national cohesion and unity because of the way it roams about the nation and has as a point of culmination Porto Alegre city. In the sports context, it produced the representation that sports clubs identified, as 'foreigners', were 'adopted Brazilian ways and manners' due to athletes and sports leaders participation in the NTR.

Submitted by isabela.moljf@hotmail.com (isabela.moljf@hotmail.com) on 2017-08-23T14:56:21Z No. of bitstreams: 1 adrianaviccinibregaquinetdeandrade.pdf: 21096798 bytes, checksum: e42d286a93cff5ed06498e76991f1672 (MD5) / Rejected by Adriana Oliveira (adriana.oliveira@ufjf.edu.br), reason: on 2017-08-24T11:38:16Z (GMT) / Submitted by isabela.moljf@hotmail.com (isabela.moljf@hotmail.com) on 2017-08-28T11:02:58Z No. of bitstreams: 0 / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-08-30T14:35:40Z (GMT) No. of bitstreams: 0 / Made available in DSpace on 2017-08-30T14:35:40Z (GMT). No. of bitstreams: 0 Previous issue date: 2016-08-30 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O pano de fundo dessa pesquisa é a questão da finitude e da morte como um dos grandes problemas existenciais da humanidade. O fio condutor é a questão da espiritualidade. Sob a ótica de Jean-Yves Leloup, o tabu a ser superado não é o tabu da morte em si, mas da dimensão espiritual não desenvolvida, obstáculo à vivência da morte como parte da vida e como arte de viver a passagem. Composta por três capítulos, esta pesquisa parte da antropologia desenvolvida por Jean-Yves Leloup, que está alicerçada no estilo alexandrino, na mística eckhartiana e na terapia iniciática. Na sequência, a questão da finitude é abordada a partir da concepção de morte fatal, responsável por manter o ser humano refém de sua própria condição. Os três tópicos que compõem esta etapa da pesquisa referem-se à passagem da concepção de morte fatal à pascal, à descrição dos estágios do morrer prescritos pela clínica contemporânea em paralelo com as descrições do tempo do morrer descritos pelas tradições cristã e budista, e ao papel da meditação hesiscasta no processo do morrer. Chega-se assim ao núcleo da pesquisa. Diante do paradoxo entre a consciência da contingência e transitoriedade da vida, e a dificuldade em aceitar morrer, o ser humano pergunta-se pelo sentido da vida, chave que dá acesso à dimensão espiritual nem sempre desenvolvida, mas que inevitavelmente, vem à tona na hora da morte, tema do terceiro capítulo. O ponto de partida desta etapa da pesquisa é a questão do sentido, pergunta que remete à dimensão espiritual. Partindo da questão do sentido, duas tradições religiosas — cristã e budista — são examinadas segundo a ótica de Leloup. A pergunta de fundo é como as tradições religiosas citadas exercem seu papel de facilitadoras do processo de morrer. / The background of this research is the theme of finitude and death as one of the most important existential problems of humanity. What guides this is the concept of spirituality. From the perspective of Jean-Yves Leloup, the taboo to be overcome is not the taboo of death itself, but the one of the spiritual dimension that has not been developed, an obstacle to experiencing death as part of life and and passing away as an art. This study consists of three chapters and its foundation is based on the anthropology developed by Jean-Yves Leloup, which follows the Alexandrian style, Eckhart mysticism and initiatory therapy. It starts with the theme of finitude as it is addressed from the idea of fatal death, which is responsible for maintaining a human being in his own condition. The three topics that comprise this stage of the research refer from the passage of fatal death to the Paschal death, then comes the description of the stages of dying prescribed by contemporary clinic in parallel with the descriptions of the moment of death described by Christian and Buddhist traditions, and includes the role of the meditation practice called hesiscasta in the process of dying. And then comes the main part of the research. Dealing with the paradox between awareness of contingency and the transience of life as well as the difficulty in accepting death, Human beings search for the meaning of life, the key that gives access to the spiritual dimension that is not always developed, but that inevitably appears at the moment of death, the subject of the third chapter. The starting point for this stage of the research is the question of meaning, a question that refers to the spiritual dimension. Starting from the question of meaning, two religious traditions — Christianity and Buddhism - are examined from the viewpoint of Leloup. The fundamental question is how the religious traditions that are mentioned here play a role in facilitating the process of dying.

Esta pesquisa se interroga sobre articulações entre características próprias a tradições orais e experiências de registro de enunciados orais indígenas a partir de dois casos, de escalas distintas: Xavante, habitando a aldeia de Pimentel Barbosa no Brasil Central, e Kanak, habitando as ilhas da Nova Caledônia na Melanésia. Internamente a cada caso, propus o estabelecimento de relações ou rizomas de modo a identificar efeitos que experiências e produtos de registro de enunciados orais produziram junto a seus atores, efeitos este que qualifico como de proliferação, rechaço, ou descaso. Ao pautar minha análise nos modos de interação mediados através do discurso segundo modalidades consideradas adequadas por aquelas populações em contextos específicos, busquei refletir acerca dos modos como vêm assumir sua tradição enunciada em situações de oficialização e institucionalização de patrimônios e identidades, assim como identificar modos com registros são empregados por tais populações segundo formas de criatividade próprias e inovadoras. Meu objetivo foi uma reflexão crítica, a partir de dois casos tornados aqui comparáveis, concernindo as atuais políticas do patrimônio imaterial pautadas em ações de valorização e salvaguarda de tradições orais de populações indígenas. / This study focus on the relationships between oral traditions, and products and events related to the documentation of indigenous oral sayings from the starting point of two case-studies of different scales: Xavante, from the Pimentel Barbosa village in Central Brazil, and Kanak, from the islands of New Caledonia, in Melanesia. For each of this cases I intended the search for relations or rhizomes, in order to identify effects that documentation of oral statements, narratives and sayings produced in the point of view of their very actors. I call such effects proliferation, resistance or indifference. Basing my analysis in expressive and discourse-mediated interaction as considered adequate by these populations in specific contexts, I wished to reflect on traditions as announced, in situations that demand the institutionalization of patrimonies and identities, as well as identify ways that documentation practices and products are invested by these people according to their own dynamic forms of creativity and innovation. My objective was to establish, through making these two cases comparables, a critical reflection on the contemporary intangible cultural heritage policies based on the safeguarding of oral traditions and expressions of indigenous people.

La tragédie du personnage féminin dans certains écrits de Tahar Ben Jelloun, au regard de la réalité, sociale, religieuse, culturelle, économique et politique impose une analyse herméneutique des contours de la situation authentique de la femme marocaine, d'hier et d'aujourd'hui. Cette démarche tentera, dans un premier temps, de mettre en lumière, l'imaginaire littéraire qui met le thème du fantasme de la décadence, de l'érotisme exacerbé et de la volupté débridée au cœur du dispositif narratif chez l'auteur marocain. L'ébauche analytique,des figures féminines dans les romans choisis dans cette étude, cheminera vers l'exposition d'un modèle féminin stéréotypé qui met en exergue la relation conflictuelle de Tahar Ben Jelloun, auteur francophone et francophile par excellence, avec certaines formes de la culture marocaine. Cet apport permettra en fin la mise en évidence d'une forme de nomadisme linguistique mêlant exotisation, oralité et langue française dans un processus de recyclage et de renouvellent thématique constant et permanent. / The tragedy of the feminine character in some of Tahar Ben Jelloun's writings, in view of the social, religious, economical and political reality, imposes a hermeneutic analysis of the contours of the authentic situation of the Moroccan woman in the past and in the present. This approach will try, at first, to bring to light, the literary imagination which employs the theme of the fantasy of declination, the exasperated eroticism and the sensual delectation that is unbridled in the core of the narrative structure of the Moroccan author's oeuvres. The analytical study of the feminine figures as presented in the selected novels of this research, will substantiate an exhibition of a stereotypical feminine model. As a matter of fact, this will highlights the persuasion that Tahar Ben Jelloun, who is considered as a francophone author and francophile par excellence, has got a conflictual relationship with some features of the Moroccan culture. This attempt will reveal, at last, the use of a kind of a linguistic nomadism which combines exoticism, oral character and French language in a recycling process of constant and permanent reproducibility.

This thesis, Cultural life in Terezin ghetto through the eyes of witnesses, is focused on cultural activities of Terezin prisoners with emphasis on sports, theatre and music. In the initial phase of the thesis I focus on the town of Terezin, from its foundation through the transformation into the ghetto up until its liquidation in 1945. Then follows the core work - Terezin culture. Individual subchapters are gradually dedicated to sports, music, theater and children's artwork as well. The goal of the thesis is an effort to transfer all the acquired findings into the ghetto environment, which should also be the core work of the thesis. I have gathered the necessary information on this issue from the Malach visual history archive, which is a source contatining several tens of thousands eyewitness accounts given by the surviving victims. In my thesis I am trying to connect information gathered from professional literature with the information gathered from the Malach archive. The whole thesis should provide a complete view of the cultural activities in Terezin while taking experiences and memories of the survivors into account.

The diploma thesis Celts and their influence on modern European cultures engages in Celtic nations, describes their history and presents remainders of Celtic culture in modern cultures. The thesis is focused on the influence of the Celts on the French region of Brittany and the Czech Republic. It mainly describes the heritage of the Celtic culture in the contemporary society in the form of Druidism, feasts, perception of nature and other traditions. It aims to create a complex image of the Celtic civilization. The second objective of the thesis is to confirm or refute the original connection of the modern Celtic cultural elements on a historical culture of the Celts. It achieves these aims on the basis of analysis, synthesis and subsequent comparison of obtained information about historical and contemporary Celts. The diploma thesis comes to the conclusion that all studied cultural elements have a real historical basis, but most of them, in their modern form, are created artificially. Nevertheless this fact does not detract from the importance of the cultural heritage of the Celts. KEYWORDS Celts, Brittany, the Czech Republic, megaliths, druids, feasts, traditions, cultural heritage of Celts

According to the available literature, schools with a positive organisational culture are more effective and will probably achieve better results. This study investigates the way in which a positive school culture is formed. It focuses on the role of the leadership of the principal in developing an organisational culture of an independent school. This qualitative study scrutinises one specific school in a group of several independent schools in South Africa and compares the school culture of the original school (between 1971 and 1974) to the current school culture as manifested in the last four years (2009- 2012). Data was gathered through interviews with the founder of the school, interviews with current teachers and the current principal, document research of artefacts as well as observations made by visitors to the school in a professional capacity. The data recorded was analysed in terms of a "levels of culture" model proposed by Edgar Schein (1985) by looking at what “the school” said about itself, what “the school” and the principal did, and what things look like. Furthermore, a study was made of what is seen as acceptable behaviour and unacceptable behaviour followed by what is regarded as important and not important in the school. The answers to these questions were used to determine the assumptions that members of the school community hold about the nature of the school. The analysis of the school’s culture aimed to determine how this school’s past is living in the present and what role the leadership of the principal played in shaping the school’s culture. All of this was done to determine how school culture is formed, so that other schools can also use the methods identified in this study to identify their own school’s culture and find ways of changing it. The researcher concludes that the formation of a school culture can be controlled and manipulated towards a positive outcome and ways of doing this are identified. It is also found that the culture of the specific school in this study seems to have been well-defined and positive throughout its history and that the leadership of the principal plays a significant role in the success of the school. / Dissertation (MEd)--University of Pretoria, 2013. / gm2014 / Education Management and Policy Studies / UPonly