The aim of this research is to examine the much neglected body of writings on New Zealand and the Maori by German-speaking explorers and travellers during the colonising period of the 1840s to 1880s. To the nineteenth-century breed of visitor from Germany and Austria, 'Old' New Zealand often presented itself as an unexplored field of scientific curiosities, from botany and geology to ornithology and ethnology, at the same time as a paradise for immigrant workers. The investigation begins with an evaluation of the eighteenth-century account of Georg Forster, who accompanied Captain Cook on his second voyage to the South Pacific. Forster's account is entrenched in the early racial stereotypes and theories of the 'savage', and provides the first major primary source for all of German-speaking Europe up to the period under investigation. The second main source to be considered is the dominant 'paradise' image which evolved out of the propaganda of the New Zealand Company and continued right through the colonising era. The principal figures to be examined include Ernst Dieffenbach, the official Company naturalist, Friedrich August Krull, the first German Consul in New Zealand, Ferdinand von Hochstetter, the resident geologist on the Novara expedition, Julius von Haast, the founder and director of the Canterbury Museum, Andreas Reischek, the taxidermist and collector, as well as other notable visitors including Max Buchner, Franz Reuleaux, Otto Finsch, Alexander von Hübner and Robert von Lendenfeld. Thus, it is the goal of this investigation to analyse the perception of New Zealand and the Maori in selected works by German-speaking explorers and travellers who arrived in the colony between 1839 and 1889 through, first of all, confronting the prevailing stereotypes and images inherent in the philosophical attitudes of the eighteenth and nineteenth centuries towards the 'savage' and those present in the 'paradise' rhetoric of the British campaigners of colonisation, and secondly, examining the origins, patterns and evolution of their respective perceptions, impressions and opinions in order to reveal the true extent of their non-British 'Germanic' viewpoint.

The aim of this research is to examine the much neglected body of writings on New Zealand and the Maori by German-speaking explorers and travellers during the colonising period of the 1840s to 1880s. To the nineteenth-century breed of visitor from Germany and Austria, 'Old' New Zealand often presented itself as an unexplored field of scientific curiosities, from botany and geology to ornithology and ethnology, at the same time as a paradise for immigrant workers. The investigation begins with an evaluation of the eighteenth-century account of Georg Forster, who accompanied Captain Cook on his second voyage to the South Pacific. Forster's account is entrenched in the early racial stereotypes and theories of the 'savage', and provides the first major primary source for all of German-speaking Europe up to the period under investigation. The second main source to be considered is the dominant 'paradise' image which evolved out of the propaganda of the New Zealand Company and continued right through the colonising era. The principal figures to be examined include Ernst Dieffenbach, the official Company naturalist, Friedrich August Krull, the first German Consul in New Zealand, Ferdinand von Hochstetter, the resident geologist on the Novara expedition, Julius von Haast, the founder and director of the Canterbury Museum, Andreas Reischek, the taxidermist and collector, as well as other notable visitors including Max Buchner, Franz Reuleaux, Otto Finsch, Alexander von Hübner and Robert von Lendenfeld. Thus, it is the goal of this investigation to analyse the perception of New Zealand and the Maori in selected works by German-speaking explorers and travellers who arrived in the colony between 1839 and 1889 through, first of all, confronting the prevailing stereotypes and images inherent in the philosophical attitudes of the eighteenth and nineteenth centuries towards the 'savage' and those present in the 'paradise' rhetoric of the British campaigners of colonisation, and secondly, examining the origins, patterns and evolution of their respective perceptions, impressions and opinions in order to reveal the true extent of their non-British 'Germanic' viewpoint.

The aim of this research is to examine the much neglected body of writings on New Zealand and the Maori by German-speaking explorers and travellers during the colonising period of the 1840s to 1880s. To the nineteenth-century breed of visitor from Germany and Austria, 'Old' New Zealand often presented itself as an unexplored field of scientific curiosities, from botany and geology to ornithology and ethnology, at the same time as a paradise for immigrant workers. The investigation begins with an evaluation of the eighteenth-century account of Georg Forster, who accompanied Captain Cook on his second voyage to the South Pacific. Forster's account is entrenched in the early racial stereotypes and theories of the 'savage', and provides the first major primary source for all of German-speaking Europe up to the period under investigation. The second main source to be considered is the dominant 'paradise' image which evolved out of the propaganda of the New Zealand Company and continued right through the colonising era. The principal figures to be examined include Ernst Dieffenbach, the official Company naturalist, Friedrich August Krull, the first German Consul in New Zealand, Ferdinand von Hochstetter, the resident geologist on the Novara expedition, Julius von Haast, the founder and director of the Canterbury Museum, Andreas Reischek, the taxidermist and collector, as well as other notable visitors including Max Buchner, Franz Reuleaux, Otto Finsch, Alexander von Hübner and Robert von Lendenfeld. Thus, it is the goal of this investigation to analyse the perception of New Zealand and the Maori in selected works by German-speaking explorers and travellers who arrived in the colony between 1839 and 1889 through, first of all, confronting the prevailing stereotypes and images inherent in the philosophical attitudes of the eighteenth and nineteenth centuries towards the 'savage' and those present in the 'paradise' rhetoric of the British campaigners of colonisation, and secondly, examining the origins, patterns and evolution of their respective perceptions, impressions and opinions in order to reveal the true extent of their non-British 'Germanic' viewpoint.

The aim of this research is to examine the much neglected body of writings on New Zealand and the Maori by German-speaking explorers and travellers during the colonising period of the 1840s to 1880s. To the nineteenth-century breed of visitor from Germany and Austria, 'Old' New Zealand often presented itself as an unexplored field of scientific curiosities, from botany and geology to ornithology and ethnology, at the same time as a paradise for immigrant workers. The investigation begins with an evaluation of the eighteenth-century account of Georg Forster, who accompanied Captain Cook on his second voyage to the South Pacific. Forster's account is entrenched in the early racial stereotypes and theories of the 'savage', and provides the first major primary source for all of German-speaking Europe up to the period under investigation. The second main source to be considered is the dominant 'paradise' image which evolved out of the propaganda of the New Zealand Company and continued right through the colonising era. The principal figures to be examined include Ernst Dieffenbach, the official Company naturalist, Friedrich August Krull, the first German Consul in New Zealand, Ferdinand von Hochstetter, the resident geologist on the Novara expedition, Julius von Haast, the founder and director of the Canterbury Museum, Andreas Reischek, the taxidermist and collector, as well as other notable visitors including Max Buchner, Franz Reuleaux, Otto Finsch, Alexander von Hübner and Robert von Lendenfeld. Thus, it is the goal of this investigation to analyse the perception of New Zealand and the Maori in selected works by German-speaking explorers and travellers who arrived in the colony between 1839 and 1889 through, first of all, confronting the prevailing stereotypes and images inherent in the philosophical attitudes of the eighteenth and nineteenth centuries towards the 'savage' and those present in the 'paradise' rhetoric of the British campaigners of colonisation, and secondly, examining the origins, patterns and evolution of their respective perceptions, impressions and opinions in order to reveal the true extent of their non-British 'Germanic' viewpoint.

Made available in DSpace on 2014-06-11T19:26:21Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-05-20Bitstream added on 2014-06-13T19:54:35Z : No. of bitstreams: 1 lima_ccr_me_fran.pdf: 1385718 bytes, checksum: 43bd0b708861182d6d621af1c8cc5897 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Propõe-se, nesta pesquisa, refletir sobre a formação do pensamento brasileiro no período que antecede ao denominado Romantismo, destacando a “participação”, durante o momento de passagem da colônia para país independente, da literatura de viagem no processo de formação da identidade nacional. Através da leitura de alguns periódicos que circularam no Rio de Janeiro no início do século XIX, mais precisamente entre a chegada da corte (1808) e o lançamento da revista Nitheroy (1836), pretende-se demonstrar como a formação da cultura escrita nacional esteve intimamente ligada à ideia que os europeus tinham dos trópicos. Para tanto, a proposta é mapear em tais periódicos as menções aos viajantes estrangeiros e ao conteúdo de suas narrativas, de modo a conhecer o que a intelectualidade carioca dos primeiros decênios dos oitocentos pensava das imagens do Brasil e dos brasileiros vinculadas nestes escritos / The objective of this work is to study the construction of the brazilian thought in the period that is right before the Romantism age, highlighting the participation of the type of literature known as 'travel literature' in the process of construction of the national identity when Brazil was being transformed from a colony into an independent country. Based on journals that were on circulation in the beginning of the 19th century, precisely in the period between the Court arrives in the country (1808) and the release of the magazine Nitheroy (1836), and conceiving them as the stands of the construction of the country identity, we aim to show how the formation of the national literature was attached to the idea that european people had about the tropical lands. For that matter, the purpose is to map in this periodics the messages for the foreign travellers and the content of this narratives, such as references, quotes and comments in order to indicate the books that the intelectuals from Rio de Janeiro read in the first decades of the 18th century

Orientador: Jean Marcel Carvalho França / Banca: Karen Macknow Lisboa / Banca: Denise Aparecida Soares de Moura / Resumo: Propõe-se, nesta pesquisa, refletir sobre a formação do pensamento brasileiro no período que antecede ao denominado Romantismo, destacando a "participação", durante o momento de passagem da colônia para país independente, da literatura de viagem no processo de formação da identidade nacional. Através da leitura de alguns periódicos que circularam no Rio de Janeiro no início do século XIX, mais precisamente entre a chegada da corte (1808) e o lançamento da revista Nitheroy (1836), pretende-se demonstrar como a formação da cultura escrita nacional esteve intimamente ligada à ideia que os europeus tinham dos trópicos. Para tanto, a proposta é mapear em tais periódicos as menções aos viajantes estrangeiros e ao conteúdo de suas narrativas, de modo a conhecer o que a intelectualidade carioca dos primeiros decênios dos oitocentos pensava das imagens do Brasil e dos brasileiros vinculadas nestes escritos / Abstract: The objective of this work is to study the construction of the brazilian thought in the period that is right before the Romantism age, highlighting the participation of the type of literature known as 'travel literature' in the process of construction of the national identity when Brazil was being transformed from a colony into an independent country. Based on journals that were on circulation in the beginning of the 19th century, precisely in the period between the Court arrives in the country (1808) and the release of the magazine "Nitheroy" (1836), and conceiving them as the stands of the construction of the country identity, we aim to show how the formation of the national literature was attached to the idea that european people had about the tropical lands. For that matter, the purpose is to map in this periodics the messages for the foreign travellers and the content of this narratives, such as references, quotes and comments in order to indicate the books that the intelectuals from Rio de Janeiro read in the first decades of the 18th century / Mestre

Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-04-26T17:33:52Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Tese (texto final) 2016.pdf: 2545308 bytes, checksum: 3437b7e4b7320b1ec910a0d22da4e8fc (MD5) / Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-08T15:10:07Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Tese (texto final) 2016.pdf: 2545308 bytes, checksum: 3437b7e4b7320b1ec910a0d22da4e8fc (MD5) / Made available in DSpace on 2017-05-08T15:10:07Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Tese (texto final) 2016.pdf: 2545308 bytes, checksum: 3437b7e4b7320b1ec910a0d22da4e8fc (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Universidade Federal do Rio de Janeiro, Faculdade de Educação, Rio de Janeiro, RJ / Intitulado Entre o convés e a escrivaninha: viagens, leituras e escritas de Bougainville e Diderot, este trabalho pretende analisar de que forma se constitui a literatura de viagem a partir de suas relações com o real, o fictício e o imaginário, verificando as relações entre Voyage autour du monde, de Louis Antoine de Bougainville, e os relatos de outros viajantes, analisando também de que forma esses mesmos relatos e outras referências influenciaram o imaginário individual e coletivo do viajante-escritor Bougainville na confecção de sua obra, reescrita no texto literário, classificado como conto filosófico, Supplément au voyage de Bougainville, de Denis Diderot. Partiremos de um estudo sobre o século XVIII – Século das Luzes – e os seus antecessores, a fim de compreendermos o projeto de viagem empreendido por Bougainville e o posicionamento filosófico de Diderot. A tese apresenta reflexões que se fazem necessárias, como: o papel da memória na produção do relato de viagem; as relações entre o viajante-escritor (quem lembra) e o leitor (quem imagina); as intertextualidades presentes nas duas obras analisadas, para que possamos diferenciar a viagem física e a viagem imaginária, bem como apresentar o jogo de leituras entre as duas obras; a apropriação da obra de Bougainville por parte do leitor Diderot / This research titled Entre o convés e a escrivaninha: viagens, leituras e escritas de Bougainville e Diderot aims to analyze how the literature travel begin the relationship with the real, fictitious and imaginary, checking the relations between Voyage autour du monde, Louis Antoine de Bougainville, and the other travelers' tale, also studying how these same reports and other references influenced the individual and collective imaginary about traveler-writer Bougainville in the production of his work, using reflection based on the literary text, Supplément au voyage de Bougainville by Denis Diderot, classified as a philosophical tale. We will start studying the eighteenth century, the Enlightenment, and its predecessors; aims to understand the travel project undertaken by Bougainville and the philosophical opinion of Diderot. This thesis presents reflections that are necessary, such as : the function of memory in the production of a travelogue; the relationship between the traveler-writer (who remembers) and the reader (who thinks); the intertextuality present in two works analyzed to possibility us to recognize the physical journey and the imaginary journey and present the game of readings between the two works; the appropriation of Bougainville work by the reader Diderot

Au coeur de la culture et de l’histoire européennes depuis plus de deux mille ans, le Rhin faitl’objet d’une abondante littérature. La fascination qu’il exerce s’accompagne généralementd’une focalisation sur certains secteurs de son cours dont la Suisse semble exclue, alors que lefleuve prend sa source dans ce pays et qu’il le traverse ou le longe sur environ 250 kilomètres.La Suisse étant, surtout depuis le milieu du XVIIIe siècle, une destination de voyage trèsprisée, l’objectif de notre recherche a été de savoir si l’intérêt apparemment limité pour leRhin helvétique valait également dans le domaine de la littérature de voyage. Basé surl’analyse de guides, d’ouvrages descriptifs et iconographiques et de récits de voyage, leprésent travail a pour objet de mettre en lumière les représentations du fleuve depuis sessources jusqu’à Bâle telles qu’elles ont été véhiculées par la littérature viatique européenne duXVe au XIXe siècle. Notre corpus ne se limitant pas à la sphère germanophone, nous abordonsl’image du Rhin suisse sous un angle comparatiste et proposons un panorama européen desreprésentations en question. Par ailleurs, notre enquête s’inscrit dans l’évolution de laperception du paysage, tant dans ses manifestations naturelles que culturelles, et s’efforce defaire ressortir l’influence de notions comme le sublime et le pittoresque sur les écrits que nosauteurs ont consacrés au tronçon helvétique du fleuve. / The Rhine, which has been in the heart of European culture and history for twothousand years, is the subject of a rich literature. The fascination it exerts goes generallytogether with a focus on some parts of its course of which Switzerland seems to be excluded,although the river springs up in this country and runs across it or along it for 250 km. AsSwitzerland has been a prized destination, particularly since the middle of the 18th century, thepurpose of this study was to know if the apparently limited interest for the Swiss Rhine alsoapplies to Travel literature. Based on the analysis of guide books, descriptive andiconographical books and travel accounts, the present work intends to bring out therepresentations of the river from its spring to Basel, and to show the way European Travelliterature from the 15th to the 19th century conveyed them. As our corpus is not limited to theGerman speaking area, we take up the Swiss Rhine with a comparative point of view andpropose a European panorama of the representations in question. Furthermore, ourinvestigations lie in the evolution of the perception of the landscape in its natural as much asin its cultural expressions, and try to show how notions such as the sublime and thepicturesque influenced the writings our authors consecrated to the Swiss part of the river.

Entre le XVIIIe et le XIXe siècle, la littérature européenne redéfinit fondamentalement son rapport au récit de voyage : les notions d’apprentissage et de formation, telles qu’elles apparaissent au temps des Lumières et du Bildungsroman, s’érodent et laissent peu à peu la place à des variations excentriques ou parodiques. En 1795, le Voyage autour de ma chambre de Xavier de Maistre exalte ainsi les vertus didactiques d’une réclusion contemplative. La mode du récit de voyage voit ainsi lui succéder, d’une part, des excursions sans profit pédagogique, et, d’autre part, des retraites riches en enseignement, malgré l’abolition de toute trajectoire physique. À la suite de Xavier de Maistre, plusieurs dizaines d’imitateurs composent à leur tour un répertoire peu exploré de la littérature française : le voyage de chambre. Après les révolutions qui frappent l’Europe et l’Amérique à la fin du XVIIIe siècle, un nouveau modèle de personnage, l’homme immobile, émerge ainsi dans la littérature. Caractérisé par sa présence problématique dans une société en pleine mutation, il occupe l’espace narratif en spectre, refusant de s’engager dans l’action tandis qu’il explore les nouvelles possibilités de vie dans un espace privé. Des textes essentiels de la littérature du XIXe siècle abordent ainsi, sur un mode euphorique ou dysphorique, ces nouvelles modalités narratives : la fiction américaine de la Nouvelle-Angleterre relate la pénible transition d’un âge spirituel vers un âge politique, caractérisée par un climat léthargique qu’observent avec stupeur, tour à tour, Charles Brockden Brown, Washington Irving, Edgar Allan Poe, Nathaniel Hawthorne ou Hermann Melville. Dans les marges de cette littérature inquiète, le mouvement transcendantaliste propose un retour heureux à la solitude. En France, À rebours de Joris-Karl Huysmans, à travers l’opiniâtreté dont témoigne l’auteur dans sa quête éperdue de l’unité, demeure sans doute l’œuvre quintessentielle parmi l’ensemble des récits de réclusion. / Between the eighteenth and nineteenth centuries, European literature fundamentally redefines its relation to travel writing: notions of apprenticeship and formation, as they appear during the age of Enlightenment and the Bildungsroman era, become eroded and are gradually replaced by eccentric or parodist accounts of the travel experience. In 1795, Xavier de Maistre’s Journey Around My Room enhances the educational virtues of a contemplative seclusion. From then, the tradition of travel writing is supplanted by stories of excursions that provide very little educational value, on the one hand; and stories of valuable teachings inherited by captivity, despite a lack of physical mobility, on the other hand. Inspired by Xavier de Maistre’s book, dozens of imitators follow his path throughout the XIXth century and write their own accounts of room travel, a little studied phenomenon in French literature. After the revolutions that hit Europe and America in the late eighteenth century, a new model of character, the immobile man, appears in literature. Characterized by his problematic presence in a fast-changing society, which is undergoing some very profound changes, he occupies the narrative space like a ghost, refusing to engage in social action, as he would much rather investigate the new opportunities of living in his own private space. Essential 19th-century texts—be they euphoric of dysphoric—hint at these new narrative modalities: American fiction from New England, for example, tells the painful transition from a spiritual age to a political age, characterized by a lethargic climate alternately depicted by Charles Brockden Brown, Washington Irving, Edgar Allan Poe, Nathaniel Hawthorne or Hermann Melville. On the margins of this troubled literature, the transcendentalist movement advocates a more favorable return to solitude. In France, Joris-Karl Huysmans’s A rebours, through its author’s determination in the search for unity, certainly marks an important milestone among all the narratives of reclusion.

Cette thèse établit un corpus de plus de quatre cents voyageurs et auteurs européens, passés ou non par Alep pendant la période ottomane (1516-1918), dont les œuvres évoquant la métropole syrienne relèvent de la littérature de voyage. Centre économique, religieux et culturel, situé à la croisée des routes entre l’Europe, l’Asie et l’Afrique, Alep est un lieu de séjour ou de passage pour de nombreux voyageurs aux motivations diverses. La mise en texte de leur expérience viatique peut prendre des formes variées et subit l’influence des modèles rhétoriques classiques, en particulier celui de l’éloge de la cité à l’origine d’un certain nombre de topoi : la ville est propre et bien bâtie, son air est pur, ses jardins agréables, ses habitants tolérants et raffinés. Ces clichés sont répandus dans le temps, dans l’espace et à travers plusieurs genres littéraires. Leur diffusion est favorisée par les pratiques intertextuelles, mais ils ne sont pas constitutifs d’un regard européen spécifique, les sources orientales orales et écrites intervenant dans la construction du savoir sur la ville. L’originalité d’Alep repose dans la rareté des souvenirs chrétiens, gréco-romains et croisés, qui entraîne une faible fréquentation au XIXe siècle malgré l’importance de la métropole. Ce paradoxe révèle ainsi ce que recherchent principalement les voyageurs européens : eux-mêmes à travers leur propre passé. / The thesis establishes a corpus of more than four hundred European travellers and authors, passed or not through Aleppo during the Ottoman period (1516-1918), whose works evoke the Syrian metropolis within travel literature. As economic, cultural and religious centre located at the crossroads between Europe, Asia and Africa, Aleppo is a place of transit or residence for many travellers coming for different motivations. Their travel accounts can take many forms and are influenced by classical rhetorical models, particularly the praise of the city generating some topoi: the city is clean and well built, its air is pure and its gardens pleasant, the inhabitants are refined and tolerant. These topoi are scattered in time, space as well as in many literary genres. Their diffusion is favoured by the intertextual practices, but they do not reflect a specific European perspective, as Eastern sources – oral and written – take part in constructing knowledge about the city. The originality of Aleppo lies in scarcity of Christian, Greco-Roman and Crusaders recollections, which leads to low presence in the nineteenth century despite the importance of the city. This paradox reveals what European travellers look mainly for: themselves through their own history.