中韓兩國國境相毗鄰，關係密切，因其文化交流之頻繁，早己形成一東方文化圈。古來，文化之中心為中國，韓國為中國文化圈之邊緣文化，有人更謂韓國文化及中國文化之一變型。 中國為文化古國，其政治、經濟、社會、學術、宗教等、自然影響及周邊國家，周邊國家吸收之後，又各依其國情而有不同之發展。或不待文化之自然傳播，而逕至該文化中心留學，作深入而有系統之薰習。韓國即受中國文化影響，且大量派遺留學生前往中國，彼等學習之範圍頗為廣，汎自儒學、佛教、朱子學、陽明學、考證學、乃至近代之天主教、西洋文，化皆直接沿襲於中國。 以是，吾人欲探討韓國之文化與學術，則必先瞭解中國之文化與學術，進而研究兩者之相關處。韓國方面，研究韓國文化者綦多，然關心於兩國文化之關係者較少；重以二次大戰以後，鼓吹民族自主性之呼聲甚，高而排擊事大主義之潮流遂風靡學學術界。故韓國學者往往偏重中國文化短處之檢討，而忽略其功能與長處。惟就學術而言，應同時顧及正面與反面，方可得其真相，此本論文所由作也。 為明悉中椲文化交流之真相，本論文特以司馬光之資治通鑑為題，分析其對於中韓學術之影響。資治通鑑問世之後，中國方面，形成通鑑學，自古以來，一直深受學人注意；而韓國方面，通鑑學東傳之後，亦普獲重視。然而，近世以還，韓國學人關心者少之又少，誠憾事也。 故筆者側重於闡發： （１）通鑑精神之變遷過程。 （２）通鑑學與當時政治、學術、思想之關係。 （３）通鑑學東傳以後之演變情形。 其中，尤注重通鑑精神中之正統論與華夷觀；於韓國通鑑學，則著力於通鑑東傳以後，通鑑精神之昇華過程。於通鑑學之考證與訓則非其所及。 本論文所利用之中國資料，以直接材料與通鑑之論著為主；韓國方面之參考文獻，率皆原始資料，又李朝時代之文集中，有相當豐富之相關篇什，亦酌予採用。 本論文，除導論、結論共分四章，前二章論中國之通鑑學，後二章敘述通鑑學東傳之後，於韓國方面之發展。今簡介如左： 導論：考察唐未以後與北宋前期中學術思想之潮流，所以見資治通鑑之著述淵源也。 第一章：研述司馬光撰修資治通鑑之環境，以及時代背景，發現資治通鑑并非單純之史書，而為政治教科書。於彼時政治狀況下，司馬光擁護傳統，以資治通鑑表達其政治理論，反對王安石之急進改革。而北宋皇帝亦皆認定資治通鑑之資治機能，多方關 心，并用為強化君主權之理論依據。 第二章：證明宋室南遷，與金國對峙中，朱子集新儒學之大成，一面樹立道統論，確定學術正統；一面撰著資治通鑑綱目，強調國家之正統，復主張華夷觀，鼓吹民族精神。而後略述元明之通鑑學。明亡，土夫之撰讀通鑑論，檢討中國歷中大之興亡原因，於，此特論船山先生之正統論、華夷觀、未來觀。 第三章：考究資治通鑑之東傳時期，約距資治通鑑初刊完成後三十∼五十年，蓋高麗仁宗時（代南宋初），金富軾已依資治通鑑撰三國史記故也。此後，高麗內憂外亂，資治通鑑不甚為人所重；迄高麗末、李朝初（元末明初），李成桂掌權，崇儒排彿，方大力吸收資治通鑑。既而，朱子學以及其通鑑綱目播遷，亦為李朝所信奉。因李朝熱心推廣通鑑學，於學術、教育、政治、印刷術之等造成極大影響。 第四章：說明通鑑學東傳後，於學術、思想之影響。由元末歷明朝（李朝前期），不獨吸收并模倣通鑑學，而修東國通鑑等書。及明末清初以降，李朝士大夫一者批評明商輅之續綱目，而崇奉朱子學以及朱子綱目，本其綱目凡例，撰修宋、元歷史，確立正統論、華夷觀，發揚朱子之精神。再者，尤強烈維持慕華思想，蔑視滿清之文化不似中華，自謂「小中華」，以中華文化保存者自任，發揮李朝之主體意識。 本論文之完成，蒙熊師翰叔、高師仲華、方師杰人之指導，舉凡資料之蒐集、大綱之擬定、文字之修飾，皆一一加以斧正；羅所長宗濤博士，亦多方校正、斟酌，裁成之德，曷曰敢忘。另有曹愉生、程南洲、王國良學長，梁煌儀、耿志堅同學之連夜校正，俾本論文順利付，梓并致謝忱。由於腹笥誠虛，疏漏之處，所在多有，望大雅大雅君子指教，匡我不逮。

Aristotle stated in his Poetics that theatre’s dual purpose was to educate and entertain. Centuries later the Roman Horace and Indian Bharata echoed his same sentiments. I intend to realize all three theorist’s ideas on the theatre by creating an original educational and entertaining work and bringing it to performance. The audience will retain information without being aware of learning if it is presented in a pleasurable way. The most important geopolitical relationship of this century will be between China and America. In order to educate the American public about the culture of The Middle Kingdom, I propose to write and direct my own play, condensing all three thousand years of Chinese literature into a one hundred and ten minute performance. I will benefit from the personal nature of this thesis by experiencing every stage of a play’s production: from idea to page to performance. My thesis will be made of three major parts: conceiving and writing the play, a journal of directing the debut production, and a third section made of choices, influences, and reflection on the entire experience. In this manner, the ideas swirling in my head may be made clear to others reading this thesis. The play itself will be a comical distillation of ten selected works of Chinese literature. Four non-gender specific American actors will seem to make up the show as it performs in a tongue-in-cheek way. Taking my stated goal of entertaining and educating the audience to heart, the overarching plot of the play will center on the four actors teaching the audience about the literature and culture of China by acting out scenes and telling stories. The information in the scenes will be targeted to a normal American citizen’s educational level with liberal doses of humor added. The four actors will be playing fictionalized versions of themselves and at times iv breaking character by explaining and setting up the theatricality of the piece to the audience. Part of the fun of the show will be seeing how these actors explain a subject as obtuse as Chinese literature to Americans. Perhaps a cooking metaphor is the best way to think of the play: I will chop up raw Chinese literature, the actors will boil it onstage, the theatregoer will consume the mix, and exit the theatre full of entertaining intellectual nourishment. My experiences directing and producing the finished play will be recorded in a journal as a resource for future directors. I imagine directing the play will be the most challenging aspect of this thesis. How is the play changed when other people interact with it? How will the audience receive it? In addition, Committee Chair Mark Routhier and my thesis Committee Members, Mark Brotherton and Tan Huaixiang, will also give written responses to the play’s performances. The play will be performed October 10-13, 2013 in the University of Central Florida’s Performing Arts Complex Studio 2 classroom. In the final section I will write a reflection on the entire process. This will serve the dual purpose of giving me a place to collect my thoughts and giving others a special insight to the growth they might experience when producing this play. Foremost among my influences in writing a play with this subject matter are the style and tone of The Reduced Shakespeare Company

本論文針對基督宗教宗徒教父作品之《十二宗徒訓誨錄》、《克來孟致格林多人前書》、《依那爵主教七封書信》，與早期天師道之經書《老子想爾注》、《大道家令戒》、《陽平治》中的蒙選思想，進行經典分析與比較研究。研究方法除了縱向的經典分析之外，亦採橫向主題討論與比較。在個案分析方面，本論文指出︰《十二宗徒訓誨錄》的蒙選思想特點是「遵守規範與誡命以確保選民身分」、「呈現出猶太基督徒的信仰跳躍」；《克來孟致格林多人前書》特點是︰「蒙選標準的改變︰義人vs.惡人」、「蒙選者的神祕數字」、「教會︰集體式的蒙選思想」；《依那爵七封書信》特點是︰「殉道與磨難是基督徒蒙選的記號」、「基督徒是天主之愛的果實」、「基督是唯一的天父之門」；《老子想爾注》特點是︰「道是有意志的至高神，祂的旨意是創造與救援」、「蒙選之人與偽技」、「恪遵道誡就是守約」；《大道家令戒》與《陽平治》特點是︰「天人盟約︰正一盟威之道」、「種民︰道教式的『選民』」、「種民︰與男女合氣或黃赤之術無關」。在橫向主題式的比較方面︰一、「盟約與蒙選」指出盟約是神（或道）的旨意與人的意願二合一的結果，這個觀點不僅見於三件宗徒教父作品中，也同見本研究分析之早期天師道經書中，同時，均明確強調「至誠之心」的重要性，而盟約也是祝福、並且神（道）與人雙方自願受束縛的表示。二、「罪與蒙選」指出宗徒教父時期延續以色列信仰傳統中創造、犯罪、盟約、蒙選的思想，但是「克來孟」或依那爵均高舉耶穌基督之血建立的新約的重要性。「種民」則是在罪惡世界中因奉法有功且積極行善，蒙老君揀選獲救的道民，儘管了不可得，但「道」並沒有放棄救援的意願。三、「蒙祝福的種嗣」方面，基督徒的「選民」具有濃厚的「種嗣」思想，而「種民」辭彙中亦有「罪惡世界中蒙祝福的種嗣」的意思，在天人符應過程中，是使天地再度出現太平氣的關鍵角色。 / This research focuses on the ideas of ‘the divine election’ in the following documents: the Didache, 1 Clement, 7 Epistles of Ignatius of Antioch, Lao-Zi Xiang’er Zhu(The Xiang’er commentary of the Dao-de Jin,老子想爾注), Dao-dao Jialing Jie (The Rules Governing the Family of the Dao,大道家令戒), Yiang-ping zhi ( The Diocese of Yangping, 陽平治). Both scriptural analysis and thematic comparative analysis are applied as the method of the research. The findings are as followed. In the scriptures, ideas of the ‘divine election’ are expressed with different distinguishing features: in the Didache, they are:’ keeping commandments for ensuring the chosen identity,’ ‘the leap-of-faith of the Jewish Christians;’ in 1 Clement they are: ‘righteousness vs. wickedness as the boundary of the election,’ ‘mysterious number of the elected,’ and ‘ecclesia: a collective idea of the divine election;’ in the Epistles of Ignatius of Antioch, they are: ‘persecution as a sign of the divine election,’ ‘Christian as a fruit of God’s Love,’ and ‘Christ, the door of the Father.’ In the Xiang’er Zhu, they are: ‘Dao, the supreme God, who’s will is to create and to save,’ ‘the elected people and the false skills,’ and ‘compliance to Dao’s precepts is to keep the Covenant;’ in the Jialing Jie and Yiang-ping zhi, they are: ‘ “Zhengyi mengwei zhi dao(正一盟威之道)” is the Covenant,’ ‘Zhong-min(種民), a Daoist expression of “the elected people”,’ and ‘zhong-min, a dignified and extraordinary identity and status unrelated to sexual rites.’ In the thematic analysis: 1. Covenant and the Election: (1) covenant as a union of wills of God and of man; highly emphasizes on whole-heartedness and sincerity; covenant as a divine blessing as well as an expression of the both sides’ willingness of being constrained. 2. Sin and the Election: (1) although clear inheritance of Israel’s faith tradition can be found in the Apostolic Fathers’ writings, 1 Clement and Epistles of Ignatius highly emphasis on the Blood of Christ and Jesus’ New Covenant. Whereas zhong-mins are the divine elected in the sinful world; though they are extremely rare, the Dao does not give up searching them for the purpose of saving the world out of the depths. 3. The Blessed Seeds: Christians’ ‘the elected people’ densely connotes ‘the seed people;’ both ‘zhong-min’ and ‘the elected’ connote ‘the blessed seed in the sinful world.’ Zhong-mins not only can survive eschatological catastrophe, but also function as the ones inducing Tai-pin Chi (太平氣) in the post-catastrophe world. They are the ones through which the Dao bestow the divine blessings upon the world.