To wield direct influence on the everyday lives of citizens, new political elites have often professed a profound interest in shaping the politics of dwelling. In the 1920s, Vienna’s Social Democrats built 400 communal housing blocks equipped with public gardens, theaters, libraries, kindergartens, and sports facilities, hoping that these facilities would serve as loci for “growing into socialism”. In the 1950s, housing construction in Berlin became a site of the Cold War. East Berlin’s social realist “workers palaces” on Stalinallee were meant to serve as an ideal flourishing ground for the “new socialist men and women”. In contrast, West Berlin's modernist Hansa-Viertel was designed to showcase an ideal dwelling culture and an urban environment that would cultivate individuality. This dissertation examines three historically situated and ideologically distinct responses to the housing question: social democracy in Red Vienna, state socialism in East Berlin, and liberal capitalism in West Berlin. It illuminates how political promises of a radical new beginning were translated into spatial arrangements—the private scale of the apartment and the urban scale of the city—as well as how citizens appropriated the social, political, and economic norms inherent to the new spaces they inhabited. More specifically, the following analyses demonstrate the fact that inherited social, technological, and economic practices have often subverted political visions of a radically different future. This was the case with pedagogy in Red Vienna’s municipal housing, instrumental reason in the form of Taylorism and Fordism in East and West Berlin’s mass housing, and gender relations in Red Vienna’s and East Berlin’s politics of dwelling. At the same time, this dissertation examines counter-spaces that emerged from the dialectics between political promises and actual socio-spatial realities, counter-spaces that both reflect critically on past hegemonic “politics of dwelling” and that foreshadow alternative political imaginations that are still relevant today. Of particular interest are counter-hegemonic practices of dwelling that embody possibilities of emancipation—of experiencing oneself as subject instead of object of social transformation, justice—of emphasizing considerations of equality and recognition, and radical democracy—of questioning power relations and of forming alliances among disadvantaged groups to transform everyday life.

To wield direct influence on the everyday lives of citizens, new political elites have often professed a profound interest in shaping the politics of dwelling. In the 1920s, Vienna’s Social Democrats built 400 communal housing blocks equipped with public gardens, theaters, libraries, kindergartens, and sports facilities, hoping that these facilities would serve as loci for “growing into socialism”. In the 1950s, housing construction in Berlin became a site of the Cold War. East Berlin’s social realist “workers palaces” on Stalinallee were meant to serve as an ideal flourishing ground for the “new socialist men and women”. In contrast, West Berlin's modernist Hansa-Viertel was designed to showcase an ideal dwelling culture and an urban environment that would cultivate individuality. This dissertation examines three historically situated and ideologically distinct responses to the housing question: social democracy in Red Vienna, state socialism in East Berlin, and liberal capitalism in West Berlin. It illuminates how political promises of a radical new beginning were translated into spatial arrangements—the private scale of the apartment and the urban scale of the city—as well as how citizens appropriated the social, political, and economic norms inherent to the new spaces they inhabited. More specifically, the following analyses demonstrate the fact that inherited social, technological, and economic practices have often subverted political visions of a radically different future. This was the case with pedagogy in Red Vienna’s municipal housing, instrumental reason in the form of Taylorism and Fordism in East and West Berlin’s mass housing, and gender relations in Red Vienna’s and East Berlin’s politics of dwelling. At the same time, this dissertation examines counter-spaces that emerged from the dialectics between political promises and actual socio-spatial realities, counter-spaces that both reflect critically on past hegemonic “politics of dwelling” and that foreshadow alternative political imaginations that are still relevant today. Of particular interest are counter-hegemonic practices of dwelling that embody possibilities of emancipation—of experiencing oneself as subject instead of object of social transformation, justice—of emphasizing considerations of equality and recognition, and radical democracy—of questioning power relations and of forming alliances among disadvantaged groups to transform everyday life.

The aim of this paper is to outline the share of airmen from the Czech lands in the formation, organizational and personnel construction, technical development and operational deployment of the Austro-Hungarian Air Force in the pre-war period and especially during World War 1. Simultaneously, this work will also try to determine their percentage share in the entire Austro-Hungarian Army and Naval Air Forces. The national (or provincial) origin of the personel of the Austro-Hungarian Air Force has not yet been the subject of historical research in any of the successor states. The reason was the fact that this young weapon was not statistically monitored - unlike other weapons. For Austrian historiography, the ethnic composition of the Austro-Hungarian aviation was not a subject of adequate attention. In Czech and Czechoslovakian historiography, for a long time, it was stated that number of the Czech airmen in the Austro-Hungarian Air Force was "insignificant". However, this age-old thesis, which has never been credibly proven, is subject to criticism in this work, leading to its re-evaluation. In particular, the reconstruction and analysis of statistically relevant samples of people revealed that in fact the representation of airmen from the Czech lands was above average and the Czechs had a solid...

This thesis deals with the analysis of the adult educational association activities in the Czech lands during the period of the monarchy ofAustria-Hungary (1848-1914). The Czech society was subjected to development being part of the multinational Habsburg Empire affected by the modernization process of the second half of the 19th century. The ideas of capitalism, industrialization and urbanization marked a series of changes in the economical, educational, political and cultural area. In the second half of the 19th century, the initially united national-emancipatory stream fell apart into separate trends of adult education. The process of centralization reached its climax together with the forthcoming adult education specialization. All the cultural engagement resulted in the founding of the Union of adult education (Svaz osvětový). The thesis takes a closer look at the physical education and women adult education activities and the national unions activities. An analysis follows of the main characteristics of the pre-war adult education: the intricate co-existence with the German nationals, the culture link to the political interests or copying foreign models. The final chapter places the adult education in the years 1848-1914 into the context of the following development during the period of the...

The topic of this diploma thesis is the feeding of soldiers of the Austro-Hungarian Army during the period of the First World War. The aim was to analyze this topic from the perspective of ordinary actors - soldiers and non-commissioned officers. The thesis is structured into six parts leaving aside the introduction and the conclusion. The first chapter treats some psychological aspects of the alimentation within the thematic scope of this thesis. The second part continues with text dedicated to the eating habits of the Czech society at the beggining of the 20th century being as the starting point of the cultural change, which was a draft to the army. It is followed by an introduction to the military environment while emphasis is placed on the social and emotional connotations of meals. The next part focuses on war fatigue and misery, which turned the ladder of moral and market values upside down and caused a deep transformation of society. The last chapter compares the different approaches to the resources inside of the Austro-Hungarian Army to the dietary standards of the allied and hostile armies, while focusing on the effect on the morale and companionship of soldiers. As for its sources, the thesis relies on the Czech written sources of personal nature from the Czech soldiers of the...

English abstract The master's thesis compares aspects of British, French, and Austro-Hungarian pictorial propaganda at the beginning of the Great War and its argumentation and influence. By comparing 100 propaganda pictures (ex. various posters, newspaper illustrations, postcards, etc.) made by each of the countries, the thesis describes various image distinctions in three areas of research: concerning the dominant motives of the posters, concerning the human values and emotions, which the posters influenced, and concerning the usage of national signs in these media. Keywords: First world war, propaganda, posters, Great Britain, France, Austro-Hungary, comparative study

The purpose of the thesis is to look at the reality of an Italian-speaking refugee during the First World War, when people were forced to evacuate the Trentino region and were moved within the Austro-Hungarian Empire. The thesis will look closely at the diary of an Italian-speaking refugee, starting with his evacuation from Trentino and continuing to his arrival and permanence in the northern Bohemian city of Jablonné v Podještědí. The paper will also explore the internal migration movements and efforts made by the Habsburg Empire, with special regard to the experiences of Italian- speaking refugees. The diary of the man known as Sannicoló will be used to give a microhistorical study and perspective of his move from Rovereto, Italy to the city of Jablonné v Podještědí. His reality as an Italian-speaking refugee and citizen of the Habsburg Empire will be briefly compared with what is generally known of the refugee situation within the Austro-Hungarian Empire and that of other Italian- speaking refugees, to determine the degree of success of his integration into the local population's community. Key Words: internal migration; Italian-speaking refugees; Austro-Hungarian Empire; First World War; microhistory; diary.

A la charnière des XIXe et XXe siècles, Berta Zuckerkandl (1864-1945), salonnière et journaliste autrichienne, participa activement à établir des échanges artistiques, culturels et politiques entre la France et l'Empire austro-hongrois. Alors que ses liens familiaux avec Georges Clemenceau lui permirent d'entrer en contact avec les artistes et intellectuels parisiens qu'il fréquentait - Rodin, Carrière, Raffelli, Geffroy..., son salon rassemblait à Vienne quelques-uns des acteurs emblématiques de la Wiener Moderne - Bahr, Klimt, Wagner, Mahler...-, formant le noyau d'un vaste réseau social européen. Porte-parole de la Sécession viennoise, Zuckerkandl s'imposa également comme l'une des critiques d'art les plus productives de son temps, guidant les artistes et initiant le public à l'art moderne, en s'appuyant sur les initiatives françaises pour orienter le développement de l'art. Cette étude vise ainsi à mettre en lumière son rôle dans la dynamique des échanges artistiques entre Vienne et Paris. Elle apporte d'abord des éléments biographiques éclairant la place privilégiée de Zuckerkandl à la rencontre des cultures française et autrichienne. Elle montre ensuite son implication au sein des cercles artistiques autrichiens et offre une analyse détaillée d'un corpus d'écrits sur l'art moderne. Elle expose enfin les résultats de ses interventions en faveur de la promotion des artistes français et de la réception de leurs oeuvres en Autriche, mettant en lumière les objectifs artistiques, culturels et politiques poursuivis par Zuckerkandl, décidé à préserver la culture autrichienne à l'épreuve de la guerre et de la chute de l'Empire austro-hongrois. / At the end of the 19th and beginning of the 20th century, Berta Zuckerkandl (1864-1945), Austrian salonnière and journalist, engaged actively in artistic, cultural and political exchanges between France and the Austro-Hungarian Empire. Being on familiar terms with Georges Clemenceau gave her the opportunity to exchange ideas with artists and intellectuals in Paris, including Rodin, Carriere, Raffaelli, and Geffroy. Her salon in Vienna gathered some of the most pioneering personalities of the Wiener Moderne...- Bahr, Klimt, Wagner, Mahler...- and thus formed the centre of a vast social network within Europe. Being a spokeswoman of the Vienna Secession, Zuckerkandl established herself as one of the most active contemporary art critics. She guided artists and introduced the public into modern art by drawing on French initiatives to influence the art's development. The present study thus aims at highlighting her role in the dynamic artistic exchange between Vienna and Paris. It will first present Zuckerkandl's biography in order to draw attention to her privileged position in the exchange of the French and Austrian cultures. Secondly, it will show her impact on artistic Austrian groups and provide a detailed analysis of a corpus of selected documents dealing with modern art. It will finally discuss her interventions in favour of French artists and the reception of their works in Austria by highlighting the artistic, cultural and political aims pursued by Zuckerkandl, who was determined to preserve the Austrian culture despite the war and the collapse of the Austro-Hungarian Empire.

The goal of this study is to describe the way Austria-Hungary followed to create and develop a modern navy in 1897-1914, and to determine, which factors were decisive in creating the final composition of the fleet. As the base for the research, a number of works related to the subject were studied, but far more important was detailed research of primary sources located in Austrian State Archives. The main line of the research as well as of this study follows negotiations on navy's budgets because of the assumption that the very base for building ships and developing the navy are financial resources. Among the more important subtopics are the way the navy had to award producers form both state, Austria and Hungary, with adequate portion of contracts, the Austro-Italian naval arms race, and the structure of the Austro- Hungarian fleet. The research revealed, that the ideal fleet as imagined by the commanders of the navy was a product of theories concerning a decisive battle and naval supremacy then widely widespread, and of the rivalry with Italy. However, the extent to which the ideal could have been followed, depended on the economic situation of both states; in the process of discussing and voting navy's budgets, the decisive word belonged to governments, not to delegations. The way the navy had...

The endeavor of this thesis is to throw light on the portrayal of women by the Austrian-Jewish writer Joseph Roth. Roth’s women are regarded as highly negative and thus the author has increasingly been judged a male chauvinist and misogynist. This opinion seems particularly questionable since hardly any studies on his fictitious women have ever been conducted. The present study aims at filling that void and thereby presenting Roth’s views in a more differentiated manner. A new approach to Roth is thus called for. The analysis draws from the socio-historic background in which Roth’s work is situated. In his journalism as in his fiction, Roth strived to demonstrate and deal with the challenges of the times he lived in. His work frequently revolves around the “damaged” post-war generation in the 1920s and 30s, the feeling of being literally and metaphorically homeless. His later works are mostly set in the past, although this should not be viewed as escapism but as an attempt to come to terms with present reality. The worlds he portrays are dominated by men who are neither whole nor strong. But although women are few and it is said they are depicted only in crude stereotypes, the study shows that Roth does address their problems and plights. By observing women within established types, modern and traditional, it is revealed that Roth indeed shows depth when characterizing women, and that his interest in them is to use them as examples to illustrate fundamental aspects of the human condition. Rather than portraying them subservient to man, Roth demonstrates their common humanity. His understanding for the condition of women in his times often becomes apparent only when the narrative perspective is isolated from the protagonists. Simultaneously his work presents a valuable literary contribution for Gender Studies. / Classics & Modern European Languages / (D. Litt. et Phil.) (German)