Spiritual, mystic and natural boundaries haunt the writings of Henri Bosco. Critics such as Bachelard have studied Bosco's interpretation of the natural elements and noted his sensitive portrayal of the protagonists with a focus on their unconscious desires by the use of this device. In Le Mas Theotime Bosco has unleashed his artistic and poetic creativity in addition to his passion for nature. Indeed, of all of Bosco's novels, perhaps this one exemplifies the quintessential harmony of man with nature. As suggested by Jean-Claude Godin: " ... il n'y a que dans Le Mas Theotime oil elles soient veritablement au coeur du recit ... La reverie de la terre debouche alors sur toutes les images de l'intimite heureuse." (Godin 176) It is also the essence of Provence, its legends and its natural beauty that plays an integral role in this novel. Not only does Bosco explore the natural elements, but he also explores the religious myths that so influence our society. This thesis will explore, through a symbolic and religious interpretation, the boundaries which prevail throughout. Le Mas Theotime incorporates Bosco's true genius as a writer who brings to his reader the possibility of a personal rendition and view of the story. His is not a straightforward and evident recollection of events, but rather a voyage through and involvement in the lives and minds of the characters.

Henri Bosco a consacré une part importante de son œuvre à une enfance qu’il rêve « entre autobiographie et fiction ». L'ami imaginaire y fait figure de véritable compagnon de songes. L'enfance que la plume de Bosco rejoue sans cesse est une figure obsédante du Paradis Perdu. On y rencontre Pascalet, Antonin ou encore Constantin, les doubles fictifs de l’auteur, mais aussi Hyacinthe, Marie et Gatzo, les compagnons du songe enfantin, leurs hôtes intimes.L’imaginaire du double construit le personnage enfantin comme si l'identité du héros ne devait être complète que dans le jeu de miroir que provoque l'autre en soi. L'identité multiple et bien souvent androgyne que Bosco accorde à l'enfant peut être lue comme un don particulier de l'enfance, un don qui se perd, comme l'innocence des premiers temps bibliques, et que Bosco met en scène pour recréer un paradis terrestre profane: celui de l'enfance. L’enfance du double, temps fabuleux et primordial, fait aussi figure de hantise lorsque le personnage peuplé d’êtres intimes glisse vers un âge adulte obsessionnel, envahi par l’inquiétant étranger en soi. Les identités en expansion des personnages enfantins doublés par leurs compagnons imaginaires sont peut-être en elles-mêmes l'espace du paradis perdu de l'enfance que l’adulte ne peut plus capturer, ou seulement en songes... / Henri Bosco devoted a significant part of his works to a childhood that he dreams “between autobiography and fiction”. Amongst these works, the imaginary friend stands as a true dream companion. The childhood sketched over and over by Bosco’s quill is an obsessive figure of the Lost Eden. There, we can meet Pascalet, Antonin, or even Constantin, the fictive counterparts to the author, as well as Hyacinthe, Marie and Gatzo, companions of the childish dream, their private hosts. The fantasy of the double builds the childish character as if the hero’s identity shan’t be complete but for the specular split that is brought by the Other in the Self. The multiple – and often, androgynous – identity that Bosco grants to the child can be read as a peculiar gift of childhood. This gift can be lost, just like the innocence of biblical times, and is staged by Bosco in order to recreate a secular paradise: childhood. The double’s childhood, as a fabulous and primordial time, can also be haunting when the character – inhabited by intimate beings – is slowly sliding towards an obsessive adulthood, beset by the uncanny stranger within. The expanding identities of the childish characters, doubled up by their imaginary companions, might be the lost paradise of childhood, unseizable by the adult, otherwise in his dreams…

No description available.

Orientador: José Roberto Zan / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-24T22:13:06Z (GMT). No. of bitstreams: 1 Pinho_MarcioGiacomin_M.pdf: 46131821 bytes, checksum: 801306083592ea33c2e783aa2c29b833 (MD5) Previous issue date: 2014 / Resumo: Este trabalho é resultado da análise do LP Tiro de Misericórdia, de João Bosco, lançado pela RCA Victor em 1977. As onze canções que compõem o álbum, todas de autoria de João Bosco e Aldir Blanc, tratam de aspectos do cotidiano dos subúrbios da cidade do Rio de Janeiro, com ênfase na boemia alegre e cruel que caracteriza essas áreas. Através das composições, os autores montam um mosaico de narrativas sobre o amor, os sonhos, a memória, a melancolia, a religiosidade e a violência, construídas a partir de códigos, símbolos e valores da cultura popular. O LP apresenta certa unidade demarcada pela relação existente entre a primeira faixa, "Gênesis (Parto)" e a última, a que dá nome ao disco, "Tiro de Misericórdia". O objetivo principal da pesquisa é verificar de que modo essa produção da dupla traduz a ideia, construída nos anos de 1970, de que a cultura popular e, mais especificamente, a malandragem se constituíam num campo estratégico de resistência à ordem social e política ilegítima que se expressava na vigência do regime ditatorial militar no país / Abstract: This work is a result of the analysis of João Bosco¿s LP Tiro de Misericórdia (RCA Victor, 1977). All the songs were composed by João Bosco and Aldir Blanc, and feature aspects of the suburban routine of the city of Rio de Janeiro, with a focus on the happy and cruel bohemia that characterizes these areas. Through the songs, the composers assemble a narrative mosaic about love, dreams, memory, melancholy, religiosity and violence, built from the codes, symbols and values of popular culture. The LP¿s unity is given by the relationship between the first track, "Gênesis (Parto)" (birth) and the last one, that names the album, "Tiro de Misericórdia" (mercy shot). The main goal of the research is to verify in which way this duo¿s work translates the idea, built in the 1970s, that the popular culture and, specifically, the Brazilian "malandragem" are formed in a strategy field of resistance to the illegitimate social and political order of the military dictatorship regime in Brazil / Mestrado / Fundamentos Teoricos / Mestre em Música

Cette thèse cherche à cerner, dans Malicroix d’Henri Bosco, le cheminement qui préside à l’écriture du récit lui-même. Dans ce dessein, nous utilisons une approche poïétique qui s’intéresse à « l’œuvre en train de se faire », selon l’expression de René Passeron. Nous considérons ainsi l’œuvre comme une poétique d’auteur sous forme fictionnelle. La perspective phénoménologique que nous adoptons permet d’étudier le texte sous l’angle de la perception, alors que la mythocritique offre un point de vue privilégié pour réfléchir la perception du monde – particulièrement le monde textuel – par le biais du sacré et de son imagerie. Reconstruisant pas à pas la double structure – horizontale et verticale – du récit, nous nous penchons sur divers aspects de l’œuvre et du processus scriptural. L’horizon de lecture forme le premier chapitre de notre thèse et donne lieu à une vue triple sur le récit : l’histoire et les personnages, le contexte spatio-temporel et le point de vue du mythe comprenant le mythe fondateur du récit et le scénario initiatique qui en découle. Nous regroupons dans le deuxième chapitre l’élaboration de deux notions qui fondent notre étude poïétique, soient les figures et les chronotopes. Les figures consistent en deux groupes, les figures de l’écrivain et celles de l’expression qui jouent des rôles distincts dans le cheminement scriptural et s’inscrivent dans Malicroix par le biais des personnages. L’étude des chronotopes divise le récit en onze temps-espace qui constituent la trame d’un cheminement des figures suivant le parcours du texte. Le troisième chapitre détaille cette traversée des chronotopes qu’effectuent les figures, dessinant le chemin de l’écriture dans le texte selon onze situations successives. Le dernier chapitre de cette étude comporte deux parties. La première met en lumière une poétique d’écrivain bosquienne comme l’auteur la formule dans un bref article intitulé « L’exaltation et l’amplitude ». La seconde, le point d’arrivée de notre étude, intègre les données de la poétique d’écrivain au cheminement des onze situations, fournissant une description des étapes du processus scriptural que suit Bosco en écrivant Malicroix. / This thesis schematizes, in Malicroix by Henri Bosco, the process that presides to the writing of the novel itself. Using a poietic approach, we consider the text as a writer’s poetic that takes a fictional form. A phenomenological perspective allows us to study the novel from the point of view of perception, and mythocritique enables us to reflect on the perception of the world – especially the world of the text – through the angle of the sacred and its symbols. Reconstructing the horizontal and vertical structures of the novel, we reflect on diverse aspects of the text and of the scriptural process. The reading horizon constitutes the first chapter of our thesis and offers a triple view on the novel: the story and the characters, the spatiotemporal context and the mythical point of view. In the second chapter are elaborated two central notions, the figures and the chronotopes. Two groups of figures emerge, one associated with the writer as creator of the text and the other, with the process of expression. The figures play distinct roles in the conception and expression and are represented in Malicroix by way of the characters. The chronotopes study divides the novel in eleven times-spaces that constitute the basis of the figures’ progression through the text. The third chapter details how the figures cross the chronotopes’ series, drawing the scriptural route inscribed in eleven successive situations in the text. The last chapter contains two parts. The first examines the writer’s poetic that Bosco published under the title « L’exaltation et l’amplitude ». The second, which constitutes the final objective of our study, integrates the elements of this writer’s poetic in the eleven successive situations, producing a description of the stages of the scriptural process followed by Bosco while writing Malicroix.

Annotation: The presented work deals with the contemporary Salesian education on the background of pedagogical principles of the preventive system of Don Bosco, which was formulated as a response to concrete historical conditions of life and needs of young boys in Turine in the second half of the 19th century and was based on a personal experience of a young priest and tutor John Bosco. The goal of the work is to ascertain through an analysis of the contemporary Salesisan education and concrete activities of Czech Salesian Youth Centres, whether and in what extant the Salesian activities can be considered as a social pedagogical work. The work is divided into five parts. Part One is focused on the historical context of the origin of the Salesian movement, whereas Part Two on the preventive system, as was applied by Don Bosco in his work. Part three is dedicated to the contemporary Salesian education and Part Four describes the functions, methods and forms of work in Czech Salesian Youth Centres. In Part Five I examine through the analysis of the contemporary Salesian education and activities of selected Czech Salesian Youth Centres, whether and in which extant the Salesian activities reflect and fulfil social pedagogical aspects of youth work. Key words: Social pedagogical work; Bosco Giovanni; Salesians of...

No meio acadêmico internacional, há décadas, discussões vem sendo empreendidas, especialmente pela Sociologia e pela Antropologia, em defesa de uma outra ciência possível, que considere plenamente as crianças como protagonistas e participantes da vida em sua totalidade, e, como desdobramento disso, em suas pesquisas. Mais recentemente, pesquisadores da Geografia vem se colocando nesta arena de vozes, como sujeitos enunciativos da Geografia da Infância, defendendo que as crianças não apenas estão no espaço geográfico ou o ocupam, mas, se apropriam dele, bem como o produzem. Neste ínterim, nos embrenhamos pelas sendas da Geografia da Infância, campo de estudo que está se constituindo no Brasil desde o início do presente século e, ao mesmo tempo, nunca estará constituído, porque processo feito COM as crianças, seres humanos plenos, impassíveis de catalogação. A pesquisa de doutorado que ora apresentamos foi realizada junto com vinte crianças moradoras do Bairro Dom Bosco, em Juiz de Fora - MG. Bairro que, conforme o Plano Diretor do município, é uma Área de Especial Interesse Social (AEIS), apresentando condições precárias de habitabilidade. Contudo, o Dom Bosco tem sido impactado, sensivelmente, pelo que chamamos de reestruturação capitalista do espaço, de modo mais contundente a partir da década de 1990 - com a instalação e ampliação de equipamentos urbanos segregacionistas e o aumento da especulação imobiliária. Em 2008, a população do bairro Dom Bosco viu de muito perto a inauguração do primeiro shopping de padrão luxuoso de Juiz de Fora, o Independência Shopping, bem em frente de suas portas e janelas (aqueles que as tem). O aparente progresso não conferiu ao Dom Bosco sair do rol dos bairros mais empobrecidos da cidade, continuando a ser um bairro de ausências relativas a infra-estruturas mínimas de habitabilidade. E, pelo contrário, a chegada do Shopping removeu a maior área de lazer pública a que a população do bairro Dom Bosco tinha acesso, a Curva do Lacet. Nossa entrada no bairro e os primeiros contatos com as crianças, pouco a pouco, foram nos encaminhando a uma problemática central de pesquisa: O que é o bairro Dom Bosco para as crianças que nele moram? Com seus desenhos, impregnados de suas falas pulsantes de suas vidas, as crianças nos possibilitaram alcançar nosso objetivo pautado em apreender as lógicas utilizadas por elas para delimitar o Dom Bosco delas. As crianças participantes nos mostraram que suas definições de bairro não se alinhavam aos limites político-administrativos do poder público e aos ditames das iniciativas privadas e nos levaram à busca de uma teoria que pudesse dialogar com o que elas nos revelaram. Disso, surgiu nossa aproximação com a teoria histórico-cultural de Lev Semionovitch Vigotski, que, certamente, desvela-se também espacial. Para além do escopo construído a priori, as crianças do bairro Dom Bosco nos apresentaram suas geografias, nos instigaram a pensar num conceito de Bairro- Vivência e, assim, contribuíram para o estado da arte da Geografia da Infância. / In the international academic world, for decades, discussions are being undertaken, especially in Sociology and Anthropology in defense of another possible science, which considers the children as protagonists and participants of life in its entirety, and as a extension that, in their research. More recently, geography researchers has been putting in this arena of voices as enunciative subject of Geography of Childhood, arguing that children are not only in the geographic space or occupy it, but that they also take possession of it, as well as they produce it . Meanwhile, we engage in the paths of Geography of Childhood, field of study that is forming in Brazil since the beginning of this century and at the same time it will never be fully complete because the process is being done WITH the children: full human beings, impassive of cataloging. The doctoral research presented here was conducted with twenty children living in the suburb of Dom Bosco, in Juiz de Fora-MG. According to the urban planning of the city, is a Special Area of Social Interest (AEIS), with precarious living conditions. However, Dom Bosco has been impacted significantly by what we call capitalist restructuring of space, more forcefully from the 1990s - with the installation and expansion of segregationist urban infrastructure and increasing property speculation. In 2008, the population of the Dom Bosco saw very closely the opening of the first luxury pattern shopping mall of Juiz de Fora, \"Independência Shopping\", right in front of your doors and windows (for those who have it). The apparent progress not allowed Dom Bosco leaves the ranks of the poorest neighborhoods of the city, continuing to be a region of absences on minimum infrastructure habitability. Instead, the arrival of the mall removed the largest public recreation area that the Dom Bosco neighborhood population had access, the Lacet curve. Our entry in the neighborhood and the first contacts with children, little by little, were directing us to a central problem of the research: What is the Dom Bosco neighborhood for children who live in it? With their drawings, impregnated with pulsating lines of their lives, the children enabled us to achieve our goal guided to grasp the logic used by them to delimit what Dom Bosco is for them . The participating children showed us that their neighborhood definitions are not aligned to political and administrative boundaries of government and the dictates of private initiatives and led us to search for a theory that could dialogue with what they showed us. Hence, it arose our approach to the historical-cultural theory of Lev Semionovitch Vygotsky, that certainly is revealed also spacial. Beyond the extents built a priori, Dom Bosco\'s neighborhood children presented us their geographies, inspiring us to think of a Neighborhood-Experience concept and thus contributed to the state of the art of Geography of Childhood.

No meio acadêmico internacional, há décadas, discussões vem sendo empreendidas, especialmente pela Sociologia e pela Antropologia, em defesa de uma outra ciência possível, que considere plenamente as crianças como protagonistas e participantes da vida em sua totalidade, e, como desdobramento disso, em suas pesquisas. Mais recentemente, pesquisadores da Geografia vem se colocando nesta arena de vozes, como sujeitos enunciativos da Geografia da Infância, defendendo que as crianças não apenas estão no espaço geográfico ou o ocupam, mas, se apropriam dele, bem como o produzem. Neste ínterim, nos embrenhamos pelas sendas da Geografia da Infância, campo de estudo que está se constituindo no Brasil desde o início do presente século e, ao mesmo tempo, nunca estará constituído, porque processo feito COM as crianças, seres humanos plenos, impassíveis de catalogação. A pesquisa de doutorado que ora apresentamos foi realizada junto com vinte crianças moradoras do Bairro Dom Bosco, em Juiz de Fora - MG. Bairro que, conforme o Plano Diretor do município, é uma Área de Especial Interesse Social (AEIS), apresentando condições precárias de habitabilidade. Contudo, o Dom Bosco tem sido impactado, sensivelmente, pelo que chamamos de reestruturação capitalista do espaço, de modo mais contundente a partir da década de 1990 - com a instalação e ampliação de equipamentos urbanos segregacionistas e o aumento da especulação imobiliária. Em 2008, a população do bairro Dom Bosco viu de muito perto a inauguração do primeiro shopping de padrão luxuoso de Juiz de Fora, o Independência Shopping, bem em frente de suas portas e janelas (aqueles que as tem). O aparente progresso não conferiu ao Dom Bosco sair do rol dos bairros mais empobrecidos da cidade, continuando a ser um bairro de ausências relativas a infra-estruturas mínimas de habitabilidade. E, pelo contrário, a chegada do Shopping removeu a maior área de lazer pública a que a população do bairro Dom Bosco tinha acesso, a Curva do Lacet. Nossa entrada no bairro e os primeiros contatos com as crianças, pouco a pouco, foram nos encaminhando a uma problemática central de pesquisa: O que é o bairro Dom Bosco para as crianças que nele moram? Com seus desenhos, impregnados de suas falas pulsantes de suas vidas, as crianças nos possibilitaram alcançar nosso objetivo pautado em apreender as lógicas utilizadas por elas para delimitar o Dom Bosco delas. As crianças participantes nos mostraram que suas definições de bairro não se alinhavam aos limites político-administrativos do poder público e aos ditames das iniciativas privadas e nos levaram à busca de uma teoria que pudesse dialogar com o que elas nos revelaram. Disso, surgiu nossa aproximação com a teoria histórico-cultural de Lev Semionovitch Vigotski, que, certamente, desvela-se também espacial. Para além do escopo construído a priori, as crianças do bairro Dom Bosco nos apresentaram suas geografias, nos instigaram a pensar num conceito de Bairro- Vivência e, assim, contribuíram para o estado da arte da Geografia da Infância. / In the international academic world, for decades, discussions are being undertaken, especially in Sociology and Anthropology in defense of another possible science, which considers the children as protagonists and participants of life in its entirety, and as a extension that, in their research. More recently, geography researchers has been putting in this arena of voices as enunciative subject of Geography of Childhood, arguing that children are not only in the geographic space or occupy it, but that they also take possession of it, as well as they produce it . Meanwhile, we engage in the paths of Geography of Childhood, field of study that is forming in Brazil since the beginning of this century and at the same time it will never be fully complete because the process is being done WITH the children: full human beings, impassive of cataloging. The doctoral research presented here was conducted with twenty children living in the suburb of Dom Bosco, in Juiz de Fora-MG. According to the urban planning of the city, is a Special Area of Social Interest (AEIS), with precarious living conditions. However, Dom Bosco has been impacted significantly by what we call capitalist restructuring of space, more forcefully from the 1990s - with the installation and expansion of segregationist urban infrastructure and increasing property speculation. In 2008, the population of the Dom Bosco saw very closely the opening of the first luxury pattern shopping mall of Juiz de Fora, \"Independência Shopping\", right in front of your doors and windows (for those who have it). The apparent progress not allowed Dom Bosco leaves the ranks of the poorest neighborhoods of the city, continuing to be a region of absences on minimum infrastructure habitability. Instead, the arrival of the mall removed the largest public recreation area that the Dom Bosco neighborhood population had access, the Lacet curve. Our entry in the neighborhood and the first contacts with children, little by little, were directing us to a central problem of the research: What is the Dom Bosco neighborhood for children who live in it? With their drawings, impregnated with pulsating lines of their lives, the children enabled us to achieve our goal guided to grasp the logic used by them to delimit what Dom Bosco is for them . The participating children showed us that their neighborhood definitions are not aligned to political and administrative boundaries of government and the dictates of private initiatives and led us to search for a theory that could dialogue with what they showed us. Hence, it arose our approach to the historical-cultural theory of Lev Semionovitch Vygotsky, that certainly is revealed also spacial. Beyond the extents built a priori, Dom Bosco\'s neighborhood children presented us their geographies, inspiring us to think of a Neighborhood-Experience concept and thus contributed to the state of the art of Geography of Childhood.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-05-02T13:54:02Z No. of bitstreams: 1 gabriellimamonteiro.pdf: 14455700 bytes, checksum: 16c8a70b471df4a873837d513d7f1c3b (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-06-02T15:57:56Z (GMT) No. of bitstreams: 1 gabriellimamonteiro.pdf: 14455700 bytes, checksum: 16c8a70b471df4a873837d513d7f1c3b (MD5) / Made available in DSpace on 2016-06-02T15:57:56Z (GMT). No. of bitstreams: 1 gabriellimamonteiro.pdf: 14455700 bytes, checksum: 16c8a70b471df4a873837d513d7f1c3b (MD5) Previous issue date: 2014-10-02 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O Bairro Dom Bosco está localizado em um dos principais eixos de crescimento da cidade. A valorização da terra urbana, a partir da extração da renda fundiária, faz com que o bairro enfrente atos que enfraquecem os direitos básicos à vida, o que especialmente afeta a população mais tradicional e pobre. A reestruturação do espaço, ao mesmo tempo em que contribui, é resultante da intensificação da produção capitalista do espaço alicerçada a uma lógica global, que se orienta sob os preceitos do atual estágio de acumulação flexível de capital. O espaço se fragmenta ao mesmo tempo em que vê elevar seu valor de troca. Este fato induz ao processo de segregação socioespacial, visto que, a maximização dos valores de troca produz benefícios desproporcionais para alguns grupos e diminui as oportunidades para outros. O Estado por sua vez utiliza de seus instrumentos para garantir a acumulação de capital em detrimento às condições de vida dos moradores do Dom Bosco. É neste contexto que a comunidade do bairro se organiza e luta pelo direito à cidade, equilibrando a correlação de forças com o Estado capitalista e alcançando conquistas que fortalecem sua permanência em seu local de origem. / The Dom Bosco neighborhood is located in one of the main growth centers of the city. The value of urban land, from the extraction of land rent, confronts the neighborhood with acts that undermine the basic rights of life, a situation especially affecting the more traditional and poorer population. The restructuring of space, while conveying benefits, is the result of intensified capitalist production of space, grounded in a global logic guided by the precepts of the current stage of flexible capital accumulation. The space is being fragmented at the same time that it is seeing an increase in its market value. This fact leads to the process of socio-spatial segregation, since the maximization of market values produces disproportionate benefits for some groups and decreases opportunities for others. The state in turn uses its instruments to ensure capital accumulation to the detriment of living conditions for the residents of Dom Bosco. It is in this context that the neighborhood community is organizing and struggling for the right to the city, balancing the correlation of forces with the capitalist state, and achieving successful results that strengthen its permanence in its place of origin.

Orientador : Agueda Bernadete Bittencourt Uhle / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-07-28T11:22:47Z (GMT). No. of bitstreams: 1 Meschiatti_JoseEduardo_M.pdf: 16397337 bytes, checksum: 4bd3146fb73274778aa2a0a092f06236 (MD5) Previous issue date: 2000 / Mestrado