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21	Utan dans? : danskunskap i ett expanderat perspektiv Stövind, Jörgen January 2022 (has links) Without dance? – dance knowledge in an expanded perspective The vocational dancer education in classical ballet's subject-specific intended learning outcomes means many years of dance training that requires sacrifices in other school subjects and other hobbies, without work guarantee. There are more dancers than there are jobs, which is why many people stop dancing after graduation. The survey’s purpose is to investigate what happens over time with the dance knowledge that is generated during the vocational dancer education. Is it still relevant to the person's sphere of life even outside a dance context? Five people, who completed the vocational dancer education in classical ballet in 2011 and 2012 and stopped dancing after graduation, are interviewed. The results are analyzed with a phenomenographic approach, the description categories or result are analyzed to a final outcome space, which indicates, through the ballet´s genre-determined structure and a cognitive thought pattern that is characterized by a given construction to understand the meaning of structure, a unique and profound body knowledge and social adaptability as a consequence of the education. Dance practice enables social adaptability, a visualization of people's complex reality, the understanding of the value of taking varying perspectives to manage and adapt to different people and social contexts. ballet classical ballet dance dance pedagogy problem solving cognition academic skills vocational education vocational dance education balett klassisk balett dans danspedagogik problemlösning kognition akademiska förmågor yrkesutbildning yrkesdansarutbildning Pedagogy Pedagogik Learning Lärande
22	I gränsen mellan repetition och praktik : En praktiknära studie av verket Suit of Dances (1994) Blad, Levi January 2024 (has links) The purpose of this study is to, within an artistic process, investigate a dance practice and how the process is enriched by the interaction with three experts within the field of dance pedagogy. Furthermore, it discusses aspects from the process that can be applied in dance education. Methods that are used is autoethnographic perspectives and self-reflective writing in the studio before inviting experts to three unique practical interviews. The results are an intense movement analysis from the work in the studio and deep interaction on the work with three interviews that highlight things such as bodily exploration, musicality and reflection on practice. The study’s conclusion is that a method for ballet class inspired by Creative movement can enrich dance education with reflexivity, but the study also highlights the importance of repetition of movement. / <p>En praktisk föreläsning av arbetet hölls 16 maj i studio 16 på Brinellvägen 58.</p> Artistic process practice dance dance pedagogy education autoethnography ethnography reflexivity material Creative movement Classical ballet Johann Sebastian Bach Jerome Robbins Michael Baryshnikov. Konstnärlig process praktik dans danspedagogik pedagogik autoetnografi etnografi reflexivitet material Kreativ rörelse klassisk balett Johann Sebastian Bach Jerome Robbins Michael Baryshnikov. Performing Arts Scenkonst Pedagogy Pedagogik

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Utan dans? : danskunskap i ett expanderat perspektiv

I gränsen mellan repetition och praktik : En praktiknära studie av verket Suit of Dances (1994)