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51	Le geste martial comme expérience : esthétique de l’« être-là »-ninja / The martial gesture as experience : aesthetics of "being-here"-ninja Hmida, Salah 29 September 2018 (has links) Il s’agit, dans ce travail, de trouver le geste qui renouvelle l’identité cicatrisée que le «guerrier » en nous recherche, à travers la pratique martiale définie comme habitation holiste d’un corps-soit, ce que Varela appelle « l’inscription corporelle de l’esprit ».Un être, par l’effet d’un art et par la compréhension de « l’expérience de l’expérience » que constitue la performativité du geste en général, peut-il jamais faire Un avec les choses qui l’entourent et qui l’enveloppent ? Il y a à parier que s’il y arrivait, il lui serait donné de saisir à la fois le caractère mythique des choses en tant qu’il est immanent à leur présence et cette présence en tant qu’oeuvre existentielle. L’art martial ninja constitue une telle réussite. Cette thèse en interroge les effets … / This work consists in finding the gesture that renovates the healed identity, a “worrior” withinus is looking for, through a martial practice defined as a holistic dwelling of a body-being.This is what Varela calls “the corporeal inscription of the spirit”.Is a being able to make one with the things surrounding and covering it, through the effect ofart and the comprehension of “the experience of the experience”, that the performativity of thegesture generally constitutes? It would bet, if possible, that it would be able of creating, at thesame time, the mythic aspect of things, having been inherent to their presence, and creatingthis presence as an existential art-workNinja martial art builds such a success, the effects of which are questioned by this thesis... La mythologie L’identité cicatrisée L’expérience La cicatrice La cicatrisation L’intelligence corporelle La martialité Les stratégies La ruse Les tactiques Les ninjas La magie La facitivité La corporéité Le geste La présence L’inexpérience Mythology Healed identity Experience Thes scar Wound healing Corporeal intelligence Martiality Strategies Cunning Tactics Ninjas Magic Facticity Corporeality The gesture The presence The inexperience
52	Seeing it Straight Harvey, Heather 01 January 2007 (has links) This Master of Fine Arts thesis is divided into four main sections:FAITH and DISBELIEF: In which I reckon with the implications of faith versus rationality as a secular nontheistic artist. IDEAS: The central locus of my work is a place of indeterminacy between what is known/familiar and what is just one step outside of that. This has nothing to do with mysticism, science fiction, or anything else unmoored from established fact. Section also touches on the particular vantage of a female artist with working class roots.THE WORK: Selection of work made during graduate school, and the the guiding thoughts behind each.EMPTINESS, STILLNESS, ABSENCE, GHOSTS, DOUBT: A discussion of influential artists and ideas. sacred faith disbelief doubt funny transformation strange humor secret comical silly nontheism skepticism playful catholic secular working class philosophy ethics aesthetic myth painting sculpture installation site specific emptiness absence ghosts chaos erotic violent gross mortal corporeal mourning doubt indeterminate mystery ambiguity uncertainty sensual strange infrastructure architecture abeyance transient fleeting liminal intangible unseen gothic ostranenie uncanny undecided quiet ineffable atheism mold holes decay loss damage Art and Design Arts and Humanities

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Le geste martial comme expérience : esthétique de l’« être-là »-ninja / The martial gesture as experience : aesthetics of "being-here"-ninja

Seeing it Straight