[pt] A dissertação visa abordar basicamente duas questões relativas à poética de Manuel Bandeira, a partir da troca de correspondência entre o poeta e Mário de Andrade. A primeira delas diz respeito à correspondência propriamente dita, entendendo-se essa correspondência como a enunciação de uma fala que será devolvida por outro, construindo-se, assim, um discurso que estabelece relações mútuas e interferências socioculturais. A segunda questão abordada refere-se à análise da concepção bandeiriana de poética, confrontando-a com sua própria experiência, como a poética concebida foi realizada e que meios foram utilizados para tal efeito, discutindo os elementos de tensão - morte e inspiração - sob a ótica do próprio Bandeira, demonstrada através de suas cartas e realizada na sua poesia. / [en] The aim of this master s thesis is to discuss two questions related to the poetics of Manuel Bandeira, using the correspondence between the poet and Mário de Andrade as the research material. The first question deals with the actual correspondence between the two, the correspondence understood here as an enunciation which is to be returned by the other, constructing thus a discourse which establishes mutual relations and sociocultural interferences. The second question refers to the analysis of the bandeirian concept of poetics confronted with the poet s own life experience, taking into account the way the poetics were realized and the tools that were used to create given effects. Elements of tension - death and inspiration - are discussed from the point of view of Bandeira himself, as revealed in his letters and realized in the poetry.

Submitted by Márcio Maia (marciokjmaia@gmail.com) on 2016-08-09T21:59:00Z No. of bitstreams: 1 arquivototal.pdf: 4525235 bytes, checksum: 8e03ea506ecf16dc504f82ba53f27aef (MD5) / Made available in DSpace on 2016-08-09T21:59:00Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 4525235 bytes, checksum: 8e03ea506ecf16dc504f82ba53f27aef (MD5) Previous issue date: 2015-12-17 / The objective of this research is to analyse letters from teachers published in Paraíba‟s newspapers between 1864 and 1889. It is composed of a corpus containing 10 letters published in the following newspapers: O Publicador, O Tempo, O Liberal Parahybano, Jornal da Parahyba e Gazeta do Sertão. The basis of this research is on the perspective of the new cultural history, considering that the analysis started from the characteristics of the content and its form, as letters from teachers published in Paraíba‟s newspapers from the eighteen hundreds, since it is a written practice and representative objects of the determined historic period. The Theoretical background for the development of this research was Roger Chartier, with his concepts of written practice and representation. Also, Michel Foucault, by means of concepts of power and resistance. The letters were juxtaposed with other sources, such as the law and regulations of the time; the reports of Paraíba‟s province President; and letter writing manuals. By means of the published letters, the teachers found a way to interact with the imperial society. Either by complaining, protesting, or by disseminating their crafts and thanking for provided services. The strategies used the teachers to write the letters to the newspapers make evident the teaching‟s representations and social practices in Paraíba during the time of the empire. / Este trabalho tem como objetivo analisar as cartas de professores publicadas nos jornais da Paraíba no período de 1864 a 1889. É composto de um corpus de 10 cartas de professores publicadas nos seguintes jornais: O Publicador, O Tempo, O Liberal Parahybano, Jornal da Parahyba e Gazeta do Sertão. Esta pesquisa tomou como base a perspectiva da Nova História, considerando que a análise se deu a partir das caracterizações do conteúdo e das formas das cartas de professores publicadas nos jornais paraibanos oitocentistas, já que são práticas de escritas e objetos de representação de um determinado momento histórico. O referencial teórico para o desenvolvimento dessa pesquisa foi Roger Chartier, com seus conceitos de prática de escrita e de representação, e Michel Foucault, por meio dos conceitos de poder e resistência. As cartas foram justapostas com outras fontes, tais como leis e regulamentos da época, relatórios dos presidentes de província da Paraíba e manuais de escrever cartas. Por meio das cartas publicadas nos jornais, os professores encontraram uma forma de interagir na sociedade imperial, seja reclamando ou protestando, seja divulgando seus ofícios ou agradecendo os serviços prestados. As estratégias utilizadas pelos professores para escrever cartas nos jornais evidenciam as representações e práticas sociais da docência no Império na Paraíba.

Il lavoro offre l’edizione critica e commentata del carteggio inedito tra Carlo Betocchi e Giovanni Raboni, disteso lungo un arco cronologico trentennale, fra il 1953 e il 1982. Esso consta di trecentododici lettere, centocinquantasei per ciascun corrispondente, e di un cospicuo numero di allegati: duecentotrentatre testi poetici (circa novanta inediti), quattro saggi e sette lettere, delle quali tre di Betocchi indirizzate ad altri destinatari e quattro a firma di Giambattista Vicari, Gianfranco Contini e Tommaso Landolfi. L’edizione critica presenta in calce a ogni documento un apparato suddiviso in tre fasce: la prima riporta le notizie materiali relative al documento stesso, la seconda accoglie le correzioni dell’autore e altre informazioni, come per esempio le lezioni originali corrette a testo, e la terza è riservata a essenziali note di commento necessarie per contestualizzare e interpretare il contenuto delle lettere. L’introduzione che precede la corrispondenza riporta la descrizione del carteggio, ne riassume i principali temi e propone riflessioni intorno al rapporto tra i due poeti, alla loro vita, alla produzione poetica. La corrispondenza permette di osservare da vicino, seguendone le fasi cronologiche, il rapporto tra un maestro e un discepolo (è stato proprio Betocchi infatti a ‘scoprire’ il giovanissimo Raboni e a farlo conoscere) e di approfondire la vicenda umana e letteraria di due importanti figure del panorama culturale novecentesco. / The paper offers a critical and commented edition of the unpublished over thirty years correspondence between Carlo Betocchi and Giovanni Raboni (1953-1982). It consists of three hundred and twelve letters, one hundred fifty-six for each correspondent, and a large number of attachments: two hundred and thirty texts (about ninety of which unpublished), four essays and seven letters. Three of them are written by Betocchi to other recipients and four are signed by Giambattista Vicari, Gianfranco Contini and Tommaso Landolfi. The apparatus at the end of each document is divided in three parts: (1) the material informations of the document itself; (2) the corrections of the author and other information, such as the original text-correct lessons; (3) essential commentary necessary to contextualize and interpret the content of the letters. The introductory chapters describe the correspondence, summarize the main themes and reflect on the relationship between the two poets, their life, poetic production. The center of this correspondence is the mentor-disciple relationship in its chronological development. The young Raboni indeed owes his reputation to Betocchi. Through their letters literary and human facets of two important figures of the Italian twentieth century cultural panorama are critically shown.

Orientador: Wilton Carlos Lima da Silva / Banca: José Miguel Arias Neto / Banca: Áureo Busetto / Resumo: Clóvis Bevilaqua é um dos juristas brasileiros mais importantes do século XX. Além de criar o Código Civil de 1916, produziu diversos trabalhos acadêmicos de cunho jurídico e filosófico, trabalhou como consultor jurídico no Ministério das Relações Exteriores, participou de instituições culturais e, de um lugar privilegiado no centro das decisões administrativas nacionais , testemunhou movimentos políticos , econômicos e sociais . A correspondência do jurista é uma fonte importante na tentativa de compreensão de sua trajetória: um nome esquecido que transitou entre o Império e a República, que conquistou um lugar no campo intelectual , jurídico e literário brasileiro. / Abstract: Clovis Bevilaqua is one of the most important brazilian lawyer in twenty century. Besides he creates first brazilian civil code, wrote a lot of juridical and philosophical academic works, was lawyer in State Department and living in national administrative decisions center , was a partner of cultural institutions and saw political , economical and social changes and movements. Bevilaqua's correspondence is an important source of understanding of his trajectory: a forgotten name of transition between Empire and Republic , but its name is present in brazilian intellectual, juridical and literary fields. / Mestre

To make a survey of this issue qualitative approach was chosen, using the method of semi-standardized interviews by Diocesan charity in České Budějovice. 6 female volunteers, who are active pen pals with prisoners, took part in the research. The coordinator of this project was also interviewed to get general view of this issue. The objective of the thesis was to find out how is the project Prison correspondence being developed in Czech prisons. Another objective was to find out how female volunteers view the risks associated with participation in the project.

Truth and Justification in Donald Davidson’s Philosophy”. In this paper, I attempt to discuss the tensions that exist in Davidson’s work between hisconception of beliefs as veridical by nature and its radical opposition to epistemictheories of truth. With this purpose, I introduce two modalities of philosophicalelucidation: analytic non-reductive elucidation and connective elucidation. I alsoclaim that these two modalities are characteristic of two periods of Davidson’sway of dealing with the concept of truth. I attempt to show that the considerationof these two types of elucidation allows shedding light on the way in whichDavidson’s work deals with the problem of truth and on the particular abovementionedtension. / En este artículo me propongo tratar la tensión existente en la obra deDavidson entre su concepción de las creencias como verídicas por naturaleza ysu radical oposición a las teorías epistémicas de la verdad. Para ello introduzcodos modalidades de elucidación filosófica, elucidación analítica no reductiva yelucidación conectiva y sostengo que caracterizan dos periodos en el tratamientode Davidson del concepto de verdad. Me propongo mostrar que la consideraciónde estos dos tipos de elucidación permite echar luz sobre el tratamientodel problema de la verdad en la obra de Davidson y sobre la particular tensiónanteriormente mencionada.

La correspondance d’Antonin Artaud (1896-1948) occupe une place essentielle dans ses écrits. Elle montre sans doute mieux que ses autres textes la singularité de son expression. Cette thèse examine le rôle joué par sa correspondance, rôle dont on admet l’importance mais encore insuffisamment exploré. À partir de la publication de la Correspondance avec Jacques Rivière (1924), commencée à la suite du refus de Rivière de publier les poèmes d’Artaud, celui-ci publie lettres ou textes épistoliers comme si cela pouvait remplacer ses œuvres dans lesquelles il n’arrive pas à exprimer sa réalité à cause de la maladie dont il souffre : il refuse les œuvres « détachée[s] de la vie » et croit pouvoir mieux s’exprimer dans les lettres. L’expression épistolière est pour lui un moyen de faire entendre le « cri même de la vie » et de lutter contre « un sentiment de gratuité ». Toutefois, il n’est pas évident que, bien qu’elle soit ancrée dans des situations réelles, la correspondance puisse fonctionner comme Artaud le souhaite; il s’avère plutôt qu’elle a pour lui un statut ambigu dans les années 1920 et 1930. Le chapitre 1 aborde ce problème sous deux aspects : l’authenticité et la temporalité. Dans ses lettres, on constate qu’Artaud se plaint très souvent de l’incompréhension de ses destinataires vis-à-vis de sa douleur; ses lettres n’en garantissent pas, pour eux, l’authenticité et l’équivoque y revient sans cesse. Pour lui, l’authenticité doit être prouvée par l’adéquation de l’écriture épistolière avec le présent. Mais sa maladie, ainsi que le fait que les lettres ne sont que des écrits, empêchent la réalisation de cette adéquation. Ses lettres ne parviennent à transcrire que sa hâte et le décalage temporel. Ainsi, loin de témoigner de sa réalité brute, sa correspondance devient tentative de couvrir ce décalage, de trouver la réalité qu’il n’arrive pas à saisir, son vrai moi, originel et intact. Pour cela, Artaud recourt à des éléments imaginaires en exigeant toujours le contact immédiat, d’où le rôle paradoxal de ses lettres. Le chapitre 2 examine le problème de la destination. La présence des autres est nécessaire à Artaud pour penser, pour compléter son manque. Ses destinataires sont ainsi des dépositaires de son moi. Mais ses lettres s’adressent, au-delà des destinataires réels dont la présence n’est qu’imaginaire, à l’instance transcendante, à l’Autre comme le remarque Vincent Kaufmann dans L’Équivoque épistolaire, instance qui lui donne accès à l’expression et lui restitue son identité. Ses destinataires (critiques, autorités religieuses, hommes politique, médecins, etc.), autoritaires et paternels, sont des figures de cet Autre. Par ailleurs, ses destinataires féminines et amoureuses sont pour lui des moitiés qu’il faut s’incorporer pour retrouver l’unité originelle. Ses lettres d’amour sont ainsi marquées par son désir violent de fusion. Pourtant, l’union amoureuse expose en même temps l’unité de son moi à la perte dans le flot de choses. Les lettres sont aussi écrites pour introduire une distance.L’enjeu de ses lettres de voyage, étudiées au chapitre 3, est de réaliser les deux mouvements inverses (rapprochement et éloignement). Les pays lointains constituent pour Artaud l’ailleurs métaphysique où retrouver son unité originelle. Pendant ses voyages au Mexique (1936) et en Irlande (1937), ses lettres sont comme une scène pour l’avènement de sa nouvelle identité, scène où se rencontrent l’au-delà et l’ici-maintenant. C’est ici que son usage paradoxal des lettres atteint son sommet car la réalisation du « vrai drame » signifie, comme il le prophétise, la disparition du monde matériel et donc aussi celle de l’écriture épistolière. Ses lettres mettent en scène leur propre disparition qui coïncide curieusement avec son arrestation à Dublin et le commencement de sa vie asilaire (1937-1946)...... / The correspondence of Antonin Artaud (1896-1948) occupies an essential place in his writings. It shows probably better than his other texts the singularity of his expression. This dissertation examines the role played by his correspondence, the importance of which is admitted, but still insufficiently explored. From the publication of the Correspondence with Jacques Rivière (1924), that started following the refusal of Rivière to publish the poems of Artaud, he publishes letters or texts in epistolary style as if they could replace his works in which he is unable to express his own reality because of his illness : he refuses works "separated from life" and believes he can better express himself in letters. The epistolary expression is for him a way to make the "cry of life" heard and to fight against the "feeling of lack of cause". However, it is not clear that, although anchored in real situations, the correspondence can function as Artaud wants. Rather, in the 1920s and 1930s, its position for him is ambiguous.Chapter 1 approaches this problem in two aspects : the authenticity and the temporality. In his letters, we can see Artaud complain very often of his addressees’ misunderstanding about his pain. His letters do not prove its authenticity, and the ambiguity always goes into them. For him, the authenticity must be proven by the accord of his writings with the present time. But his illness, as well as the fact that the letters consist of words, prevent the realization of this accord. His letters can transcribe only his hustle and time gaps. Thus, far from showing his raw reality, the correspondence becomes an attempt to cover these gaps, to find the reality that he cannot seize, his true self, original and intact. To do this, Artaud uses imaginary elements, still asking for the immediate contact, which makes the role of his letters paradoxical. Chapter 2 examines the problem of destination. The presence of others is necessary for Artaud to think, to complete his lack. His addressees are depositories of his self. But his letters are addressed, beyond actual addressees whose presence is after all imaginary, to the transcendent instance, to the Other as notes Vincent Kaufmann in L’Équivoque épistolaire, instance that allow him access to the expression and restores his identity. His addressees who are authorities and paternal (critics, religious leaders, statesmen, doctors, etc.) are figures of the Other. In addition, the female addressees who are his lovers are his halves that must be incorporated to find again the original unity. His love letters are so marked by his strong desire of fusion. Yet at the same time, the union by love exposes his unity to loss in the flow of things. Letters are also written in order to introduce a distance. The issue of his travel letters, discussed in Chapter 3, is to make simultaneously the two opposite movements (close and away). Distant countries represent for Artaud metaphysical places where he should find his original unity. During his travels in Mexico (1936) and Ireland (1937), his letters are like a stage for the advent of a new identity, stage where meet the beyond and the here-now. It is here that the paradoxical use of letters reaches the peak, because the realization of the "real drama" means, as prophesied he, the disappearance of the material world and therefore that of the letters. His letters direct their own disappearance, which curiously coincides with his arrest in Dublin and the beginning of his life in asylums (1937-1946)....

Esta pesquisa tenciona apreender a moda das roupas, e afins, na obra de Marcel Proust, À la Recherche du temps perdu. Este escopo desdobra-se num exame sobre a fundação da estética proustiana da moda das roupas, assim como no exame acerca da história das roupas e sua função identitária, e no exame das vestimentas de importantes personagens femininas. O pensamento de Gilles Deleuze mostra-se presente em diversas etapas do trabalho, colaborando na costura do vestido proustiano. / This research intends to capture the fashion of clothes and related subjects in the Marcel Prousts romance À la Recherche du temps perdu. The scope of this work is unfolded in an investigation on the foundations of the Proustian clothing fashions aesthetic, as well as the examination about the history of clothing and their identity role, and as well as the garments of important female characters. Ideas of Gilles Deleuze show up at various stages of this research, collaborating in Proustian fashion dress

Este é um trabalho de revisão. Os principais formalismos no desenvolvimento da teoria de cordas são introduzidos e discutidos: a corda bosônica e as supercordas no formalismo de Ramond-Neveu-Schwarz e no formalismo de Green-Schwarz. São introduzidas também as açôes efetivas no limite de baixas energias das D-branas (ação DBI) e das teorias de supergravidade (D=10,11). Por fim, são analisados alguns aspectos da correspondência AdS/CFT, enunciando a conjectura e introduzindo algumas das entradas do dicionário. Os apêndices contêm tópicos de grande relevância para o texto e podem ajudar a esclarecer vários raciocínios e passagens ao longo do mesmo. / This is a review work. The main formalisms on the development of string theory are introduced and discussed: the bosonic string and the superstrings formalisms of Ramond-Never-Schwarz and Green-Schwarz. The effective actions in the low energy limit of the D-branes (DBI action) and supergravity theories (D=10,11) are introduced as well. Finally, some aspects of the AdS/CFT correspondence are analised, enunciating the conjecture and introducing some entries of the dictionary. The appendices contains some topics that are highly relevant for the whole text and may help clarify several ideas and arguments through it.

Analisa as funções do arquivo como esfera pública informacional, tendo como fundamento teórico a Teoria da Ação Comunicativa, de Jurgen Habermas. Destaca a importância do direito à informação e acesso às informações arquivísticas na construção da cidadania. Reflete sobre a função social dos arquivos na gestão da informação, e seu papel de mediador das informações públicas, garantindo a transparência das ações do Estado, na consolidação da democracia. A partir do estudo das correspondências remetidas pelos cidadãos, para o Prefeito de Porto Alegre, Olívio Dutra, entre os anos de 1988 e 1990, analisa os conteúdos informacionais e as estratégias de comunicação utilizadas pelos cidadãos como forma de participação e de controle sobre ações governamentais. As cartas são tratadas como narrativas dos cidadãos, pois elas são uma forma de comunicação com o governo municipal, além de darem visibilidade aos problemas do cotidiano da cidade e outros temas de interesse coletivo. Conclui que os arquivos públicos como fontes de informações são elementos essenciais para garantir o acesso às informações públicas e auxiliar na ampliação da cidadania, pois subsidiam os cidadãos para a participação no debate público sobre os temas de interesse da sociedade. / This work examines the role played by archives as an informational public sphere, based on Jurgen Habermas’s concept of Public Sphere. It stresses the importance of the right to information and access to archivistic information on construction of citizenship. It reflects upon the social role played by archives on information management and as mediator of public information, guaranteeing the transparency of the actions taken by the State in consolidating democracy. Based on the study of letters sent by citizens to Porto Alegre Mayor Olívio Dutra in 1988, 1989 and 1990, the work examines the informational content and communication strategies they use as a way of participation and control government actions. Letters are seen as citizen’s narratives, since they are a way to communicate with the Municipal Government, besides pointing out everyday problems in the city as well as other issues of collective interest. It concludes that public archives as sources of information are essential elements to guarantee access to public information and help to broaden citizenship, since they assist citizens in their participation in the public debate on issues of interest for society, configuring an informational public sphere.