In historical cryptology, cleartext represents text written in a known language ina cipher (a hand-written manuscript aiming at hiding the content of a message).Cleartext can give us an historical interpretation and contextualisation of themanuscript and could help researchers in cryptanalysis, but to these days thereis still no research on how to automatically detect cleartext and identifying itslanguage. In this paper, we investigate to what extent we can automaticallydistinguish cleartext from ciphertext in transcribed historical ciphers and towhat extent we are able to identify its language. We took a rule-based approachand run 7 different models using historical language models on ciphertextsprovided by the DECRYPT-Project. Our results show that using unigrams andbigrams on a word-level combined with 3-grams, 4-grams and 5-grams on acharacter-level is the best approach to tackle cleartext detection.

This Master thesis is about building-related public art as future cultural heritage and its management, preservation, and digital accessibility from a value perspective. Furthermore, the aim is to develop proposals for a management model and public tools that could benefit the accessibility of public art and thus also its preservation. A management model that provides an overview of management objects of public art and that can be shared with the public to create understanding, participation, and interaction. The thesis includes a critical report on the planning of a GIS project. GIS is a geographic information system, it provides tools for creating, editing, and analyzing data.The purpose of the critical report is to highlight that GIS can be used in an easily way but also requires a critically reflexive approach. The approach in the GIS project is critical, interdisciplinary and the mapping is based on cultural presence as a method. The result shows that geographic Information Systems (GIS) is a useful tool and can be easily use with the free ArcGIS software. There is some of the areas that GIS users need to handle as risk analysis, legislation, interdisciplinary and intercultural perspective. It is important that the material created with GIS is shared with the public to create understanding, participation, and interaction. Thus, it is relevant to contextualize the content from a historical perspective and in relation to the present and the target group. Therefore, is important to keep in mind that norms and values change over time and that making the material available can mean reaching a global audience, an intercultural approach could be beneficial.

Abstract: This thesis takes the literary periodical the Montreal Review of Books (mRb) as a starting point to study the trends characterizing literary translation in Anglo-Québécois literature. Starting from a corpus comprising paratextual information on literary translations reviewed in the mRb and literary reviews from the periodical between 2000 and 2020, the author offers preliminary diachronic analyses of trends in source languages and publishers of literary translations, an overview of the most important figures of translation in Anglo-Québec, as well as the evolution of translation reception in the Anglo-Québécois literary system. The thesis is methodologically characterized by its use of digital humanistic approaches, both in terms of data gathering (web scraping, Python) and analysis (distant reading with the help of AntConc, network analysis assisted by Gephi, basic statistical analyses with Excel). -- Résumé: Ce mémoire prend comme point de départ le périodique littéraire la Montreal Review of Books (mRb) afin d'analyser les tendances qui caractérisent la traduction littéraire dans le système littéraire anglo-québécois. L'analyse part d'une base de données comprenant les informations paratextuelles des traductions littéraires recensées dans la mRb et les comptes rendus littéraires entre 2000 et 2020. À partir de ces données, l'autrice effectue une analyse diachronique préliminaire des langues de départ et des maisons d'édition des traductions littéraires, ainsi qu'un aperçu des grandes figures de la traduction en Anglo-Québec et de l'évolution de la réception de la traduction dans ce système. Le mémoire se démarque sur le plan méthodologique par l'utilisation des approches en humanités numériques pour la collecte (le moissonnage, Python) et l'analyse de données (la lecture à distance assistée par AntConc, l'analyse de réseau avec Gephi et les analyses quantitatives de base à l'aide d'Excel).

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The creation of a digital model of a physical artifact can be a viable method for preserving physical artifacts from deterioration. The purpose of this thesis is to explore how to make digital artifact creation more accessible to non-scanning experts in order to expand the field of historical preservation to all people. The goal of the thesis is to determine which method of digital artifact capture produces the highest fidelity digital artifact while balancing user accessibility, cost, and usability. This study analyzed this through the creation of an online survey that asked participants to compare models created utilizing various digital capture methods. The results of the survey suggest that photogrammetry is currently the best method of high-fidelity digital artifact creation that balances accessibility, cost, and usability. The results also suggest that photogrammetry is effective at creating digital models of small artifacts with characteristics that typically cause errors in data capture and three-dimensional model creation. These results support the potential for democratizing digital artifact creation to include the contributions of non-experts from all communities and backgrounds, potentially deepening historical knowledge.

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No description available.

This work in the field of digital literary stylistics and computational literary studies is concerned with theoretical concerns of literary genre, with the design of a corpus of nineteenth-century Spanish-American novels, and with its empirical analysis in terms of subgenres of the novel. The digital text corpus consists of 256 Argentine, Cuban, and Mexican novels from the period between 1830 and 1910. It has been created with the goal to analyze thematic subgenres and literary currents that were represented in numerous novels in the nineteenth century by means of computational text categorization methods. The texts have been gathered from different sources, encoded in the standard of the Text Encoding Initiative (TEI), and enriched with detailed bibliographic and subgenre-related metadata, as well as with structural information. To categorize the texts, statistical classification and a family resemblance analysis relying on network analysis are used with the aim to examine how the subgenres, which are understood as communicative, conventional phenomena, can be captured on the stylistic, textual level of the novels that participate in them. The result is that both thematic subgenres and literary currents are textually coherent to degrees of 70–90 %, depending on the individual subgenre constellation, meaning that the communicatively established subgenre classifications can be accurately captured to this extent in terms of textually defined classes. Besides the empirical focus, the dissertation also aims to relate literary theoretical genre concepts to the ones used in digital genre stylistics and computational literary studies as subfields of digital humanities. It is argued that literary text types, conventional literary genres, and textual literary genres should be distinguished on a theoretical level to improve the conceptualization of genre for digital text analysis. / Diese Arbeit ist in den Forschungsfeldern der digitalen literaturwissenschaftlichen Stilistik und der Computational Literary Studies angesiedelt und setzt sich mit theoretischen Gattungsproblemen, mit der Erstellung eines Korpus von hispanoamerikanischen Romanen des 19. Jahrhunderts und mit ihrer empirischen Analyse nach Untergattungen auseinander. Das digitale Textkorpus umfasst 256 argentinische, kubanische und mexikanische Romane aus der Zeit von 1830 bis 1910 und ist mit dem Ziel erstellt worden, thematische Untergattungen und literarische Strömungen, die im 19. Jahrhundert durch zahlreiche Romane repräsentiert waren, mit Hilfe computergestützter Methoden der Textkategorisierung zu analysieren. Um die Texte zu kategorisieren werden Verfahren der statistischen Klassifikation und eine Familienähnlichkeitsanalyse verwendet, die auf einer Netzwerkanalyse basiert. Das Ziel der Analysen ist es zu untersuchen inwieweit die Untergattungen, die primär als Phänomene der Kommunikation und Konvention verstanden werden, auf der stilistischen, textlichen Ebene der Romane, die an ihnen teilhaben, erfasst werden können. Das Ergebnis ist, dass sowohl die thematischen Untergattungen als auch die literarischen Strömungen zu 70–90 % textlich kohärent sind, in Abhängigkeit der gewählten Untergattungskonstellation, womit gemeint ist, dass die kommunikativ etablierten Untergattungsklassifikationen in diesem Maß an Genauigkeit auch als textlich definierte Klassen erfasst werden können. Über die empirische Ausrichtung hinaus ist ein weiteres Ziel, literaturtheoretische Gattungskonzepte zu denjenigen in Beziehung zu setzen, die in der digitalen Gattungsstilistik als einer Teildisziplin der Digital Humanities verwendet werden. Es wird argumentiert, dass literarische Texttypen, konventionelle literarische Gattungen und textliche literarische Gattungen auf einer theoretischen Ebene unterschieden werden sollten, um die Konzeption von Gattung für die digitale Textanalyse zu verbessern. / Este trabajo en el campo de la estilística literaria digital y los estudios literarios computacionales se ocupa de las preocupaciones teóricas del género literario, del diseño de un corpus de novelas hispanoamericanas del siglo XIX y de su análisis empírico en términos de subgéneros de la novela. El corpus de textos digitales consta de 256 novelas argentinas, cubanas y mexicanas del período comprendido entre 1830 y 1910. Ha sido creado con el objetivo de analizar los subgéneros temáticos y las corrientes literarias que estaban representadas en numerosas novelas del siglo XIX mediante métodos de categorización computacional de textos. Para la categorización de los textos se utiliza una clasificación estadística y un análisis de semejanza familiar basado en el análisis de redes, con el fin de examinar cómo los subgéneros, entendidos como fenómenos comunicativos y convencionales, pueden ser captados en el plano estilístico y textual de las novelas que participan en ellos. El resultado es que tanto los subgéneros temáticos como las corrientes literarias son textualmente coherentes en grados del 70–90 %, dependiendo de la constelación individual de subgéneros, lo que significa que las clasificaciones de subgéneros establecidas comunicativamente pueden ser capturadas con precisición hasta este punto en términos de clases textualmente definidas. Además del enfoque empírico, la disertación también pretende relacionar los conceptos teóricos de género literario con los utilizados en la estilística de género digital y los estudios literarios computacionales como subcampos de las humanidades digitales. Se argumenta que los tipos de texto literario, los géneros literarios convencionales y los géneros literarios textuales deberían distinguirse a nivel teórico para mejorar la conceptualización del género para el análisis de textos digitales.

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This thesis draws on the theory of new materialism to posit an alternative approach to cultural heritage digitization. Modifying the method of critical digitization and synthesizing it with the method of thick description for the study of damaged cultural heritage, this thesis proposes the method weird digitization which seeks to challenge traditional selection criteria for cultural heritage digitization as well as challenging practices of mass digitization. Seeking to identify the cultural heritage objects that may be overlooked using traditional selection criteria as well as ones that may pose challenges to digitization, this approach seeks to highlight the value of damaged or otherwise “weird” cultural heritage while exploring how the digitization of these materials may practically be undertaken. This approach is practically assessed through the exploratory digitization and analysis of selected damaged photographs in the IKFF (Internationella Kvinnoförbundet för Fred och Frihet) collection housed within the KvinnSam (the Swedish National Resource Library for Gender Studies) archive at the Gothenburg University Library. The discussion explores the pragmatic, affective, and artistic benefits of such an approach to cultural heritage digitization.