<p>Specijalni rezervati prirode &quot;Gornje Podunavlje&quot;, &quot;Karađorđevo&quot;, &quot;Koviljsko - petrovaradinski rit&quot;, &quot;Obedska bara&quot;, i &quot;Stari Begej - Carska bara&quot; predstavljaju upečatljive primere vlažnih stani&scaron;ta Vojvodine. Raznovrsni prirodni resursi predodredili su ove prostore za privredni razvoj u okviru &scaron;umarstva, ribarstva, lovstva, ali i turizma. Sve to proizvodi&nbsp; snažan pritisak na za&scaron;tićene ekosisteme. Intenzivni uticaji na ove prostore realizovani su i u pro&scaron;losti, pre progla&scaron;enja za&scaron;tite. Zbog svega, ovo je pravi momenat da se počne razmi&scaron;ljati o njihovom održivom kori&scaron;ćenju, kako bi i buduće generacije mogle, u istoj ili većoj meri, da koriste resurse specijalnih rezervata prirode. Održivi razvoj bi mogao bitno da pomogne proces za&scaron;tite prirode koja je od su&scaron;tinskog značaja za ova vlažna stani&scaron;ta.</p> / <p>Special nature reserves &quot;Gornje Podunavlje, &quot;Karadjordjevo&quot;, &quot;Koviljsko - petrovaradinski rit&quot;, &quot;Obedska bara&quot;, and &quot;Stari Begej - Carska bara&quot; present outstanding examples of wetlands in Vojvodina. Diverse natural resources have earmarked these areas for economic development within forestry, fishing, hunting and tourism. All of these activities have protection of nature has been declared. Because of all this, it is the right moment to start thinking about using special nature reserves sustainably, so as to let future generations use their rosources to a greater extent. Sustainable development could significantly help the process of the protection of nature, which is of essential importance for these wetlands.</p>

This thesis deals with the question of evil as privatio boni according to the teachings of Augustine of Hippo and the conception of evil in the work of Carl Gustav Jung who denied this Augustine's teachings. In the thesis I analyze attitudes that adopt both thinkers to categories of good and evil in relation to impacts of their conceptions on understanding of God, self-understanding of man, of his life, death and salvation, further of the relation of God and man and the human moral responsibility before God and society. Augustine maintains that evil is an absence of good, but Jung thinks that the reality is put together from the balance of good and evil. Their attitudes I scarify with the aid of the secondary literature and the explanation of that biblical places that both thinkers refer to.

[pt] Seja (Es)t o espaço de germes na origem de funções suaves entre os espaços euclidianos de dimensões e t. Nesta dissertação, apresentamos a parte da Teoria de Mather que descreve hipóteses suficientes para k-determinação em (Es)t sob duas ações diferentes, induzindo as chamadas R- e K-equivalências. Um germe é k-determinado se é equivalente a qualquer perturbação que deixa invariante seu k-jato, os termos de ordem até k de sua expansão de Taylor na origem. A R-equivalência consiste em compor germes com germes de difeomorfismos µa direita. A K- equivalência é mais difícil de descrever. / [en] Let (Es)t be the space of smooth map-germs at the origin between Euclidian spaces of dimensions s and t. In this dissertation, we present a section of Mather theory describing su±cient conditions for k- determinacy of this map-germs under two different actions, inducing the so called R- e K- equivalences. A map-germ is k-determined if it is equivalent to any perturbation that leaves invariant its k-jet, i.e., the terms up to order k of its Taylor expansion at the origin. The R-equivalence consists of compositions with germs of diffeomorphisms to the right. The K- equivalence is harder to describe.

Através de uma percepção interdisciplinar, a pesquisa apresenta um quadro de contribuição para a teoria da arquitetura contemporânea que analisa relações entre conceitos, processos e representações. O trabalho investiga processos de projeto presentes na arquitetura contemporânea a partir da assimilação de três conceitos-chave: 1) diagrama, 2) dobra e 3) parâmetro; e as correspondentes traduções na arquitetura, através dos discursos e práticas de arquitetos. A pesquisa insere-se no âmbito da teoria e crítica do projeto de arquitetura e o recorte histórico está situado entre a década de 1970 até o momento, examinando as expressões projetuais e teorias de arquitetos como Peter Eisenman, Greg Lynn, Patrik Schumacher (Zaha Hadid and partners), entre outros. O problema da pesquisa é identificar de que modo o caráter conceitual experimentado pelos processos de projeto no primeiro período do recorte diagrama -, passou a intermediar uma base teórica paralela ao avanço do uso digital dobra e se modificou, no terceiro período, para enfatizar discursivamente os processos e a manipulação formal permitida pelas técnicas e tecnologias digitais avançadas parâmetro. Os objetivos são compreender os elementos dessa transição, traçar paralelismos e diferenças entre os processos, compreendendo que a história desses entrelaçamentos não é linear e cumulativa, mas atravessada por recorrências e reapropriações. Os autores foram escolhidos devido a sua produção teórica e inserção no debate internacional para os temas escolhidos, por compartilharem a absorção de teorias advindas do pós-estruturalismo de base filosófica - principalmente de Gilles Deleuze -, além de estabelecerem uma atividade projetual de caráter experimental, que permitiu à pesquisa a análise de diversos estudos de caso. / Through an interdisciplinary perception, the research presents a contribution framework for the theory of contemporary architecture that examines some relations between concepts, processes and representations. The work investigates design processes present in contemporary architecture from the assimilation of three key concepts: 1) diagram 2) fold and 3) parameter; and corresponding translations in architecture through the discourses and practices of architects. The research falls within the sphere of the theory and criticism of architecture design and the historical period is set between the 1970s up to now, examining the projective expressions and theories of architects such as Peter Eisenman, Greg Lynn, Patrik Schumacher (Zaha Hadid and partners), among others. The problem of research is to identify how the conceptual nature experienced by design processes in the first period of study - diagram - began to intermediate a parallel theoretical basis for the advancement of digital use - fold - and changed in a third period to emphasize discursively processes and formal manipulation allowed by the technical and advanced digital technologies - parameter. The objectives are understand the elements of this transition, draw parallels and differences between the processes, understanding that the history of these entanglements is not linear and cumulative, but crossed by recurrences and reappropriations. The authors were chosen due to their theoretical production and insertion in the international debate on the topics chosen, for sharing the assimilation of theories stemming from the philosophical basis of post-structuralism - especially from Gilles Deleuze - as well as established a design activity of experimental features, which allowed the analysis of several case studies.

[pt] Reunir Amilcar de Castro e João Cabral de Melo Neto, que, embora contemporâneos e compartilhantes de gostos artísticos, jamais se conheceram, é corrigir um projeto que a História se esqueceu de terminar. Entre os aspectos que aproximam João Cabral de Amilcar de Castro está o privilégio da visualidade em sua poesia, que toma as palavras por sua materialidade de tinta sobre papel. Amilcar, por sua vez, também explora a metalinguagem da escultura, fazendo saltar à percepção aspectos como o peso e a conquista da terceira dimensão. O método comparativo, que é a própria técnica das símiles cabralinas, nos serve ainda para confrontar o projeto construtivo presente em ambos, mas que em Amilcar toma as peculiaridades da ruptura neoconcreta. Finalmente, a abordagem fenomenológica nos leva a descobrir na dobra - literal em Amilcar e sob a forma de um desmonte interno da palavra em Cabral - a contribuição fundamental para o projeto compartilhado de desnaturar a percepção humana. Promover tal encontro, entre esse escultor e esse poeta, é, deixadas de lado as notórias diferenças, sobretudo asseverar as semelhanças que o minucioso Cabral, crítico do museu de tudo e todos, descuidou-se em realizar. / [en] Bringing together Amilcar de Castro and João Cabral de Melo Neto, who never met, although contemporaries and who shared tastes in art, is to correct a project that History forgot to finish. One of the aspects that bring João Cabral closer to Amilcar de Castro is the privilege of the visual in his poetry, which takes the words because of their materiality of pen on paper. Amilcar, in turn, explores the metalanguage of sculpture, bringing to the fore aspects such as weight and achievement of the third dimension. The comparative method, which is the very technique of Cabralian similes, helps us to match the constructive project present in both, but which in Amilcar adopts the peculiarities of neo-concrete rupture. Finally, the phenomenological approach leads us to discover in the fold - literal in Amilcar and in the form of an inner dismantling of the word` in Cabral - the fundamental contribution for the shared project of perverting human perception. To promote such a meeting between this sculptor and this poet is, first and foremost, and ignoring the notorious differences, to assert the similarities that the hairsplitting Cabral, critic of the museum of everything and everyone, failed to make.

Através de uma percepção interdisciplinar, a pesquisa apresenta um quadro de contribuição para a teoria da arquitetura contemporânea que analisa relações entre conceitos, processos e representações. O trabalho investiga processos de projeto presentes na arquitetura contemporânea a partir da assimilação de três conceitos-chave: 1) diagrama, 2) dobra e 3) parâmetro; e as correspondentes traduções na arquitetura, através dos discursos e práticas de arquitetos. A pesquisa insere-se no âmbito da teoria e crítica do projeto de arquitetura e o recorte histórico está situado entre a década de 1970 até o momento, examinando as expressões projetuais e teorias de arquitetos como Peter Eisenman, Greg Lynn, Patrik Schumacher (Zaha Hadid and partners), entre outros. O problema da pesquisa é identificar de que modo o caráter conceitual experimentado pelos processos de projeto no primeiro período do recorte diagrama -, passou a intermediar uma base teórica paralela ao avanço do uso digital dobra e se modificou, no terceiro período, para enfatizar discursivamente os processos e a manipulação formal permitida pelas técnicas e tecnologias digitais avançadas parâmetro. Os objetivos são compreender os elementos dessa transição, traçar paralelismos e diferenças entre os processos, compreendendo que a história desses entrelaçamentos não é linear e cumulativa, mas atravessada por recorrências e reapropriações. Os autores foram escolhidos devido a sua produção teórica e inserção no debate internacional para os temas escolhidos, por compartilharem a absorção de teorias advindas do pós-estruturalismo de base filosófica - principalmente de Gilles Deleuze -, além de estabelecerem uma atividade projetual de caráter experimental, que permitiu à pesquisa a análise de diversos estudos de caso. / Through an interdisciplinary perception, the research presents a contribution framework for the theory of contemporary architecture that examines some relations between concepts, processes and representations. The work investigates design processes present in contemporary architecture from the assimilation of three key concepts: 1) diagram 2) fold and 3) parameter; and corresponding translations in architecture through the discourses and practices of architects. The research falls within the sphere of the theory and criticism of architecture design and the historical period is set between the 1970s up to now, examining the projective expressions and theories of architects such as Peter Eisenman, Greg Lynn, Patrik Schumacher (Zaha Hadid and partners), among others. The problem of research is to identify how the conceptual nature experienced by design processes in the first period of study - diagram - began to intermediate a parallel theoretical basis for the advancement of digital use - fold - and changed in a third period to emphasize discursively processes and formal manipulation allowed by the technical and advanced digital technologies - parameter. The objectives are understand the elements of this transition, draw parallels and differences between the processes, understanding that the history of these entanglements is not linear and cumulative, but crossed by recurrences and reappropriations. The authors were chosen due to their theoretical production and insertion in the international debate on the topics chosen, for sharing the assimilation of theories stemming from the philosophical basis of post-structuralism - especially from Gilles Deleuze - as well as established a design activity of experimental features, which allowed the analysis of several case studies.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-07-24T14:43:48Z No. of bitstreams: 1 miriamribeirodias.pdf: 61450709 bytes, checksum: 913d06d806081d9e9840a98d5e7b16b6 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-08-09T13:37:21Z (GMT) No. of bitstreams: 1 miriamribeirodias.pdf: 61450709 bytes, checksum: 913d06d806081d9e9840a98d5e7b16b6 (MD5) / Made available in DSpace on 2017-08-09T13:37:21Z (GMT). No. of bitstreams: 1 miriamribeirodias.pdf: 61450709 bytes, checksum: 913d06d806081d9e9840a98d5e7b16b6 (MD5) Previous issue date: 2007-11-26 / O presente trabalho se propõe a pensar a copia impressa dos desenhos, colagens, pinturas, etc., do artista plástico juizforano, Arlindo Daibert, em especial, a série Macunaíma de Andrade - norte de nossa investigação entre Macunaíma de Mário de Andrade e Macunaíma de Daibert e/ou outros hipertextos da mesma obra - sob o ponto de vista do diálogo entre textos, seja do cânone pictórico ocidental, seja da literatura ocidental e/ou nacional. A existência de reproduções impressas de obras de artes plásticas não destinadas a livros corrobora com a previsão de Walter Benjamin em "A obra de arte na época de sua reprodutibilidade técnica." A partir de uma reflexão calcada nos postulados de Gérard Genette, no que diz respeito ao texto de segunda mão, investigamos o minucioso trabalho de Arlindo Daibert, que extraiu de hipotextos, do cânone europeu, diversos hipertextos imagéticos que imprimiram em suas obras a visão crítica e questionadora de artista sul-americano. A junção de Arlindo Daibert, artista nato, e Arlindo Daibert, homem de formação literária, gerou as traduções imagéticas das obras: Alice no País das Maravilhas, de Lewis Carroll, Macunaíma de Andrade, de Mário de Andrade e Grande Sertão: Veredas, de João Guimarães Rosa. Comprometido com a preocupação de produzir e incentivar o saber e a cultura, realizou, não ilustrações que acompanham as narrativas, mas hipertextos, que expressam a visão que o artista tinha de cada uma das obras literárias, dos autores, da época em que foram produzidas e, ainda mais, semelhante à voluta barroca, Daibert acrescenta às suas traduções detalhes que dizem respeito a si mesmo, ao seu trabalho, à sua época, ao seu contexto juizforano e brasileiro, tudo isso, num conjunto em forma de espiral que se expande ao infinito. / This work is proposed to consider the printed copies of the drawings, collages, paintings, etc. The visual artist juizforano, Arlindo Daibert, in particular, the series of novel Andrade-north of our investigation between the novel and film Mario de Andrade, Daibert and / or other hypertexts of the same work-from the point of view of the dialogue between texts, is the pictorial Western canon, is the western literature and / or national. The existence of printed reproductions of works of art not intended to books corroborate the estimates of Walter Benjamin in "The work of art at the time of its reproducibility technique." From a reflection inherent in the postulates of Gerard Genette, with regard to the text of second-investigate the meticulous work of Arlindo Daibert, which drew from hipotextos, the European canon, several hypertexts imageticos that printed their works in the critical vision and inquiring of South American artist. The combination of Arlindo Daibert, artist nato, and Arlindo Daibert, man of literary training, imageticas generated translations of works: Alice in Wonderland, Lewis Carroll, Andrade de Andrade, Mario de Andrade and Grande Sertao: Veredas, Joao Guimaraes Rosa. Lynyrd with the aim of producing and encourage knowledge and culture, held, not illustrations accompanying narratives, but hypertexts, which express the view that the artist had each of the literary works of authors, the time in which they were produced and, even more, similar to the volute baroque, Daibert adds to their translations details that relate to yourself, to your work, to your season, its context juizforano and Brazil, all of this, a set-shaped spiral that expands to infinity.

<p>Западна&nbsp; Србија&nbsp; у&nbsp;&nbsp; себи&nbsp; обједињује&nbsp; три&nbsp; округа&nbsp; са24&nbsp; општине&nbsp;&nbsp; у&nbsp; Републици&nbsp; Србији&nbsp; и&nbsp;смештена&nbsp; је&nbsp; у&nbsp;&nbsp; њеном&nbsp; западном&nbsp; делу.&nbsp; Простире&nbsp; се&nbsp; на&nbsp; површини&nbsp; од11.882 km&sup2;&nbsp; што&nbsp; представља&nbsp;13,45%&nbsp; територије&nbsp; Републике.&nbsp; Транзитност&nbsp; положаја&nbsp; је,&nbsp; кроз&nbsp; историју,&nbsp; условио&nbsp; богато&nbsp; културно-историјско наслеђе.&nbsp;</p><p>Западна&nbsp; Србија&nbsp; се&nbsp; у&nbsp; овом&nbsp; истраживању&nbsp;&nbsp; нашла&nbsp; као&nbsp; раскрсница&nbsp; различитих&nbsp; идеологија,&nbsp;култура,&nbsp; менталитета,&nbsp; вера,&nbsp; те&nbsp;&nbsp; богатог&nbsp; материјалног&nbsp; и&nbsp; духовног&nbsp; наслеђа&nbsp; прожетог&nbsp; изузетним&nbsp;природним&nbsp; вредностима.&nbsp; Темељном&nbsp; валоризацијом&nbsp; њених&nbsp; потенцијала,&nbsp; могла&nbsp; би&nbsp; постати&nbsp;окосница развоја туризма, како&nbsp; у&nbsp; административним границама, тако и&nbsp; у&nbsp; ширем региону.&nbsp;</p><p>Обилује&nbsp; споменицима&nbsp; културе&nbsp; где&nbsp; су&nbsp;&nbsp; заступљени&nbsp; најразличитији&nbsp; облици,&nbsp; од&nbsp; археолошких&nbsp;налазишта,&nbsp; преко&nbsp; дела&nbsp; са&nbsp; споменичким&nbsp; и&nbsp; уметничким&nbsp; својствима,&nbsp; до&nbsp; савремених&nbsp; облика&nbsp;културног&nbsp; уздизања. Сви ови облици требало би да на адекватан начин буду&nbsp; укључени&nbsp; у креирање&nbsp;и&nbsp; развој&nbsp; културног&nbsp; туризма&nbsp; и&nbsp; да,&nbsp; као&nbsp; такви,&nbsp; постану&nbsp; стална&nbsp; понуда&nbsp; у&nbsp; осталим &nbsp;облицима&nbsp;туристичких кретања, као што су&nbsp; спортско-рекреативни, екскурзиони, излетнички туризам и сл.&nbsp;</p><p>Културно-историјско&nbsp; наслеђе&nbsp; није&nbsp; адекватно&nbsp; заштићено,&nbsp; недовољно&nbsp; је&nbsp; презентовано,&nbsp;интерпретирано&nbsp; и&nbsp; промовисано,&nbsp; тако&nbsp; да&nbsp; није&nbsp; адекватно&nbsp; укључено&nbsp; у&nbsp;&nbsp; туристичку&nbsp;&nbsp; понуду.&nbsp; Међутим,&nbsp;оно&nbsp; што&nbsp; поседујемо&nbsp; је&nbsp; богато&nbsp; нематеријално&nbsp; наслеђе.&nbsp; Туристима&nbsp; треба&nbsp; понудити&nbsp; нематеријалне&nbsp;културне&nbsp; ресурсе&nbsp; што&nbsp; је&nbsp; основ&nbsp; туристичког&nbsp; доживљаја&ndash;&nbsp; уживање&nbsp; у&nbsp;&nbsp; културној&nbsp; интеракцији,&nbsp;упознавање&nbsp; другачије&nbsp; културе&nbsp; и&nbsp; културног&nbsp; идентитета.&nbsp; Акценат&nbsp; треба&nbsp; ставити&nbsp; на&nbsp; старе&nbsp; занате,&nbsp;машине,&nbsp; рурална&nbsp; домаћинства,&nbsp; разне&nbsp; манифестације(сајмове ,&nbsp; вашаре,&nbsp; изложбе).&nbsp; Ово&nbsp; може&nbsp; бити&nbsp;значајна конкурентска предност&nbsp; у&nbsp; региону.</p><p>У&nbsp; комбинацији&nbsp; са&nbsp; природним&nbsp; ресурсима&nbsp; као&nbsp; главним&nbsp; мотивима&nbsp; туристичких&nbsp; кретања&nbsp; у&nbsp;Западној&nbsp; Србији,&nbsp; културни&nbsp; туризам&nbsp; би&nbsp; могао&nbsp; постати&nbsp; значајан&nbsp; фактор&nbsp; унапређења&nbsp; туризма&nbsp;уопште и издвојити се као самостални вид туристичких кретања. С обзиром на тренутно стање, тај&nbsp;моменат ће сачекати неке наредне генерације.&nbsp;</p> / <p>Zapadna&nbsp; Srbija&nbsp; u&nbsp;&nbsp; sebi&nbsp; objedinjuje&nbsp; tri&nbsp; okruga&nbsp; sa24&nbsp; opštine&nbsp;&nbsp; u&nbsp; Republici&nbsp; Srbiji&nbsp; i&nbsp;smeštena&nbsp; je&nbsp; u&nbsp;&nbsp; njenom&nbsp; zapadnom&nbsp; delu.&nbsp; Prostire&nbsp; se&nbsp; na&nbsp; površini&nbsp; od11.882 km&sup2;&nbsp; što&nbsp; predstavlja&nbsp;13,45%&nbsp; teritorije&nbsp; Republike.&nbsp; Tranzitnost&nbsp; položaja&nbsp; je,&nbsp; kroz&nbsp; istoriju,&nbsp; uslovio&nbsp; bogato&nbsp; kulturno-istorijsko nasleđe.&nbsp;</p><p>Zapadna&nbsp; Srbija&nbsp; se&nbsp; u&nbsp; ovom&nbsp; istraživanju&nbsp;&nbsp; našla&nbsp; kao&nbsp; raskrsnica&nbsp; različitih&nbsp; ideologija,&nbsp;kultura,&nbsp; mentaliteta,&nbsp; vera,&nbsp; te&nbsp;&nbsp; bogatog&nbsp; materijalnog&nbsp; i&nbsp; duhovnog&nbsp; nasleđa&nbsp; prožetog&nbsp; izuzetnim&nbsp;prirodnim&nbsp; vrednostima.&nbsp; Temeljnom&nbsp; valorizacijom&nbsp; njenih&nbsp; potencijala,&nbsp; mogla&nbsp; bi&nbsp; postati&nbsp;okosnica razvoja turizma, kako&nbsp; u&nbsp; administrativnim granicama, tako i&nbsp; u&nbsp; širem regionu.&nbsp;</p><p>Obiluje&nbsp; spomenicima&nbsp; kulture&nbsp; gde&nbsp; su&nbsp;&nbsp; zastupljeni&nbsp; najrazličitiji&nbsp; oblici,&nbsp; od&nbsp; arheoloških&nbsp;nalazišta,&nbsp; preko&nbsp; dela&nbsp; sa&nbsp; spomeničkim&nbsp; i&nbsp; umetničkim&nbsp; svojstvima,&nbsp; do&nbsp; savremenih&nbsp; oblika&nbsp;kulturnog&nbsp; uzdizanja. Svi ovi oblici trebalo bi da na adekvatan način budu&nbsp; uključeni&nbsp; u kreiranje&nbsp;i&nbsp; razvoj&nbsp; kulturnog&nbsp; turizma&nbsp; i&nbsp; da,&nbsp; kao&nbsp; takvi,&nbsp; postanu&nbsp; stalna&nbsp; ponuda&nbsp; u&nbsp; ostalim &nbsp;oblicima&nbsp;turističkih kretanja, kao što su&nbsp; sportsko-rekreativni, ekskurzioni, izletnički turizam i sl.&nbsp;</p><p>Kulturno-istorijsko&nbsp; nasleđe&nbsp; nije&nbsp; adekvatno&nbsp; zaštićeno,&nbsp; nedovoljno&nbsp; je&nbsp; prezentovano,&nbsp;interpretirano&nbsp; i&nbsp; promovisano,&nbsp; tako&nbsp; da&nbsp; nije&nbsp; adekvatno&nbsp; uključeno&nbsp; u&nbsp;&nbsp; turističku&nbsp;&nbsp; ponudu.&nbsp; Međutim,&nbsp;ono&nbsp; što&nbsp; posedujemo&nbsp; je&nbsp; bogato&nbsp; nematerijalno&nbsp; nasleđe.&nbsp; Turistima&nbsp; treba&nbsp; ponuditi&nbsp; nematerijalne&nbsp;kulturne&nbsp; resurse&nbsp; što&nbsp; je&nbsp; osnov&nbsp; turističkog&nbsp; doživljaja&ndash;&nbsp; uživanje&nbsp; u&nbsp;&nbsp; kulturnoj&nbsp; interakciji,&nbsp;upoznavanje&nbsp; drugačije&nbsp; kulture&nbsp; i&nbsp; kulturnog&nbsp; identiteta.&nbsp; Akcenat&nbsp; treba&nbsp; staviti&nbsp; na&nbsp; stare&nbsp; zanate,&nbsp;mašine,&nbsp; ruralna&nbsp; domaćinstva,&nbsp; razne&nbsp; manifestacije(sajmove ,&nbsp; vašare,&nbsp; izložbe).&nbsp; Ovo&nbsp; može&nbsp; biti&nbsp;značajna konkurentska prednost&nbsp; u&nbsp; regionu.</p><p>U&nbsp; kombinaciji&nbsp; sa&nbsp; prirodnim&nbsp; resursima&nbsp; kao&nbsp; glavnim&nbsp; motivima&nbsp; turističkih&nbsp; kretanja&nbsp; u&nbsp;Zapadnoj&nbsp; Srbiji,&nbsp; kulturni&nbsp; turizam&nbsp; bi&nbsp; mogao&nbsp; postati&nbsp; značajan&nbsp; faktor&nbsp; unapređenja&nbsp; turizma&nbsp;uopšte i izdvojiti se kao samostalni vid turističkih kretanja. S obzirom na trenutno stanje, taj&nbsp;momenat će sačekati neke naredne generacije.&nbsp;</p> / <p>Western Serbia unites the three districts with 24 municipalities. It covers an area of&nbsp;11,882 km&sup2; (13.45% of the territory of the Republicof Serbia). Its position ensured intensive&nbsp;transit which resulted in rich cultural and historical heritage.&nbsp;</p><p>In this study, Western Serbia is presented as a crossroad of different ideologies, cultures,&nbsp;mentalities, religions, and rich material and spiritual heritage permeated with outstanding natural&nbsp;values. Thorough evaluation of its potential, it could become the driver of tourism development,&nbsp;both within its administrational borders and in wider region.</p><p>Cultural sites are various &ndash; from archeological sites, historical and sacral monuments, to&nbsp;modern forms of culture. All these sites should be&nbsp; adequately included in creating and&nbsp;developing cultural tourism and it should become permanent &nbsp;offer in other forms of cultural&nbsp;movement, such as sports and recreation, excursions, site seeing tourism etc.</p><p>Cultural and historical heritage in Western Serbia is not adequately protected, not enough&nbsp;interpreted and promoted, so it is not an integral&nbsp; part of the tourist industry. However, we have&nbsp;rich immaterial heritage. Tourism sector of this region should offer immaterial cultural resources&nbsp;as a basis of the tourist experience - enjoying in&nbsp; cultural interaction, learning about different&nbsp;cultures and cultural identity. Emphasis should be&nbsp; placed on the old crafts, industrial heritage,&nbsp;rural households, various events (trade shows, fairs, exhibitions). This could be a significant&nbsp;competitive advantage in the region.&nbsp;</p><p>In combination with the natural resources as the main motive of tourist movement in&nbsp;western Serbia, cultural tourism can become an important factor for increasing tourism in&nbsp;general, and distinguish itself as an independent type of tourist movements. Considering current&nbsp;conditions, this will be a challenge for the next generations.</p>

<p>Војвођанско Подунавље захвата сам ток Дунава на територији Војводине и шире подручје које практично директно излази на његове обале. За овај део Војводине карактеристичан је висок степен урбанизације. Истраживања спроведена израдом ове студије указују да овај простор има изузетно туристички атрактивне, како природне тако и антропогене потенцијале. У оквиру природних вредности издваја се пре свега Дунав као река међународног значаја, са својим хидрографским обележјима и специфичним током (мноштво рукаваца и меандара)на простору тзв. панонског сектора. Изузетну туристичку вредност имају и биогеографске карактеристике овог простора где се налазе специфичне врсте флоре и фауне. Узимајући у обзир карактеристике природних вредности може се говорити о могућности развитка различитих туристичких кретања од наутичког, спортско-рекреативног, ловног, риболовног, екотуризма и др. Код антропогених потенцијала највећи туристички значај имају манифестационе вредности од којих су многе међународног ранга. Фолклорно наслеђе са типичним војвођанским обележјима (ношња, музика, архитектура)такође имају изузетну туристичку вредност. Стара градска језгра се одликују специфичном архитектуром и обично представљају посебне амбијенталне просторе и представљају атрактивну туристичку вредност, у оквиру градског туризма. Војвођанско Подунавље уз бројне и различите туристичке вредности, са инвестирањем у изградњи материјалне базе може се укључити у савремене токове туризма и наћи своје место на домаћем и страном туристичком тржишту</p> / <p>Vojvođansko Podunavlje zahvata sam tok Dunava na teritoriji Vojvodine i šire područje koje praktično direktno izlazi na njegove obale. Za ovaj deo Vojvodine karakterističan je visok stepen urbanizacije. Istraživanja sprovedena izradom ove studije ukazuju da ovaj prostor ima izuzetno turistički atraktivne, kako prirodne tako i antropogene potencijale. U okviru prirodnih vrednosti izdvaja se pre svega Dunav kao reka međunarodnog značaja, sa svojim hidrografskim obeležjima i specifičnim tokom (mnoštvo rukavaca i meandara)na prostoru tzv. panonskog sektora. Izuzetnu turističku vrednost imaju i biogeografske karakteristike ovog prostora gde se nalaze specifične vrste flore i faune. Uzimajući u obzir karakteristike prirodnih vrednosti može se govoriti o mogućnosti razvitka različitih turističkih kretanja od nautičkog, sportsko-rekreativnog, lovnog, ribolovnog, ekoturizma i dr. Kod antropogenih potencijala najveći turistički značaj imaju manifestacione vrednosti od kojih su mnoge međunarodnog ranga. Folklorno nasleđe sa tipičnim vojvođanskim obeležjima (nošnja, muzika, arhitektura)takođe imaju izuzetnu turističku vrednost. Stara gradska jezgra se odlikuju specifičnom arhitekturom i obično predstavljaju posebne ambijentalne prostore i predstavljaju atraktivnu turističku vrednost, u okviru gradskog turizma. Vojvođansko Podunavlje uz brojne i različite turističke vrednosti, sa investiranjem u izgradnji materijalne baze može se uključiti u savremene tokove turizma i naći svoje mesto na domaćem i stranom turističkom tržištu</p> / <p>The abstract has been processed with OCR optical text recognition technology:</p><p>The Danube basin in Vojvodina includes the stream of the Danube which flows through the territory of Vojvodina together with the wider area that spreads out immediately from the river bank. This part of Vojvodina is characterized by a high level of urbanization.<br />The research has shown that the studied area contains natural and anthropogenic potentials which are very attractive from the touristic point of view.<br />In terms of the natural values of the area, it is the Danube that stands out as a river of international importance with its hydrogeographic properties and specific river stream - the abundance of backwater channels and meanders - in the so-called Pannonian sector.<br />Outstanding touristic values can also be attributed to the biogeographical properties of the area, which is full of particular species of flora and fauna. Considering the properties of natural attractions, we can talk about the possibilities for the development of diverse tourist migrations - from the nautical, recreational and ecotounsm to hunting, fishing and other forms of tourist activities.<br />Within the anthropogenic potentials of the area, the greatest tounstic value should be ascribed to various events, many of which are internationally important. The folkloric heritage contained in the hallmarks typical of Vojvodina - national costume, music, and architecture - also represents another touristic value. The old city centres are characterized by specific architecture and usually have special ambience, therefore representing attractive touristic value of urban tourism.<br />The Danube basin in Vojvodina can be comprised in contemporary touristic trends because of its diverse and numerous touristic values and with the proper development of the material base it will certainly find its place in domestic and international tourist markets.</p>

<p>Ova disertacija se bavi analizom slabo postavljenih apstraktnih Cauchyjevih problema. U prvoj glavi su proučavane konvolucione, ultradistribucione i hiper&shy; funkcione polugrupe, njihove medjusobne veze kao i veze sa lokalno integrisanim C-polugrupama.&nbsp; U drugoj glavi su date strukturne osobine C-distribucionih polugrupa, dok su u trećoj glavi dati rezultati vezani za klasu [r]-polugrupa i njihovih primena u teoriji funkcionalnih računa.<br />U sledećoj glavi je sistematski izložena teorija distribucionih kosinus funkcija, dok se peta glava bavi analizom analitičkih integrisanih polugrupa. &Scaron;esta glava je posvećena analizi konvolucionih C-polugrupa i konvolucionih C-kosinus funk&shy;cija, dok su u sedmoj glavi prezntovani rezultati vezani za analitičke konvolu&shy;cione polugrupe, konvolucione kosinus funkcije i njihove veze sa ultradistribucionim i hiperfunkcionim sinusima.</p>