No description available.

The topic of chemical oxidative degradation in rotational molded polyethylene (high-density cross-linked) chemical (sodium hypochlorite) storage tanks is an industry problem that ranks at the top of current business issues for manufacturers of chemical storage tanks. The degradation of these tanks not only compromises the physical and mechanical properties of the tank material, but reduces the life expectancy of the tank, eventually resulting in catastrophic tank failure. Premature tank failure comes at a hefty cost. The reputation of the manufacturer is questioned often resulting in immediate loss of customer satisfaction and future business. The leaking of the chemical from the failed tank serves as a liable environmental hazard that jeopardizes the safety and welfare of its surroundings – people and environment. And the associated manufacturer of the failed tank is almost certainly responsible for the repair or replacement of the tank. All these associated problems and many more related to chemical tank failure cost this relatively small industry millions of dollars annually. The need to determine the failure mechanisms of these tanks is critically important. Such an understanding will provide industry with useful knowledge that will open the door for improvements in tank performance. There is no question that a deeper understanding of failure mechanisms will improve a tank manufacturer's reputation, increase business sales, and assure environmental safety. The addition of this knowledge will also instill consumer confidence in an industry that is considered to lack refined manufacturing processes and proven quality controls. Such advancements are keys to making rotational molding a cutting-edge, technology-driven process that prepares industry for future growth and development. The purpose of this research is to provide tested empirical data and proven expert analysis that can be utilized by companies in understanding the failure mechanisms of these tanks. The information regarding this topic was collected from various tank samples taken from Poly Processing, a leading manufacturer of rotationally molded polyethylene chemical storage tanks and producer of the examined samples, and Odyssey Manufacturing, a manufacturer of bulk sodium hypochlorite and the end user of the examined samples. In the final chapter of this research, a summary is presented of the important findings regarding the purpose of the thesis study.

“The Memory and The Legacy: The Whittlin' Whistlin' Brigade–The Young Company 1974-2001,” is a history of the children's theatre of Brigham Young University. The Whittlin' Whistlin' Brigade–The Young Company acts as a training ground for graduate students working in theatre for young audiences. When directing a production for the Whittlin' Whistlin' Brigade–The Young Company, students are instructed to perform all functions required of a professional company. As the Whittlin' Whistlin' Brigade–The Young Company (WWB–TYC) spends much of its performance time on tour, those responsibilities are relegated to the student.Developed and headed by Dr. Harold R. Oaks of Brigham Young University, WWB–TYC produced children's theatre for local, regional, national and international audiences. The history includes production photos, budgets and business plans. A survey of former company members was conducted assessing the long-term affect on participants in relationship to their personal and professional life.

<p>VT24</p>

Die Prozesse der stetigen, interaktiven und lokalen Herstellung der Alltagswirklichkeit zu untersuchen, ist das Anliegen der Ethnomethodologie, die dem interpretativen Paradigma der Soziologie zugerechnet wird. Ihre leitende Frage lautet: Welcher Praktiken bedienen sich Gesellschaftsmitglieder, um die geordnete Struktur ihrer Alltagswelt interaktiv hervorzubringen? Geschlecht wird entsprechend als ein interaktiv hergestelltes Merkmal sozialer Ordnung begriffen.

Scenic improvisation is dramatic performance without a script. Performers develop scenes in real time in front of an audience. They do this by submitting to a set of rules of relating on-stage which allow them, by mutual assent, to develop scenes and stories based on their relationships with one another. This methodology by which improvisers develop their scenes can give us a tangible vocabulary and model by which we can fulfill the requirements of love. The Harold, an improvisational form created by Del Close and Charna Halpern and taught and performed at IO (formerly ImprovOlympic), emphasizes this relational ethic as the means to create consistent and sustainable theatrical performances. This paper will examine the performance methodology and pedagogy of long-form improvisation and particularly the Harold as a guide for ethical decision-making and behavior in our personal relationships.

Orientador: João Luís Cardoso Tápias Ceccantini / Banca: Sílvia Maria Azevedo / Banca: Alice Áurea Penteado Martha / Resumo: Harold Bloom (1930) é, para muitos, o crítico norte-americano de maior destaque nos estudos literários da atualidade. Sua teoria da influência, além de possuir sua própria retórica, resgatou à literatura seus aspectos mais subjetivos. O presente trabalho tem por objetivo empreender uma leitura de dissertações e teses acadêmicas brasileiras que tenham lançado mão da teoria da angústia da influência e seu mapa de desleitura, ou que discutam temas como o cânone literário, tão usualmente associado à figura do professor de Yale, enfático debatedor desse assunto. Para esse propósito foi feito o levantamento do corpus por meio de uma pesquisa nos principais sites e bancos de dados científicos brasileiros, como a Plataforma Lattes e o Banco de Tese da CAPES, e estabelecido os critérios de análise com base nas teses e dissertações que compõem esse corpus. A leitura desses trabalhos acadêmicos buscou identificar em que medida o crítico norte-americano está sendo lido no meio acadêmico brasileiro e compreender qual a amplitude dessas leituras. Por conseguinte, esta dissertação tem o intuito de entender qual a relevância das idéias de Bloom para o intelectual brasileiro da área de Letras. / Abstract: Nowadays, Harold Bloom (1930) is, to many, the North-american critic of major projection in literary studies. His theory of influence, besides to have its own rhethorics, brought back to literature its more subjective aspects. The present work has as its objectives to engage in a reading of Brazilian academic dissertations and thesis which have made usage of the theory of anxiety of influence and his map of misreading, or which discuss themes as the literary canon, so usually associated to the professor of Yale's figure, an emphatic debater of this subject. With this purpose in mind it was made the survey of the corpus through a research in the main Brazilian scientific websites and databases, like Plataforma Lattes and CAPES thesis database, and it was established the criteria of analysis based upon the thesis and dissertations which compound this corpus. The reading of these academic works sought to identify in what extent the North-American critic is been read in Brazilian academic environment and comprehend how wide have been these readings. Therefore, this dissertation has as its aim to understand how relevant to the Brazilian scholar of Language and Literature the ideas of Bloom area. / Mestre

"June 2003." / Thesis (Ph.D.)--Chinese University of Hong Kong, 2003. / Includes bibliographical references (p. 280-300). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Abstracts in English and Chinese.

The purpose of this phenomenological study was to examine migrant women farmworkers' views of perinatal care management while working in the fields. Like men, women migrant farmworkers are exposed to many physical, chemical, and biological hazards that pose human health risks. However, women of childbearing age are at an increased risk of having reproductive health difficulties and adverse pregnancy outcomes, and the infant mortality rate among migrant farmworkers is estimated to be twice the national average. Perinatal care is a critical factor in reducing adverse outcomes for perinatal and newborn mortality. Face-to-face interviews were conducted with 15 migrant women farmworkers between the ages of 18 to 40 years who had experienced at least 1 gestational period during while working in the Midwest agricultural stream. Participants were voluntarily recruited from farms in Northern Ohio using purposeful sampling techniques. Guided by the social ecological model, data were analyzed via inductive coding techniques to tease out common themes. All participants reported a basic understanding of prenatal care but due to numerous occupational, community, and access barriers, could not participate in what they perceived as normal prenatal care. Also, participants stated when in gestation they were expected to perform the same jobs as women not in gestation. These findings may inform the work of public health providers and migrant healthcare clinicians of migrant women farmworkers' challenges while receiving perinatal care in Northern Ohio; results can also be used to influence local and national migrant healthcare policies on comprehensive maternal healthcare for migrant women farmworkers in Ohio and across the United States.

<p>This essay examines the adaptation of <em>The French Lieutenant’s Woman;</em> proclaiming that it is based on the same core of meaning as the novel. This core, or interiority, of the art work, is the <em>freedom</em> which Sarah Woodruff presents. The interiority is immanent within the novel as well as the film. The freedom that Sarah presents creates <em>gaps in time</em> and is mainly <em>freedom from time</em>. From an exterior perspective though, these art works look different. The exteriority is visualized and described by being denominated as different narrative levels. In the film Mike falls in love with Sarah as an escape from his own time, one that is characterized by more lenient moral views than those prevalent in the Victorian Age. This present-day character is not, of course, in the novel but is invented by Harold Pinter as part of a metaphor for Fowles’ metafictional stance. In the novel, freedom is partly represented by an extradiegetic narrative level and suggested in various comments made by the apparent author of the work: John Fowles. This essay highlights the contrasts between the fictive world (on a hypodiegetic level), and the real world (on a diegetic level). By doing this, this essay suggests a motive for Pinter’s “narrative innovation” as a “brilliant metaphor” for Fowles´ novel. With these contrasts we find that the restraints of a seemingly open society (the 1980s in which Pinter was writing the screenplay) are able to contain an inner, rather implicit, restraint for the individual of the 1980s. The longing for freedom is triggered as soon as man is deprived of freedom, irrespective of how and when. Sarah is an escape from Victorian Age for Charles, at the same time as she is an escape from the 1980s for Mike. On the whole, Sarah is an escape from the linearity of all time. Freedom is immanent with both of the artworks, yet they are completely different, seen from outside.</p><p> </p><p> </p>