This essay examines the adaptation of The French Lieutenant’s Woman; proclaiming that it is based on the same core of meaning as the novel. This core, or interiority, of the art work, is the freedom which Sarah Woodruff presents. The interiority is immanent within the novel as well as the film. The freedom that Sarah presents creates gaps in time and is mainly freedom from time. From an exterior perspective though, these art works look different. The exteriority is visualized and described by being denominated as different narrative levels. In the film Mike falls in love with Sarah as an escape from his own time, one that is characterized by more lenient moral views than those prevalent in the Victorian Age. This present-day character is not, of course, in the novel but is invented by Harold Pinter as part of a metaphor for Fowles’ metafictional stance. In the novel, freedom is partly represented by an extradiegetic narrative level and suggested in various comments made by the apparent author of the work: John Fowles. This essay highlights the contrasts between the fictive world (on a hypodiegetic level), and the real world (on a diegetic level). By doing this, this essay suggests a motive for Pinter’s “narrative innovation” as a “brilliant metaphor” for Fowles´ novel. With these contrasts we find that the restraints of a seemingly open society (the 1980s in which Pinter was writing the screenplay) are able to contain an inner, rather implicit, restraint for the individual of the 1980s. The longing for freedom is triggered as soon as man is deprived of freedom, irrespective of how and when. Sarah is an escape from Victorian Age for Charles, at the same time as she is an escape from the 1980s for Mike. On the whole, Sarah is an escape from the linearity of all time. Freedom is immanent with both of the artworks, yet they are completely different, seen from outside.

In my work as speech and language pathologist I often meet people emerging from coma andtheir experiences intrigue me. Coma is an eluding human condition that offers a challenge formodern science and our view on body and mind. In my Master project in Creative Writing Iwanted to try to enter this zone that is so hard for a clinician to reach: the personal experienceof being in a coma. By writing HUSK MIDAS I have tried to create a realistic fiction based onresearch on coma state and real-life stories of people waking up from coma.In my exploration of the coma state I found that lucid dreaming is common apart fromdreaming, many patients experience sensory inputs like sound and touch which aremisinterpreted and woven into dreams and creating a feeling of confusion and fear.Coma is a frequent theme in literature and film but is often depicted unrealistically andmisleadingly. A few works like Artur Lundkvist’s Journeys in Dream and Imagination andthe film The Descendents by Alexander Payne show a more reality based fiction. While themedical care has the responsibility to provide accurate information and make important healthcare decisions regardless of possible public misconceptions, fiction helps us to dramatize thecoma experience and bring to life this marginalized and otherwise non-communicable state ofthe human condition.

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The purpose of the study was to find out if there is a mentorship tool available to guide mentorship after merger; determine effective mentoring techniques for improving work performance; and develop an appropriate mentorship model for improving work performance within tertiary institution . The main challenge is that the National Department of Education started a process of merging institutions of Higher Education. A number of tools that will help to support these mergers are lacking. The case study used was based on an in-depth analysis of events and programmes culminating from the merger of the two institutions. The Durban Institute of Technology in KwaZulu-Natal was identified and selected because it is the first institution to result in a merger. The documents selected provide the greatest amount of data and the researcher knows which documents deserve more attention than others. The following data sources were selected: Technikon Natal and M L Sultan Technikon merger documentation of 26 March 2002; Department of Education National Plan for Higher Education of 2001 and Andersen's Climate Survey Report on the Durban Institute of Technology of 2002. The theory behind this mentoring tool is Maslow's Hierarchy of Needs. Maslow's view of human needs in the work place is described as self-actualization . This theory of human needs guided the development of the mentorship tool. This is because employees who are mentored will achieve job performance expected of them. Although a well implemented mentoring programme can help with retention of staff, an institution needs to be aware that it may foster an individual's growth faster. Mentoring affects self-confidence and sense of marketability among employees and may thus cause an increase in market vulnerability. / Thesis (M.B.A.)-University of Natal, Durban, 2002.

Zugl.: Tübingen, Univ., Diss.

Thesis (Ph. D.)--University of Sydney, 2001. / "... The letters, postcards and photographs that Jessie, Fred and Will sent home to their mother and family, as well as Fred's fourteen diaries, form the foundation of this thesis..." -- p. 2. Title from title screen (viewed Apr. 23, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Clinical Nursing, Faculty of Nursing. Includes bibliography. Also available in print form.

Submitted by Maike Costa (maiksebas@gmail.com) on 2016-06-22T13:06:02Z No. of bitstreams: 1 arquivo total.pdf: 1239262 bytes, checksum: 7771a41858b9b6b813e1e57862b7c084 (MD5) / Made available in DSpace on 2016-06-22T13:06:02Z (GMT). No. of bitstreams: 1 arquivo total.pdf: 1239262 bytes, checksum: 7771a41858b9b6b813e1e57862b7c084 (MD5) Previous issue date: 2015-08-31 / This dissertation proposes a comparative analysis of metafiction in the novel The French lieutenant's woman, by John Fowles and in the film with the same name, directed by Karel Reisz, with screenplay by Harold Pinter. Our theoretical frame highlights some of the main studies published in the field of metafiction. We supplement the investigation of metafiction in the literary and filmic narrative in interface with other theoretical contributions, among them: narratology, filmic adaptation and some theoreticians of postmodernism. We adopt as a methodological principle the comparative investigation of some aesthetic devices and procedures associated with metafiction (self-reflexivity, self-consciousness, intertextuality, mise-en-abyme, among others) as long as they have been emphasized in the appreciation of some selected narrative categories (narrator, epigraph, character, reader/spectator) in the literary and filmic contexts. As a whole, our results consider metafiction as being a privileged, mediatory, logic, processual and theoretical-critical tool for the in-depth comprehension of the filmic and literary narratives. / Esta dissertação propõe uma análise comparativa da metaficção no romance The French lieutenant's woman, de John Fowles e no filme homônimo, dirigido por Karel Reisz, com roteiro de Harold Pinter. Nosso aporte teórico focaliza, sobretudo, os principais estudos publicados na área da metaficção. Suplementamos a investigação da metaficção na narrativa literária e fílmica com a interface de outros subsídios teóricos, dentre eles: a narratologia, a adaptação fílmica e alguns teóricos do pós-modernismo. Adotamos como princípio metodológico, o exame comparado de alguns recursos e procedimentos estéticos filiados à metaficção (tais como, autorreflexividade, autoconsciência, intertextualidade, mise-en-abyme, entre outros), conforme foram sendo enfatizados ao longo da apreciação de algumas categorias narrativas selecionadas (narrador, epígrafe, personagem, leitor/espectador) nos contextos literários e fílmicos. Em síntese, nossos resultados recaem sobre a metaficção enquanto uma ferramenta teórico-crítica, processual, lógica, mediadora e privilegiada para a compreensão aprofundada das narrativas literária e fílmica em pauta.

Syftet med studien är att analysera förändringen i de svenska partiernas politiska program genom att tillämpa Public Choice skolans modeller. Med hjälp av medianväljarteoremet och Hotellingmodellen analyseras om modellerna är tillräckligt beskrivande för Sveriges partiförflyttningar. Vidare beräknas Herfindahl-Hirschman index för graden av maktkoncentration på den politiska ”marknaden”. Herfindahl-Hirschman indexet visar att koncentrationen på den politiska marknad blivit lägre över tid, viket indikerar på att konkurrensen mellan partierna blivit allt högre under perioden 1973-2014. För att analysera om det går att förklara förändringar i partiernas politik under perioden 1973-2014 tillämpas medianväljarteoremet. En diskussion kring testning av modellen görs samt en illustration hur medianväljarteoremet skulle kunna se ut för Sveriges partier. För att analysera om en endimensionell skala är beskrivande för de svenska partiernas förflyttningar har Hotellingmodellen tillämpats. Genom att illustrera dessa två modeller på Sveriges partier undersöks om modellerna ger en tillfredställande beskrivningar av förändringen i de svenska partiernas politiska program. Analysen ger vid handen att att Medianväljarmodellen inte förklarar förändringarna i partiernas politik på ett tillräckligt utförligt sätt. Hotellingmodellen kan bättre förklar både de svenska partiernas förflyttningar på vänster-högerskalan samt förändringar i partiernas politik. Utöver de nämnda modellerna konstateras att den enskilda faktor som är mest betydelsefull för hur partierna ändrat sina politiska program är partiernas beroende av väljarnas åsikter. / The aim of the study is to analyze changes in the Swedish political parties programs by applying the Public Choice approach. With help from the median voter theorem and the Harold Hotelling model, the paper analyzes if these models are sufficiently descriptive of Swedens political parties movements. A Herfindahl-Hirschman index is constructed which shows changes in concentration of political power over time. The Herfindahl-Hirschman index shows that the degree of concentration in the Swedish political “market” has become lower over time, which indicates that the party competition has increased during the period 1973-2014. In order to analyze whether it is possible to explain changes in the parties’ policies during the period 1973-2014 the median voter theorem is applied. A discussion about how this model can be tested is done as well as an illustration of how the median voter theorem could look like for the parties in Sweden. To analyze whether a one-dimensional scale is descriptive of the movements of the Swedish parties, the Harold Hotelling model is also applied. By illustrating these two models on Swedens parties, the paper investigates whether these models provide a satisfactory descriptions of the change in the Swedish parties political programs. The analysis concludes that the median voter theorem does not explain the changes in the parties politics in a sufficiently detailed manner. It is revealed that the Harold Hotelling model provides a better description for both the Swedish parties movements at the left-right scale and for the changes in the parties politics. In addition to the models mentioned the factor that that is most important for how the parties changed their political programs is the parties’ dependence of the voters opinions.

In 1945, as the Second World War ended, British troops serving under 5 Corps in southern Austria encountered a number of critical problems which hindered their ability to occupy the region and enact the policy of repatriation as set out in the Yalta Agreement. Fragile lines of supply and communication, and the need to feed and house diverse groups of hundreds of thousands of prisoners of war and refugees impeded British attempts to administer the area. Further complicating the situation was the infiltration of Yugoslav Partisans, supposed allies, fighting under Josip Broz Tito who claimed northern Italy and southern Austria as part of a “Greater Yugoslavia.” In preparation of an anticipated forceful ejection of these Partisans, the British military prioritized the fighting effectiveness of its troops over a consistent application of repatriation. The British military issued orders which interpreted Soviet citizenship, and therefore liability for repatriation, in very broad terms. This resulted in an inconsistent application of the policy, in which non-Soviets were either retained or handed over, with both courses of action seemingly in keeping with orders. While subsequent authors, most notably Nikolai Tolstoy and Christopher Booker, have written on this topic, none have yet recognized the connection between the chaotic circumstances in the region and the haphazard application of repatriation. By re-examining archival records of communications between military units involved, this thesis rectifies that lacuna and acknowledges for the first time the irregular and inconsistent nature of these repatriations. / Graduate / 2018-08-11

My master's thesis focuses on analysis of political and economic development of Great Britain in 1957 -- 1964 period, when the Conservative Party was in charge, led firstly by H. Macmillan and then A. Home. After Macmillan gained the post of Prime minister, due to the Suez crisis, I present an analysis of British domestic economy, whose good condition led to conservative election victory of 1959. Then I analyze the shift of British government towards decolonization of Africa and also the British decision to join ECC (predeceased with EFTA agreement). Furthermore, there is an analysis of reasons behind H. Macmillan's resignation, which were mainly of medical character. Third part of my work is considering the Home government, his position as the Prime minister and development of British economy during early 1960's. Thesis is concluded by analysis of 1964's election, where the Labour Party achieved slim victory over the Conservative Party, and therefore was able to form a government.