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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 10 of 13 (0.043 seconds)Spelling suggestions: "subject:"hebrews"" "subject:"hebrew""
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Avund och rivalitet : En tolkning av brödrakonflikten hos Kain och Abel i Genesis 4 med utgångspunkt i filmen East of Eden.Myde, Magdalena January 2013 (has links)
No description available.
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Kanonkritisk bibeltolkning : en komparativ studie av Brevard S. Childs och Marvin A. Sweeneys bibelteologierWirehag, Robert January 2014 (has links)
No description available.
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A war of words : from Lod to Twin Towers : defining terrorism in Arab and Israeli newspapers 1972-1996 (2001) - a study in propaganda, semantics and pragmatics /Lindquist, Torkel, January 2003 (has links)
Diss. Uppsala : Univ., 2003.
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"I will go now to my pyre" : Isaks bindande läst genom J.R.R. Tolkiens The Lord of the RingsSelvén, Sebastian January 2013 (has links)
No description available.
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JHWH:s maskulinitet i Hes 16:3-43Magnuson, Hanna January 2015 (has links)
I den här studien undersöks JHWH:s maskulinitet i Hes 16:3-43 i den hebreiska bibeln. Texten beskriver en familjemetafor där JHWH är make och far, och Jerusalem hustru och dotter. Studien undersöker hur JHWH:s maskulinitet gestaltas i förhållande till andra personer i texten och i förhållande till ideal kring maskulinitet och förväntningar på män som uttrycks i den hebreiska bibeln. De ideal och förväntningar som behandlas i studien rör familjeliv, våld och relationer mellan män i samhälle och inom religion. Studien visar hur JHWH i textens första verser intar en roll som liknar hegemonisk maskulinitet men att hans roll i genusrelationen förändras när Jerusalem börjar att agera på ett genusöverskridande sätt. När JHWH låter hennes före detta älskare bruka våld mot henne upphör hennes överskridande handlande och könsgränserna återupprättas. Därmed säkras hans maskulinitet i förhållande till textens andra personer. Samhället Jerusalem, inklusive dess ledare och prästerskap, uppmanas att inta en feminiserad roll inför JHWH.
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Säg att du är min syster : En narrativ analys med feministisk kritik av berättelserna i Genesis 12, 20 och 26 och av den utsatta kvinnan som motiv.Rigby-Smith, Martin January 2013 (has links)
No description available.
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Ett Satans behov : En narrativ och teologisk studie överuppkomsten av en SatansgestaltCroner, Eweline January 2023 (has links)
No description available.
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Med den ena foten i vildmarken och den andra i Kanaan : En redaktionskritisk analys av Exodus 24:1-11 / With one Foot in The Wilderness and the Other in Canaan : A Redaction CriticalAnalysis of Exodus 24:1-11Krogevoll, Noomi January 2021 (has links)
This thesis consists of a redaction-critical analysis of Exodus 24:1-11. It is obvious that v 1-2; 9-11 and v 3-8 are originating from different narratives and hence the different sections shall be treated separately in the thesis. The redaction critical process is made difficult by the fact that there are many different traces of several theological traditions in the passage. One explanation of this is that chapter 24 is taking place where the narrative of Exodus is turning. At first, the chapter is giving an account of the escape from Egypt and the life in the wilderness, and thereafter, it turns to tell about the preparations for the arrival in Canaan. Yet another difficulty with the understanding of the section, from the point of redaction criticism that is shown in the analysis of the thesis, are the appearances of an unique blood ritual and an unique theophany, that both are lacking parallels. The final result of the thesis is that Exodus 24:1-11 is processing both an end to the previous part of Exodus, as well as the introduction of the beginning of the next chapter. Verses 3-8 constitute the end of the life in the wilderness through the making of the covenant and are reinforcing the change of the people, who have formerly been doubting JHVH, but now are turning into a holy nation. The origin of these verses is difficult to establish, but there are traces of a deuteronomistic redaction. Verses 1-2; 9-11 are rather building up to the introduction of the religious system, later to be established in chapter 25, in which the themes of priesthood and the temple are actualized, which in turn suggests a priestly redaction.
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Chokhmah – Guds arkitekt : En språkvetenskaplig och intertextuell analys av den personifierade Vishetens roll i Ordspråksboken 8:27-31;9:1Mård, Mäcs Martin January 2022 (has links)
No description available.
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MOTHER TONGUE / מאַמע-לשון : An interscriptual typefaceLarsson, Veronika January 2022 (has links)
The starting point for my degree project was the experience of an “in-betweenship”: to be in the middle of two cultures. If language is a bearer of culture and typography the body of language, as a graphic designer I was curious about what typography could be created from this intermediate position. In particular, I wanted to work with methods, tools, and expressions derived from my Jewish heritage in order to change my conditions for type construction and language. I have explored the typographic ligature as a method and form; historically created to save time and space in typesetting, but here used to find common denominators between two structurally different scripts. One question in particular has guided my process: can I create something whole from an intermediate position – something that isn’t one or the other, but a third possibility? The result is a calligraphic, interscriptual typeface with hybrids of Latin and Hebrew letters that can be read from left-to-right in English, as well as right-to-left in Yiddish. Based on my own poem about this in-betweenship – introduced on p.50 – the visual appearence comes from the codependency between the two scripts, a well as the compromises this merge entailed. This way, it doesn’t only represent my own hybridized experience but also the Jewish experience at large, shaped by influences from other cultures and languages over centuries of flight and migration.
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