A ideia do País de Gales como uma nação que detém sua identidade própria foi-se diluindo aos poucos, na medida em que se incorporou à história geral e à cultura do Reino Unido, as quais por sua vez são determinadas pela Inglaterra e pelos valores ingleses. A identidade galesa, como qualquer outra identidade nacional, é uma construção feita a partir de muitos fatores determinantes, entre eles os eventos históricos. Nesta tese, apresento minha leitura do romance histórico Here Be Dragons, da autora estadunidense Sharon Kay Penman, para explorar e analisar a questão da identidade nacional galesa e para examinar como o conceito de Identidade Galesa se configura naquele universo ficcional. Este trabalho representa também uma busca pessoal e uma investigação sobre minha identidade e memória galesa, já que fui criado e educado numa Gales gerida pelo sistema educacional inglês, que excluía dos currículos quase todas as referências à história, ao idioma e aos valores do País de Gales. O romance estudado se passa em um período da Baixa Idade Média em que Gales luta por manter sua cultura e sua identidade, ao ser confrontada com um poder maior, o dos reis e barões anglo-normandos que buscam construir seu império. Como se trata de um romance histórico, considero importante explorar as relações entre narrativa histórica e narrativa histórica ficcional. Para tanto, apresento um esboço historiográfico e certas considerações sobre o romance histórico como gênero literário. Mais ainda, acredito ser necessário apresentar um pouco da história do País de Gales, não apenas para termos uma ideia do que seja a identidade galesa, mas também para colocar o romance analisado no seu contexto histórico apropriado. Esta tese está construída em três partes. Na primeira, examino os conceitos de identidade e memória cultural e nacional e aspectos históricos formadores da identidade galesa. Para tanto, me apoio em obras escritas por Anthony D. Smith, professor de Etnia e Nacionalismo da Escola de Economia de Londres, como embasamento teórico para os conceitos de nacionalismo e identidade cultural. A segunda parte, que trata sobre História, é dividida em três subseções. Na primeira apresento um esboço sobre historiografia, com considerações sobre como a História é apreendida e estudada. A segunda trata sobre o romance histórico, comentando como se tornou um gênero literário e como se relaciona com a narrativa histórica. A última subseção apresenta traços da história do País de Gales, para estabelecer as ligações com as questões de identidade nacional. A terceira seção da tese apresenta a minha leitura de Here Be Dragons, na qual examino como é construída na narrativa a questão da identidade galesa através das personagens principais e nas descrições das paisagens e de estruturas medievais como castelos e mansões. Na conclusão, apresento as últimas considerações sobre os processos que levaram ao apagamento e à consequente busca de resgate da identidade nacional galesa. Acredito assim estar cumprindo minha parte neste processo que é tão bem representado no romance Here Be Dragons de Sharon Kay Penman. / Wales, as a nation in itself, has to some extent been forgotten and absorbed into the general history and culture of the United Kingdom, which for the most part, is dominated by England and “English” values. Welsh identity, or indeed any national identity, is a construct of many determining factors, not the least of which are historical events. In this dissertation, I present my reading of the historical novel, Here Be Dragons by American author Sharon Kay Penman, in order to explore and analyze the question of Welsh national identity and to examine how the concept of Welshness is configured in this fictional universe. This work is also a personal search and exploration into Welsh identity and memory, as I was brought up and educated through an English educational system – in Wales – which excluded a greater part of Welsh history, language and values from the curriculum. The novel covers a late medieval period of between 1183 and 1234, during which Wales struggles to maintain its unique identity and culture against the greater power of the empire-building Anglo-Norman kings and barons. As this dissertation concerns a historical novel, in order to better understand the relationship between a history narrative and a historical-novel fictional narrative, an outline of historiography and a background to the genre of the historical novel are important. Furthermore, a description of the historical background of Wales is necessary, not only to give us an idea of the formation of the Welsh identity, but also to place the novel into its correct historical context. The dissertation is divided into three parts. In part one, I examine the concepts of national and cultural identity and memory and the cultural and historical aspects which form the identity of Wales. I have used the works of Anthony D. Smith, professor of Ethnicity and Nationalism at the London School of Economics as a theoretical basis for the concepts of national and cultural identity. Part two, which deals with history, is divided into three sub-sections. In the first sub-section I examine and briefly outline historiography, how history is studied and presented. The second sub-section deals with the historical novel, how it developed as a literary genre and its relationship with the history narrative. The final sub-section is a historical background to Wales in order to have a better understanding of Welsh identity. Part three of the dissertation is my reading of Here Be Dragons, in which I examine the construction of Welsh identity in the narrative in the principal characters and the symbols that represent Wales in the descriptions of landscapes and medieval structures such as castles and manor houses. To conclude, I present my final considerations of the processes which have led to the eradication and the consequent search to restore a Welsh national identity. Thus, I believe I am fulfilling my part in this process that is so well represented in Sharon Kay Penman’s novel Here Be Dragons.

The understanding, I draw from this inquiry has come through a muddy, and complex entangledprocess. I have been re-turning like a "Baradian" earthworm, to experiences of being, in spacesof not-knowing. Digesting the mud, moving it, once more, like worms do, through the body.By doing an agential cut, into two spaces, eventually three strong agents unfold: Risk,Vulnerability, and Trust. Out of this result, an ethical and pedagogical question arise: How totake account of Vulnerability and Trust when encouraging our students to Risk?Entering a space of not knowing is at the foundation of my art practice. When as an arteducator,I went to China to inquire into the educational strategies of Chinese Classical Painting,I found myself thrown into a multitude of spaces of not knowing. This thesis, is an inquiry intohow being in such spaces, perform knowledge. To explore this, I return to the field-notes andvisual material including a report in the form of a visual essay of the study from 2011. I re-turnto this material with new tools and concepts inspired by Karen Barads metaphors of diffractionand earth-worms approach, as well as my artists tools: brush, water colours, ink, and paper;inrtoducing painting as a tool for analysis.As a theoretical approach, I entangle the flat ontology of Deleuze and Guattari, and theonto-epistem-ology of Barad, with the philosophical traditions in China of Buddhism and Dao.From an onto-epistem-ological perspective, I ask the question: "If we know about the worldbecause we are of the world," what knowledge then appear, when we experience our being in theworld as a space of not knowing. In this study, I have found that a space of not knowing performlearning through experiences of Vulnerability, Risk and Trust.The art part of this thesis is connected to Risk as well as to Vulnerability and Trust. Itfeatures a rope hanging from the ceiling to the floor. It is a rope that has been used during severalyears by a Circus artist during performances; hanging high up in the ceiling — demanding focusand presence from him. The installation at Konstfack spring-show 2018 featured the Circus artistrope together with a painting made in the context of Buddhist Vipassana meditation, entanglingmy tactile approach in art, with the text of this thesis.

Generational ritual abuse within satanic or fertility (abusive witchcraft) cults is a controversial subject. This study shows that, while not all reported memories may be true, False Memory Syndrome is not an intrinsic scientific reality of generational ritual abuse. Recent publications under the editorial pens of Noblitt and Perskin Noblitt (2008), as well as Sachs and Galton (2008), describe the types of abuse and torture perpetrated in various forms of ritual abuse (including the results of a worldwide survey), together with the psychological, interpersonal and spiritual damage it caused survivors. It also speaks of the legal difficulties of survivors, the motives of perpetrators and the difficulties experienced with disappearing evidence (sometimes deliberately, otherwise because it does not fit the known legal paradigm). Survivors of generational ritual abuse suffer from what can be described under DESNOS (Disorders of Extreme Stress - Not Otherwise Specified), which is supported by research whilst not yet a formal DSM diagnostic category. Prolonged interpersonal trauma, involving multiple events lead to alterations of affect and impulses: in attention or consciousness; in self-perception; in relationships with other; in systems of meaning; as well as somatisation. Most often it results in dissociative disorders of which the most common is DID (Dissociative Identity Disorder) in which a person exhibits two or more distinct identities or personality states which recurrently take control of his or her behaviour. Various other diagnostic-related factors are discussed in this study, together with major paradigms for considering DID. These paradigms include the ego-state theory (referred to briefly), structural dissociation and attachment theory. These models' intervention strategies are also discussed. Models from three Christian psychologists are discussed - those of Joubert, Friesen and Wilder (a community model) - and Hawkins and Hawkins' pastoral model is reviewed as well. "The fear of the Lord" is found to be the reverential awe with which a believer approaches God; linked closely to the love of God; a fear that is advocated over the fear of human enemies or circumstances and which then dispels the latter; an emotion of fear that is experienced when confronted, as sinful human being, with God's presence and attributes such as his holiness; advocated by Jesus and Paul as based upon God's judgment, after which he may cast one into hell - and thus, one is not to fear what man could do unto one, or should not depart from God and continue in wilful sin. Ps. 86 contains a prayer for a united heart that the psalmist may fear God, linked to walking in his truth and praising God for deliverance from the grave. While "the fear of the Lord" is not a healing model in and of itself (various models of intervention can be used in the healing journey as found in the literature study), it guides the stance of the community, the pastoral counsellor (or other helper) as well as the survivors of generational ritual abuse who turn to God. It was found to form a doorway into the covenant relationship (or intimate relationship) with God in Scripture, and it is argued that, as such, it will help to lead survivors away from negative or destructive fear-bonded relationships (in Wilder's terms) into love-bonded relationships with God and others, thus leading to fulfilment of the command 'to love God with all one's heart, soul and strength and others as oneself' (Dt. 6; Mrk. 12:29-31). To this end, it aids the pastoral healing goal of a growing relationship with God and increasing maturity. Using the models of Heitink, Osmer and Hurding, the insights gained in this study are applied to the guidelines and proposed model for pastoral intervention. / Thesis (M.A. (Pastoral)--North-West University, Potchefstroom Campus, 2011.

Generational ritual abuse within satanic or fertility (abusive witchcraft) cults is a controversial subject. This study shows that, while not all reported memories may be true, False Memory Syndrome is not an intrinsic scientific reality of generational ritual abuse. Recent publications under the editorial pens of Noblitt and Perskin Noblitt (2008), as well as Sachs and Galton (2008), describe the types of abuse and torture perpetrated in various forms of ritual abuse (including the results of a worldwide survey), together with the psychological, interpersonal and spiritual damage it caused survivors. It also speaks of the legal difficulties of survivors, the motives of perpetrators and the difficulties experienced with disappearing evidence (sometimes deliberately, otherwise because it does not fit the known legal paradigm). Survivors of generational ritual abuse suffer from what can be described under DESNOS (Disorders of Extreme Stress - Not Otherwise Specified), which is supported by research whilst not yet a formal DSM diagnostic category. Prolonged interpersonal trauma, involving multiple events lead to alterations of affect and impulses: in attention or consciousness; in self-perception; in relationships with other; in systems of meaning; as well as somatisation. Most often it results in dissociative disorders of which the most common is DID (Dissociative Identity Disorder) in which a person exhibits two or more distinct identities or personality states which recurrently take control of his or her behaviour. Various other diagnostic-related factors are discussed in this study, together with major paradigms for considering DID. These paradigms include the ego-state theory (referred to briefly), structural dissociation and attachment theory. These models' intervention strategies are also discussed. Models from three Christian psychologists are discussed - those of Joubert, Friesen and Wilder (a community model) - and Hawkins and Hawkins' pastoral model is reviewed as well. "The fear of the Lord" is found to be the reverential awe with which a believer approaches God; linked closely to the love of God; a fear that is advocated over the fear of human enemies or circumstances and which then dispels the latter; an emotion of fear that is experienced when confronted, as sinful human being, with God's presence and attributes such as his holiness; advocated by Jesus and Paul as based upon God's judgment, after which he may cast one into hell - and thus, one is not to fear what man could do unto one, or should not depart from God and continue in wilful sin. Ps. 86 contains a prayer for a united heart that the psalmist may fear God, linked to walking in his truth and praising God for deliverance from the grave. While "the fear of the Lord" is not a healing model in and of itself (various models of intervention can be used in the healing journey as found in the literature study), it guides the stance of the community, the pastoral counsellor (or other helper) as well as the survivors of generational ritual abuse who turn to God. It was found to form a doorway into the covenant relationship (or intimate relationship) with God in Scripture, and it is argued that, as such, it will help to lead survivors away from negative or destructive fear-bonded relationships (in Wilder's terms) into love-bonded relationships with God and others, thus leading to fulfilment of the command 'to love God with all one's heart, soul and strength and others as oneself' (Dt. 6; Mrk. 12:29-31). To this end, it aids the pastoral healing goal of a growing relationship with God and increasing maturity. Using the models of Heitink, Osmer and Hurding, the insights gained in this study are applied to the guidelines and proposed model for pastoral intervention. / Thesis (M.A. (Pastoral)--North-West University, Potchefstroom Campus, 2011.

本研究自語言的想像和傳承起興，探討新聞報導時間的變化。主採敘事學觀點，輔以語言學相關概念綜論新聞文本時間敘事的特色，並進而論及其時間想像及歷史感。 文本取材自人民日報和聯合報共十一則報導，逐篇進行言說模式及窗口分析，其結果說明新聞報導的歷史感非只憑敘述過去事件，更須著重過去和現在素材的連接，不同的連接形式，即敘事時間次序、頻率、節奏的變化各有其意義，並以指示語及各種資訊狀態縫合文本時間的跳躍和變動。而文本中的可然世界(作者或故事人物的精神活動之敘述)則在時間交錯處編織出可供讀者掌握過去、現在、未來時間的各種想像。 / This study, originated from imagination and inheritance of language, aims at examining features of narrative time. Taken a narratologic perspective with concepts borrowed from linguistics, this research discusses the narrativity in news text and also further explores temporarity and sense of history in news. A total of 11 news stories selected from the People’s Daily (Beijing) and the United Daily News (Taipei) were then analyzed by using the methods of discourse analysis and window analysis respectively. The results showed that the sense of history in news was more than simple description of the past events. In fact, it (the sense of history) could only be emphasized by connecting materials of both the past and the present. Further, with different forms of time connection, such as frequency, order, and tempo, news texts could be understood with the use of deixis and information status despite time fluctuation and change. Finally the possible world delineated in any news text would construct the readers’ imagination and allow them to hold the past, the present and the future all together. Keywords: time imagination, narrative theory, deixis, information status, discursive structure, here and now

Text in Afrikaans / The utilization value of the paradoxical theory of change in Gestalt Play Therapy with adolescents Adolescents undergo significant changes on physical, emotional, and cognitive levels during this development stage. These changes have a great influence on their self-awareness. Most adolescents experience great problems with who they are and who they should be according to the expectations of others. This causes a never-ending process of efforts to change. Change can only take place if the adolescent is who he is, but not if he tries to be what he is not. The consequence hereof is that change cannot take place in the adolescent, because he should first become aware of who he is. The awareness of who he is leads to change. The paradoxical theory of change is all about being who one is and not about trying to be what others expect one to be. The adolescent should be accompanied to become aware of who he is, by utilization of the paradoxical theory, in order to be able grow and change. The aim of this study was to explore and describe the utilization value of the paradoxical theory of change in Gestalt Play Therapy with adolescents. In order to achieve this goal, the research process was directed by qualitative research, and triangulation was utilized as a technique for gathering information. Out of the processing and integration of conclusions drawn during the empirical investigation, data could contribute to exploration and description of the assessment of the paradoxical theory of change in Gestalt play therapy with adolescents. The aim of the investigation was therefore achieved, namely the exploration and description of the utilization value of the paradoxical theory of change in Gestalt Play Therapy with adolescents. / Play thearapy / M.Diac.

A ideia do País de Gales como uma nação que detém sua identidade própria foi-se diluindo aos poucos, na medida em que se incorporou à história geral e à cultura do Reino Unido, as quais por sua vez são determinadas pela Inglaterra e pelos valores ingleses. A identidade galesa, como qualquer outra identidade nacional, é uma construção feita a partir de muitos fatores determinantes, entre eles os eventos históricos. Nesta tese, apresento minha leitura do romance histórico Here Be Dragons, da autora estadunidense Sharon Kay Penman, para explorar e analisar a questão da identidade nacional galesa e para examinar como o conceito de Identidade Galesa se configura naquele universo ficcional. Este trabalho representa também uma busca pessoal e uma investigação sobre minha identidade e memória galesa, já que fui criado e educado numa Gales gerida pelo sistema educacional inglês, que excluía dos currículos quase todas as referências à história, ao idioma e aos valores do País de Gales. O romance estudado se passa em um período da Baixa Idade Média em que Gales luta por manter sua cultura e sua identidade, ao ser confrontada com um poder maior, o dos reis e barões anglo-normandos que buscam construir seu império. Como se trata de um romance histórico, considero importante explorar as relações entre narrativa histórica e narrativa histórica ficcional. Para tanto, apresento um esboço historiográfico e certas considerações sobre o romance histórico como gênero literário. Mais ainda, acredito ser necessário apresentar um pouco da história do País de Gales, não apenas para termos uma ideia do que seja a identidade galesa, mas também para colocar o romance analisado no seu contexto histórico apropriado. Esta tese está construída em três partes. Na primeira, examino os conceitos de identidade e memória cultural e nacional e aspectos históricos formadores da identidade galesa. Para tanto, me apoio em obras escritas por Anthony D. Smith, professor de Etnia e Nacionalismo da Escola de Economia de Londres, como embasamento teórico para os conceitos de nacionalismo e identidade cultural. A segunda parte, que trata sobre História, é dividida em três subseções. Na primeira apresento um esboço sobre historiografia, com considerações sobre como a História é apreendida e estudada. A segunda trata sobre o romance histórico, comentando como se tornou um gênero literário e como se relaciona com a narrativa histórica. A última subseção apresenta traços da história do País de Gales, para estabelecer as ligações com as questões de identidade nacional. A terceira seção da tese apresenta a minha leitura de Here Be Dragons, na qual examino como é construída na narrativa a questão da identidade galesa através das personagens principais e nas descrições das paisagens e de estruturas medievais como castelos e mansões. Na conclusão, apresento as últimas considerações sobre os processos que levaram ao apagamento e à consequente busca de resgate da identidade nacional galesa. Acredito assim estar cumprindo minha parte neste processo que é tão bem representado no romance Here Be Dragons de Sharon Kay Penman. / Wales, as a nation in itself, has to some extent been forgotten and absorbed into the general history and culture of the United Kingdom, which for the most part, is dominated by England and “English” values. Welsh identity, or indeed any national identity, is a construct of many determining factors, not the least of which are historical events. In this dissertation, I present my reading of the historical novel, Here Be Dragons by American author Sharon Kay Penman, in order to explore and analyze the question of Welsh national identity and to examine how the concept of Welshness is configured in this fictional universe. This work is also a personal search and exploration into Welsh identity and memory, as I was brought up and educated through an English educational system – in Wales – which excluded a greater part of Welsh history, language and values from the curriculum. The novel covers a late medieval period of between 1183 and 1234, during which Wales struggles to maintain its unique identity and culture against the greater power of the empire-building Anglo-Norman kings and barons. As this dissertation concerns a historical novel, in order to better understand the relationship between a history narrative and a historical-novel fictional narrative, an outline of historiography and a background to the genre of the historical novel are important. Furthermore, a description of the historical background of Wales is necessary, not only to give us an idea of the formation of the Welsh identity, but also to place the novel into its correct historical context. The dissertation is divided into three parts. In part one, I examine the concepts of national and cultural identity and memory and the cultural and historical aspects which form the identity of Wales. I have used the works of Anthony D. Smith, professor of Ethnicity and Nationalism at the London School of Economics as a theoretical basis for the concepts of national and cultural identity. Part two, which deals with history, is divided into three sub-sections. In the first sub-section I examine and briefly outline historiography, how history is studied and presented. The second sub-section deals with the historical novel, how it developed as a literary genre and its relationship with the history narrative. The final sub-section is a historical background to Wales in order to have a better understanding of Welsh identity. Part three of the dissertation is my reading of Here Be Dragons, in which I examine the construction of Welsh identity in the narrative in the principal characters and the symbols that represent Wales in the descriptions of landscapes and medieval structures such as castles and manor houses. To conclude, I present my final considerations of the processes which have led to the eradication and the consequent search to restore a Welsh national identity. Thus, I believe I am fulfilling my part in this process that is so well represented in Sharon Kay Penman’s novel Here Be Dragons.

A ideia do País de Gales como uma nação que detém sua identidade própria foi-se diluindo aos poucos, na medida em que se incorporou à história geral e à cultura do Reino Unido, as quais por sua vez são determinadas pela Inglaterra e pelos valores ingleses. A identidade galesa, como qualquer outra identidade nacional, é uma construção feita a partir de muitos fatores determinantes, entre eles os eventos históricos. Nesta tese, apresento minha leitura do romance histórico Here Be Dragons, da autora estadunidense Sharon Kay Penman, para explorar e analisar a questão da identidade nacional galesa e para examinar como o conceito de Identidade Galesa se configura naquele universo ficcional. Este trabalho representa também uma busca pessoal e uma investigação sobre minha identidade e memória galesa, já que fui criado e educado numa Gales gerida pelo sistema educacional inglês, que excluía dos currículos quase todas as referências à história, ao idioma e aos valores do País de Gales. O romance estudado se passa em um período da Baixa Idade Média em que Gales luta por manter sua cultura e sua identidade, ao ser confrontada com um poder maior, o dos reis e barões anglo-normandos que buscam construir seu império. Como se trata de um romance histórico, considero importante explorar as relações entre narrativa histórica e narrativa histórica ficcional. Para tanto, apresento um esboço historiográfico e certas considerações sobre o romance histórico como gênero literário. Mais ainda, acredito ser necessário apresentar um pouco da história do País de Gales, não apenas para termos uma ideia do que seja a identidade galesa, mas também para colocar o romance analisado no seu contexto histórico apropriado. Esta tese está construída em três partes. Na primeira, examino os conceitos de identidade e memória cultural e nacional e aspectos históricos formadores da identidade galesa. Para tanto, me apoio em obras escritas por Anthony D. Smith, professor de Etnia e Nacionalismo da Escola de Economia de Londres, como embasamento teórico para os conceitos de nacionalismo e identidade cultural. A segunda parte, que trata sobre História, é dividida em três subseções. Na primeira apresento um esboço sobre historiografia, com considerações sobre como a História é apreendida e estudada. A segunda trata sobre o romance histórico, comentando como se tornou um gênero literário e como se relaciona com a narrativa histórica. A última subseção apresenta traços da história do País de Gales, para estabelecer as ligações com as questões de identidade nacional. A terceira seção da tese apresenta a minha leitura de Here Be Dragons, na qual examino como é construída na narrativa a questão da identidade galesa através das personagens principais e nas descrições das paisagens e de estruturas medievais como castelos e mansões. Na conclusão, apresento as últimas considerações sobre os processos que levaram ao apagamento e à consequente busca de resgate da identidade nacional galesa. Acredito assim estar cumprindo minha parte neste processo que é tão bem representado no romance Here Be Dragons de Sharon Kay Penman. / Wales, as a nation in itself, has to some extent been forgotten and absorbed into the general history and culture of the United Kingdom, which for the most part, is dominated by England and “English” values. Welsh identity, or indeed any national identity, is a construct of many determining factors, not the least of which are historical events. In this dissertation, I present my reading of the historical novel, Here Be Dragons by American author Sharon Kay Penman, in order to explore and analyze the question of Welsh national identity and to examine how the concept of Welshness is configured in this fictional universe. This work is also a personal search and exploration into Welsh identity and memory, as I was brought up and educated through an English educational system – in Wales – which excluded a greater part of Welsh history, language and values from the curriculum. The novel covers a late medieval period of between 1183 and 1234, during which Wales struggles to maintain its unique identity and culture against the greater power of the empire-building Anglo-Norman kings and barons. As this dissertation concerns a historical novel, in order to better understand the relationship between a history narrative and a historical-novel fictional narrative, an outline of historiography and a background to the genre of the historical novel are important. Furthermore, a description of the historical background of Wales is necessary, not only to give us an idea of the formation of the Welsh identity, but also to place the novel into its correct historical context. The dissertation is divided into three parts. In part one, I examine the concepts of national and cultural identity and memory and the cultural and historical aspects which form the identity of Wales. I have used the works of Anthony D. Smith, professor of Ethnicity and Nationalism at the London School of Economics as a theoretical basis for the concepts of national and cultural identity. Part two, which deals with history, is divided into three sub-sections. In the first sub-section I examine and briefly outline historiography, how history is studied and presented. The second sub-section deals with the historical novel, how it developed as a literary genre and its relationship with the history narrative. The final sub-section is a historical background to Wales in order to have a better understanding of Welsh identity. Part three of the dissertation is my reading of Here Be Dragons, in which I examine the construction of Welsh identity in the narrative in the principal characters and the symbols that represent Wales in the descriptions of landscapes and medieval structures such as castles and manor houses. To conclude, I present my final considerations of the processes which have led to the eradication and the consequent search to restore a Welsh national identity. Thus, I believe I am fulfilling my part in this process that is so well represented in Sharon Kay Penman’s novel Here Be Dragons.

The diploma thesis deals with the possibilities of using the optimization modelling software system GAMS in risk management. According to the assignment, emphasis is placed on a detailed approach to the program for those, who are interested in its use in the field of risk engineering applications. The first part of the thesis contains the knowledge to understand what the GAMS program is and what it is used for. The next part of the work provides instructions on how to download, install, activate the program and what the user interface of the program looks like. Thanks to mathematical programming, it will be explained on a project on the distribution of lung ventilators, what basic approaches may be used in risk modelling in the GAMS program on a deterministic model. The following are more complex wait-and-see models, which contains the probability parameters and here-and-now models, where we work with demand scenarios and verify whether if they meets the requirements of other scenarios or calculate costs for the highest demands. The two-stage model is also one of the here-and-now models, but it is significantly more complex in its size and range of input data, it includes additional price parameters for added or removed pieces of lung ventilators from the order.

The thesis focuses on folk culture in Chodsko. The main focus is folk songs and collectors. It provides an insight into the differences between the Upper and Lower Chodsko region. Reader will find important historical and present personalities for regional folk culture. At the end of the thesis there is a proposal for working with Chodsko's folk culture in the primaey school environment. KEYWORDS Chodsko, folclore, folk culture, folk music, folk dance, Ludvík Kuba, folclore to school, Here we are home