Extrait de: Th. doct. / Bibliogr. p. 267-294. Index.

Originally presented as Author's thesis (Th. D.)--Theologische Universiteit der Christelijke Gereformeerde Kerken te Apeldoorn. / Includes bibliographical references (p. [196]-208) and index.

Buscando compreender o que seria e a própria possibilidade de uma experiência de existência de modo autêntico, o presente trabalho busca apresentar diferentes construções de tal experiência, escolhidas principalmente pela proximidade temática e do contexto de produção. No campo da filosofia, será apresentada a construção realizada pelo filósofo Martin Heidegger em Ser e Tempo, enquanto que no campo da literatura serão analisados traços das construções presentes em duas obras de Hermann Hesse O Lobo da Estepe e Sidarta e em duas obras de Clarice Lispector Uma Aprendizagem ou O Livro dos Prazeres e A Paixão Segundo G.H. Ele está dividido em três partes. A primeira refere-se à construção da experiência de existência autêntica em Ser e Tempo. Em seguida, serão analisados os quatro romances eleitos utilizando como referência, mas não se limitando a, conceitos heideggarianos. Por fim, será realizada uma análise comparativa, quando serão contrapostas as ferramentas utilizadas em cada romance para apresentar tal experiência, e então alguns desdobramentos possíveis serão apresentados. Como principal questão que liga as obras estudadas, pode-se perceber que em todas elas está presente o ser quem se é, modo no qual ocorre uma abertura própria do ser que nós mesmos somos / Trying to understand what would be and the possibility itself of an authentic existence, this work tries to present different constructions of such an experience, chosen mainly by their thematic closeness and proximity in the writing context. In the field of philosophy, it will be presented the construction made by Martin Heidegger in Being and Time, while in the field of literature it will be analyzed traces of the constructions presented in two works of Hermann Hesse The Steppenwolf and Siddhartha and in two works of Clarice Lispector An Apprenticeship or the Book of Delights and Passion According to G.H. It is divided into three main parts. The first one includes the construction of the experience of an authentic existence in Being and Time. Then, it will be analyzed the four chosen novels using as reference, but not limited to, Heideggers concepts. Lastly, it will be shown a compared analysis, when it will be opposed the ways in which each novel presents such experience, and then some possible developments will be shown. As a main question that connects all the studied works, it can be noticed that in all of them it is central the be who you are, mode in which it occurs an authentic opening of the being which ourselves are

Dissertação (mestrado)—Universidade de Brasília, Instituto de Psicologia, Programa de Pós-Graduação em Psicologia Clínica e Cultura, 2016. / Submitted by Fernanda Percia França (fernandafranca@bce.unb.br) on 2016-11-17T16:03:00Z No. of bitstreams: 1 2016_AnaPaulaMorais.pdf: 589085 bytes, checksum: 41bd2c0a1e721ed6467721b7b4d465c3 (MD5) / Approved for entry into archive by Patrícia Nunes da Silva(patricia@bce.unb.br) on 2017-01-09T13:21:45Z (GMT) No. of bitstreams: 1 2016_AnaPaulaMorais.pdf: 589085 bytes, checksum: 41bd2c0a1e721ed6467721b7b4d465c3 (MD5) / Made available in DSpace on 2017-01-09T13:21:46Z (GMT). No. of bitstreams: 1 2016_AnaPaulaMorais.pdf: 589085 bytes, checksum: 41bd2c0a1e721ed6467721b7b4d465c3 (MD5) / Esta reflexão teórico-clínica discute as contribuições da teoria de Winnicott e do método de investigação de Rorschach no que se refere ao fenômeno da violência e às pessoas que cometem atos de violência. Partindo da concepção de que a violência é um fenômeno construído socialmente, observa-se a tentativa de patologizar esse fenômeno e atribuí-lo a sujeitos específicos. A fim de complexificar a análise dos contextos sociais, históricos, econômicos e políticos onde a patologização do fenômeno da violência é feita, foi incluída na discussão uma teoria psicanalítica em que se pudesse apoiar para refletir sobre o aspecto mais pessoal do fenômeno da violência. Winnicott contribui com suas propostas psicanalíticas para o desenvolvimento emocional e para a tendência antissocial. No trabalho forense, a Psicologia, a Psiquiatria e a Psicanálise são chamadas a complementarem decisões jurídicas sobre esses sujeitos considerados antissociais. Avaliações psicológicas, nessa situação, são caminhos privilegiados para se aproximar à subjetividade dos sujeitos. O Método de Rorschach foi incluído como uma possibilidade avaliativa, de forma a se aproximar das características psicológicas sem diagnósticos a priori e contextualizando o sujeito dentro das particularidades de sua história pessoal, em particular através do Ìndice de Inabilidade Social. O objetivo principal deste trabalho é discutir as características social e relacional do fenômeno da violência, obervando as particularidades psíquicas do sujeito que comete violência e situando-o em um meio ambiente que o transforma e que é transformado por ele. Com isso, buscamos nos aprofundar nas reflexões e práticas no tema da violência e levantar novas possibilidades de avaliação e acompanhamento psicoterapêutico, social e jurídico dessas pessoas. _________________________________________________________________________________________________ ABSTRACT / This theoretical-clinical reflexion discuss the contributions of Winnicott’s theory and the Rorschach Method of investigation in the theme of violence and people who commit violence. Starting from the conception of violence as a social construct phenomenon, the attempt of pathologize this phenomenon and assigning it to specific subjects is observed. Lokking for complexifying the analysis of social, historical, economic and politic contexts where the pathologization of violence is done, was included a psychoanalytic theory where is possible be based to reflect about the most personal side of violence. Winnicott contributes with their psychoanalytic proposals for the emotional development and for the antisocial tendency. In forensic work, Psychology, Psychiatry and Psychoanalysis are called to complement juridical decisions about these subjects adjudged antisocial. In this situation, psychological assessments are a privileged ways to reach the subjectivity. The Rorschach Method has been included in this discution as an assessment possibility, which allows an approach to psychological traits without a priori diagnosis and contextualizing the subject within the particularities of his own personal history, particularly through the Coping Deficit Index. The main aim of this work is discuss social and relational features of violence phenomenon, regarding psychic particularities of who commit violence and locating him an environment that change him and is changed by him. Thus, we seek to deepen the concepts and practices in violence theme and rise new possibilities of psychotherapeutic, social and juridical attendance for these people.

Buscando compreender o que seria e a própria possibilidade de uma experiência de existência de modo autêntico, o presente trabalho busca apresentar diferentes construções de tal experiência, escolhidas principalmente pela proximidade temática e do contexto de produção. No campo da filosofia, será apresentada a construção realizada pelo filósofo Martin Heidegger em Ser e Tempo, enquanto que no campo da literatura serão analisados traços das construções presentes em duas obras de Hermann Hesse O Lobo da Estepe e Sidarta e em duas obras de Clarice Lispector Uma Aprendizagem ou O Livro dos Prazeres e A Paixão Segundo G.H. Ele está dividido em três partes. A primeira refere-se à construção da experiência de existência autêntica em Ser e Tempo. Em seguida, serão analisados os quatro romances eleitos utilizando como referência, mas não se limitando a, conceitos heideggarianos. Por fim, será realizada uma análise comparativa, quando serão contrapostas as ferramentas utilizadas em cada romance para apresentar tal experiência, e então alguns desdobramentos possíveis serão apresentados. Como principal questão que liga as obras estudadas, pode-se perceber que em todas elas está presente o ser quem se é, modo no qual ocorre uma abertura própria do ser que nós mesmos somos / Trying to understand what would be and the possibility itself of an authentic existence, this work tries to present different constructions of such an experience, chosen mainly by their thematic closeness and proximity in the writing context. In the field of philosophy, it will be presented the construction made by Martin Heidegger in Being and Time, while in the field of literature it will be analyzed traces of the constructions presented in two works of Hermann Hesse The Steppenwolf and Siddhartha and in two works of Clarice Lispector An Apprenticeship or the Book of Delights and Passion According to G.H. It is divided into three main parts. The first one includes the construction of the experience of an authentic existence in Being and Time. Then, it will be analyzed the four chosen novels using as reference, but not limited to, Heideggers concepts. Lastly, it will be shown a compared analysis, when it will be opposed the ways in which each novel presents such experience, and then some possible developments will be shown. As a main question that connects all the studied works, it can be noticed that in all of them it is central the be who you are, mode in which it occurs an authentic opening of the being which ourselves are

abstract: This research paper provides a revised version of viola alta compositions by Hermann Ritter. These original compositions, written for viola alta, were published between 1878 and 1900. Without further reprint, these works are largely unknown by this generation of violists. Yet, these works are precious examples of viola alta repertoire from the late nineteenth century. The viola alta was designed by Hermann Ritter with an instrumental length between 17 and 19 inches. Another version of this instrument was constructed with five strings, adding a high E-string. Higher pitches could then be played with relative ease in lower positions. Compositions for the viola alta often feature brilliant passages in the treble register and rarely showcase the sonority of the lower strings. Many of Ritter’s scores for the instrument are notated in the alto clef and contain numerous ledger lines. Due to the difficulty of reading the music and handling such a large instrument, the viola alta had a relatively short existence and its repertoire was soon forgotten. Hermann Ritter actively promoted the viola alta during the late nineteenth century. His compositions featured the range of the instrument and captured the emotion and character of the late Romantic era. Ritter contributed a wealth of repertoire for the viola alta to increase its significance and importance. For today’s violist, it represents a body of work from the nineteenth century, and adds to the repertoire many wonderful, short, character pieces. This document consists of a brief discussion of Hermann Ritter’s career and his contributions to the viola alta. Six of Ritter’s viola alta works are presented in order of difficulty with bowings and fingerings, along with a performer’s analysis and performance instructions. To aid ensemble issues, the revised version includes simplified piano parts. It is the author’s hope that this volume increases repertoire options for violists and becomes a valuable pedagogical resource. / Dissertation/Thesis / Doctoral Dissertation Music 2018

Dissertação (mestrado)—Universidade de Brasília, Instituto de Humanidades, Departamento de Filosofia, Programa de Pós-Gradução, 2006. / Submitted by Érika Rayanne Carvalho (carvalho.erika@ymail.com) on 2009-11-02T16:59:38Z No. of bitstreams: 1 itamar rodrigues paulino.pdf: 801908 bytes, checksum: bd0ffa621683458b819f029e7e191205 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2010-05-18T11:25:46Z (GMT) No. of bitstreams: 1 itamar rodrigues paulino.pdf: 801908 bytes, checksum: bd0ffa621683458b819f029e7e191205 (MD5) / Made available in DSpace on 2010-05-18T11:25:46Z (GMT). No. of bitstreams: 1 itamar rodrigues paulino.pdf: 801908 bytes, checksum: bd0ffa621683458b819f029e7e191205 (MD5) Previous issue date: 2006-09-29 / É de longa data que os discursos filosófico e literário buscam estabelecer um intenso diálogo, envolvendo um inesgotável repertório de questões, proposições e transgressões. Embora os discursos filosófico e literário caminhem por vielas sistemáticas diferenciadas, ambos comungam do mesmo desejo de provocar nosso olhar a respeito do real. O presente trabalho se propõe a uma atividade investigativa, com o intuito de problematizar a atual sociedade acerca de um importante tema presente em seu dia a dia, mas não exclusiva do seu tempo: os valores humanos. Este trabalho busca encontrar uma coerente estrutura filosófica de pensamento, no caso a Epistemologia do Romance, que permita fazer uso da Literatura, utilizando de maneira específica um romance, para demonstrar a possibilidade de se provocar o filosofar sobre a existência humana, considerando o tema da degradação dos valores humanos. Para tanto, os pensares de Immanuel Kant, Friedrich Hegel e Friedrich Nietzsche tornaram-se a fundamentação acerca dos valores humanos. Hermman Broch, e sua obra Os Sonâmbulos, contribui com uma percepção estético-literária acerca do tema. Hans-Georg Gadamer, Michel Maffesoli e outros, ajudam na proposta de uma estrutura de leitura caracterizada por uma razão sensível e pela possibilidade de se interpretar possíveis conteúdos epistemológicos imergidos da obra Os Sonâmbulos. Este trabalho, porém, não se pretende acabado, mas intenta especular sobre o que parece ser plausível, a possibilidade de usarmos um romance para enveredarmos em certos problemas caros à existência humana. ___________________________________________________________________________________________________ ABSTRACT / It is a long ago that the philosophical and literary debate searches for the establishment of an intensive dialogue, involving an innumerable repertory of questions, propositions and transgressions. Although the speeches of Philosophy and Literature walk through differentiated systematic ways both speeches share the desire to provoke our sight towards the real. The purpose of the present paperwork is to investigate, as well as to problematize, the society with regards to an important subject of its daily life but not only of its own: the human values. This paper also aims to find out a philosophical structure of thought, in this case the Epistemology of Romance, that allows someone to make use of Literature, but specifically a romance, to show that it is possible to provoke philosophical thoughts about human existence, taking into consideration the subject disintegration of human values. In that sense, the thought of Immanuel Kant, Friedrich Hegel and Friedrich Nietzsche became the fundaments about human values. Hermann Broch, through his novel The Sleepwalkers, contributes to the investigation of the theme with an esthetical-literary perception. Hans-Georg Gadamer, Michel Maffesoli among others are the basis for a proposal of a reading structure characterised by the sensitive reason and by the possibility to interpret possible epistemological contents withdrawn from The Sleepwalkers. Nevertheless, this paper does not intend to be a finished work but to speculate about what seems to be far plausible, the possibility of making use of a novel in order to look into some fundamental problems of human existence.

This essay will attempt to explore esoteric elements and connections in Hermann Hesses' final novel Das Glasperlenspiel and whether the narratives and beliefs held by the fictional realm of Castalia and the protagonist Josef Knecht fit into the tradition of western esotericism as defined by Kocku von Stuckrad and Antoine Faivre respectively. An attempt will also be made to explore why the novel has come to influence modern esoteric movements in what Wouter Hanegraaff defines as "New Age religion".

The aim of this thesis is to consider the formation and reception of the historical Jesus genre through a detailed analysis of its “strong poet,” Albert Schweitzer. Though the classification of this thesis is most likely to be designated as Leben Jesu Forschung and the rise of early Christianity, it encompasses several adjacent fields of research: viz., social and literary theories, philosophies of history, biblical studies, critical memory theory, and classical history. Leben Jesu Forschung is therefore a kind of case study for the construction and reception of ideas. Part One suggests, after a sustained engagement with Schweitzer and his constructive project, that his pervading influence is most strongly felt in the underlying assumptions of his method of konsequente Eschatologie. Schweitzer’s concept of konsequente Eschatologie is the singular criterion by which all the material is judged and filtered so as to construct a singular profile of the historical Jesus. It is this desire for a “tidy” Jesus which this thesis attempts to problematize. Part Two attempts a constructive counter proposal by appropriating theories of memory to historical Jesus research and concludes by demonstrating the appropriation of this theory within the Gospel of Mark. I understand the Markan author as evoking Jesus memories and setting them within a narrative framework for the purposes of identity construction and communal direction. As such, we are presented with an “untidy” Jesus of Markan memory.

Informe de Seminario para optar al grado de Licenciado en Filosofía.