Cette étude se propose d’examiner les questions que soulève l'opéra de Pékin contemporain de Taïwan à travers deux exemples : Le Roi Lear mis en scène par Wu Hsing-Kuo et Orlando mis en scène par Robert Wilson. Ces deux spectacles en solo sont fondés sur des textes occidentaux traduits en chinois. Pour mettre en scène ces textes traduits, Wu Hsing-Kuo et Robert Wilson ont eu recours aux conventions et au jeu de l’acteur de l’opéra de Pékin. En dépit d’éléments similaires, les textes scéniques tissés par ces deux metteurs en scène diffèrent profondément. Dans le but de trouver une manière appropriée de décrire et d’analyser ce genre de spectacles métis qui sortent de leur cadre traditionnel, tout en gardant en même temps certains traits spécifiques, nous avons commencé par creuser les conceptions qui sous-tendent la forme de l’opéra chinois. Ensuite, nous avons approfondi les questions liées à la pratique ainsi que ses rapports avec les conceptions esthétiques chinoises. Dans la dernière partie de cette étude, nous nous appuyons essentiellement sur les conceptions développées dans les deux premières parties de cette thèse plutôt que sur les discussions sur la nature du théâtre interculturel pour les chercheurs occidentaux auxquelles se sont déjà référés beaucoup de chercheurs taïwanais. À travers l’analyse des deux spectacles, nous proposons une voie différente pour discuter des représentations « interculturelles », tels que les spectacles de l’opéra de Pékin contemporain de Taïwan, qui échappent aux règles et aux conventions bien établies et qui ne peuvent être jugés selon les standards habituels. / This thesis aims to examine the questions suggested by two contemporary Peking opera productions in Taiwan: “King Lear” directed by Wu Hsing-Kuo and “Orlando” by Robert Wilson. These two adaptations are both based on Western masterpieces and each of them is performed by one trained Peking opera actor. Despite the similarities that appear in the works of the Taiwanese and the American director, the results of their experimentations on the stage differ considerably between each other. In order to find appropriate way to describe and analyze this kind of performances based on the fusion of traditional as well as foreign elements, we started by researching the conceptions which associate deeply with the form of Chinese opera. Then, we delved further into the relations between the practice of Chinese opera and the Chinese aesthetics concepts. Finally, we analyzed the two examples, not through the discussions related to “intercultural theater” developed by occidental researchers and commonly referred to Taiwanese researchers, but through the conceptions that we have developed in the last two chapters of this thesis. Through this study, we expect to propose a different way to approach the theatrical productions that broke the routine and cannot be analyzed by the standard rules.

A technique for admicelle-based solid phase extraction is presented in which a dialkylammonium surfactant in the hydroxide form is immobilized on silica. By converting dihexadecyldimethylammonium bromide to the hydroxide form, the surfactant is allowed to have the property of a strong base, aiding in the extraction of acidic phenols which are difficult to extract because of their differing polarities. The surfactant-silica admicelle parameters were optimized for the efficient extraction of eight phenols. Adsorbed phenols were eluted from the sorbent using small volumes of methanol. The phenols were preconcentrated from drinking water samples and were determined using high performance liquid chromatography (HPLC) coupled with a photo diode-array detector.

Abstract The framework of the political system is built based on ¡§law ¡]standards of rewards and punishments¡^¡¨,¡§Shuh¡]tactics to exercise power¡^¡¨,and ¡§power¡]ruling power¡^¡¨in the book¡§Han Fai Tzu¡¨.In the premise to settle disputes with the carrot and stick approach and establish standarlized norms and protect the public interest, laws are to be stipulated to eliminate the differences of benefits among kings and ministers. Only when the kings can exert power properly,can laws and orders be fully executed,and through a complete approach of operation can the standard of laws and coercive effect of power be achieved. Therefore,how to use tactics becomes a very important issue in the book. The tactics used by the kings cover many pages in ¡§Han Fai Tzu¡¨as well. This research paper discusses the types of Shuh¡]tactics to exercise power¡^in¡§Han Fai Tzu¡¨respectively. Those include Wu Wei Shuh¡]tactics to assess ministers¡¦merits¡^, Hsing Ming Shuh¡]tactics to examine ministers¡¦performance¡^,Tsan Wu Shuh¡]tactics to refer to different opinions over appropriate personnel appointment¡^,and Yung Jen Shuh¡]tactics of personnel management¡^. Furthermore,the study adopts the concepts of contemporary public administration and management to examine the content as well as advantages and disadvantages of Han Fai¡¦s theory of Shuh.

No description available.

University of Macau / Faculty of Arts and Humanities / Department of Chinese

近幾年，等候系統開始被廣泛的應用於分析工作上可能產生的延遲。 平均花費在系統中和等候線上的時間成為描述等候系統行為兩個最基本的數量。除了工作的延遲外，我們考慮顧客在等候線上的延遲也會受到滿意度的影響。由於顧客滿意度會影響顧客的到達率，因此系統到達率和系統服務率變成模糊集合。我們建構一個模糊的等候系統並且提出一個去模糊化的方法。這篇論文研究的目的在於呈現一個分析系統的方法，利用此方法解決模糊的系統中最佳化的問題。 關鍵字: 模糊等候，最佳化。 / Queueing models for analyzing the possible delay of tasks have been studied for past several decades. Since then, the average time spent in the system and the average time spent in queue have become two of the most fundamental quantities describing a queueing system's behavior. In additional to the delay of tasks, we consider the satisfaction of customers affected by several factors in system. Since the satisfaction reflects the arrival rate and service rate, the arrival rate and the service rate seem more close to the fuzzy sets. We construct a fuzzy queueing model and introduce an optimization problem of a fuzzy queue. The objective of this optimization problem is to present an approach that analyzes the model and decide the optimal number of servers while minimizing the total cost which is a fuzzy set. As a result, we provide a solution procedure to compute the required performance measure in a service-oriented environment. Keywords: Fuzzy Queue, Optimization

本篇論文旨在探討三民主義青年團與中國國民黨衝突的結構性原因，及其在1949年國民黨政權潰敗過程裡所起的作用。除緒論與結論外，共計五章。大要如下: 第一章: 國民黨派系對峙的延續。本章對三青團成立背景與權力結構的分析，將有助於從派系政治面考察黨團關係自始即欠缺穩定的原因。 第二章: 雙軌競進的黨團體制。從新舊意識分明與體制分劃不清的角度出發，發展出具體的歷史敘事，從而導入黨團關係失衡的論證當中。 第三章: 革新聲中的派系權謀政治。以三青團與國民黨的兩次全國代表大會及開展於抗戰前後的革新運動為例，說明三青團與黨內各派系之間的政治操作與利益分配。 第四章: 三青團二全大會的組黨風潮。以1946年團二全大會為例，說明三青團欲將多年來渾沌的黨團關係做一徹底解決的努力，兼及全會閉幕後嶄新的權力格局。 第五章: 黨團統一與黨權鬆落。旨就蔣介石解決黨團摩擦的決心進行歷史分析，並對黨團統一的辦法與其後原黨團雙方仍分軫域的實情多所著墨。 本章將與前述章節產生相互辯證的效果，以便說明黨團關係在國民黨退出中國大陸的過程中所起的作用，和1950年蔣介石在台灣實施黨務改造的歷史背景。

Framing research over the years has led to remarkable findings about how the media is able to influence public perception about certain issues or events. Framing analysis of international conflict is commonplace, yet only a few deal specifically with direct conflict between countries over a single incident. The current study conducted a comparative framing analysis on news reports of a single incident as covered by each country’s media. The incident in this case is the Guang Da Hsing shooting that occurred between Taiwan and the Philippines in May 2013. A content analysis of two newspapers from Taiwan and three from the Philippines was conducted to identify the frames that appeared in the text. Additionally, the incident was also examined from a cultural and crisis communication perspective, exploring themes of cultural difference, “othering”, attributions of responsibility, and crisis response strategies.

University of Macau / Faculty of Social Sciences and Humanities / Department of Chinese

No description available.