<p>This thesis is an exploration of the historical, socio-cultural, economic, and political settings in which identities are negotiated and performed among Cameroonian immigrants in Cape Town. Focusing on language as localized practices and different interaction regimes, the thesis investigates how Cameroonian immigrants maintain and reconfigure the Anglophone/Francophone identity options in novel and hybrid ways. In addition, the study examines how ideologies favouring different languages are reproduced and challenged in translocal and transnational discourses. Guided by the poststructuralist theories the thesis explores the stance that reality is socially constructed, based on symbolic and material structural limitations that are challenged and maintained in interaction. That is, whatever we do or believe in, is supported by some historical or cultural frames of meanings in our lived world, which often gives room to some manoeuvre to do things in a new way. The study adopts a multiplex interpretive approach to data collection. This entails a qualitative sociolinguistic approach where interviews, discussion and observations at different socio-economic places namely / meetings, workplaces, homes, restaurants, drinking spots and many sites from all over Cape Town, were explored. The study suggests that Cameroonians have a multiplicity of identity options, which are manifested and negotiated performatively through language, dress code, song, food, business, and other practices that comprise their lifestyles. These identities are translocal and transnational in nature, and tend to blend South African, Cameroonian, and even American traits. It is also suggests that the different identity options which they manifest are highly mobile, enabling Cameroonians to fit into South African social structures as well as the Cameroonian ways of doing things.&nbsp / Additionally, the multiplicity of identities that Cameroonians manifest, blur the fault-line between Anglophone/Francophone identities. It is evident from the study that hybridity and the reconstruction practices are not only confined to languages. Hybridity also extends to discourse orders especially in terms of how meetings are conducted. The Cameroonian meetings captured through the activities of Mifi Association and CANOWACAT are characterised by &lsquo / disorder of discourse&rsquo / in which both formal and informal versions of English and French are used&nbsp / separately or as amalgams alongside CPE and their national languages, not only in side talks, but also when contributing to the meeting proceedings. Ultimately, the study concludes that&nbsp / Cameroonians are social actors making up an indispensable part of the social interaction in the Cape Town Diaspora. Just as they influence the languages, the entrepreneurial practices, and&nbsp / spaces in which they interact, the Cameroonian immigrants are also transformed. The major contribution of the study is that it adds to the recent debates about the nature of multilingualism&nbsp / and identities in late modern society. It emphasises that languages and identities are fluid, complex, and unstable. The distinction or boundaries between the various languages in multilingual practices are also not as clear-cut. This leads to a reframing of voice and actor hood as meaning is constructed across translocal and transnational contexts and domains in a networked&nbsp / world transformed by the mobility of endless flows of information, goods, ideas, and people. Thus, the study contributes to those arguing for a paradigm shift in sociolinguistic theory in which&nbsp / language is not a property of groups, nor is it an autonomous and bounded system fixed in time and space. Thus, identities, languages and the spaces of interaction are not fixed systems / &nbsp / identities, languages, and spaces are dynamic and in a state of flux. This in turn questions the notions of multilingualism and language itself, as well as the veracity of concepts such as&nbsp / &nbsp / &nbsp / code-switching, speech community, language variation, as the search for a sociolinguistic framework that can deal with phenomena predicated by motion, instability, and uncertainty, continues. <br /> &nbsp / </p>

Throughout the nineteenth and into the twentieth century, theories of race contributed to the justification and authorization of global European imperialism and the colonization of indigenous people. In Canada, racial theories influenced perceptions of each citizen as either superior or inferior. Although European and American theorists constructed hundreds of ideas about race, there are several key ideas that continue to linger in the minds of Canadians. This thesis examines the socio-ideological context of racial theories and provides an historical account of the construction of race. The historical account highlights four prominent ideas: white superiority, non-white inferiority (marked by low intelligence levels), the belief in inherent racial characteristics, and racial purity and contamination. In Saskatchewan, these ideas continue to surface in discourse about Aboriginal people and relations between the non-Aboriginal and Aboriginal population. Although constructed ideas about race are scientifically unsound and grounded in the belief in white superiority, these ideas are often normalized as common sense and not easily recognized as constructed. Discourse and practices that appear to be emancipatory for Aboriginal people but rely on constructed ideas about race need to be re-examined. This thesis provides several examples of where these ideas surface in Saskatchewan discourse and recommends anti-racist education as an alternative.

This thesis studies Joseph Conrad&rsquo / s Almayer&rsquo / s Folly in terms of two theoretical concepts / othering and hybridity. The first theoretical concept, othering, is analysed from various perspectives for three main reasons: 1) The question of &ldquo / Who is other to whom?&rdquo / cannot be answered thoroughly because there is a continuous power struggle between the European and the non-European characters. 2) The theme of othering in the novel is based on a view of humanity and its conflicts that is radically ambivalent, and thus cannot be analyzed from one perspective only. 3) Conrad&rsquo / s world view which is reflected in the novel is not limited to one group of people, but tends to be universal. The second theoretical concept, hybridity, is analyzed under three subtitles: ambivalence, mimicry and hybridity.

My painted self-portraiture explores identity as changing social performance or masquerade and examines bodily flesh as the vital interface for reciprocal encounter on life’s stage. The larger-than-life sized images demand viewer attention and compel intersubjective engagement. The works also affirm artistic agency and subjective presence through gestural brushwork and the vivifying power of oil paint. Hybridity and ambiguity in the images suggest the dynamic and reflexive nature of identity. A theatrical colour palette further reinforces the notion of identity as social performance or masquerade. Conceptually the works are rooted in both post-modern feminism and phenomenology. Artistically they draw inspiration from contemporary figurative painters and portraitists who use this medium and genre to navigate the boundaries of self and society.

I den här uppsatsen undersöks interaktionen mellan tre programledare och en intervjuad forskare i ett utdrag från ett intervjusamtal i radio. Syftet med studien är att undersöka vilka övergripande topiker och vilka kommunikativa projekt som förekommer i samtalsutdraget. Likaså att undersöka hur de kommunikativa projekten kan relateras till den hybriditet som detta samtalsutdrag kännetecknas av, då samtale tkan kategoriseras som en hybridiserad pratshowintervju. Samtalsdelen består av drygt åtta minuter, som transkriberas och analyseras med hjälp av en topikanalys i kombination med en analys av de kommunikativa projekt som florerar i samtalsutdraget. Resultatet av analysen visar att samtalsutdraget innehåller olika kommunikativa projekt som ibland kolliderar. Programledarna vill ha svar på sina mestadels enkla och grundläggande frågor, men forskaren svarar inte alltid enkelt och grundläggande. Forskaren är där för att beskriva omständigheterna kring hundraårsjubileet av upptäckten av kosmisk strålning, i egenskap av elementarpartikelfysiker. Programledarna är beroende av att deras lyssnare tycker att innehållet är intressant och värt att lyssna på. Därför hamnar det på deras lott att så gott de kan göra programinnehållet intressant för lyssnarna. För att uppfylla det tillkommer lokala projekt, såsom att förmå den intervjuade att vara mer personlig och göra ansatser för att ge samtalet en mer vardaglig och avslappnad prägel. Till exempel genom det sätt som de ställer frågor till forskaren. Men även den journalistsiska uppgiften att popularisera vetenskapen som forskaren intervjuas om tillkommer, då det rör sig om ett radioprogram inom sektorn för Public service.

No description available.

My painted self-portraiture explores identity as changing social performance or masquerade and examines bodily flesh as the vital interface for reciprocal encounter on life’s stage. The larger-than-life sized images demand viewer attention and compel intersubjective engagement. The works also affirm artistic agency and subjective presence through gestural brushwork and the vivifying power of oil paint. Hybridity and ambiguity in the images suggest the dynamic and reflexive nature of identity. A theatrical colour palette further reinforces the notion of identity as social performance or masquerade. Conceptually the works are rooted in both post-modern feminism and phenomenology. Artistically they draw inspiration from contemporary figurative painters and portraitists who use this medium and genre to navigate the boundaries of self and society.

Throughout the nineteenth and into the twentieth century, theories of race contributed to the justification and authorization of global European imperialism and the colonization of indigenous people. In Canada, racial theories influenced perceptions of each citizen as either superior or inferior. Although European and American theorists constructed hundreds of ideas about race, there are several key ideas that continue to linger in the minds of Canadians. This thesis examines the socio-ideological context of racial theories and provides an historical account of the construction of race. The historical account highlights four prominent ideas: white superiority, non-white inferiority (marked by low intelligence levels), the belief in inherent racial characteristics, and racial purity and contamination. In Saskatchewan, these ideas continue to surface in discourse about Aboriginal people and relations between the non-Aboriginal and Aboriginal population. Although constructed ideas about race are scientifically unsound and grounded in the belief in white superiority, these ideas are often normalized as common sense and not easily recognized as constructed. Discourse and practices that appear to be emancipatory for Aboriginal people but rely on constructed ideas about race need to be re-examined. This thesis provides several examples of where these ideas surface in Saskatchewan discourse and recommends anti-racist education as an alternative.

This thesis analyzes how Afro-Caribbean poets writing in English appropriate language and use memory as a thematic tool to articulate postcolonial identities. The present study is organized in three parts: the first part provides the necessary theoretical background regarding postcolonial theory, the politics of hybridity and resistance / the second part examines poets&rsquo / struggles over language and social forms of poetry / the third part deals with the site of memory as a revisionary tool in rewriting history poetically, binding pre-colonial and colonial identities, and healing the fractured psyches of postcolonial societies. The struggle over language and the use of memory enable the Afro-Caribbean poet to reconfigure individual and collective identities. For these purposes, Grace Nichols&rsquo / i is a long memoried woman (1983), Edward Kamau Brathwaite&rsquo / s X/Self (1987) and Linton Kwesi Johnson&rsquo / s Tings&rsquo / an Times (1991) will be analyzed.

<p>This study focuses on the different strategies that the author uses to subvert the patriarchal and the colonial discourses which are reflected in the novel "Les Honneurs perdus" of Calixthe Beyala. In the introduction a theoretical background is given which includes feminist and postcolonial literary theories and their relation to postmodern theories and deconstruction. The introduction underlines the importance of the constitution of subject in postcolonial and feminist theories in contrast to deconstruction of subject in postmodernism and poststructuralism.</p><p>The analysis demonstrates that the novel can be seen as a female bildungsroman in the protagonist’s intent to create an autonomous identity. A gynocentric writing and the dialogue with another female character, the heroine’s antagonistic double, which includes the possibility of a female genealogy, as well as the final love to a white man, contribute essentially to transculturation and the construction of the heroine’s hybrid identity.</p><p>The second chapter of the analysis shows that the dichotomies Europe–Africa and man–woman in the binary system of the western way of thinking are very marked in the novel. Finally the third chapter points out how the different narrative techniques like the mixing of different language levels, the creation of new words, the use of irony and carnivalation, a special form of parody, as well as the intertextuality of magic realism deconstruct and subvert the heritage of colonial and patriarchal values and demonstrate the post-colonial misery both in the protagonist’s native suburb in Cameroun and in Paris.</p>