A fotografia surge no século XIX, fruto da industrialização e, como um novo modo de expressão, estimula novas formas pensar e fazer imagens. No início do século XX, motivado por estudos de sequencias fotográficas, nasce o cinema. As duas linguagens são resultado visível das estruturas da modernidade (desenvolvimento tecnológico, expansão industrial e cultura de massa) e impulsionaram a criação de novas formas de comunicação. Neste contexto surge um novo tipo de mídia: as revistas ilustradas com fotografias. Essa forma de publicação despontou na Europa, após o fim da Primeira Guerra Mundial e se espalhou pelo mundo impulsionada pela ascensão de regimes totalitários, que obrigou muitas pessoas ao exílio, ajudando a propagar as ideias do novo meio. Apoiadas na visualidade como principal veículo de discurso, ajudaram a consagrar o fotojornalismo como meio de comunicação. Provavelmente a revista ilustrada mais conhecida no mundo, a norte-americana Life, foi lançada em 26 de novembro de 1936. Seu projeto editorial baseava-se nos modelos europeus, que a transmitiam a informação por meio de reportagens fotográficas. Por privilegiarem a visualidade, as ilustradas são apontadas como o elo entre a fotografia e o cinema. Esta dissertação se propõe a analisar as características gerais da Life e a discutir os códigos visuais que ligam a linguagem das fotorreportagens à cinematografia. / Photography emerges in the 19th century, as a consequence of industrialization and, as a new fashion of expression, stimulates new ways of thinking and producing images. In the beginning of the 20th century, inspired by studies on photographic sequences, the cinema is born. Both languages are the result of the modern scenario (technological development, industrial expansion and mass culture) and boosted the creation of new means for communication. In this context a brand-new media is created: magazines illustrated with photographs. This way of printing first appeared in Europe, after World War I ended, and spread all over the world driven by the rise of totalitarian systems, forcing people into exile, helping to sow the ideas of the new media. Based on visibility as the main vehicle of speech, they established photojournalism as a communication tool. Life, possibly the most famous illustrated American magazine in the world, was launched in 1936. Its editing design was based in the European models favoring the broadcast of information through photo coverage. Because they favor the visual communication, the illustrated magazines are considered the connecting link between photography and cinema. The present thesis proposes to analyze the general features of Life magazine and to debate the visual codes that connect the ways of communication between photo-reportage and cinematography.

The geopolitical significance of Pakistan in the Global War on Terror has led to multiple instances of the US acting in an extra-territorial manner. Repeated territorial intrusion by the US strains US-Pakistan relations because extra-territoriality is viewed as a violation of Pakistan’s sovereignty. This study analyzes Pakistani-English political cartoons to examine the ways the US extra-territoriality is represented. Approximately 2940 political cartoons are collected from four Pakistani-English newspapers: Dawn, The Express Tribune, The Nation, and The News. Wallerstein’s world-system theory provides the theoretical backdrop to demonstrate the explicit (military) and implicit (economic, cultural, and political/diplomatic) means a hegemonic-core power can act extra-territorially towards a state in the periphery. A combination of content analysis and social semiotic analysis methodologies is used. Content analysis reveals a total of 323 US-related political cartoons that are classified into themes of economic, cultural, military, and political/diplomatic depictions in political cartoons. A visual social semiotic analysis deconstructs the visual rhetoric of extra-territoriality as expressed in the various themed political cartoons. The outcome of these two methodologies provides a holistic illustration of the ways US extra-territoriality in a sovereign but periphery state like Pakistan is viewed.

Thesis (Ph.D. (Environmental Science))--North-West University, Potchefstroom Campus, 2007.

"Icon," "representation," and "virtuality," are key elements to consider when reading multi-modal narratives, including graphic narratives. By considering in detail how these elements are realized in various examples, the author shows how the study of the comics can lay groundwork for critical reading across the technological continuum of storytelling.The author looks at how icon, representation, and virtuality interact in a reading of William Hogarth's A Harlot's Progress. He then examines each term in more detail through readings of a variety of graphic narratives including Max Ernst's, Une Semaine de Bonte, Winsor McCay's Little Nemo in Slumberland, Kurt Vonnegut's Breakfast of Champions, Craig Thompson's Blankets, Phoebe Gloeckner's Diary of a Teenage Girl, and Posy Simmonds's Gemma Bovery. The author distinguishes between two types of virtuality, internal and external, and ties the construction of virtuality to reader response theory. In exploring issues related to the icon, the author builds on Scott McCloud's conjecture that the iconic character is the means through which the reader inhabits the virtual space of the graphic story. The author advances the proposition that icons are metonymies and that graphic narratives are centered in metonymic, not metaphoric devices. He also undertakes a discussion of how icon operates within the expanding tradition of the "illustrated novel." Throughout the dissertation an attempt is made to express observation and analysis through continuous instead of binary descriptors in order to emphasize the cooperative rather than oppositional arrangements of word and image within the graphic narrative.The dissertation concludes with an extended examination of Will Eisner's contention that the use of stereotype is a necessity in graphic storytelling. Examples from Frederik Strömberg's Black Images in the Comics are used to test this theory and illustrate its consequences. The treatise finishes with an analysis of approaches to representation that avoid stereotypical treatment, are inclusive but sufficiently flexible to operate through caricature..These observations are applied to issues of characterization and representation in electronic gaming narrative. The author concludes that ethics, effectiveness, reputation and empathy are all compromised when artists resort to stereotypes.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal / Pour respecter les droits d'auteur, la version électronique de cette thèse ou ce mémoire a été dépouillée, le cas échéant, de ses documents visuels et audio-visuels. La version intégrale de la thèse ou du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal.

This thesis examines how Shakespearean play-texts are adapted into comic books in order to appeal to young readers. By analyzing four different adaptations including two comic book series and two manga series, it seeks to answer these research questions: what is the relationship between entertainment and education in comic book adaptations of Shakespeare? Are there problems that adaptations create at the same time as they try to solve issues of interest or understanding, as perceived by youth? This paper argues that the tension between entertainment and education in comic book adaptations of Shakespeare is usually imbalanced depending on an adaptation’s goals. Substantial changes to the narrative, setting, or characters can create strong dissonances while reading although these feelings can be countered by balancing them with other changes. Adapting Shakespeare’s work into comic books engages youth with an author that they often perceive as difficult and indicates his continued relevance in both education and entertainment.

Water is a scarce and precious resource in South Africa. Not only is the quality and quantity of water available limited by climatic conditions but these resources are often impacted by domestic and industrial effluents, as well as run-off from agriculture. Monitoring the aquatic environment helps to determine the impact of various pollutants. Chemical monitoring, important as it is, can only at best give a "snapshot" of water quality at a particular moment in time. Biomonitoring in particular forms a vital part of monitoring programmes as it gives a time integrated reflection of a particular pollutant or group of pollutants on the ecosystem. Although diatoms have long been studied in South Africa, as well as being used in the past to indicate water quality, the current suite of bioindicator organisms used in this country has not until recently included diatoms, or any autotrophic organisms for that matter. This body of work is presented with the aim of facilitating the use of diatoms as bioindicators of water quality in South Africa. Methods for the collection, preparation and analysis of diatoms have been collated and standardized. A number of European and other indices have been tested in diverse localities for use in indicating recent and historical water quality. The impact of diffuse mine effluent on diatom community structure has also been discussed. A new species common in impacted waters (i.e. a potential indicator species for these conditions) has been described and a guide to the common diatoms of South Africa is presented which, it is hoped, will be of use to those who wish to commence with a study of South Africa's diatom flora. The results of this study show that diatom indices are successful in reflecting both current and past water quality in South Africa. This result justifies the inclusion of diatoms with the current suite of bioindicator organisms as well as in national monitoring initiatives such as the River Health Programme. Concluding comments underline the importance of using diatoms as indicators, not only of water quality, but also as indicators of aquatic microorganism biodiversity, or loss thereof. The need for continued research in the fields of diatom ecology and taxonomy is also highlighted. / Thesis (Ph.D. (Environmental Science))--North-West University, Potchefstroom Campus, 2007.

Water is a scarce and precious resource in South Africa. Not only is the quality and quantity of water available limited by climatic conditions but these resources are often impacted by domestic and industrial effluents, as well as run-off from agriculture. Monitoring the aquatic environment helps to determine the impact of various pollutants. Chemical monitoring, important as it is, can only at best give a "snapshot" of water quality at a particular moment in time. Biomonitoring in particular forms a vital part of monitoring programmes as it gives a time integrated reflection of a particular pollutant or group of pollutants on the ecosystem. Although diatoms have long been studied in South Africa, as well as being used in the past to indicate water quality, the current suite of bioindicator organisms used in this country has not until recently included diatoms, or any autotrophic organisms for that matter. This body of work is presented with the aim of facilitating the use of diatoms as bioindicators of water quality in South Africa. Methods for the collection, preparation and analysis of diatoms have been collated and standardized. A number of European and other indices have been tested in diverse localities for use in indicating recent and historical water quality. The impact of diffuse mine effluent on diatom community structure has also been discussed. A new species common in impacted waters (i.e. a potential indicator species for these conditions) has been described and a guide to the common diatoms of South Africa is presented which, it is hoped, will be of use to those who wish to commence with a study of South Africa's diatom flora. The results of this study show that diatom indices are successful in reflecting both current and past water quality in South Africa. This result justifies the inclusion of diatoms with the current suite of bioindicator organisms as well as in national monitoring initiatives such as the River Health Programme. Concluding comments underline the importance of using diatoms as indicators, not only of water quality, but also as indicators of aquatic microorganism biodiversity, or loss thereof. The need for continued research in the fields of diatom ecology and taxonomy is also highlighted. / Thesis (Ph.D. (Environmental Science))--North-West University, Potchefstroom Campus, 2007.

Thesis (Ph. D.)--University of Minnesota, 1997. / Also issued in print.

Thesis (Ph. D.)--University of Minnesota, 1997. / eContent provider-neutral record in process. Description based on print version record.