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Analysis of the festivities of the Immaculate Conception celebrated in Lima in 1656, from the account written by Diego de León Pinelo Gutiérrez. This Creole text reinterprets in baroque terms the cult of the Immaculate Conception in the City of Kings. Through it we can study these lengthy festivals, which involved the participation of the city’s most important institutions and corporate bodies, mobilizing considerable resources and people. Thus, the text is conceived as a political and religious exaltation of the city of Lima, typical of the festive genre and of the chorographic literature, which also connects with the emerging Creole discourse. / Este artículo analiza las fiestas a la Inmaculada que se celebraron en Lima en 1656 a partir de la relación festiva escrita por Diego de León Pinelo Gutiérrez. Este texto criollo reinterpreta en clave barroca la devoción inmaculista de la ciudad de Los Reyes. A través de él se estudian los prolongados festejos que contaron con la participación de las instituciones y corporaciones de poder más representativas de la ciudad y movilizaron considerables recursos y personas. Así, esta relación se concibe como una exaltación política y religiosa de la ciudad de Lima, propia del género festivo y de la literatura corográfica, que se conecta también con el naciente discurso criollo.

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Globalization has turned the world into one ”huge village”. Various nations and cultures have integrated during this process and multiculturalism has resulted. Yet, many people are struggling to accept one another as members of one ”global village”. The difference in culture, race and ethnicity are creating barriers amongst the various nations. These hurdles prevent many communities from living in peace and harmony. Religious community are also facing similar struggles. The Franciscan Sisters of the Immaculate Conception (FIC) and other international congregations are called by the Bible and the church to give hope of unity in a diverse cultural context. These congregations are challenged on a continuous basis to search for processes that will assist them to take up their prophetic dimension in witnessing the possibility of living multicultural life in unity. / Christian Spirituality, Church History and Missiology / M.Th. (Missiology)

Globalization has turned the world into one ”huge village”. Various nations and cultures have integrated during this process and multiculturalism has resulted. Yet, many people are struggling to accept one another as members of one ”global village”. The difference in culture, race and ethnicity are creating barriers amongst the various nations. These hurdles prevent many communities from living in peace and harmony. Religious community are also facing similar struggles. The Franciscan Sisters of the Immaculate Conception (FIC) and other international congregations are called by the Bible and the church to give hope of unity in a diverse cultural context. These congregations are challenged on a continuous basis to search for processes that will assist them to take up their prophetic dimension in witnessing the possibility of living multicultural life in unity. / Christian Spirituality, Church History and Missiology / M.Th. (Missiology)

[pt] A presente pesquisa é uma abordagem dos aspectos históricos e teológicos da compreensão atual dos dogmas marianos, por meio de algumas representações de Maria presentes na iconografia cristã. Trata-se de um diálogo entre a arte e o pensamento dogmático mariano. Aborda sistematicamente temas sobre o desenvolvimento da mariologia, mais especificamente dos seus dogmas no decorrer dos séculos, correlacionando-os pedagógica e reflexivamente à luz da iconografia cristã. Os dogmas são essenciais na compreensão acerca da pessoa de Maria. Pela iconografia, Teologia em cores, é possível apresentar temas centrais do pensamento dogmático mariano. Este trabalho também busca mostrar a vivência dos dogmas de Maria por meio da piedade popular latino-americana e brasileira, observando a possibilidade do conhecimento que há na interação entre Teologia e Arte. / [en] This research is an approach to the historical and theological aspects of the current understanding of the Marian dogmas, through some representations of Mary present in Christian iconography. It is a dialogue between art and marian dogmatic thinking. Systematically addresses themes about the development of mariology, more specifically of the Marian dogmas during the centuries, correlating them pedagogical and reflexively in the light of Christian iconography. Dogmas are essential in understanding about the person of Mary. By iconography, color theology, it is possible to present central themes of the Marian dogmatic thinking. This work also seeks to show the experience of the dogmas of Mary through Latin American and Brazilian popular piety, trying to show the possibility of knowledge that there is in the interaction between theology and art.

本文主要針對清代杭州城一棟性質在天后宮與天主堂之間多次轉化的宗教建築，探討其對清代杭州城社會生活與公共空間的影響。 / 除緒論、結論外，全文共包括四章。緒論介紹論文結構，並簡單梳理近來中國城市史研究的進展和相關議題。另外，在緒論中特別提到了韓書瑞（SusanNaquin）關於廟宇與明清北京城市歷史與生活的專著。此書透過宗教建築的變遷和作為城市公共場所的功能來看其對城市歷史的反映以及對城市生活的影響，對本文的研究視角和取徑產生了重要的指導作用。 / 第一章介紹清代杭州城內政治、經濟與宗教文化等不同區位的形成以及城市管理概況，以說明數座天后宮在杭州城內原本坐落的不同位置以及其後的主要變化。第二章以明末清初到雍正八年之間天主教在杭州的發展歷史為線索，介紹杭州天主堂的建立以及之後因為禁教而改做武林門天后宮的背景，藉以分梳政府宗教政策以及地方宗教管理實務之間的複雜互動。第三章探究武林門天后宮在雍正八年以後的發展，並特別著重討論官員、文人與紳商家族的各種互動關係。第四章討論由鴉片戰爭到太平天國軍隊撤離杭州的道光、咸豐、同治期間，武林門天后宮如何又在戰爭與外交局勢變動過程中而再回天后宮改為天主堂的歷史。結論強調：基於宗教建築不斷變化其性質、功能、以及在城市公共生活中扮演的不同角色，人們可以從中了解國家的對內與對外政策以及地方行政管理如何實際影響著城市的面貌，而變化的城市面貌，又將影響城市的歷史與公共生活。 / This thesis examines the urban history of Qing dynasty Hangzhou by closely analyzing the religious architecture of one Tianhou temple and one Catholic Church. This examination summarizes the evolution of these features and offers some thoughts on the influence that those changes made to social life and public spaces in Hangzhou. / Apart from the introduction and conclusion, this thesis consists of four chapters. The introduction briefly reviews works Chinese urban history by scholars from Hong Kong, Taiwan, Mainland China and abroad. It then surveys the types of historical material used in the project. In particular, it reviews the contributions in Susan Naquin’s work on Beijing’stemples in Ming and Qing China as a major source of inspiration for the perspective taken in this work, as it draws upon Naquin’s perspective on religious architecture as a part of a city’s public space in order to combine an analysis on social life and urban history. / The first chapter discusses the history of Hangzhou’s administration and its political, economic, cultural and religious development in the Qing Dynasty. It then outlines the history of the locations and major changes to the Tianhou temples dedicated to the goddess Mazu throughout the city. / The second chapter begins at the end of Ming Dynasty and ends in 1730. Over this period of time, Catholicism became more popular in Hangzhou, and people built a glamorous Catholic church in the city. In 1730, provincial governor Liwei turned Hangzhou Catholic Church into the Wulin Men (the Gate of Wulin) Tianhou temple because of the Yongzheng Emperor’s prohibition of Catholicism. The case study in this chapter allows the author an opportunity to discuss the complicated interaction between governmental religious policy and local administration. / Chapter three concerns the development of Wulin Men Tianhou temple in the following century. This chapter pays special attention to the interaction of local government officials, literati, and gentry-merchant families. / Chapter four covers wars and changing diplomatic situations happened from the Opium War to the early years of the Tongzhi Reign. This chapter relates the lifting of the taboo on Catholicism in the late Qing and the transformation of the Wulin Men Tianhou temple back into a church. / The conclusion emphasizes: From the changing nature of religious buildings, as well as attention to its shifting functions and roles in urban life, one may understand something about how the internal and external policies of the government combined in local administration and development. This perspective can change our perspective on our city, which will in turn influence its history and public life. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 楊歌. / Parallel title from English abstract. / Thesis (M.Phil.) Chinese University of Hong Kong, 2015. / Includes bibliographical references (leaves 147-158). / Abstracts also in Chinese. / Yang Ge.

Ce travail a pour objectif de vérifier, à partir du thème Marie (souvent compris comme un des obstacles au rapprochement des Églises), la cohérence du mouvement œcuménique contemporain et la consonance des résultats de ces dialogues avec les enseignements officiels des Églises. Le point de départ de la réflexion est une lecture comparée de Redemptoris Mater de Jean-Paul II et du Commentaire du Magnificat de Luther. Cette comparaison est vérifiée ensuite par des dialogues œcuméniques (luthéro-catholiques, mais aussi pentecôtistes-baptistes, catholiques…) dans une perspective d'interpellations réciproques à propos de la compréhension de Marie dans le mystère de l'Église et du salut. La théologie mariale s’avère être un lieu de vérification œcuménique fécond : elle met en exergue les consensus et clarifie les questions encore ouvertes de la recherche œcuménique, en particulier celle de l’instrumentalité de l’Église. / The role of Mary is often understood as an obstacle to reconciliation between Churches. Using this theme, the dissertation has as its objective the verification of the coherence of the contemporary ecumenical movement aswell as to how the results of the various dialogues correspond to the official teaching of the Churches. The starting point is a comparative study of John-Paul II’s Redemptoris Mater and Luther’s Commentary on theMagnificat. This comparison is then examined in the light of results from various ecumenical dialogues (between Lutherans and Catholics as well as Evangelicals, Pentecostals and Catholics…). Out of the dialogues come reciprocal questions concerning how Mary is understood in the mystery of the Church and of salvation. Marian theology shows itself to be a very fertile method of ecumenical verification, revealing both new consensuses and clarifying issues that remain open for ecumenical research, especially in relation to the instrumentality of the Church.

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