O trabalho que ora apresentamos é o resultado das investigações em torno da fundamentação comunicacional do projeto artístico-teórico proposto por Hans-Joachim Koellreutter (1915-2005) sob a legenda de música viva. Comprometimento levado a termo por meio da análise imanente do conjunto fragmentário de seus textos produzido no período de ação do Grupo Música Viva (1939-1954) e veiculados nos meios de divulgação e crítica cultural da época. / The work we now present argues about the researches results around the communicational foundings from the artistic-theoretical project planned by Hans-Joachim Koellreutter (1915-2005) under the label alive music. An undertaking densified through the immanent analysis of the fragmentary assemble from his writings produced during the Alive Music Groups action period (1939-1954) and broadcasted by its contemporary means and cultural critics.

Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2017-10-06T16:24:43Z No. of bitstreams: 1 ADRIANA MARCELO.pdf: 3818167 bytes, checksum: 671ca28ce762c282aaaae51d8cbb8b1f (MD5) / Made available in DSpace on 2017-10-06T16:24:43Z (GMT). No. of bitstreams: 1 ADRIANA MARCELO.pdf: 3818167 bytes, checksum: 671ca28ce762c282aaaae51d8cbb8b1f (MD5) Previous issue date: 2017-04-05 / Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq / Study about the Quilombola community of Caçandoca, in Ubatuba, and its organizing process as well as the resident’s production of community communication actions. The research aims to verify the communicational process among the members in the community considering the historical background, cultural, the memory, the identity background and also the traditions and the conflicts that interfere with interaction among the members of Caçandoca. From the methodological point of view, it’s an investigational work uses both bibliographical and documentary research as a starting point to the structure of the theoretical research and documentary analysis. A field research was also developed with “observant participation” that allowed us to come closer to the subject of analysis and provided entanglement with the Quilombolas. The open interviews half structured with the residents and leaderships permitted us to understand the elements that build the community’s communicational process. About the observant participation, besides regular visits and participation in the group’s meetings we proposed gatherings to discuss the possible formation of a Local Communicational Committee to develop future community communicational actions. The results showed that the residents of Caçandoca go through several obstacles about the real state speculation and the invasions of possessions, but they’re in a different phase of structuring the politics organization, cultural and identity. The community communication better structured can represent a way to practice citizenship and the enlargement of the political and critical awareness by the improvement of the spread of information from all the Quilombola’s interests. / Estudo sobre a comunidade quilombola da Caçandoca, em Ubatuba-SP, e seu processo organizativo, bem como as atuações dos moradores na produção de ações de comunicação comunitária. A pesquisa tem como objetivo verificar o processo de comunicação entre os membros da comunidade, considerando os aspectos históricos, culturais, a memória, a identidade, as tradições e os conflitos que dificultam a interação dos membros da Caçandoca. Do ponto de vista metodológico, trata-se de um trabalho investigativo que utilizou pesquisa bibliográfica e documental, como ponto de partida para a estruturação da pesquisa teórica e estudo de documentos. Foi feita também pesquisa de campo participativa, na modalidade “participação observante”, que permitiu a aproximação ao sujeito de pesquisa e favoreceu o entrosamento com os quilombolas. As entrevistas abertas semiestruturadas com os moradores e lideranças possibilitaram compreender os elementos que compõem o processo de comunicação da comunidade. No que toca à participação observante, além de visitas periódicas e participação nas reuniões do grupo, propomos encontros para discutir a possível formação de um Comitê Local de Comunicação, para o desenvolvimento de ações futuras de comunicação comunitária. Os resultados demonstraram que os moradores da Caçandoca passam por uma série de dificuldades no que diz respeito à especulação imobiliária e invasão de posseiros, mas estão em uma nova fase de estruturação da organização política, cultural e identitária. A comunicação comunitária mais bem estruturada pode representar um caminho para a prática da cidadania e da ampliação da consciência política e crítica, a partir da melhoria da difusão das informações de interesse de todos os quilombolas da Caçandoca

O trabalho que ora apresentamos é o resultado das investigações em torno da fundamentação comunicacional do projeto artístico-teórico proposto por Hans-Joachim Koellreutter (1915-2005) sob a legenda de música viva. Comprometimento levado a termo por meio da análise imanente do conjunto fragmentário de seus textos produzido no período de ação do Grupo Música Viva (1939-1954) e veiculados nos meios de divulgação e crítica cultural da época. / The work we now present argues about the researches results around the communicational foundings from the artistic-theoretical project planned by Hans-Joachim Koellreutter (1915-2005) under the label alive music. An undertaking densified through the immanent analysis of the fragmentary assemble from his writings produced during the Alive Music Groups action period (1939-1954) and broadcasted by its contemporary means and cultural critics.

Made available in DSpace on 2016-04-26T18:13:22Z (GMT). No. of bitstreams: 1 Ana Paula Gomes Vasconcelos.pdf: 552252 bytes, checksum: b85afea2b75c0d7df114d607ca908679 (MD5) Previous issue date: 2013-10-09 / This study intends to analyze how call center companies dialogue with their public, considering, within that universe, customers. Workers in this business sector have to follow a script to talk to customers over the phone, one of the aspects that determine, rather than communication, incommunication. In the conception of Norval Baitello Junior, the script is considered an image. It is observed that, by using it, the call center operator connects to the consumer over the phone, but there is no creation of bonds between them. The company, aiming profit, tries to minimally comply with what the legislation of the sector requires and provides a working environment that impairs fluid and natural communication. This dynamics is analyzed through the concept of work as life, of Dietmar Kamper; by the studies of psychopathology of work, of Christophe Dejours; from the notion of surveillance in Michel Foucault; and by the research of Norval Baitello Junior on how the fact of remaining seated most of the time affects the human body and mind. It was found that many workers suffer, both physically and psychologically, with the constant repetition of the script, and some of them feel unmotivated and incapable of communicating normally in their lives outside of work. It is a cut that is part of the set of today s world dynamics, analyzed by the Theory of the Media, conceived by Harry Pross and Vilém Flusser. The lack of creation of bonds between close people, the accelerated society in cities lacking time and space for all, companies that ratify this way of life, caring less about people and more about profit, are factors that contribute to the condition of incommunicability in society in general and, according to the evaluation of this study, between workers and costumers of call centers / Esta investigação tem como objetivo analisar como empresas de call center dialogam com seu público, considerando, dentro desse universo, os clientes. Os trabalhadores desse segmento empresarial têm de seguir um roteiro para conversar com os clientes pelo telefone, um dos aspectos que determinam, em vez da comunicação, a incomunicação. Considera-se o roteiro uma imagem, na concepção de Norval Baitello Junior. Ao utilizá-lo, observa-se que o operador de call center se conecta ao consumidor, pelo telefone, mas não há criação de vínculo entre ambos. A empresa, visando ao lucro, tenta atender minimamente o que a legislação do setor exige e proporciona um ambiente de trabalho que prejudica a comunicação fluida e natural. Essa dinâmica é analisada por meio do conceito de trabalho como vida, de Dietmar Kamper, pelos estudos de psicopatologia do trabalho, de Christophe Dejours, a partir da noção de vigilância em Michel Foucault e pela investigação de Norval Baitello Junior sobre como o fato de permanecer sentado a maior parte do tempo afeta o corpo e a mente do homem. Constatou-se que muitos trabalhadores sofrem com a repetição constante do roteiro, tanto física como psicologicamente, e alguns deles sentem-se desmotivados e incapacitados de se comunicar normalmente em sua vida fora do trabalho. Trata-se de um recorte que faz parte do conjunto de dinâmicas do mundo atual, analisado pela Teoria da Mídia, pensada por Harry Pross e Vilém Flusser. A falta da criação de vínculos entre as pessoas próximas, a sociedade acelerada em cidades carentes de tempo e espaço para todos, empresas que ratificam esse modo de vida, importando-se menos com as pessoas e mais com a lucratividade, são fatores que contribuem com a condição de incomunicabilidade na sociedade em geral e, segundo avaliação deste estudo, entre trabalhadores e clientes dos call centers

Le croisement entre communication et exil ne va pas de soi. L’exilé n’est-il pas en effet celui qui perd, par son arrachement communautaire, toute possibilité de communiquer : langue, repères sémantiques, amis et familles ? Cependant, il est également celui qui entre en relation avec une nouvelle culture et société. En s’intéressant au corpus des auteurs de la francophonie choisie d’Europe médiane de 1939 à nos jours, notre thèse a pour objectif de comprendre comment l’exilé peut entrer en relation au sein de la communauté de culture rejointe.Nous nous intéressons au discours littéraire et à la fonction-auteur, dans le sens foucaldien, afin d’étudier la façon dont, par la mise en récit de sa vie, l’exilé peut configurer un ethos apte à la relation. En faisant jouer l’opposition entre un visage pré-discursif des auteurs, marqué par le contrat de communication du témoignage, et leur volonté d’être reçus comme des artistes, nous proposons de s’intéresser à la façon dont ces voix d’Europe médiane viennent s’inscrire dans le dispositif littéraire français. Nous montrons alors que le discours de l’exilé est un discours souvent soumis au processus d’incommunication : sa voix est inaudible, soumise à un contrat de communication et en proie à des erreurs sémantiques.Nous proposons alors de considérer le récit l’exil sous l’intrigue du « héros de la liberté » comme étant une possibilité pour ces auteurs de gérer cette opposition entre régime de singularité et nécessité de disposer d’un ancrage au sein du champ littéraire nouveau.Dans un deuxième temps, nous questionnons cette possibilité qu’ont les auteurs de refuser le contrat de communication pré-discursif et nous introduisons le concept de « non-lieu » afin de penser un espace de communication qui ne serait plus relié avec le public de réception premier de ces œuvres. Face à cette menace, nous intéressons au processus de révérence-inclusion présent dans les œuvres. Par ce processus il s’agit de maitriser les marqueurs de l’espace discursif français afin de montrer au lecteur son inscription dans le champ. Les réemplois de ces marqueurs agissent comme des « discours constituants » et permettent alors de montrer l’appartenance de ce corpus à un même « cadre de l’expérience ».Enfin, nous interrogeons la possibilité de parler de cette littérature comme étant assimilée. Par l’opposition entre assimilation structurelle et culturelle, nous émettons l’hypothèse que cette littérature n’est pas réellement assimilée, et que la conscience de cette intégration complexe amène les auteurs à retravailler leur positionnement discursif. Aussi, la mise en mémoire du soviétisme permet à ces auteurs de présenter une « étrangeté réappropriée » où leur expérience du nazisme et du soviétisme n’est plus rejetée dans une « commémoration négative », mais devient un jalon à partir duquel lire la modernité française. Ces réflexions nous mènent à s’interroger sur l’expérience même de ces auteurs et aux métacommunications qu’ils présentent lorsqu’ils abordent la question de l’identité, de l’Europe et de la mondialisation culturelle.Cette thèse de doctorat réalisée en science de l’information et de la communication s’intéresse aux relations interculturelles européennes. Par le corpus littéraire large choisi, cette thèse entend montrer la complexité des exils européens et réfléchir aux enjeux contemporains de cette notion. Enfin en s’interrogeant à partir de l’incommunication, cette thèse expose l’idée que si la communication n’est jamais innée, elle peut se produire grâce aux efforts de traduction de soi, de ce fait nous pensons la communication non seulement comme un facteur de diffusion, mais également comme un sujet à penser. / The link we make between exile and communication is not a classic one. In fact, an exile is someone who leaves his country and changes his language and culture. He is also someone who tries to reach a new culture and society. By considering the literature of writers from East and Central Europe, who choose to write their books directly in French, our thesis seeks to understand the way how an exile can generate new relationships in this space.We focus on the literary discourses and the notion of the author, as Foucault spoke about them, in order to understand how an author uses the narration of his own life to configure a face-speech acceptable to his host community. By using the difference between this face in a pre-discursive manner marked by the contract between the testimony and the authors’ will to be perceived as artists, we try to focus on the way those voices show their inclusion in the French literary world. We show that the exiles’ discourses must deal with the possibility of lack of communication due to inaudibility cause by semantic mistakes.We think that the configuration of exile is a way to present oneself as a « hero of freedom. » Authors manage the opposition between singularity and the necessity to find a new community in order to communicate. Moreover, we also consider the possibility of refusing the first contract of communication and we include the concept of « non-lieu » created by Marc Augé, a concept which refers to a space with no link to the community. Confronts with this threat, we consider that an author may manage this risk by a process of reverence-inclusion. According to this process, writers give their own description of French social markers to indicate to the public that they belong to the French culture. Those descriptions allow them to give to the French audience the rule of interpretation for their own books. Finally, we examine the possibility of speaking about this literature as an assimilated one. We show that this literature is not fully integrated because of the complex social integration of those authors. This difficulty of integration forces them to redefine their position in French society. As a result of their Soviet education, authors try to show a disturbing strangeness not as a marker of an outsider, but as an indication of their social place in French society. This past is made a tool for understanding French modernity. This specificity directs us to consider those writers, particularly their views on communication, identity, Europe and cosmopolitanism.Our thesis focuses on the problem of communication and tries to increase our knowledge of intercultural relations in Europe. By focusing on a large literary corpus, our thesis endeavours to understand this complex phenomena of European exiles. Finally, our thesis integrates the problem of non-communication as a conceptual center of interrogations in order to show that if communication is not an innate capacity, it can be developed into something beyond a tool for spreading a message, namely a concept to think.