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La légende dorée conservée à la Bibliothèque Municipale de Rennes : approche pluridisciplinaire et comparée du manuscrit 266, un exemplaire enluminé de la fin du 14ème siècle dans la version française de Jean de VignayRau, Marie January 2008 (has links)
München, Univ., Diss., 2007 u. Rennes, Univ., Diss., 2007.
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Si nam der zunge stucke : Formalanalyse zweier mittelhochdeutscher Christinenlegenden /Kowalski, Philine Lilly. January 2008 (has links)
Wien, Univ., Dipl.-Arb., 2008.
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Preaching the Saints: The Legenda Aurea and Sermones de Sanctis of Jacobus De VoragineHevelone, Suzanne January 2010 (has links)
Thesis advisor: Stephen Brown / Although hagiography and sermons from the Middle Ages are abundant, little research exists that explores the relationship between these two genres. Jacobus de Voragine compiled the most renowned medieval collection of hagiography, Legenda aurea (Golden Legend). He also compiled several volumes of model sermons, including a volume on the saints, sermones de sanctis. This dissertation examines four saints who appear in both of these works: Mary Magdalene, Benedict, Nicholas and Peter Martyr. By writing his hagiography and sermons, Jacobus attempted to guide Christians toward lives of virtue and ultimate union with God. In particular, Jacobus relied on tropological and anagogical reading of Scriptures in order to communicate how Christians should behave and what they should anticipate in eternity. In his work on two of these saints, Mary Magdalene and Benedict, Jacobus relied on the framework of spiritual ascent to God described by Pseudo-Dionysius. In particular, Jacobus focused on the first stage of ascent, the purgative. A link between the hagiography and sermons sometimes can be found in the etymological introductions in the Golden Legend. In the sermons on Mary Magdalene and Peter Martyr, Jacobus follows the virtues found in the etymology in the hagiography, while for Nicholas and Benedict, the correspondence is not as faithful. Nevertheless, throughout his sermons on the saints, Jacobus refers to episodes described more fully in the Golden Legend. Jacobus intended preachers to use stories from the Golden Legend to punctuate and illustrate the more theological content presented in the model sermons. If Jacobus's work is indicative of larger trends in medieval preaching, preachers expected to utilize hagiographical resources in order to urge their listeners to the virtuous life and an eschatological union with God. / Thesis (PhD) — Boston College, 2010. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Theology.
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Romersk historia i Legenda Aurea : Hur det romerska imperiet under Decius, Diocletianus och Maximianus kan förstås genom 1200-talets ögon. / Roman history in Legenda Aurea : How the Roman Empire during the reign of Decius, Diocletian and Maximian can be seen through the eyes of the thirteenth century.Jakobsson, Fredrik January 2021 (has links)
This essay takes its starting point in Legenda Aurea, a hagiographical compendium written in the thirteenth century by an Italian catholic friar, Jacobus de Voragine. The essay aims to find out how the Roman history in the third century is shown in Legenda Aurea, a Christian book written about a thousand years later. The purpose of this essay is to show how a part of the history of the Roman Empire is understood and remembered during the Christian hegemony that was during the thirteenth century. The main results of this essay show that the history of the Roman Empire during the reign of named emperors is remembered as a violent, brutal and authoritarian history, but also that Christianity seems to have been widespread within the Roman Empire during this time.
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A encruzilhada das idéias : aproximação entre a Legenda Áurea (Iacopo Varazze) e a Suma Teológica (Tomás de Aquino)Teixeira, Igor Salomão January 2007 (has links)
Esta dissertação é uma análise sobre dois caminhos de atuação religiosa da Ordem dos Dominicanos na segunda metade do século XIII, ou seja, a pregação e a cultura escolar. A partir de aproximações entre a Suma Teológica (ST), de Tomás de Aquino, e a Legenda Áurea (LA), de Iacopo da Varazze, o trabalho visou aspectos pontuais na historiografia referente ao caráter “arcaico” - ou à falta de novidades - na obra de Iacopo e consistiu numa discussão sobre os pecados e as virtudes. As relações estabelecidas entre a LA e a ST foram desenvolvidas sob duas perspectivas: estrutural e interpretativa. A primeira foi desenvolvida nos capítulos 1 e 3 da seguinte forma: 1) a estrutura do encadeamento de argumentos nas narrativas (LA) e nas Questões (ST) sobre Cristo; 3) a constatação de argumentos idênticos nas narrativas e referências sobre a Virgem Maria. A perspectiva interpretativa foi realizada no capítulo 2 sobre possibilidades de se aproximar o discurso de Tomás de Aquino com o de Iacopo da Varazze acerca da prostituição. Procurou-se, com isso, relativizar o uso do termo “arcaico” e sua inaplicabilidade para obras da Idade Média – como a ST e a LA – que reconheciam a tradição como autoridade. Esta relativização foi proposta com uma análise sobre o Tratado dos Vícios e dos Pecados na obra de Tomás. Acredita-se, portanto, que pregação e cultura escolar não assumem caminhos muito distintos, pois ambos os autores recorreram à vasta tradição do cristianismo tanto para enriquecer quanto para endossar os argumentos apresentados em seus textos. O uso desta tradição e o pertencimento a uma mesma Ordem também são aspectos que não podem ser negligenciados, pois, como Dominicanos, Tomás e Iacopo passaram por processos parecidos de formação escolar, litúrgica e teológica. Neste sentido, Iacopo e Tomás não podem ser analisados sob o prisma do binômio arcaico/moderno, ao menos em relação aos pecados e as virtudes. Se a LA deixa de ser tão arcaica em relação a ST no que tange apenas ao discurso sobre esses temas é um questionamento para outras investigações e faz-se necessária a construção de novos objetos comparáveis. / This work is an analysis on two ways of religious performance of the Order of the Dominicans ones in the second half of 13th century, that is, the preaching and the pertaining to school culture. From approaches between Some of Theology (ST), by Thomas Aquinaso, and Golden Legend (LA), by Iacopo of Varazze, the work aimed at prompt aspects in the referring historiography to “the archaic” character - or to the lack of new features - in the workmanship of Iacopo and consisted of a quarrel on the sins and the virtues. The relations established between the LA and the ST had been developed under two perspectives: structural and of interpretation. The first one was developed in chapters 1 and 3 of the following form: the 1) structure of the chaining of arguments in the narratives (LA) and Questions (ST) about Christ; 3) the testyfing of identical arguments in the narratives and references on the Virgin Mary. The interpretation perspective was carried through in chapter 2 on possibilities of if approaching the speech of Thomas Aquinas with the one of Iacopo of Varazze concerning prostitution. It was looked, with this, to relativize the use of “the archaic” term and its unusually for workmanships of the Middle Age - as the ST and the LA - that they recognized the tradition as authority. This relativity was proposal with an analysis on the Treated one to the Vices and the Sins in the workmanship of Thomas. It is given credit, therefore, that preachin and pertaining to school culture do not assume distinct ways very, therefore both the authors had appealed to the vast tradition of the Christianity in such a way to enrich how much to endorse the arguments presented in its texts. The use of this tradition and the belonging to one same Order also are aspects that cannot be neglected, therefore, while Dominicans, Thomas and Iacopo had passed for processes seemed of pertaining to school, liturgical and theological formation. In this direction, Iacopo and Thomas cannot be analyzed under the prism of modern & archaic, the least in relation to the sins and the virtues. If the LA leaves of to be so archaic in relation the ST in what it refers to only to the speech on the women it is a questioning for other inquiries and becomes necessary the construction of others comparables objects.
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A encruzilhada das idéias : aproximação entre a Legenda Áurea (Iacopo Varazze) e a Suma Teológica (Tomás de Aquino)Teixeira, Igor Salomão January 2007 (has links)
Esta dissertação é uma análise sobre dois caminhos de atuação religiosa da Ordem dos Dominicanos na segunda metade do século XIII, ou seja, a pregação e a cultura escolar. A partir de aproximações entre a Suma Teológica (ST), de Tomás de Aquino, e a Legenda Áurea (LA), de Iacopo da Varazze, o trabalho visou aspectos pontuais na historiografia referente ao caráter “arcaico” - ou à falta de novidades - na obra de Iacopo e consistiu numa discussão sobre os pecados e as virtudes. As relações estabelecidas entre a LA e a ST foram desenvolvidas sob duas perspectivas: estrutural e interpretativa. A primeira foi desenvolvida nos capítulos 1 e 3 da seguinte forma: 1) a estrutura do encadeamento de argumentos nas narrativas (LA) e nas Questões (ST) sobre Cristo; 3) a constatação de argumentos idênticos nas narrativas e referências sobre a Virgem Maria. A perspectiva interpretativa foi realizada no capítulo 2 sobre possibilidades de se aproximar o discurso de Tomás de Aquino com o de Iacopo da Varazze acerca da prostituição. Procurou-se, com isso, relativizar o uso do termo “arcaico” e sua inaplicabilidade para obras da Idade Média – como a ST e a LA – que reconheciam a tradição como autoridade. Esta relativização foi proposta com uma análise sobre o Tratado dos Vícios e dos Pecados na obra de Tomás. Acredita-se, portanto, que pregação e cultura escolar não assumem caminhos muito distintos, pois ambos os autores recorreram à vasta tradição do cristianismo tanto para enriquecer quanto para endossar os argumentos apresentados em seus textos. O uso desta tradição e o pertencimento a uma mesma Ordem também são aspectos que não podem ser negligenciados, pois, como Dominicanos, Tomás e Iacopo passaram por processos parecidos de formação escolar, litúrgica e teológica. Neste sentido, Iacopo e Tomás não podem ser analisados sob o prisma do binômio arcaico/moderno, ao menos em relação aos pecados e as virtudes. Se a LA deixa de ser tão arcaica em relação a ST no que tange apenas ao discurso sobre esses temas é um questionamento para outras investigações e faz-se necessária a construção de novos objetos comparáveis. / This work is an analysis on two ways of religious performance of the Order of the Dominicans ones in the second half of 13th century, that is, the preaching and the pertaining to school culture. From approaches between Some of Theology (ST), by Thomas Aquinaso, and Golden Legend (LA), by Iacopo of Varazze, the work aimed at prompt aspects in the referring historiography to “the archaic” character - or to the lack of new features - in the workmanship of Iacopo and consisted of a quarrel on the sins and the virtues. The relations established between the LA and the ST had been developed under two perspectives: structural and of interpretation. The first one was developed in chapters 1 and 3 of the following form: the 1) structure of the chaining of arguments in the narratives (LA) and Questions (ST) about Christ; 3) the testyfing of identical arguments in the narratives and references on the Virgin Mary. The interpretation perspective was carried through in chapter 2 on possibilities of if approaching the speech of Thomas Aquinas with the one of Iacopo of Varazze concerning prostitution. It was looked, with this, to relativize the use of “the archaic” term and its unusually for workmanships of the Middle Age - as the ST and the LA - that they recognized the tradition as authority. This relativity was proposal with an analysis on the Treated one to the Vices and the Sins in the workmanship of Thomas. It is given credit, therefore, that preachin and pertaining to school culture do not assume distinct ways very, therefore both the authors had appealed to the vast tradition of the Christianity in such a way to enrich how much to endorse the arguments presented in its texts. The use of this tradition and the belonging to one same Order also are aspects that cannot be neglected, therefore, while Dominicans, Thomas and Iacopo had passed for processes seemed of pertaining to school, liturgical and theological formation. In this direction, Iacopo and Thomas cannot be analyzed under the prism of modern & archaic, the least in relation to the sins and the virtues. If the LA leaves of to be so archaic in relation the ST in what it refers to only to the speech on the women it is a questioning for other inquiries and becomes necessary the construction of others comparables objects.
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A encruzilhada das idéias : aproximação entre a Legenda Áurea (Iacopo Varazze) e a Suma Teológica (Tomás de Aquino)Teixeira, Igor Salomão January 2007 (has links)
Esta dissertação é uma análise sobre dois caminhos de atuação religiosa da Ordem dos Dominicanos na segunda metade do século XIII, ou seja, a pregação e a cultura escolar. A partir de aproximações entre a Suma Teológica (ST), de Tomás de Aquino, e a Legenda Áurea (LA), de Iacopo da Varazze, o trabalho visou aspectos pontuais na historiografia referente ao caráter “arcaico” - ou à falta de novidades - na obra de Iacopo e consistiu numa discussão sobre os pecados e as virtudes. As relações estabelecidas entre a LA e a ST foram desenvolvidas sob duas perspectivas: estrutural e interpretativa. A primeira foi desenvolvida nos capítulos 1 e 3 da seguinte forma: 1) a estrutura do encadeamento de argumentos nas narrativas (LA) e nas Questões (ST) sobre Cristo; 3) a constatação de argumentos idênticos nas narrativas e referências sobre a Virgem Maria. A perspectiva interpretativa foi realizada no capítulo 2 sobre possibilidades de se aproximar o discurso de Tomás de Aquino com o de Iacopo da Varazze acerca da prostituição. Procurou-se, com isso, relativizar o uso do termo “arcaico” e sua inaplicabilidade para obras da Idade Média – como a ST e a LA – que reconheciam a tradição como autoridade. Esta relativização foi proposta com uma análise sobre o Tratado dos Vícios e dos Pecados na obra de Tomás. Acredita-se, portanto, que pregação e cultura escolar não assumem caminhos muito distintos, pois ambos os autores recorreram à vasta tradição do cristianismo tanto para enriquecer quanto para endossar os argumentos apresentados em seus textos. O uso desta tradição e o pertencimento a uma mesma Ordem também são aspectos que não podem ser negligenciados, pois, como Dominicanos, Tomás e Iacopo passaram por processos parecidos de formação escolar, litúrgica e teológica. Neste sentido, Iacopo e Tomás não podem ser analisados sob o prisma do binômio arcaico/moderno, ao menos em relação aos pecados e as virtudes. Se a LA deixa de ser tão arcaica em relação a ST no que tange apenas ao discurso sobre esses temas é um questionamento para outras investigações e faz-se necessária a construção de novos objetos comparáveis. / This work is an analysis on two ways of religious performance of the Order of the Dominicans ones in the second half of 13th century, that is, the preaching and the pertaining to school culture. From approaches between Some of Theology (ST), by Thomas Aquinaso, and Golden Legend (LA), by Iacopo of Varazze, the work aimed at prompt aspects in the referring historiography to “the archaic” character - or to the lack of new features - in the workmanship of Iacopo and consisted of a quarrel on the sins and the virtues. The relations established between the LA and the ST had been developed under two perspectives: structural and of interpretation. The first one was developed in chapters 1 and 3 of the following form: the 1) structure of the chaining of arguments in the narratives (LA) and Questions (ST) about Christ; 3) the testyfing of identical arguments in the narratives and references on the Virgin Mary. The interpretation perspective was carried through in chapter 2 on possibilities of if approaching the speech of Thomas Aquinas with the one of Iacopo of Varazze concerning prostitution. It was looked, with this, to relativize the use of “the archaic” term and its unusually for workmanships of the Middle Age - as the ST and the LA - that they recognized the tradition as authority. This relativity was proposal with an analysis on the Treated one to the Vices and the Sins in the workmanship of Thomas. It is given credit, therefore, that preachin and pertaining to school culture do not assume distinct ways very, therefore both the authors had appealed to the vast tradition of the Christianity in such a way to enrich how much to endorse the arguments presented in its texts. The use of this tradition and the belonging to one same Order also are aspects that cannot be neglected, therefore, while Dominicans, Thomas and Iacopo had passed for processes seemed of pertaining to school, liturgical and theological formation. In this direction, Iacopo and Thomas cannot be analyzed under the prism of modern & archaic, the least in relation to the sins and the virtues. If the LA leaves of to be so archaic in relation the ST in what it refers to only to the speech on the women it is a questioning for other inquiries and becomes necessary the construction of others comparables objects.
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Úcta a ikonografie sv. Máří Magdalény / Devotion and iconography of St. Mary MagdaleneUrbánková, Zuzana January 2012 (has links)
The Diploma thesis "Devotion and iconography of st. Mary Magdalen" - Two biblical characters have been associated with Mary Magdalene since the time of Gregory the Great; the unnamed sinner and Mary of Bethany. According to the Bible Mary Magdalene was one of the women who accompanied Jesus during His ministry. She was the woman from whom Jesus had cast out seven demons. She washed Jesus' feet with her tears and ointment. When Jesus was crucified she was there standing under the cross. She was present at His funeral. On Easter Sunday she went to the grave of the Lord to anoint His body. She discovered the empty tomb and saw the resurrected Jesus, who appeared to her as a gardener and sent her to announce His Resurrection to His disciples. She is considered "the apostle of the Apostles". According to an old French legend she was put in a boat without sails or oars and sailed to Marseilles, where she preached the gospel. Then she retreated to a cavern. There she lived as a recluse for thirty years. Every day she was lifted by angels up to heaven. She was buried in Saint-Maximin-la-Sainte-Baume. Her main cult centers were the places where her relics had been preserved; Vezelay in Burgundy in the Romanesque period , and Saint-Maximin-la-Sainte-Baumesince since the 13th to 18th century. She is usually...
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“She said she was called Theodore” : - A modality analysis of five transcendental saints in the 1260’s Legenda Aurea and 1430’s Gilte LegendeAtterving, Emmy January 2017 (has links)
This thesis explores modalities in two hagiographical collections from the late Middle Ages; the Legenda Aurea and the Gilte Legende by drawing inspiration from post-colonial hybridity theories.. It conducts a close textual analysis by studying the use of pronouns in five saints’ legends where female saints transcend traditional gender identities and become men, and focuses on how they transcend, live as men, and die. The study concludes that the use of pronouns is fluid in the Latin Legenda Aurea, while the Middle English Gilte Legende has more female pronouns and additions to the texts where the female identity of the saints is emphasised. This is interpreted as a sign of the feminisation of religious language in Europe during the late Middle Ages, and viewed parallel with the increase of holy women at that time. By doing this, it underlines the importance of new words and concepts when describing and understanding medieval views on gender.
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