O jornalismo transnacional (in. cross border journalism; es. periodismo transfronteirizo; din. journalistik over grænser) ganhou visibilidade nos anos 2010 a partir de séries como o OffshoreLeaks e o SwissLeaks, por estabelecer uma rede de investigação colaborativa entre equipes de diferentes países em torno de temas de relevância continental ou mundial, que normalmente envolvem estratagemas nas finanças internacionais com fins ilícitos. Tais séries jornalísticas são o ponto de partida desta tese, sendo contextualizadas com a renovação dos marcos do jornalismo profissional, que inclui o jornalismo pós-industrial (ANDERSON, BELL&SHIRKY, 2013), o qual coincide com uma \"improvável época de ouro do jornalismo investigativo\" (LEWIS, 2009). Procura-se, na presente pesquisa, mapear um território de pioneiros dessa prática de imprensa, que atrai jornalistas veteranos e interessa até às redações clássicas. A partir das constatações do crescimento dessa prática, esta tese procura refletir sobre essa tendência e identificar nela fundamentos de um método, ainda que não plenamente consolidado. E de tal método extrair elementos para um conceito, cuja prática expõe as assimetrias da globalização e se projeta numa \"sociedade civil global\" (IANNI, 1996; KALDOR, 2003). Praticado por jornalistas investigativos como David Kaplan e jornalistas-pesquisadoras como a dinamarquesa Brigitte Alfter (2015) e a chilena Florencia Melgar Hourcade (2015), o jornalismo transnacional se beneficia do saber acumulado pelo \"jornalismo de dados\" e pelo \"jornalismo sem fins lucrativos\", o que estimula uma cultura não competitiva entre redações, fortalece empreendimentos não corporativos e dá abertura a uma estimulante discussão sobre identidade profissional. No campo teórico, esta tese investiga se essa nova fronteira profissional da imprensa subsidia de fato a emergência de uma opinião pública global de caráter generalista na medida em que abre um horizonte multifacetado e plural para o conceito de objetividade jornalística (agora entendida como transparência), e na medida em que incorpora valores de uma \"ética de jornalismo global\" (WARD, 2005, 2008, 2010). / The cross border journalism (es. periodismo transfronteirizo; din. journalistik over grænser; pt. jornalismo transnacional) gained visibility in the years 2010 from series like OffshoreLeaks and SwissLeaks, by establishing a network of collaborative reporting between teams from different countries around issues of continental or global relevance, which usually involves stratagems in international finances for illicit purposes. These journalistic series are the starting point of this thesis, and they are contextualized with the renovation of the milestones of professional journalism, including the post-industrial journalism (ANDERSON, BELL & SHIRKY, 2013) and its coincidence with an \"unlikely golden era of investigative journalism\" (LEWIS, 2009). The research tries to report this territory of pioneers of this new practice from press, which attracts veteran journalists and interests even the classic newsrooms. From the factual findings, this thesis aims to reflect on this trend identifying foundations of a method, although not fully consolidated, and tries to extract therefrom the elements of a concept, and relating its practice to an emergent \"global civil society\" (IANNI, 1996; KALDOR, 2003) and exposing the asymmetries of globalization. Practiced by investigative journalists like David Kaplan and journalists-researchers as the Danish Brigitte Alfter (2015) and the Chilean Florencia Melgar Hourcade (2015), the transnational method takes benefit from the accumulated knowledge by the \"data journalism\" and the \"nonprofit journalism\" and can stimulates a non-competitive culture among newsrooms. This journalism strengthens non-corporate enterprises and gives opening to a stimulating discussion about professional identity. In theory, this thesis investigates if this new professional frontier of press subsidizes indeed the emergence of a global public opinion in a \"generalist\" character as it opens to journalistic field a multifaceted and plural horizon to objectivity (now understood as transparency), and as it incorporates values from a \"global journalism ethics\" (WARD, 2005, 2008, 2010).

Le travail retrace l’évolution du métier de journaliste de presse écrite en République démocratique du Congo (RDC) et en Côte d’Ivoire, de la fin de la période coloniale à nos jours. Plus précisément, il s’attache à en comprendre l’émergence et la structuration progressive, à Léopoldville (devenue Kinshasa) et à Abidjan. L’objectif consiste à dégager les éléments qui ont modelé le métier dans les deux pays, pour mieux comprendre la forme qu’il emprunte aujourd’hui.<p>La recherche se fonde principalement sur l’exploitation d’une centaine d’entretiens menés pour la plupart à Kinshasa et à Abidjan, sur l’exploitation de corpus de presse et sur l’exploitation de ressources documentaires et bibliographiques. Elle adopte une perspective comparative visant à mettre en évidence les similitudes et les spécificités qui ont marqué l’évolution du journalisme de presse écrite en RDC et en Côte d’Ivoire.<p>Le travail se divise en quatre parties, dont les trois premières s’arrêtent sur des moments importants de la structuration de la profession. La première présente la façon dont les Congolais et les Ivoiriens se sont investis progressivement dans le journalisme de presse écrite, particulièrement à la fin de la période coloniale, dans un contexte de pluralisme limité. La deuxième étudie la pratique du journalisme et sa structuration, au Congo et en Côte d’Ivoire, durant le long règne des partis uniques. La troisième partie analyse la nouvelle forme que revêt la profession depuis la libéralisation politique et médiatique du début des années 1990. Pour chaque période, l’analyse comporte trois axes destinés à mettre en évidence les éléments utiles à la comparaison. Le premier permet de mettre au jour le système relationnel qui existe autour des journalistes congolais et ivoiriens de presse écrite, afin d’identifier les facteurs sociétaux qui influencent leur pratique. Le deuxième axe dévoile les dynamiques internes du groupe professionnel, dans les deux pays. Enfin, le troisième axe se construit autour des parcours individuels d’un certain nombre de journalistes, ce qui permet de cerner leurs motivations et leur perception du métier.<p>L’approche comparative constitue la quatrième partie de la recherche. Elle s’appuie sur le concept de « configuration » de Norbert Elias pour corréler les trois axes et les trois périodes décrits ci-dessus, pour penser l’émergence et l’évolution de la profession en termes de relations, d’interdépendances et de négociation.<p>L’imprécision des contours du groupe, des profils professionnels et des pratiques apparaît constitutive du journalisme de presse écrite, au Congo et en Côte d’Ivoire. La forme que revêt aujourd’hui la profession résulte d’une suite d’interdépendances, régulièrement renégociées, qui lie les journalistes aux autres acteurs au cours du temps./<p>The thesis traces the development of the profession of newspaper journalist in the Democratic Republic of Congo (DRC) and Côte d’Ivoire, from the end of the colonial era until today. More precisely, it seeks to understand its emergence and structural development in Léopoldville (Kinshasa) and Abidjan. The objective is to identify the elements that fashioned the profession in both countries so as to better understand its current form.<p>The research rests chiefly on the use of about 100 interviews conducted for the most part in Kinshasa and Abidjan as well on the use of press corpuses and of documentary and bibliographic resources. The research takes a comparative approach that aims to highlight the similarities and specificities that have marked the evolution of newspaper journalism in the DRC and Côte d’Ivoire.<p>The thesis is divided into four parts, the first three of which concentrate on key moments in the profession’s structural growth. Part One outlines the way in which the Congolese and Ivorians gradually became involved in print journalism, in particular at the end of the colonial era, in a context where pluralism was limited. Part Two studies the practice of journalism and its structural elaboration, in the Congo and Côte d’Ivoire, under the long reign of the one-party systems. Part Three examines the new form assumed by the profession since the political and media liberalization of the early 1990s. For each period, the analysis relies on three axes destined to emphasize the elements that are useful for the comparison. The first axis makes it possible to reveal the network of relations existing around Congolese and Ivorian newspaper journalists in order to identify the societal factors influencing their practice. The second axis sheds light on the professional body’s internal dynamics in the two countries. Lastly, the third axis centres on the individual careers of a number of journalists, making it possible to grasp their professional motivations and their perception of the sector. <p>The comparative approach composes the fourth part of the thesis. It relies on Norbert Elias’s notion of ‘configuration’ to correlate the three axes and periods described above in order to examine the profession’s emergence and evolution in terms of relations, interdependencies and negotiations.<p>The vagueness of the group’s contours, of the professional profiles and of the practices appears constitutive of newspaper journalism in the Congo and Côte d’Ivoire. The profession’s current form is the result of a succession of interdependencies, regularly renegotiated, that has linked the journalists to other actors over the course of time.<p> / Doctorat en Information et communication / info:eu-repo/semantics/nonPublished

Diploma thesis "Media and their management in the region of Pilsen 1945 - 1955" deals with media management in the Pilsen region within historical context of the first decade after the Second World War. It starts with restitution of press in May 1945 and foundation of the radio station in Pilsen. It observes restitution of the journalist organization in Pilsen, including post-war purge of journalists. Further, it describes growing influence of the communist party on media management in the Pilsen region until February 1948 when the communist party definitively gained political power in Czechoslovakia. After the so-called Victorious February, the thesis deals with another wave of purge among journalists in the Pilsen organization and abortion of non-communist press. It introduces the process of nationalization of the printing industry and new goals for journalists and media defined by the communist party. Finally, it describes the first half of the 1950s when other press restrictions and reorganizations of the printing industry in the Pilsen region took place. It presents foundation of a censorship office, the Main Board for Publishing Control (HSTD), within the management of press and radio in the Pilsen region. The thesis is a historical study which tries to approach a less documented period of...

The thesis is focused on the communication inclusion and exclusivity of Czech journalist on Twitter and how they use conventions of this platform to connect with other users. Through the description of current communication layers and functions of Twitter this thesis depicts how it became one of main sources of news and how it pushed journalists to reinterpret their traditional roles in the society. It also describe how digital humanities and digital trace data gathered from social media can be used as means of analysis of social interactions of its users. The practical part presents a cluster analysis based on Twitter data of 457 Czech journalists that shows how is Twitter used to communicate within and outside the Czech media system.

In this dissertation on Nat Nakasa I argue, in Chapter 1, that he is one of South Africa's first literary flaneurs. Walking the city as an urban spectator, part journalist, part sociologist, his modernist writings of the metropolis celebrate Johannesburg and also place him in a broad international context. His `tactics of the habitat', in Foucault's phrase, become subversive ruses, a navigation through the cultural seam of South Africa in the 1960s, and this approach offers an alternative to a reductionist anti-apartheid critique. Chapter 2 analyses the excavation of his memory and subsequent elevation to media icon, with the naming of the SANEF Award for Media Integrity after him. Chapter 3 discusses how his auto/biographical writings and representation of self and other contribute to `making history's silences speak'. Finally in chapter 4, I discuss his elusive identity as part of the Drum generation, an insider/outsider, and his exile and suicide in America. / English Studies / M.A. (English)

Thesis (MPhil (Journalism))--Stellenbosch University, 2007. / ENGLISH ABSTRACT: During Gulf War II, the American government implemented new media policies which, due to their potentially manipulative impact, became a subject of concern to academics, social commentators and the media alike. Key to these policies was the Department of Defense's Embedded Media Program which allowed hundreds of selected reporters to accompany US forces to the war front. The US openly tried to win international support for the war, and critics felt that this policy was designed to saturate the media with reports supporting the American point of view. This study examines these policies, the history of war reporting as a separate news genre, as well as the fluctuating relations between the US military and the media. Because of the US media policies, the fact that only one South African newspaper reporter was in Iraq during Operation Iraqi Freedom phase of the war and South African newspapers' consequent reliance on foreign news sources, there was a real possibility that the American position would be propagated in the local press. To test whether this was the case, the way the war was reported on in four leading South African newspapers is examined in terms of gatekeeping, agendasetting and framing. Using an adapted version op Propp's fairytale analysis as a standard, it compares the slant and content of the South African coverage to the way four senior US government officials presented the war. Also, the coverage of the newspapers is compared to one another. The analyses indicate that while most of the information published by the newspapers came from American sources, the news reports generally did not mirror the US standpoint, but instead criticised President Bush and the war on Iraq. Neither the frequency of the newspapers, nor its cultural background showed any correlation with the way the war was depicted by the different newspapers. It is therefore concluded that while the US might have been successful in their attempt to "occupy the media territory" in terms of sources cited, they were not able to sway the opinion of the South African press in their favour. However, the US is aware of these failures and plans to rectify the mistakes made in Gulf War II by means of proactive global operations started in times of peace. / AFRIKAANSE OPSOMMING: Tydens die Tweede Golfoorlog het die Amerikaanse regering 'n nuwe mediabeleid ingestel wat weens die potensieel manipulerende impak daarvan ’n bron van kommer vir akademici, sosiale kommentators en die media self geword het. Sentraal tot hierdie nuwe beleid was die Departement van Verdediging se sogenaamde "Embedded Media Program" wat honderde uitgesoekte joernaliste toegelaat het om Amerikaanse magte na die oorlogsfront te vergesel. Die VSA het openlik probeer om internasionale steun vir die oorlog te werf en kritici het gevoel dat dié beleid ontwerp is om die media met nuusberigte wat die Amerikaanse standpunt steun, te versadig. Hierdie studie ondersoek dié beleid, die geskiedenis van oorlogsverslaggewing as afsonderlike nuus-genre, asook die wisselvallige verhouding tussen die Amerikaanse weermag en die media. Weens die Amerikaanse mediabeleid, die feit dat slegs een Suid-Afrikaanse koerantverslaggewer tydens die Operation Iraqi Freedom fase van die oorlog in Irak was en Suid-Afrikaanse koerante gevolglik van buitelandse nuusbronne afhanklik was, was daar 'n werklike moontlikheid dat die Amerikaanse posisie deur die plaaslike pers gepropageer kon word. Om te toets of dit die geval was, is die manier waarop in vier vooraanstaande Suid-Afrikaanse koerante oor die oorlog berig is, ondersoek in terme van hekwagterskap, agendastelling en raamskepping. Deur 'n aangepaste weergawe van Propp se feëverhaalanalise as maatstaf te gebruik, is die neiging en inhoud van die Suid- Afrikaanse dekking vergelyk met die manier waarop vier senior Amerikaanse amptenare die oorlog voorgehou het. Die koerante se dekking is ook met mekaar vergelyk. Die analises wys dat hoewel die meeste van die inligting wat deur die koerante gepubliseer is van Amerikaanse bronne kom, die nuusberigte oor die algemeen nie die Amerikaanse standpunt weerspieël nie, maar eerder krities teenoor President Bush en die oorlog teen Irak is. Nie die frekwensie van die koerante of die kulturele agtergrond daarvan het enige korrelasie getoon met die manier waarop die oorlog deur die verskillende koerante uitgebeeld is nie. Die gevolgtrekking word gemaak dat hoewel die VSA moontlik daarin geslaag het om die "mediaterrein te okkupeer" in terme van aangehaalde bronne, het hulle nie daarin geslaag om die Suid-Afrikaanse pers se opinie in hul guns te swaai nie. Die VSA is egter bewus van die foute wat tydens die Tweede Golfoorlog gemaak is en beplan om dit deur middel van proaktiewe globale operasies in vredestyd reg te stel.

Dans les démocraties occidentales, la notion d’opinion publique occupe une place importante dans l’action des politiciens et le discours des médias. Elle y renvoie généralement à la somme des opinions individuelles des citoyens, aux résultats de sondages. Or, les limites de l’opinion publique ainsi conceptualisée apparaissent de plus en plus clairement aux chercheurs en sciences sociales, et cela jette un doute sur sa valeur comme guide des politiques publiques. Pour mieux comprendre la place de l’opinion publique dans le processus démocratique québécois, nous avons cherché à connaître les conceptions qu’en ont certains acteurs-clés : les chroniqueurs politiques et éditorialistes francophones du Québec. Au moyen d’entrevues, nous avons documenté leurs « théories profanes » à ce sujet, c’est à dire leurs façons de voir l’opinion publique et sa place dans le processus démocratique. L’exercice nous apprend que ces « commentateurs habituels » distinguent plusieurs formes d’opinion publique, de valeur inégale. Celle qui revêt le plus d’intérêt pour eux est une « opinion publique latente », qui intègre des dimensions d’intensité et de propension à changer. Ils jugent les sondages utiles mais insuffisants pour appréhender l’opinion publique; aussi l’interprètent-ils à partir de conversations et d’un certain « sens de l’opinion publique ». Selon eux, les médias peuvent influencer l’opinion publique, mais surtout influencer la tenue d’une délibération publique et la façon dont les décideurs lisent l’opinion publique. Ils estiment aussi pouvoir, par leur travail journalistique, favoriser l’émergence d’une opinion publique raisonnée, ce qui est conforme à leur idéal de démocratie participative. / The notion of public opinion is central to political action and media coverage of politics, in western democracies. It usually refers to the sum of all citizens’ individual attitudes, and to survey results. Yet, the limitations of public opinion thus conceptualized appears ever more clearly to scholars, calling into question its value as an input to the political process. In order to better understand the role of public opinion in the political process in Quebec, we have been seeking to understand how some important political actors — elite francophone political columnists and editorialists — view public opinion. By interviewing those journalists, we gathered their “lay theories”, i.e. the way they understand public opinion and its place in the democratic process. We found out that these pundits distinguish different types of public opinion, which are of unequal value to them. They are mostly interested in “latent public opinion”, a concept that includes dimensions of intensity and transformation potential of opinion. They believe surveys are somewhat useful, but incomplete tools for assessing public opinion. Therefore, they turn to other means of knowing it: conversations, and a certain “public opinion sense”. According to them, the media can have an influence on public opinion, but above all it can have an influence on public deliberation and on the way politicians view public opinion. Respondents also believe they can contribute, by their journalistic work, to the construction of a more considered public opinion — which is in tune with their ideal of participatory democracy.

This study examined the relationship the television news sequence at four-year colleges and universities has with the employment marketability of those students who major in television news. Both vocational and academic approaches were examined. Three factors were taken into consideration: if the completion of any television news curriculum aids in the television news graduate's employment marketability, if the television news curriculum has merit when weighed against work experience without completion of such a discipline, and if another academic sequence might better prepare the aspiring television journalist. The study is significant in that the field of television news has been glutted in recent years by an influx of graduates who believe that the work is glamorous and exciting. Many graduates lack the basic verbal and mechanical skills to compete in the job marketplace. The first two chapters discuss the research problem and the factors comprising it. Details of the research design follow, dividing the study into an assessment of the problem and the analysis of the results of a questionnaire that was mailed to 213 television news anchors selected through a stratified random process. A background chapter on various television news curricula is included, with numerous books and periodicals cited. Educational profiles of selected network news anchors are also featured. Almost 60 percent of the local news anchors contacted completed and returned the questionnaires. The nominal data is discussed and presented in tabular form; the data is also analyzed through a series of cross-tabulations using specific demographical information and responses. Findings of the survey indicate that the television news sequence does not appreciably aid the graduate in securing employment, that practical experience outweighs the merits of completing such a sequence, and that the aspiring television journalist might benefit more from a concentration in the liberal arts.

Cette recherche explore un sujet encore très peu étudié empiriquement: où en sont “l’éthique professionnelle” et la “déontologie” chez les journalistes en France? Qu’ont-ils à dire? À quelles embûches sont-ils confrontés ? Quel est le rôle des rédacteurs en chef ? En raison de la concurrence accrue, de la concentration de la propriété des médias, des changements technologiques et de plusieurs autres facteurs, « l’éthique » se situe à l’épicentre du journalisme contemporain. La thèse repose d’abord sur une analyse de contenu des points de vue d’une centaine de journalistes professionnels qui furent interviewés en face à face, dans la presse nationale, écrite et audiovisuelle, privée et publique. Elle repose également sur une observation participante : une dizaine de stages dans divers média. Elle analyse de surcroît une vingtaine de chartes ou codes de déontologie, de même qu’elle se fonde sur une brève enquête de certains directeurs d’école de journalisme. La thèse révèle la montée récente des enjeux déontologiques et la bonne volonté des journalistes et de leurs médiateurs pour faire face à cette situation. Elle montre aussi les différences entre les pratiques éthiques concrètes des différents médias, l’impuissance des écoles de journalisme à enseigner l’éthique, l’importance névralgique de l’attitude des patrons de presse envers l’éthique journalistique et parfois les difficultés des journalistes devant certains dilemmes et certaines pressions. Un des enjeux majeurs pour l’avenir est de rendre plus cohérentes les chartes ou codes écrits, les différentes formes de gouvernance de la presse et les pratiques journalistiques. / This study is an exploratory research on a topic that has been slightly studied empirically. What are the issues of “professional ethics” and “deontology” amongst French journalists? What do they have to say? What problems are they confronted with? What is the role of chief editors? Because of increased competition, the concentration of press ownership, new technologies and other factors, “ethics” has now become a central issue in journalism. The thesis is, above all, a content analysis of journalists’ points of view, as recorded in some 100 face to face interviews of journalists in the generalist, private and public French press, newspapers and broadcasters. Participant observation was also a key methodology: some 10 quite lengthy internships in several media were done. Furthermore, the thesis analyses some 20 charters and codes of ethics and conducted a brief enquiry within schools of journalism. The thesis shows that ethics is now an absolutely central issue and that journalists (and their ombudsmen) have a very good will to cope with this new situation. Yet more, the thesis also shows the difference in the concrete practices of various medias, the incapacity of journalism schools to teach ethics, the extreme importance of the attitudes of the main editors, as well as sometimes the difficulties of journalists to cope with some pressures and dilemmas. One major issue for the future is to make the written charters and codes, press governance and journalistic practices more coherent.

The thesis "The Novinář Publishing House Profile" deals with the establishment, structure and production of Novinář publishing house. The first part of the thesis describes the historical events and implications that preceded the creation of Novinář and that had an impact on its activity. A separate chapter refers to conditions and circumstances of publishing specialized books and periodicals for journalists, i. e. the legislature in force and authorities that made decisions regarding the establishment of publishing houses, the editorial work of organizations and the content of books and other publications. One part of the thesis deals also with the education of journalists (through courses, newly established university studies), enhancing their expertise and qualification and the quality of their work, as well as with the related need for specialized publications for journalists and other reasons that led to the creation of Novinář publishing house. The second part of the thesis describes the establishment and operation of Novinář publishing house, its organizational structure and editorial and publishing work (books, journals, other publications). The last chapter presents important people that were involved in creation and operation of the publishing house (the directors).