Dom Quixote de Miguel de Cervantes contou com ampla recepção no contexto brasileiro que se manifestou sob diversas linguagens e formas artísticas. O presente trabalho dedica-se exclusivamente ao estudo da recepção crítica que a obra teve no Brasil entre os anos de 1900 e 2000. As datas comemorativas relacionadas com a obra e seu autor representaram momentos privilegiados para a produção de ensaios e estudos críticos publicados em forma de livro ou de artigos de jornal. Levando em conta esse fato, a data de início da pesquisa é o ano de 1905 quando se comemorou na cidade do Rio de Janeiro o III centenário da publicação da primeira parte da obra. O objetivo do trabalho é o de analisar o modo como tais estudos trataram de traduzir a forma e o conteúdo da obra, às vezes por meio de imagens, às vezes por meio da defesa de determinados valores, estabelecendo, em alguns casos, relações entre vida do autor e obra literária. Além da consideração analítica dos dezesseis textos analisados, o trabalho trata também de estabelecer conexões entre eles por meio do exercício crítico comparativo com ênfase na representação simbólica. A pesquisa realizada levou à organização de um fichário bibliográfico a partir do acervo jornalístico consultado e registrado, o que possibilitou a elaboração de um primeiro catálogo de trabalhos cervantinos produzidos no país. O que se pretende com o referido catálogo é possibilitar futuras consultas e novas pesquisas acerca da recepção da obra no Brasil. / Dom Quixote by Miguel de Cervantes enjoyed a generous reception in the Brazilian context that was manifested in various spoken and artistic forms. The present work confines itself to the study of the critical reception of the work in Brazil from 1900 to 2000. The commemorative dates related to the work and its author provided privileged moments for the production of essays and critical studies published in book form or as news articles. Taking this fact into account, the starting date for the research is 1905, when the third centenary of the publication of the first part of the work was commemorated in the city of Rio de Janeiro. The aim of the work is to analyze the way in which such studies set about translating the form and content of the work, sometimes through images, other times by the defense of certain values, establishing in some cases connections between the life of the author and the literary work. Apart from the analytical consideration of the 16 analyzed texts, the work seeks to establish connections between them by means of a comparative critical exercise with emphasis on symbolic representation. The research undertaken led to the organization of a bibliographical archive based on the journalistic resources consulted and registered, which enabled the formulation of the first catalog of Cervantes\'s works produced in the country. This catalog is intended to facilitate future consultations and new research into the reception of the work in Brazil.

Análise e interpretação do conto \"Cara-de-Bronze\", escrito por João Guimarães Rosa. Esta obra sintetiza a idéia que o autor tem da poesia, marcada pela extensa tradição de escritos dedicados ao estudo de Saturno e da melancolia. O confronto dessa tradição, a partir da leitura que lhe deu Walter Benjamin, com o conto, descortina aspectos enigmáticos da narrativa, e revela elementos fundamentais da concepção de mundo do autor, importantes para a literatura, a critica literária e a filosofia da arte. / Analysis and interpretation of the short story \"Cara-de-Bronze\" (\"Bronze Face\"), written by João Guimarães Rosa. This work synthesizes the idea the author has towards poetry, remarked by the long tradition of writings dedicated to the study of Saturn and of melancholy. The confront of such tradition, based on the reading by Walter Benjamin, with the short story, unveils enigmatic aspects of the narrative, and reveals essential elements of the author\'s conception of the world, important for literature, literary criticism and the philosophy of art.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-10-04T11:08:20Z No. of bitstreams: 1 izaurareginaazevedorocha.pdf: 829824 bytes, checksum: eebfa7dbe5aa7b53a74e48fc58074db9 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-04T16:18:10Z (GMT) No. of bitstreams: 1 izaurareginaazevedorocha.pdf: 829824 bytes, checksum: eebfa7dbe5aa7b53a74e48fc58074db9 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-04T16:18:21Z (GMT) No. of bitstreams: 1 izaurareginaazevedorocha.pdf: 829824 bytes, checksum: eebfa7dbe5aa7b53a74e48fc58074db9 (MD5) / Made available in DSpace on 2016-10-04T16:18:21Z (GMT). No. of bitstreams: 1 izaurareginaazevedorocha.pdf: 829824 bytes, checksum: eebfa7dbe5aa7b53a74e48fc58074db9 (MD5) Previous issue date: 2010-06-23 / Esta dissertação focaliza a produção da romancista, crítica literária e historiadora da literatura brasileira Lucia Miguel Pereira pelo duplo ponto de vista da teoria literária e da crítica feminista. A interseção dessas duas disciplinas se faz necessária para compreender a aparente fratura entre a obra ficcional e a de crítica literária da autora. Partindo da constatação de que uma preocupação com a condição feminina na primeira metade do século XX perpassa inegavelmente o conjunto dos quatro únicos romances de Lucia, enquanto sua produção crítica se revela quase indiferente ao desprestígio da autoria feminina no cânone da literatura brasileira, procura-se investigar caminhos de convergência entre as duas vertentes dessa produção aparentemente contraditória. Numa perspectiva metacrítica, o trabalho mapeia o pensamento da autora sobre o exercício da crítica literária e da criação ficcional e estabelece seu sistema e método de abordagem da literatura. A categoria do romance, como gênero literário de particular interesse nos estudos de Lucia, desponta como chave para percepção da unidade da obra da autora, na medida em que é por ela compreendido como campo de experimentação sobre a existência. No processo, a pesquisa acompanha o amadurecimento intelectual de Lucia Miguel Pereira rumo à sistematização de suas formulações teóricas sobre o romance e revê o lugar dessa intelectual pioneira na história da crítica e da literatura brasileiras. / This dissertation focuses on the production of the novelist, literary critic and historian of Brazilian literature Lucia Miguel Pereira by the dual perspective of literary theory and feminist criticism. The intersection of these two disciplines is needed to understand the apparent rift between the author‘s fictional work and literary criticism. Based on the observation that a preoccupation with the female condition in the first half of the twentieth century undeniably pervades the whole of her four novels, while her critical output reveals to be almost indifferent to the discredit of female authorship in the canon of Brazilian literature, seeks to investigate ways of increasing convergence between two seemingly contradictory aspects of this production. In a metacritique perspective, the work maps the author's thinking on the exercise of literary criticism and the fictional creation and sets her system and approach to the literature. The category of the novel as a literary genre of particular interest in Lucia‘s studies emerges as key to understand the unity of her work, insofar as it is understood as a field of experimentation on life. In the process, the research followed the intellectual maturation of Lucia Miguel Pereira towards the systematization of her theoretical formulations about the novel and review the place of this intellectual pioneer in the history of Brazilian literature and criticism.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-05-22T17:24:37Z No. of bitstreams: 1 angiemirandaantunes.pdf: 1309439 bytes, checksum: bcce9e5e64deec08ea5b879150fe574b (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-05-22T17:41:11Z (GMT) No. of bitstreams: 1 angiemirandaantunes.pdf: 1309439 bytes, checksum: bcce9e5e64deec08ea5b879150fe574b (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-05-22T17:41:33Z (GMT) No. of bitstreams: 1 angiemirandaantunes.pdf: 1309439 bytes, checksum: bcce9e5e64deec08ea5b879150fe574b (MD5) / Made available in DSpace on 2017-05-22T17:41:33Z (GMT). No. of bitstreams: 1 angiemirandaantunes.pdf: 1309439 bytes, checksum: bcce9e5e64deec08ea5b879150fe574b (MD5) Previous issue date: 2014-10-03 / Este trabalho perscruta tanto a obra poética quanto a produção crítico-teórica W. H. Auden (1907-1973) com o intuito de desvelar as nuances da passagem da modernidade para a pósmodernidade no âmbito literário. A trajetória deste poeta anglo-americano ao longo de seus 45 anos (1928-1973) de produção nos permite vislumbrar e acompanhar as alterações da sua lírica, sempre atrelada às questões sociais e existenciais de seu tempo. A fim de mapear as marcas do trânsito de Auden entre a modernidade e a pós-modernidade, sem descurar da reflexão acerca das mesmas, fez-se necessário cotejar as teorizações do poeta com outros autores para tratarmos de numerosas questões, dentre as quais, destacamos linguagem, poesia, sujeito, sociedade, história, crítica literária. Tais procedimentos nos permitiram a seleção de um conjunto de poemas representativos das mudanças verificadas nos modos de Auden conceber a poesia e as suas funções sociais e existenciais, poemas estes analisados pari passu com nossas considerações teóricas. / This paper investigates both the poetic work and the critical-theoretical production of W. H. Auden (1907-1973) searching to unveil the nuances of the passage from modernity to postmodernity in the literary context. The way made by this Anglo-American poet throughout his 45 years (1928-1973) of production allows us to perceive and track changes in his lyric that is always linked to social and existential issues of his time. In order to follow Auden’s path between modernity and postmodernity, without neglecting the reflection about them, it was necessary to put side by side the theoric thoughts of the poet with those from other writers to talk about many issues, among which we highlight language, poetry, subject, society, history, literary criticism. These procedures allowed us to select a set of representative poems of real change in the ways that Auden conceives poetry, and its social and existential functions, these poems were analyzed pari passu with our theoretical considerations.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-05-25T11:46:27Z No. of bitstreams: 1 luisclaudiocostafajardo.pdf: 6131532 bytes, checksum: 38b2eb1d694660bb15f044a642b482aa (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-05-25T13:31:30Z (GMT) No. of bitstreams: 1 luisclaudiocostafajardo.pdf: 6131532 bytes, checksum: 38b2eb1d694660bb15f044a642b482aa (MD5) / Made available in DSpace on 2017-05-25T13:31:30Z (GMT). No. of bitstreams: 1 luisclaudiocostafajardo.pdf: 6131532 bytes, checksum: 38b2eb1d694660bb15f044a642b482aa (MD5) Previous issue date: 2014-04-30 / Esta tese sustenta a hipótese de que o Neoconcretismo e o Poema/Processo, movimentos artísticos e poéticos brasileiros, introduziram conceitos estéticos capazes de fundamentar uma abordagem crítica para a poesia eletrônica. Tal abordagem baseia-se na identificação de três pontos fundamentais comuns entre os movimentos citados e os poemas eletrônicos: a fusão entre os signos verbal e visual na poesia, o corpo físico do espectador como agente na fruição estética e a participação do leitor em processos de criação poética. A investigação teórica realiza-se através da análise de poemas eletrônicos de autores brasileiros e portugueses. Nesta perspectiva, são investigadas as relações destas experiências poéticas eletrônicas com poemas visuais representantes das vanguardas artísticas europeias do início do século XX e com os movimentos pós-concretistas no Brasil, mais especificamente, o Neoconcretismo e o Poema/Processo. O corpus é formado por experiências poéticas eletrônicas de Erthos Albino de Souza, Fernando Nabais, Giselle Beiguelman e Rui Torres. / This doctoral dissertation tries to prove the hypothesis that Neoconcretism and Process Poetry, Brazilian artistic and poetic movements, introduced aesthetic concepts capable of justifying a critical approach to electronic poetry. This approach is based on identifying three fundamental common points between the aforementioned movements and electronic poems: the encounter between the verbal and visual signs in poetry, the physical body of the viewer as agent in aesthetic fruition and the reader´s participation in the creating poetic process. The theoretical research was carried out through the analysis of some Brazilian and Portuguese electronic poems. From this perspective, we attempted to investigate the relationships between the poetic experiences with electronic visual poems which represent the European avant-garde movements of the early twentieth century and the post-concretists movements in Brazil, more precisely Neoconcretism and and Process Poetry. The corpus is made up by some electronics poetic experiences created by Erthos Albino de Souza, Fernando Nabais, Giselle Beiguelman, and Rui Torres.

Le présent travail se propose d’étudier la réception de la littérature russe dans son ensemble par la presse française de l’époque de Louis-Philippe. On redécouvre dans ses subtilités complexes et hasardeuses toute la problématique politique et culturelle inhérente à l’acclimatation et l’implantation de la littérature russe, encore peu connue : relations entre deux pays, statut de la langue-source, traductions, réseaux d’information, reflets de la vie littéraire. Dans une Europe apparemment pacifiée, la France voit émerger une nouvelle classe d’intellectuels que la « question sociale » sollicite autant que les productions littéraires. Les journaux, les revues jouent un rôle accru de médiation culturelle et deviennent un pouvoir – ou un contrepouvoir – qui informe, juge et critique, dont les titres d’ailleurs proclament assez l’ambition : L’Europe littéraire, Le Globe, Revue des Deux Mondes, Revue Indépendante et d’autres encore. On verra comment les jugements littéraires ne peuvent s’abstraire des considérations sociopolitiques. Les articles journalistiques relèvent ainsi d’une catégorie toujours bien vivante : histoire, politique et littérature mêlées. Ecrire sur la littérature russe dans les années 1830-1840 n’est-ce pas aussi se situer par rapport à Louis-Philippe et Nicolas Ier ? / The present work suggests studying the reception of Russian literature in whole by the French press under the reign of Louis-Philippe. All political and cultural subject matter inherent in the process of familiarization and integration of so little known Russian literature develops in its complicated and accidental subtleties: relations between the two countries, Russian as a source language, translations, information networks, reflections of literary life. In apparently pacified Europe, in France there appears a new class of intellectuals that is interested in both « social matter » and literary works. Newspapers and reviews play an increasing role in cultural mediation and hold a power or a counter-power, which informs, judges and criticizes, and whose titles proclaim their aspirations well enough: L’Europe littéraire, Le Globe, Revue des Deux Mondes, Revue Indépendante and others. We can see that literary judgments are inseparable f! rom sociopolitical considerations. So the articles are followed from the existent category: a mixture of history, policy and literature. Writing about Russian literature during the 1830s-1840s, does it really mean to position yourselves towards Louis-Philippe and Nicholas the First ?

in English This thesis focuses on the construct of gender in the modernist novel Eva by the Dutch authoress Carry van Bruggen in relation to the individual human subject. The goal of this thesis is to analyse how is gender constructed in the book and how this construct influences the psychic development and decision making of the main character, a woman named Eva. The answer to the main research question What role does the construct of gender play in the life of the main character of the novel Eva? was reached with the help of the discourse analysis, namely the post-structuralist discourse analysis using the deconstructive reading. The thesis is at the same time theoretically anchored in the post-structuralist feminist literary criticism. The theoretical part therefore draws on the ideas of Jacques Derrida, Michel Foucault, Judith Baxter and Judith Butler. As an inspiration for the discourse analysis itself served the discourse analysis dealing with the gender identity that was carried out by Kateřina Zábrodská in 2009. The first step in the analysis stage was to identify the relevant passages of the novel that inform what does it mean to be a man or a woman. The comments on these passages focus on the individual claims about gender, they formulate what kind of duties and limits these discourses...

The purpose of this thesis was to explore the boundary between human and other created by virtual worlds in contemporary science fiction novels. After a close reading of the three novels: Surface Detail, Existence, and Lady of Mazes, and the application of contemporary literary theories, the boundary presented itself and led to the discovery of where the human becomes other. The human becomes other when it becomes lost to the virtual world and no longer exists or interacts with material reality. Each of the primary texts exhibits both virtual reality and humanity in different ways, and each is explored to find where humanity falls apart. Overall, when these theories are applied to real life there is no real way to avoid the potential for fully immersive virtual worlds, but there are ways to avoid their alienating effects.

This thesis explores the implications of bearing witness as testimony, and the recuperation of community and identity in the wake of exile. Through a close reading of Elie Wiesel’s The Time of the Uprooted, alongside the theories of Jacques Derrida and Jean-Luc Nancy (among others), I argue that a True Testimony cannot exist, and yet despite this fact, there is a necessity to bear witness in the face of the Other. The realization suggests an imperative of a different order—one that steps back from the very notion of truth, to instead accept the impossibility of truth in any act of witnessing. By comparing Wiesel’s metaphysical framework to post-structural philosophies, I am able to blur the lines between an exile’s metaphysical feelings of isolation and strangeness from both others and themselves to the effects of recognizing and accepting that all language is différance.

Informed by the Utopian and Literary Studies on Mythopoetic, I propose, with this work, the analysis of the lirios of Jurema, religious hymns of public domain that are part of the Brazilian religion Jurema. The corpus is composed of a sample of 100 lirios that I chose and categorized from a survey that involved bibliographic and audio visual sources, centralizing a significant number of poems for analysis. The construction of this study implied in the presentation of a panorama of the Jurema traditions and beliefs, pointing to understanding its lyrical production; and in an investigation of the work of criticism, from the beginning of Jurema studies until the present moment. Following, I present a more analytical perspective on the interpretation of the poems. I end my exploration of the theme by emphasizing the approximations between Jurema and utopia, which in my view are presented in three distinct levels: in the expression of mythopoetic discourse; in the representation of mythical spiritual places, wonderful paradises / secret places; and, finally, in the perpetuation of human being, through enchantment and its connections with Sebastianism. With this work, I aim to collaborate with the expansion of research in the area of critical studies of utopia in national texts and contribute to the critical fortune of Jurema’s poems, promoting the visibility of the mythopoetic of this rich religious and cultural manifestation. / Conselho Nacional de Desenvolvimento Científico e Tecnológico / Situada na interface dos Estudos da Utopia com os Estudos literários sobre a mitopoética, proponho, com este trabalho, a análise dos “lírios de Jurema”, hinos religiosos de domínio público que fazem parte da liturgia da religião brasileira Jurema Sagrada. O corpus é composto por uma amostra de 100 lírios que escolhi e categorizei a partir de um levantamento que envolveu fontes bibliográficas e mídias eletrônicas, centralizando um número significativo de poemas para análise. A construção deste estudo implicou na apresentação de um panorama da tradição juremeira, com vistas a compreensão de sua produção lírica; e em uma investigação do trabalho da crítica, desde o surgimento da Jurema como objeto de estudos até o presente momento. Na segunda parte do trabalho, apresento uma perspectiva mais analítica interpretativa dos poemas e finalizo minha incursão pelo tema ressaltando as aproximações entre a jurema e a utopia que, a meu ver, apresentam-se em três níveis distintos: na expressão do discurso mitopoético; na representação de lugares míticos espirituais, paraísos/lugares secretos maravilhosos; e, por último, na eternização do ser pela palavra, através do encantamento e suas ligações com o sebastianismo. Com este trabalho, visei colaborar com a ampliação da investigação na área dos estudos críticos da utopia em textos nacionais e contribuir com a fortuna crítica dos poemas de Jurema, promovendo a visibilidade da mitopoética desta rica manifestação religiosa e cultural.