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1	GIVE HER SOME SPACE: QUEST MAIDENS, SPATIALITY, AND MOBILITY IN MEDIEVAL ARTHURIAN LITERATURE Maggie R Myers (15354700) 11 August 2023 (has links) <p> </p> <p>My dissertation proves that movement for both women and men is tantamount to power. The choice for a quest maiden (that is, a woman who takes part in a quest) to move between places and spaces is a choice for them to be able to change both their social and spatial positionalities. Focusing on high- and late medieval English chronicles and romance, I divide medieval Arthurian quest maidens into one of four categories based upon their movement: the static “in” and “out” groups that either remain inside a court or outside in the forest, and the mobile “inwards” and “outwards” groups that either enter into a court from outside it or who leave a court for the outside world. This diversity of categories is a novel contribution to spatial studies within Arthurian literature, as quest maidens are found everywhere across the Arthurian landscape. Such women dwell in the most intimate castle chambers as well as within the most remote forest copse. These placements are significant, as I argue that spaces are defined by the people who exist within them. As communal space is shaped and created by the multiple identities that inhabit that space, the ability to exist and shape that space becomes itself a demonstration of power. This power is expressed both by individuals, such as a knight in the woods or a queen in her castle, and by collectives, such as the Knights of the Round Table. A space gains its reputation by the deeds of its inhabitants, and those inhabitants either benefit or suffer by their space(s)’s reputation. This extends to the movement that occurs between such spaces. A maiden who enters Camelot to ask for help changes the identity of the court: it becomes a place that succors maidens. A maiden who conversely stops a knight in the Forest of Adventure helps shape that forest into a space for quests. As the Arthurian world is founded upon the questing process that these quest maidens both support and enable, their very existence shapes the form of the world. The space of the quest cannot be unlinked from the maidens who occupy and enable it.</p> Feminist and queer theory British and Irish literature medieval medieval literature king arthur arthurian literature quest maidens malory sir thomas malory le morte darthur
2	Home of the Japanese Heart : Socio-historical Contextualization of Gender Politics, Commodity Animism and Super State-Nationalism of Japanese Modernity through the Indigenous Faith Crown, Juno January 2018 (has links) This thesis aims to contextualize gender politics, nationalism, and animism as interconnected cultural patterns reflecting 19th century acculturation and post-WWII national reconstruction of Japan. In particular, state-nationalism, hegemonic femininity, commodity animism, uniform fetishsm, and power structure are analyzed through the symbolisms and discourse of the Japanese indigenous faith: Shinto, female practitioners, and followers. There are two points of ideological and linguistic rupture in modern Japan: late-19th century and mid-20th century, in which a large part of this thesis is dedicated to for a holistic contextualization in accordance to historical narrative and events. Materials for this thesis were collected through three separate occasions of field research: winter of 2016 to 2017, summer of 2017, and the spring of 2018 where participant- observation, semi-structured interviews across different platforms, internet ethnography, and archival data analysis were combined. The thesis is separated into three parts: super state- nationalism, gender politics, and commodity animism, and each chapter has its own thematic focus for analysis while the ideological shifts are explained largely based on Ideological State Apparatus and subjectivity. The development of the several thousand year old faith is the preoccupation of this thesis in an attempt to interpret the collective identities, tendencies, and patterns of Japanese modernity. Shrine Maidens Miko Shinto Acculturation Super State-Nationalism Ethnic Religion Monoethnicity Gender Politics Hegemonic Femininity Commodity Animism Uniform Fetishsm Rupture of Modernity. Social Anthropology Socialantropologi Other Humanities not elsewhere specified Övrig annan humaniora
3	Platonic Craft and Medical Ethics Bader, Daniel 14 February 2011 (has links) Platonic Craft and Medical Ethics examines the Platonic theory of craft and shows its application to different ethical problems in medicine, both ancient and modern. I begin by elucidating the Platonic use of the term “craft” or “technē”, using especially the paradigmatic craft of medicine, and explicate a number of important principles inherent in his use of the term. I then show how Plato’s framework of crafts can be applied to two ancient debates. First, I show how Plato’s understanding of crafts is used in discussing the definition of medicine, and how he deals with the issue of “bivalence”, that medicine seems to be capable of generating disease as well as curing it. I follow this discussion into Aristotle, who, though he has a different interpretation of bivalence, has a solution in many ways similar to Plato’s. Second, I discuss the relevance of knowledge to persuasion and freedom. Rhetors like Gorgias challenge the traditional connections of persuasion to freedom and force to slavery by characterizing persuasion as a type of force. Plato addresses this be dividing persuasion between sorcerous and didactic persuasion, and sets knowledge as the new criterion for freedom. Finally, I discuss three modern issues in medical ethics using a Platonic understanding of crafts: paternalism, conclusions in meta-analyses and therapeutic misconceptions in research ethics. In discussing paternalism, I argue that tools with multiple excellences, like the body, should not be evaluated independently of the uses to which the patient intends to put them. In discussing meta-analyses, I show how the division of crafts into goal-oriented and causal parts in the Phaedrus exposes the confusion inherent in saying that practical conclusions can follow directly from statistical results. Finally, I argue that authors like Franklin G. Miller and Howard Brody fail to recognize the hierarchical relationship between medical research and medicine when they argue that medical research ethics should be autonomous from medical ethics per se. Plato Medical Ethics Aristotle Techne Craft Rhetoric Contraries Predication Autonomy Paternalism Research Ethics Therapeutic Misconception Meta-Analysis Gorgias Laws Euthydemus Eleutheria Episteme Hippocrates Persuasion Bia Peitho Health Disease Measurement Metaphysics Phaedrus Privation Franklin G. Miller Education Informed Consent Freedom Lysias Hippias Minor Philebus Statesman Sophist Charmides Republic Protagoras Kolakeia Flattery Arche Essence Definition Suppliant Maidens Heraclidae Philoctetes Slavery Competition 0422
4	Platonic Craft and Medical Ethics Bader, Daniel 14 February 2011 (has links) Platonic Craft and Medical Ethics examines the Platonic theory of craft and shows its application to different ethical problems in medicine, both ancient and modern. I begin by elucidating the Platonic use of the term “craft” or “technē”, using especially the paradigmatic craft of medicine, and explicate a number of important principles inherent in his use of the term. I then show how Plato’s framework of crafts can be applied to two ancient debates. First, I show how Plato’s understanding of crafts is used in discussing the definition of medicine, and how he deals with the issue of “bivalence”, that medicine seems to be capable of generating disease as well as curing it. I follow this discussion into Aristotle, who, though he has a different interpretation of bivalence, has a solution in many ways similar to Plato’s. Second, I discuss the relevance of knowledge to persuasion and freedom. Rhetors like Gorgias challenge the traditional connections of persuasion to freedom and force to slavery by characterizing persuasion as a type of force. Plato addresses this be dividing persuasion between sorcerous and didactic persuasion, and sets knowledge as the new criterion for freedom. Finally, I discuss three modern issues in medical ethics using a Platonic understanding of crafts: paternalism, conclusions in meta-analyses and therapeutic misconceptions in research ethics. In discussing paternalism, I argue that tools with multiple excellences, like the body, should not be evaluated independently of the uses to which the patient intends to put them. In discussing meta-analyses, I show how the division of crafts into goal-oriented and causal parts in the Phaedrus exposes the confusion inherent in saying that practical conclusions can follow directly from statistical results. Finally, I argue that authors like Franklin G. Miller and Howard Brody fail to recognize the hierarchical relationship between medical research and medicine when they argue that medical research ethics should be autonomous from medical ethics per se. Plato Medical Ethics Aristotle Techne Craft Rhetoric Contraries Predication Autonomy Paternalism Research Ethics Therapeutic Misconception Meta-Analysis Gorgias Laws Euthydemus Eleutheria Episteme Hippocrates Persuasion Bia Peitho Health Disease Measurement Metaphysics Phaedrus Privation Franklin G. Miller Education Informed Consent Freedom Lysias Hippias Minor Philebus Statesman Sophist Charmides Republic Protagoras Kolakeia Flattery Arche Essence Definition Suppliant Maidens Heraclidae Philoctetes Slavery Competition 0422
5	Text and Tapestry: "The Lady and the Unicorn," Christine de Pizan and the le Vistes Williams, Shelley 21 May 2009 (has links) (PDF) The luminous, famous and enigmatic The Lady and the Unicorn tapestries are timelss objects at the center of heated scholarly discussion. There are six tapestries, created circa 1480-1500 (figures 1 – 6), and were commissioned by the le Viste family of Lyon, whose heraldic arms appear in each tapestry. This paper seeks to connect the tapestries conceptually to contemporary courtly, feminine ideals, the image of woman in late fifteenth-century Paris, and most importantly to Christine de Pizan's writings, particularly City of Ladies and The Treasury of the City of Ladies, both written in 1405. Through her texts, Christine de Pizan (1363 – 1434) created a noble, dignified image of women that may have influenced the way viewers were intended to perceive The Lady and the Unicorn tapestries. While recent scholarly studies have connected the tapestries to contemporary texts, there has not been a discussion regarding Christine de Pizan's influential writings, their surrounding discourse, or the image of a woman as the visual embodiment of the le Viste family in connection to the tapestries. Specific passages in Christine's texts resemble motifs, objects, and underlying messages in The Lady and the Unicorn. While Christine's works may not have been the direct inspiration for the tapestries, both are a part of the visual and textual make-up of the abstracted feminine ideals that were circulating in Paris and France at large in the fifteenth century. The Lady and the Unicorn may also have had a didactic purpose similar to Christine's Treasury of the City of Ladies, displaying for the le Viste daughters through a visual medium the attributes of the ideal maiden. Exploring the cultural context in which The Lady and the Unicorn was created, specifically as it relates to women in society, the upper class, expectations for young maidens, visual and written moral messages for women and their artistic manifestations provides a new understanding of these exceptional tapestries. lady and the unicorn unicorn lion medieval tapestry tapestries gothic art gothic tapestry woman medieval women maidens Cluny Christine de Pizan Pizan feminist art history art history le Viste Viste family French art French tapestry France fifteenth century lady five senses sight touch taste sound a mon seul desir Art Practice

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